StayedGolden

Going to The Dentist [Minuette]

May 13th, 2016
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  1. >It's been roughly a month since your unceremonious arrival in Equestria
  2. >a late night drive home
  3. >from work, you think
  4. >It was pretty foggy
  5. >anyway, that was your last memory of earth, followed by your first memory of Equestria
  6. >falling into a tree in the Everfree forest
  7. >You'd tumbled out, and wandered in a rural city of talking ponies
  8. >You then ran out screaming, because it was a rural city of talking ponies
  9. >Afterward, you had heard a voice claiming to be a princess, and not a threat
  10. >She seemed kind enough, and her words, along with the strong possibility of starving in the woods, convinced you to trust here.
  11. >You'd stayed in a spare room of some sort of castle, writing out everything about Earth that you could remember
  12. >You could not remember much
  13. >Anyway, Twilight was interested, and you figured this secured your living quarters for the time being
  14. >Not to mention, you didn't want to forget about your home, in case you never got back
  15. >The room was cozy, the six people
  16. >ahem
  17. >the six horses that visited you were kind (and easy enough to socialize with), and things were going about as well as could be expected
  18. >Until you woke up with a toothache
  19. "Oh fuck that hurts!"
  20. >you contort your face in pain and spit out the candy you'd been stuffing yourself with
  21. >pretty much your main source of food, actually
  22. >you'd given it nothing but affection and attention, and this is how it repays you
  23. >you rush down to twilight, wincing at the pulsing pain coming from your tooth
  24. >with the social and linguistic grace that can be expected of you, you casually inform Twilight of your predicament by shouting ow over and over and pointing towards your mouth
  25. >she gives you a confused look, which is pretty much the standard
  26. "Tooth hurts"
  27. >you moan, heroically combating the agony of your mouth in order to pronounce the sentence properly
  28. >she gives you an understanding look, and an "ah!" and directs your to a nearby stool
  29. >"Spike! magnifying glass!"
  30. >The little, almost-dragon thing stumbles into a drawer in its haste, and nearly knocks over Twilight in its eagerness to hand it to her
  31. >Weird little guy
  32. >"Open your mouth and point to where it hurts, Anon"
  33. >she takes a look around your mouth, and quickly spots your swollen gums
  34. >"Okay, I think I found the problem."
  35. >Thank goodness
  36. >"Now let's see if I can remember the spell..."
  37. >Her unsure tone worries you, but this is the princess of magic after all.
  38. >If you can't trust her, then who can you-
  39. "AAAAAAAAAAAAAAAAAAAAAAAAAAAGHH!"
  40. >The pain that was committed to a single tooth has spread to your whole mouth now
  41. >Every brush of your tongue sent new flames of anguish into your teeth
  42. >You informed Twilight of her failure through a serious of shrieks and gasps
  43. >"Oh no, oh no! I think I used the wrong spell!"
  44. >You agree
  45. >Spike stands to the side, nodding his head with the impartiality of a scientist
  46. >With the three parties in agreement, the two non-wizards stare at Twilight, waiting for the next plan of action
  47. >"Ok, I think I know what to do-"
  48. >The purple glows encircles her horn again, and you feel the pain mostly fade
  49. >Along with most of your other feelings
  50. >Except for a dull ache in your teeth, you can't feel anything
  51. "What'd you do?"
  52. >"I used an old military spell to block your pain"
  53. >"The problem is that it won't last, and I haven't the first clue as to how to fix your toothache"
  54. >A look of horror dawns on your face as you reach the conclusion she's coming to
  55. >"Anon, you're going to have to go to the dentist."
  56. "NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!"
  57. > you cry, informing her of your position on the matter
  58. >You reiterate your position once more as she explains to you that the dentist is the only one that can help you now, and then as she drags you with magic over to the office.
  59. >Now in front of the doors, you moan one last no, just in case your beliefs weren't made clear
  60. >Twilight orders you in and magics the door open, and you walk in, defeated
  61. >A sprightly looking receptionist perks up at the bipedal customer
  62. >Besides your brief and embarassing entrance, you hadn't been around these ponies much
  63. >You just stuck to your room and racked your brain for every historical event
  64. >sort of like how you stuck to your room on earth and played video games
  65. >you were shit at talking to members of your own species, no way were you going to succeed here
  66. >after a few concerned looks, she asks if she can help you, almost hiding her confusion over what you are
  67. "I have a toothache, and Twilight made it worse"
  68. >"I, uh, see."
  69. >She looks down at her clipboard and makes a quick note
  70. >"Can I have your name and address, please?"
  71. "Anon, and I'm at the big magic castle"
  72. >Another curious look at you, and she's scribbles the information down
  73. >"Please be seated. The doctor will be right with you."
  74. >A couple rounds of thumb-twiddling and a bored glance at the horse magazines pass the time until a light blue pony steps out
  75. >"Anon?"
  76. >You wave a hand in the air, indicating that the only person in the waiting room is indeed the only person that would be called on
  77. >She smile turns to a quizzical look when she spots first your hand, than all of you
  78. >She gazes at you for a solid minute, completely forgetting herself
  79. >Not that you weren't doing the same.
  80. >She had this short, well trimmed cyan coat, a few shades darker than Rainbow Dash
  81. >Silver and Cobalt striped hair, slightly draped our her right eye
  82. >A little bit was sticking up near her horn
  83. >Her eyes were wide, with irises that looked to be a combination of both the silver and cobalt of her hair, shimmering in the bright office lights
  84. >Her mouth was slightly ajar, and tilted up on the side, like a kid on Christmas who wasn't quite sure what the present he received was, but knew that it was a present and that was enough.
  85. >It takes you a minute to realize you'd been holding your breath in your stare contest.
  86. "Um, I'm Anon"
  87. >you try to break the silence
  88. >The confusion vanishes from her face, and she assumes the widest smile you've seen
  89. >"A pleasure to meet you, Mr. Anon! I'm Minuette, and I'll be your dentist today!
  90. >The smile puts you somewhat at ease
  91. >After all, you're still in a world of talking ponies and at a dentist
  92. >"Right this way," she exclaims, and trots down the hallway, then into a room to the left
  93. >there's no chair
  94. >right
  95. >ponies probably stand
  96. >you sit down and cross you legs, Buddha-style, now at eye level
  97. >"Oh! there's no chair in here!"
  98. >She looks slightly troubled, and starts towards the door
  99. >"Then again, I don't think you'd fit in any of our chairs..."
  100. >She turns to you, her smile apologetic now
  101. >"I guess you'll have to sit there. I'm terribly sorry, Mr. Anon."
  102. >It's fine, you're used to lacking human accommodations.
  103. "It's fine, I'm used to it."
  104. >She perks up a little bit at that
  105. >"Well alrighty then! Let's get to work!"
  106. >She looks at a clipboard in our her hoof
  107. >"So what has been your diet?"
  108. "You mean today, or in general?"
  109. >"Both!"
  110. "Candy. Some carrots, I think. Mostly candy though."
  111. >For the first time since you've seen her, her jovial expressions are replaced with stark terror
  112. >"Y-y-you've been eating nothing but candy?"
  113. "No. I had some carrots yesterday."
  114. >she places a hoof on her forehead, and sighs deeply
  115. >"Well, I suppose there aren't dentists wherever you come from then"
  116. >An out
  117. "Uh, yeah. No dentists there. Not really sure what the term means, heh heh."
  118. >Sometimes you feel lucky that ponies can't read human body language, because fuck are you looking guilty right about now
  119. >Minuette seems sated by your answer, and raises her head like a teacher
  120. >"I see. Well, there are different effects that different foods have on your teeth. I won't explain all the details, but candy, or most sweet things, result in toothaches
  121. "But candy tastes great! And it's not like I can eat-
  122. >you stop yourself from saying meat
  123. >you don't need to say anything to ruin your chances with these ponies
  124. >"eat what?"
  125. "Herda Burda Fyrda. It's something we made where I come from, and I'm pretty sure the ingredients don't exist here
  126. >You're pretty sure that's something the Swedish Chef has cooked
  127. >"Oh, I see. Well, I'm afraid that you're still going to have to place limits on your candy-eating, unless you want more toothaches."
  128. >"Now, where is the pain?"
  129. "Well, it was right here,"
  130. >you point out the source
  131. "But Twilight casted some spell and made it hurt everywhere."
  132. >She nods her head, a knowing look entering her eyes
  133. >"I have an idea of what she did."
  134. >"Let me just..."
  135. >that magic cloud engulfs her horn, and you see it weaving its wards towards your mouth
  136. >instinctively, you pull away
  137. >you're used to Twilight, sort of, but this magic thing is still weird
  138. >concern crosses Minuette's face
  139. >"What's wrong, Anon?"
  140. >Those blue eyes are boring into you.
  141. "Oh, um, sorry.
  142. I'm not really used to this magic thing."
  143. >She cocks her head to the left
  144. >"You mean there wasn't magic where you came from?"
  145. "Nope. Well, not really. I mean there were magicians and possibly a God, but I don't think either of them count.
  146. I guess I'm just not used to it."
  147. >she takes a step closer, and gives you a warm smile
  148. >"I can't say I completely understand, Anon.
  149. >But I've done this procedure dozens of times, and I would never, ever let a patient of mine come to harm.
  150. >Some part of you needed this.
  151. >You played it cool for the most part, pretending that you were alright whenever Twilight would ask
  152. >Even convinced yourself
  153. >But that small reassurance gave you a little more courage than she probably realized
  154. >You took a breath, and returned her smile, though you doubt you could do it as sweetly.
  155. "Alrighty then."
  156. >That blue cloud of magic swallows her horn again, and twists over to you.
  157. >You feel it filling your mouth, as your teeth begin to tingle
  158. >"Now this is going to hurt, but only for a little bit, she promises"
  159. >You nod, and close your eyes
  160. >The pain of the morning comes back gradually, until the full force is back
  161. >You clamp your eyes shut and force your mouth to stay open
  162. >Then, gently as ever, the pain begins to lift.
  163. >The agony turns to discomfort, then to irritation, then back to simple tingling
  164. >When you open your watery eyes, the concentration of Minuette's face relaxes into her easy smile
  165. >She closes her eyes and grins at you, melting your heart a little bit
  166. >"Well, that takes care of that!"
  167. >You smile back at her, more authentically than your others
  168. "Thanks, Minuette.
  169. For everything."
  170. >She seems to understand your meaning, and trots over to your side, sitting down alongside you
  171. >"I know it doesn't compare, but I was a little afraid when I first came to Ponyville.
  172. >"I didn't know anybody, and even though I don't usually have problem making friends, I was in a bad spot at the time.
  173. >"But there was one pony that reached out to me, and helped me start being myself again; Pinkie Pie.
  174. >"If it wasn't for her, I would have had a much harder time getting my start here."
  175. >She turns to you
  176. >Once again, you're drawn into those blue eyes that almost seem to glow
  177. >"Anon, I want you to know that if there's anything you need, even if it's only somepony to talk to, I'm here for you.
  178. >"It's the least I can do."
  179. >You catch your breath once more, the intake shuddering as you suppress feelings you don't want to face
  180. "Ok,"
  181. >you respond, a somber gratitude conveyed in your half-smile, half-grimace
  182. >Something in her recognizes that look, and she pulls you into an impromptu hug
  183. >You were as unprepared as she was, and unable to stop yourself from returning the tight embrace
  184. >After a raw moment, she remembers what she's there for, and breaks the hug
  185. >"Oh no, I'm so sorry. I guess I just... just felt you need it," she stutters, trying to name an acceptable intention for her kindness
  186. "Don't be sorry,"
  187. >you assure her,
  188. "I did need it."
  189. >She breathes a sigh of relief, her unprofessional outburst vanished
  190. >She walks you out, her ever-cheerful expression telling you that you were going to be okay
  191. >And for once in your life, you actually believed it
  192.  
  193. >Nevertheless, you remained cloistered up in your room in the castle for a week afterward
  194. >You couldn’t explain why if you were asked
  195. >You knew that there were potential friends out there, definitely one that would be willing to hang out
  196. >You wanted to hang out, to go out and just talk to them
  197. >Talk to Minuette
  198. >But something kept stopping you
  199. >It was like some gravity centered onto your room, some force making you unable to leave any more than you could leave the earth without falling back
  200. >There were times that you had to pull yourself away from the window
  201. >What would it look like if you were to be seen gazing longingly at the world you couldn’t bring yourself to enter?
  202. >And so there you were: in your room as usual
  203. >Each day burnt up in a rotten malaise, a waste of the time you considered so precious, but not enough to move
  204. >It could have gone on forever, if not for Twilight’s trip
  205. >She had left the house, as she had usually done
  206. >She’d mentioned some sort of friendship problem, and was off for who knows how long
  207. >These trips never meant too much: you missed out on the daily check-in that Twilight had kindly kept up all these weeks
  208. >But that wasn’t so bad
  209. >You felt isolated for most of the day, and now you felt isolated the whole day
  210. >You had forgotten about it until you heard a faint ringing of the doorbell
  211. >You’d thought you imagined it
  212. >After all, Twilight didn’t get a whole lot of visitors, and those she did just came right in
  213. >It rang again
  214. >Then it dawned on you
  215. >You were the only one that could answer it
  216. >A wave of fear and excitement swept over you, both sourced in the prospect of a social interaction
  217. >You ran through the Crystal halls towards the source
  218. >This one, then that
  219. >Right, left, right, left, left, straight, left
  220. >Wait
  221. >Fuck
  222. >You couldn’t remember where it was
  223. >You were a third ring
  224. “COMING!”
  225. >Geez, it was probably some royal official princess important business
  226. >The most important kind of business there is
  227. >Twilight would be so pissed if you didn’t get it
  228. >More and more halls tricked you and blocked your path
  229. >But then, like a light at the end of the tunnel, the main room
  230. >You speed across the room, leaping over Rarity’s throne, hoping you weren’t too late
  231. >Panting and wheezing, you thrust open the door
  232. >Be Minuette
  233. >You had expected Anon to be back to the office after he’d left
  234. >He was alone, in need
  235. >Maybe you didn’t know him too well, but you felt like you had to do something
  236. >So why not pay him a visit?
  237. >After all, you were responsible for the health of his teeth, and you found it unlikely that he was taking care of them
  238. > …Eating candy every day
  239. >You shudder at the thought
  240. >So here you were, at his home
  241. >You rung twice, hesitantly
  242. >When nobody came, you rung it once more
  243. >If he didn’t come then, you’d go
  244. >At least you’d have tried
  245. > …Still nothing
  246. >As you turn to leave, your hear a thumping move towards you
  247. >The door behind you crashes open, and Anon appears in the entrance
  248. >He looks like he’s trying to say hello
  249. >Instead, he just wheezes a whole lot, and leans over, his hands on his knees
  250. >He seems to be aware of his failure, and simply raises his hand in a wave
  251. >You giggle at his efforts, and wave right back
  252. “Hi Anon!”
  253. >”Hey”
  254. >You stand there smiling at him, forgetting why you were here in his flustered performance
  255. >”You, uh, wanna come in?”
  256. “Oh! Yes, sure!”
  257. >You’ve always loved the parties Twilight threw here
  258. >Or rather, that Pinkie threw in Twilight’s house
  259. >Anyway, you had always wanted a tour of the place
  260. >Hopefully, Anon would oblige
  261. >Maybe if you used those feminine wiles of yours…
  262. >Nope!
  263. >You catch your wandering mind, and bring it back to the subject at hand: checking on Anon
  264. >As you’re about to inquire, Anon speaks first
  265. >”This place is basically a labyrinth.”
  266. >He pauses
  267. >”That’s why it took me so long to get down here, and why I was so tired.”
  268. >Well, maybe he wasn’t as unhealthy as it seems
  269. >you nod the affirmative, but he doesn't seem to see it
  270. >"I'm actually a pretty /fit/ guy. Used to run marathons and stuff"
  271. >pffft.png
  272. “I don’t doubt it, Anon.
  273. "This place is huge from the outside.”
  274. >”Have you never been in here?”
  275. “No, there’ve been a handful of parties here.
  276. “Never went past the dining room, though.”
  277. >At that, both of you take your seats in said room, where two chairs were already facing each other
  278. >Anon grunts and nods at your comment
  279. >”Well, can I get you anything? Tea? I think we have coffee somewhere…
  280. “I’ll have some tea. Coffee is terrible on teeth!”
  281. >He had been about to pick up a steaming cup on the table, then hesitates and pushes it away
  282. >”Oh, y-y-yeah, that stuff’s the worst on teeth”
  283. >You can’t help laughing again at his attempts to lie
  284. “Anon, you can drink coffee if you want,”
  285. > you hint to him
  286. >”Well, of course. It’s just, I don’t really like it anyway…”
  287. >This boy is worse than Applejack
  288. >And it is hilarious
  289. >He steps into the nearby kitchen
  290. >A cabinet creaks open, followed by a loud clatter
  291. >”AWFUG”
  292. >You race into the kitchen, worrying for his safety
  293. >There you see Anon hopping on one foot up and down
  294. >A pile of pans cover part of the floor
  295. >Anon lifts his middle finger towards the largest one as he cries out in pain
  296. > …wonder what that means
  297. “Anon, are you okay?”
  298. >Anon spots you, and immediately stops jumping up and down, leaning back onto the counter
  299. >”What? Oh, yeah, I’m fine”
  300. >His attempts to play it cool are par for the course
  301. “No, you’re not.
  302. “Come over here.”
  303. >He tries to stroll towards you nonchalantly, but you can see him practically limp
  304. >You see a large red spot on his foot, with a slight purple tinge
  305. >You lift his foot up, causing him to cringe and suck in his breath
  306. “Oops, sorry!”
  307. >”S’all good,” he gasps
  308. “Here, grab me some gauze, and I’ll wrap this up for you. That should lessen then pain.”
  309.  
  310. >Poor Anon
  311. >He’s really not having an easy time here
  312. >He limps over to the cabinet and after some rustling, pulls out some gauze
  313. >After taking a couple steps toward you, he grimaces
  314. >His legs falter, and he teeters to the left
  315. >shit!
  316. >you run to the side of him, ready to catch him if he falls
  317. >The leg with the hurt would contorts, and he falls to his knees, his arms flailing
  318. >The left one falls on you, and he places his weight on that, able to stay somewhat upright
  319. >He breathes heavily, and groans, another spurt of pain moving through his foot
  320. >You glance worriedly at him
  321. >This is all your fault
  322. “Anon, I’m so sorry,”
  323. > you cry, afraid of forcing him even further into whatever’s imprisoning him
  324.  
  325. >He chuckles briefly, and waves your concern away with his free hand
  326. >”It’s no problem, just a little bruise.
  327. >”Just help me over to the chair.”
  328. >Moving slowly, he lifts himself to his feet, keeping the pressure off his injury by leaning heavily on you
  329. >You move slowly, making sure to help him keep his balance
  330. >After a lot of groans and one very close call, he collapses into the chair
  331. >You take the gauze, which had fallen on the floor, and begin unspooling a decent amount
  332. >Then you tear it off and begin wrapping it tightly around Anon’s injury
  333. >A little tape from the same drawer keeps it closed, and you feel a little more worthy of the title of Doctor
  334. >He breathes out deeply as you finish, then looks at you with mock sorrow:
  335. >”Sorry I couldn’t make you that tea”
  336. >Is he still concerned about that?
  337. >It doesn’t look like it…
  338. >Still, you don’t want to take the chance
  339. “Anon, it’s fine. You don’t have to worry about that.”
  340. >He chuckles and replies that he was joking;
  341. >”But I can still make you some tea if you want it
  342.  
  343. >Well, now that you think about it, you do
  344. ”How about I make some? My mother had the greatest recipe for cinnamon tea, in the world!
  345. “I can make some for you too,”
  346. > you add, wanting him to experience it
  347. >”Yeah, sure, that sounds fine.”
  348. >He gives you a small smile, clearly not as excited as you are about it.
  349. >But your tea rules, and Anon is gonna fall in love with it
  350. > You run into the kitchen, clean up the mess of pots, and get to work
  351.  
  352. >Be Anon again
  353. >As you see your pony guest run into the kitchen, you sigh deeply
  354. >You tried keeping that spaghetti in your pockets, but that shit came out faster than modern liberals
  355. >Seriously, Anon, get your shit together
  356. >Can’t be embarrassing yourself when there’s cute ponies around
  357. >I mean, not that she’s cute or anything
  358. >Whatever!
  359. >You’ll make up for it later
  360.  
  361. >”Almost ready!”
  362. > comes the happy voice from inside your kitchen
  363. “I’m excited!”
  364. > you shout, not fully selling it
  365. >Man, this shit was hard
  366. >Even back home, with people of your own race and culture, you had the hardest time talking to them
  367. >You never knew the reason, although you could certainly name some possibilities
  368. >Arrogance, introvertedness, constantly being tired and unmotivated, having little success in those situations, being kinda ugly, and so forth
  369. >There were a few people, mostly girls, that took pity on you or something, and would chat with you every once in a while
  370. >Minuette kind of seems like those girls
  371. >Happy, friendly, willing to overlook all that bad shit and look for the good parts of you
  372. >You smile to yourself, feeling like you might actually have a friend in her
  373. >As long as you don’t fuck it up
  374.  
  375. >She trots in her, almost bouncing in excitement
  376. >Two floating cups follow her, almost spilling over
  377. >That smile of hers just cheers you right up
  378. >If she’s still excited to hang out with you after your breathless entrance and pan fiasco, maybe you can forget about all your worries
  379. >Maybe
  380. >They’re still there, loitering in the back of your mind
  381. >But they aren’t front and center like they usually are
  382. >That space is occupied by a pretty blue pony and a cup of steaming tea floating towards you on a sparkley blue cloud
  383. >That kinda thing really draws the attention
  384. >”Here!
  385. >”You might want to blow on it a bit”
  386. >You obey, taking occasional sips until it’s cool enough for you to drink
  387. “Boy, that’s sweet!”
  388. > you exclaim, not used to tea having strong taste of any kind
  389. >”Sugar and magic,” comes the bright reply
  390. >Magic?
  391. “Magic?”
  392. >”Yeah, a little warming spell to make you feel all warm and cozy on the inside!”
  393. >Huh
  394. >Well, if it works, you sure aren’t gonna argue
  395.  
  396. >You can feel your tension melt away, the pain in your foot now just a memory
  397. >You’re looking at the pony in front of you now with the contendly, half-awake gaze that comes from being tired and comfy
  398. >You notice how she closes her eyes when she drinks her tea, and the cute little crinkles that tell you she enjoys it
  399. >You notice that little upturned sides of her lips as she drinks, a smile unable to be completely revoked
  400. >You notice the way her head seems like move around as she speaks to you, tilting and turning and moving forward and backwards
  401. >You don’t notice how your tired comfiness is coming mostly from her, not the tea
  402. > She’s telling you about the dentistry business, and how her secretary is an old friend of hers
  403. >They went to the same schools or something
  404. >The content of her words are hard to focus on
  405. >It’s only that melodious sound of her speech that enthralls you, more than any magic could
  406. >That speedy tempo
  407. >the rise and fall of her pitch as she explains something
  408. >That light tinkle of her laughter, like the ringing of tiny silver bells
  409. >You could listen to her forever, you think lazily, unaware of the implications
  410.  
  411. >”Anon,”
  412. >The sound of her speaking your name is so sweet, you forget that she’s trying to get your attention
  413. >”Anon?”
  414. >”Anon!”
  415. >Oh yeah!
  416. “Sorry, Minuette. Kind of spaced out there.”
  417. >”Oh, don’t be sorry,” her cheery voice consoles, “it can have that effect!
  418. >”I just wanted to ask you how the brushing goes”
  419. >Oh. That.
  420. >you try to avoid the question
  421. “Welll… you see…”
  422. >Minuette narrows her eyes, seeing through your ruse before you even began
  423. >”You haven’t been brushing, huh?”
  424. “Well, if you look at it from a-“
  425. >Minuette’s eyebrow cocks
  426. “I suppose you could say that-“
  427. >Her arms cross
  428. “…
  429. “No.”
  430. >Surprisingly, her trademark smile returns to her face
  431. >”That’s okay! To be honest, I didn’t really expect you to.
  432. >”It takes a while for people to get into the habit,” she explains,
  433. >”I just wanted to see if you’d be honest with me.
  434. >”Thanks for that, by the way.”
  435. “I tried to avoid it though.”
  436. >”Yeah, but you’re a bad enough liar that it basically counts as truth,” comes her chuckling retort
  437.  
  438. >”There was something I wanted to know though.”
  439. “What is it?
  440. >”Well…”
  441. >She grinds her hoof into the ground, looking slightly uncomfortable
  442. >Then she nods her head, looking at you resolutely
  443. >”Why haven’t you come to see me?”
  444. >Oh boy
  445. >Man, where to begin
  446. >What could I even tell her?
  447. >You look at your feet, not sure of how to answer
  448. >You glance at her
  449. >A concerned, almost hurt expression is spread across her face
  450. “Um…”
  451. >She senses your very clear discomfort, and tries to help you out
  452. >”Anon, you don’t have to answer me. I get the feeling this is a personal question, and I don’t want you to think I’m forcing you to answer.”
  453. >”But you looked miserable, and alone.
  454. >”There was a pony like that I used to know: she just kept pushing people away, and I let her cloister herself up completely.”
  455. >”It took the princess of magic herself to help her; but I always thought that if I paid a little more attention, and reached out just a little more, a huge mess could have been avoided.”
  456. >She takes your hand, previously resting on the table, into her hooves
  457. >”Stop me if I’m coming on too strong – I have been known for that, on occasion – but I don’t want the same thing to happen to you or anybody else
  458. >You felt like your heart had stopped
  459. >She-
  460. >She really cared about you
  461.  
  462. “Minuette, I-“
  463. >You don’t know what to say
  464. “I don’t know what to say.”
  465. >She looks down, clearly embarrassed
  466. >”I’m sorry Anon, I guess I just got kind of caught up-“
  467. “No, it’s not like that
  468. “Ok, first, I want to thank you. Telling me that means a lot to me.
  469. “But I’m not actually sure what the problem is.”
  470. >She looks up questioningly
  471. “It’s sort of complicated, and I don’t know if I could actually explain everything.
  472. >Her quiet smile lends itself to the most tender look you’ve ever seen
  473. >Somehow, you feel like it’s given you the strength to keep going
  474. >Even so…
  475. “Minuette, I don’t want to bother you with all this
  476. >”Anon, I wouldn’t have butted in and asked you about it if I didn’t want to be bothered
  477. >”I want to help you, Anon. Let me be here for you.”
  478.  
  479. >A warm smile accompanies her words, giving them a gentleness and compassion of a wholly different variety than her usual upbeat attitude granted
  480. >You lift your empty hand to her hooves, joining the other, and grasp them gently
  481. “Ok.”
  482. >And so you talk
  483. >You tell her of your struggles back in your own world
  484. >Your lack of social skill, lack of confidence, inability to read people and respond correctly
  485. >Your despair at so many years of continual failure, resulting in you just giving up
  486. >All the while Minuette hold your hands, only failing when her hoof is raised to wipe away the tears.
  487. >When you finish, she looks up at you with tears in her own eyes
  488. >”Thank you, Anon.”
  489. >Then she slowly picks herself up off the chair, and walks over to you
  490. >She stands up on her hind legs, then wraps you in her upper hooves in a tight hug
  491. >”I care about you, Anon.
  492. >”You don’t have to be alone anymore. I don’t know what went on in your world, but I can tell you the person I see in front of me is funny and kind, and I for one, would love to be friends with him.
  493. >”And I’m not the only one.
  494. >”If you’re up for it, I know at least a dozen ponies who would love to be your friend. But they can’t be if you shut yourself away like this.
  495. >”Talk to me. Talk to them. Come out of your house, and I’ll show you.”
  496. >She pulls back a little, and looks directly into your eyes
  497. >”Come see me tomorrow.”
  498. >You sniffle, and stare back into those beautiful blue eyes
  499. “Ok.”
  500. >”I’m gonna need a promise, Anon.”
  501. >you laugh a little through your shaky, emotional voice:
  502. “I promise, Minuette."
  503.  
  504. >Minuette has invited you over
  505. >You knock on her door
  506. >The muffled sound of hooves hastily approaching can be heard through the door
  507. >It creaks open
  508. >"Hey Anon, there you are!"
  509. "Hey Minue-"
  510. >"Oh wow, I could've sworn you were at least a head shorter", she giggles, "how are you doing today, big guy?"
  511. "I'm good, I'm good. You?"
  512. >"Oh I'm great, it's so exciting to have you drop by my place, but don't just stand there, come inside! Watch your head though!"
  513. >She didn't really have to warn you
  514. >You've bumped your head in the low doorframes of pony houses enough times grow a habit to dodge when entering houses
  515. >But you appreciate the concern
  516. >"Would you like something? Coffee? Tea? Maybe a snack? Oo, you know what, I picked up some fresh pineapple this morning, would you like a piece?"
  517. "Pinapple sounds good."
  518. >"Alrightie, just take a seat in the living room and I'll be right out with some slices!"
  519.  
  520. >So far so good
  521. > You don't want to mention it, but it's been a really long time since you've been invited over to anybody's house
  522. >Especially a qt
  523. >Not that you thought a pony was cute or anything
  524. >It was like a baby, or a dog sort of thing
  525. >...you know, how they can be cute and stuff?
  526. >You're floundering in your inner debate when Minuette comes to save you
  527. >She bursts into the room, her radiant smile bringing you to life
  528. >Coming here, you as terrified as your muted emotions allowed you to be
  529. >Speaking to her didn't help as much as you'd like
  530. >Just the normal fumbling for words that could be expected from you
  531. >Bouncing over to you, she holds up the pineapple slices with the eagerness of a child showing his mother his first mud pie
  532. >The gift, however, is much more favorable
  533. >You pop a few into your mouth, and sit up straight, the sudden burst of flavor completely unexpected
  534. >After a month of mostly noodles, your taste buds had forgotten tanginess and sweetness
  535. "Wow, these are really good!"
  536. >"Awww, do you really think so?
  537. >"As a matter of fact, I grew them myself!"
  538.  
  539. >No kidding
  540. "No kidding!"
  541. >You’re taken by surprise: she doesn’t seem much like a farmer
  542. “That’s really cool, Minuette.”
  543. >”Well, I do my best!
  544. >”It’s nice to have some compliments on it though. Ones that aren’t coming from myself.”
  545. >The both of you chuckle at that
  546. “You know, my family used to have a garden,”
  547. > you tell her, before frowning at that sinking feeling in your stomach
  548. >She notices your pained expression, and tries to change the subject
  549. >”So what do you think of the place?”
  550. > she asks, a little too eagerly’
  551. “What?”
  552. >”I just got the place a month ago. I finished unpacking yesterday,”
  553. > she gives a small laugh at her procrastination
  554. >”You know how it is, moving. Always takes so long!”
  555. >Her infectious smile calls for a mirror, and you can’t help but answer it in kind
  556. >Before you know it, you’ve been pulled out of the pit you could have spent days in
  557.  
  558. >You look around the room with a curator’s eye
  559. >There’s a lot of blue, you’ll give her that.
  560. >You’re sitting on a light blue sofa, with two matching chairs by either side of it, and a clear glass table in the center.
  561. >The material is a soft fabric, and the cushioning is all sorts of cushy
  562. >Jutting out from underneath the table is a thick, dark blue rug, with concentric orange circles spreading from the middle to the outer lining
  563. >There’s a fireplace on the side opposite to the couch, a good ten feet away, with two wicker chairs in front of it
  564. >There’s an esteemed looking family in a portrait, dressed in fancy attire and frowns…
  565. >Except for the blue and grey mare in the back
  566. >…huh
  567. >You’ll have to ask about that later
  568. >On the wall adjacent, there’s a large, beautiful picture of a ship sailing on a calm ocean
  569. >Beyond you, there’s another picture of a lush forest, with yellow-leafed trees, and pink and lime shrubbery covering the ground, a pale blue sky behind it and a light brown path moving to places unknown
  570. > On the final wall is a small picture of a pony in a deep sea diver’s helmet, a ponytail jutting out the back
  571. >There’s a small yellow bird in your hand, and a pale pink heart painting above her head on an indistinguishable background
  572. >Beside this final, mesmerizing picture is the white door you had entered through, with orange divets
  573.  
  574. >You turn to her, and simple state
  575. “It’s beautiful.”
  576. >She keeps looking at you, her expression unchanging
  577. >Her eyes are doing that thing where they seem to be burrowing into yours, searching the depths for…
  578. >For what?
  579. >A better description?
  580. “Uh…”
  581. >You take another look around the room, trying to tie the words learned in your English classes with the feelings you got from the room
  582. “I like the simplicity of it; everything here seems carefully chosen, and with very good taste.
  583. “The blues match the oranges perfectly, and the whole thing matches you.
  584. “It gives off an elegant feel, like you’re trying to display treasures, rather than throw a bunch of pricey looking doodads in my face, like how a lot of houses are.
  585. “This artwork is phenomenal, and I’ll have to ask you where you got that picture of the diving pony and the bird.
  586. “Overall, it’s an incredible home, looking, somehow, classy and comfy at the same time. It’s a beautiful home, Minuette.”
  587.  
  588. >Her bright eyes open just a little bit wider as she hears your words
  589. >”Anon, that was…
  590. >”Thank you…”
  591. >Her voice trails off, her eyes looking away from you
  592. >She takes a breath and sighs, her shoulders relaxing
  593. >A self-indulgent smile crosses her face, the look of a girl holding her first love letter after the seventeenth read, right before she falls asleep
  594. >After a moment, she sits up straight, eyes wide, and reassumes her role as a chatty hostess
  595. >She begins to explain the origins of each piece of décor and the decision behind it
  596. >You’re not the biggest furniture guy, but you’re drawn into the melodious sounds of her voice
  597. >You dawn an expression not unlike the one you were just treated to as you imbibe the music of her speech
  598. >As she comes to the family portrait, she passes over it with a brief
  599. >”This is my family. They had some money, and helped me start out with my career. This was painted when I was seven.”
  600. >Her voice had turned monotone compared to the buoyant notes of the previous descriptions, as well as being significantly faster, as if she didn’t want to speak of it.
  601. > You guess it’s not a happy subject for her, and make a note to avoid it in the future.
  602.  
  603. >After noting the painting, she notes the rest of the furniture as she did before
  604. >Well, perhaps it was a bit more slow, but you might have imagined it
  605. >Finishing up, she smiles sweetly at you, glad to have a pleased listener
  606. >”Thanks for listening. I’m always glad to have a listener.
  607. >”Not everyone is as interested and attentive as you, you know.”
  608. >You chuckle, so caught up in the moment that you reply without thinking
  609. “Not everyone is as interested in you as I am.”
  610. >Your eyes widen in horror at the same time that her cheeks turn a furious red
  611. >Your head bows down and you look away, your hand anxiously grabbing your forehead
  612. >You hear her softly squeak
  613. >”Oh!”
  614. >You dare to look up, your worried eyes scanning every detail of her
  615. >Looking for the a trace of scorn
  616. >Instead, you see her looking shyly at the floor, her hoof covering her mouth
  617. >You’re definitely imagining the slight curve of a smile coming from under the hoof
  618.  
  619. >…
  620. >Neither of you say anything for a minute
  621. >You elect to break the awkward silence
  622. >Not like it was that big of a deal or anything, right?
  623. “So I…”
  624. >”What do you?”
  625. >Both sentences collide in the air, stopping once the other is heard
  626. >”You go first”
  627. “No, you”
  628. >She looks concerned, then starts
  629. >”What did you…”
  630. >She trails off and her eyes look away, seemingly lost in thought
  631. >Her eyes return from looking off into the mid-distance, with a more chipper tone
  632. >”What did you want to do?”
  633. >She asks, almost stuttering, clearly having said something besides her original intention
  634. >You express your confusion at the sudden change of subject
  635. “Huh?”
  636.  
  637. >”Well, I was thinking we could do one of three things.”
  638. >Her voice is gaining steadiness, the awkwardness being pushed aside as she returns to a more comfortable, rehearsed conversation
  639. >She’s looking at you directly, as if the past few minutes didn’t happen
  640. >”We could go to the movies -Maid in Manehatten just came out and it looks AMAZING,
  641. >”, or we could play some cards with some friends of mine,
  642. >”or…”
  643. >She trails off, remembering the third option
  644. >Her blush returns slightly, and she almost whispers
  645. >”or we could watch the sunset…”
  646. >"theres... um... a great view from the hill outside of town..."
  647. >" I packe-, a pi---"
  648. >By now her voice is so quiet you can barely hear a word she's saying
  649. "A what?"
  650. >Her blush grows, and she looks away, her hoof pointing to something near her chair
  651. >It's a picnic basket
  652. >She wants to have a picnic with you
  653. >Or wanted
  654. >Can’t say for sure, now that you just dumped a plateload of high-end pasta all over the floor
  655.  
  656. >She looks slightly downcast at your choice
  657. >That is to say, she falters slightly when she grins at your response
  658. >It's a fleeting moment, and even though you do notice it, you let it go
  659. >Talking to girls always left you a little confused
  660. >Especially girls that you were interested in
  661. >!
  662. >Interested in as people!
  663. >or ponies! Just that!
  664. >Anyway, you don't place a lot of faith in your ability to read the signals of peppy girls like her
  665. >There's still that bit of concern stalling in your gut
  666. >Now's not the time to be thinking thoughts like that about your only friend, cute or not
  667. >Meanwhile, Minuette has been vacillating between looking lost in thought and bubbling over in excitement and planning
  668. >"So... game night, eh?"
  669. >"Ooh!"
  670. >"We'll have to have Lyra there -if you get along with me, you're gonna love her!"
  671. >Wait, did she just wink at you?
  672. >"And Lemonheart! Oh, she tells the best stories!"
  673. >"Let's see, who else..."
  674. >She brightens up at the final possibility
  675.  
  676. >”Moondancer!”
  677. >”She’s the pony I was talking to you about, Anon,”
  678. >The typical jubilant expression she wears is replaced by a softer one, not unwelcome at all
  679. >”So if you feel awkward or don’t know what to say, there’s at least one thing you have in common”
  680. >You return her sweet smile, appreciating the thought
  681. >She really is a good host, you think
  682. >”Alrighty then! I’ll call them up in just a minute.”
  683. >There’s just one more, very important subject to deal with.”
  684. >At this, her eyes narrow and a grim visage meets your eye
  685. >The serious, col blue eyes throw you off a bit, and your heart drops into your stomach
  686. >Slowly, she asks you
  687. >”Anon…
  688. >”What card games do you play?”
  689. >She laughs out loud at the confusion on your face, while your swelling horror wanes
  690. >Phew.png
  691.  
  692. “…Um
  693. …Let me see…”
  694. >You rack your brain and furrow your brain, diving deep into your memories
  695. >It’d been years since your last game night
  696. >There was… hmmm…
  697. “Gin Rummy, Cribbage, and Resistance.”
  698. >”I see!,”
  699. >she offers cheerily
  700. >”What are those?”
  701. “Well the first two are for two or three players, and you need a special board for Cribbage,”
  702. > you remember, slightly grimacing at your mistake
  703. ”But resistance can have five or six players!”
  704. >”Her eyes brighten up, excited for a new game from you
  705. “You make three or four people -depending on whether it’s five or six total members, respectively- members of the resistance, who want to carry out missions
  706. “Two people are spies, who want to fail missions.”
  707. “There are five missions, which need different amounts of people to bring them about: it goes 2, 3, 2/4, 3, 3/4, depending on whether its five or six people. You vote for the people to go on missions.
  708. “The rebels need to fail three out of the five missions to succeed, and the rebels try to figure out who the spies are and keep them off missions!”
  709. >She nods, attentive to you
  710. >Then she sits upright, twinkling her perfect teeth at you
  711. >”Sounds perfect!”
  712.  
  713. >”Let me go make some calls!”
  714. >With that, she happily trots over to the next room
  715. >You hear the sound of a phone-
  716. >Wait, they have those?
  717. >-And her shining voice, unintelligible but sweet nonetheless, as she begins making the plans
  718. >You fall back on the sofa, feeling successful
  719. >Someone was excited to try something you’d brought to the table
  720. >Someone wonderful…
  721. >You close your eyes, basking in the warm feeling, whose source you didn’t aim to investigate
  722. >You were in a beautiful home, with a beautiful friend that was excited you were here
  723. >Your worries seemed to fade into the background
  724. >Once you’d been chastised for ignoring the world around you
  725. >They’d told you to pay attention, that you were missing out on all the things in front of you
  726. >You responded that there wasn’t shit in front of you, and the things that were there were fit only to be escaped from
  727. >You felt a bit of nostalgic pity for that boy of the past
  728. >It wasn’t that way anymore, you thought, grinning without realizing it
  729. >For once, you were somewhere you didn’t want to leave
  730. >A low rumble builds up in your stomach, and you shudder with quiet laughter
  731. >Things were good
  732. >And to accent this moment, the bluest, most wonderful pony came back in
  733. >Her glistening smile managed to perk up even higher when she noticed your relaxed posture and the lazy, warm look you were sending her way
  734.  
  735. >She had entered hesitantly, but once she saw your smile, she seemed to gain her stride
  736. >She walks up to you, her eyes flickering away and back, then staying firmly on you
  737. >”So Anon…
  738. >”They can all make it. Lemonheart said she’ll try to bring someone along if she can, but that’s a big if.”
  739. > At this point, she gulps and looks at her feet, but bounces right back to you with her usual candor
  740. >”It’s still a bit early in the day, and some of them still have some work, so I scheduled it for two hours from now.”
  741. >Seems fair; sun’s still gonna be in the sky for a couple hours anyway
  742. >”So I was thinking…
  743. >She gazes deeply into your eyes, a question in her own
  744. >”How about we walk up that hill?
  745. >”It’s not too far, and it’s a really great view! And we can pick up Lyra on the way back!
  746. > she adds quickly, seeming eager for an assent
  747. >Not that she had to sell it at all
  748. >Your smile encourages her further
  749. >”We might even be able to check out the sunset, as long as we hurry back.”
  750. >A hopeful stare now before you, you can’t not accept
  751. “Absolutely! That sounds like a lot of fun!”
  752.  
  753. >Strolling around with the best friend you’ve had in a long time?
  754. >Seeing the sunset?
  755. >Coming back to a gamenight with people that will probably welcome you?
  756. “Heck yes!”
  757. >She looks up at you inquisitively, before snickering into her hoof
  758. >Yeah, you said that out loud
  759. “What? I was excited.”
  760. >Playing it cool never really worked for you, but it seemed like the best thing to do
  761. >Unfortunately it just made her laugh louder
  762. >Well, it was pretty cute so…
  763. >You still kind of came out ahead
  764. >”Well, that settles it!
  765. >”Off we go!”
  766. >She punctuates her sentence with that infectious laugh of hers, which then spills over to you
  767. >It starts out as a small giggle
  768. >Then you throw your head back, peals of laughter erupting from your throat
  769. >You don’t even know what you’re laughing at, but she’s laughing, and you just can’t help but be drawn in
  770. >You catch her losing her tempo
  771. >She keeps stopping to look at you and laughing harder when you saw her
  772. > It was almost in the form of someone peeking at you and looking away when you noticed her
  773.  
  774. >She magics the picnic basket onto her back, and nods at you
  775. >And you’re off!
  776. >The two of you head out the door, the evening sun casting a maroon glimmer over Ponyville
  777. >The town seems to glow in the pleasant hue, a quiet kind of magic to put you at ease
  778. >It’s alien still, and you’re not sure you’ll ever fully belong to it
  779. >But you feel a little more at home
  780. >The phrase “my home” seems a little less absurd
  781. “Thanks,”
  782. > you contentedly muse, once more without thought
  783. >”For what?”
  784. > she answers, her interest query shocking you by calling attention to your careless words
  785. >Her eyes focuses on you once more, and head tilted ever so slightly
  786. >Fully interested in what you said
  787. >Fully interested in you, it seemed
  788. >Not in the romantic way, but just a person wanting to know another
  789. > your realization at this almost makes you slip out another grateful thanks, but this time you catch yourself
  790. >Uh…
  791. “For all this,”
  792. >you wave your arm around, hoping the she’ll pick up something in your vague response
  793. >”For the town?”
  794. > she giggles, teasingly refusing your implicit plea to not explain
  795. >”I’m afraid I’m not responsible for that, Anon. Unless you mean my house
  796. >”In which case you’re very welcome!”
  797.  
  798. “No, not that!
  799. “I mean…
  800. “Just, uh…
  801. >She looks at you expectantly, the every present curves of the ends of her lips bringing you some comfort
  802. “You know…”
  803. >The curves widen as her amusement at your awkwardness grows
  804. >You look down, and say, more somberly than you intend to,
  805. “Everything.”
  806. >She nods, acknowledging your meaning, and stops
  807. >She places a hoof on your shoulder, and again you’re greeting with those brilliant blue eyes
  808. >“You’re welcome,” she says in complete sincerity, her crystalline eyes capturing your entire focus
  809. >You gulp, and smile at her
  810. >You’ll never stop being thankful, you think
  811. >This could have been so awkward, so needlessly heavy’
  812. >But she answered your need for meaningful connection over lighthearted enjoyment
  813. >She met you with sincerity
  814. >And afterwards, before the somber situation become stale and uncomfortable, her musical laughter bringing you back to that free-spirited enjoyment
  815. >You’d been around preppy girls, even been friends with a couple
  816. >But they’d either been faking their cheeriness, or having nothing deeper than such
  817. >This girl
  818. >er, mare
  819. >This mare managed to capture both depth and light-heartedness
  820.  
  821. >She made you feel like a kid again
  822. >You find yourself swelling with joy as you pass the thatch-roof houses filled with happy ponies
  823. >The brown dirt road welcomed your footsteps as the hill in front of you grew
  824. >Already shadows were beginning to grow, ever so slightly, as they reached out towards your destination
  825. >The silhouettes of you and your friend walk before you, but remain faint
  826. >You glance over at your jubilant partner, and strike down the thought of asking to ride on her
  827. >You find you’re pushing away more than a few thoughts about her
  828. >But that didn’t matter now
  829. >Only the present was important
  830. >She was laughing again as she passed the house, informing you of the ponies within and all the wacky happenings with them
  831. >There was Pinky Pie, who had once made huge tooth-shaped balloons for her birthday
  832. >There was Filthy Rich, who’d eagerly consulted her about a golden grill his daughter had been thinking of
  833. >There was Lyra, who’d been her friend since ages ago
  834. >Gee, this mare knew a lot of ponies
  835. “Gee, you sure do know a lot of ponies, don’t you?”
  836. >”Well, of course I do, silly!
  837. >”I’m their dentist!”
  838. >Oh yeah
  839.  
  840. >”So, if you don’t mind me asking, Anon,
  841. >”what did you do back where you came from?”
  842. >This time, when the thoughts of home returned, only minor pangs arose in you
  843. >You didn’t notice until later, but you hadn’t even been aware of the hurt at the time
  844. >You were more interested in her straightforwardness
  845. >Had she noticed you coming out of your shell?
  846. >Was she just getting more comfortable with you?
  847. “I was just a cashier at a little drugstore.
  848. “Sold people snacks, medicine, bathroom stuff, you name it.”
  849. >”That sounds like fun,”
  850. > she says, somehow sincere
  851. >You scowl slightly, remembering how your discomfort there
  852. “It was alright, I guess.
  853. “Wasn’t what I actually wanted to be.
  854. >”Oh? And what did you want to be?”
  855. >You hesitate to tell her
  856. >It was always a little bit embarrassing when you told other about it
  857. >But this was Minuette, you remind yourself
  858. >You can trust her
  859. >You can trust her
  860. “I wanted to be a,
  861. “uh
  862.  
  863. “A geologist.”
  864. >”She looks at you quizzically
  865. >”You mean you wanted to study rocks?”
  866. “Uh… yeah-“
  867. >”That’s so cool!”
  868. >You’re used to her exuberance, but it surprised you this time
  869. >She staring up at you, genuinely excited
  870. >”Geology is awesome!”
  871. >That was new
  872. “You really think so?”
  873. >”I sure do!”
  874. >”You know pinkie pie?”
  875. “Yeah, we’ve met a few times.
  876. “She threw me like three parties.”
  877. >”Well, me and her are good friends, and we hang out ALL THE TIME”
  878.  
  879. >”She used to be a rock farmer!
  880. >”I’m pretty sure her dad’s a geologist. I’ve only spoken to him a couple times.”
  881. “So you think he’s a geologist?”
  882. >”I would imagine! You should talk to him sometime!”
  883. >She turns away, beginning to form plans for another meeting
  884. >Then, back to you, remembering the conversation half finished
  885. >”So, did you actually get the chance to do that?”
  886. “Not really. I was still in school for that.
  887. >She nods, far more engaged in your explanation than any of your family had been
  888. “I was 3 years into a four year degree at my university.
  889. “After that, I was set up for an internship, which is like a job without pay.”
  890. >”Well, why would you do that?”
  891. “To get experience in the field. After that, I’d have a much better chance of getting a job in the field.
  892. “But to be honest, I hadn’t thought too far past the internship.”
  893. >”That’s really cool, Anon
  894. >”You know, they have universities here too. I bet you could finish up your degree here!”
  895. >Your pace slows
  896. >You hadn’t thought about finishing in Equestria what you’d started back there.
  897.  
  898. “Wow…
  899. >You’re feeling kind of awed, faced with the possibility
  900. >Just like back home, you hadn’t planned too far ahead
  901. >You didn’t think you’d make it here
  902. >What if you could?
  903. >Minuette, ever excited, keeps up her suggestions
  904. >”I bet you could get a scholarship or two for being an alien!
  905. >”And I’m sure you could get a job, what with Pinkie’s contacts and all!”
  906. >She turns to you, her angelic smile capturing your heart once again
  907. >”Anon, do you still want to be a geologist?”
  908. > she asks eagerly, wanting to make sure she wasn’t getting ahead
  909. >You think about it for a minute
  910. > and break out in a huge smile
  911. “Yes. Yeah, I do!”
  912. >”Well that’s just great!”
  913.  
  914. >The two of you keep up your talk as the hill passes unnoticed beneath you
  915. >Minuette seems eager to get you started on your career path
  916. >You only half listen to her
  917. >You’re interested in your future here, of course, and you try to keep track of all the steps to take
  918. >But the bright, cheery voice of hers draws you in, nonetheless
  919. >You’re so caught up in the melodies, at times smooth and other times staccato
  920. >Each note seems to have a magic of its own, somehow satisfying something deep within you
  921. > and at the same time, making you yearn for the next word, waiting eagerly to hear it
  922. >And although the notes vary wildly as new thoughts and ideas come into her head and burst forth the next moment from her soft blue lips,
  923. > they’re all united in their message
  924. >Kindness
  925. >Interest
  926. >Goodwill
  927. >Every word is for you, for your benefit, to help you up
  928. >But she isn’t even doing this out of some condescending charity
  929. >Though almost every word is a hand extended, there’s no condescension at all, no haughtiness or joy in having an out-of-luck person to give a favorable juxtaposition
  930. >It’s just kindness, simple as that
  931.  
  932. >You start wishing you were better off
  933. >You want to succeed, to excel in the world
  934. >If only to make her proud
  935. >To make her feel as if her efforts succeeded and her care was rewarded
  936. >By this, time, you’re smiling lazily at her, soaking up the pure compassion bursting forth from this happy, energetic pony
  937. >Gosh, you love this, you think to yourself
  938. >”Yowza!”
  939. >Her expression of surprise draws your curiosity, first to her and then to the surroundings
  940. >You’d made it to the top of the hill
  941. >“We made it to the top of the hill!”
  942. “We sure did,”
  943. > you give her a taste of her own brand of smiles
  944. >Bright, stretching from cheek to cheek, eyes almost closed
  945. >She giggles a bit and smiles back at you before pointing over to a nearby tree
  946. >”Let’s go over there!”
  947. >An idea comes into your head, and you jump on it
  948. “Race you there!”
  949. >And you take off
  950. >You hear her laugh, first distant, then closing in
  951. >Oh yeah
  952. >She zooms by you, stopping right before she touches the tree
  953.  
  954. >Her left hoof is raised, extending out to the tree
  955. >Then it stops, floating there
  956. >No more than a few inches from the tree
  957. >You’re a little too busy sprinting your out-of-shape butt off to notice this
  958. >You think something’s off as you see her stand rigid, looking back at you with a mischievous grin
  959. >Too late to stop though
  960. >You hand slams the tree trunk, shortly followed by her
  961. >Ow.png
  962. >Your face contorts as you hold your hand
  963. >Her grin fades into concern
  964. >”Anon, are you okay?”
  965. >You’re fine
  966. “I’m fine,”
  967. > you assure her, not wanting the dynamic between the two of you to be solely defined by concern and worry from her to you
  968. >You shake out your hand
  969. >-You don’t know if that helps, but you’ve done it for as long as you can remember-
  970. > Then you turn to her, your head cocked to the side, and ask
  971. “Why’d you stop?”
  972.  
  973. >”Well…”
  974. >She looks off to the side, her hoof rubbing the back off her head
  975. >Looks like it’s her turn to be avoiding questions
  976. >Unlike the times before, you have no idea what she’s hiding
  977. “Come on, what is it?”
  978. >”It’s nothing.”
  979. >…
  980. “Minu-“
  981. >”Come on, let’s get out the snacks,”
  982. > she interrupts you, not looking you in the eye
  983. >She trots back to where you had started the race
  984. >The picnic basket had been dropped when she sprinted past you
  985. >Your question was still on your mind
  986. >It didn’t seem like such a big deal, but why was she avoiding it?
  987. >By the time she’s come back, you can’t think of a single reason
  988. >Besides the classic panacea for all confusing girl-problems
  989. [spoiler] Girls are weird. [/spoiler]
  990. >”Come on, Anon!
  991. >”Get some of this grub!”
  992. >Come to think of it, you are pretty hungry
  993.  
  994. >She sits down at your feet, and looks up at you with those big blue eyes
  995. >You were gonna get down, but those eyes distract you
  996. >You find yourself rigid, stuck halfway sitting down, as your mind is reduced to a single function:
  997. >Looking at those eyes
  998. >”Well, come on, silly!
  999. >”Unless you wanna eat all hunched over like that!”
  1000. >She turns her head, placing her hoof on her chin and assumes a thoughtful countenance
  1001. >”Is that how humans eat? I’ve only seen you drink tea…”
  1002. “Why no, not quite,”
  1003. > you say with a straight face, taking advantage of her ignorance of the human race
  1004. “We’re only supposed to have one leg on the ground>”
  1005. >With that, you lift your right leg up beyond you, and try to lean it on the tree
  1006. >Then you bring your arms behind your back, and lean down a little lower, looking somewhat like a tipsy ostrich
  1007. >After a good thirty seconds of gaining your balance, you look and her and politely smile
  1008. “Alright, I’m ready to go.”
  1009. >The whole time she’s been looking at you with a very clear what-on-earth-is-this expression
  1010. >”I, uh, see.”
  1011. >She turns, confusedly, from the food to you,
  1012. > trying to figure out how the food got to you
  1013. >After watching her confusion, you finally lose it, falling to the ground laughing
  1014.  
  1015. “No, we don’t eat like that!”
  1016. > you manage to say through your convulsions of your laughter
  1017. >You sit back up, your sides still shaking with suppressed giggles
  1018. >Minuette’s just sitting there, the most adorable pout on her face
  1019. >A small smirk emerges from her soft blue lips
  1020. >”Oh, by all means, laugh at me, Anon.
  1021. >”But remember who brought the food here.”
  1022. >The smirk erupts into a devilish grin
  1023. >”And maybe I’ll only let you have some if you stand like that.”
  1024. >Your sense of humor is trumped by your love of food, and you shut up
  1025. >”No more laughter, huh?”
  1026. > she teases you back, poking your side
  1027. “No ma’am, no laughing here.”
  1028. > you say with a blank face
  1029. >After a moment, she lets out her perfect little laugh
  1030. >”Relax, Anon! I was only kidding,”
  1031. > she assures you, ending with another peal of laughter
  1032. >Yeah, you thought so
  1033. >But you didn’t want to endanger your chance at food
  1034.  
  1035. >She levitates the picnic blanket out, and the two of you sit happily under the big old tree
  1036. >The sun’s dropping faster now, the sky turning dark
  1037. >Except for that tiny semi-circle surrounding the sun, now beginning to dip beneath the mountains
  1038. >Your hands find themselves holding a juicebox and a couple of cookies, the cloud of magic that ferried them dissipating
  1039. >Your turn to thank your friend, and gasp
  1040. >The lighting had dimmed, but you hadn’t noticed it
  1041. >She had been emitting a soft light from her horn, crowning her face in low blue light that mixed with the dark maroon tint of your spot
  1042. >The result was a vague purple hue, making the blue of her eyes and hair appear a deeper shade, and the gray portion a medium blue-ish purple
  1043. >But it was the radiance that really caught you here
  1044. >The light seemed to emanate not only from her horn, but her whole coat
  1045. >She was radiant
  1046. >She looks at you and gives you a bright smile
  1047. >She explains the spell she was using as the two of you munch on your snacks
  1048. >Something she learned a long time ago from Twilight
  1049. >Then she goes into a story about the two of them when they were fillies
  1050. >You lose focus as you feel the cold of the coming night start to set in
  1051.  
  1052. >You thought it was just you, but you see her shiver too
  1053. >Maybe you should-
  1054. >Nah, that’d be too intimate
  1055. >She shivers again
  1056. >Is this gonna be you?
  1057. >Always afraid to get close, to take risks?
  1058. >You’re cold, she’s cold
  1059. >This whole time she’s been taking the lead: inviting you places, asking about you, listening to the stories that you knew were mediocre
  1060. >You’d just been passive, or did little more than accept
  1061. >Well, you’d had enough of that
  1062. >You scoot over to her, your side pressed up against hers
  1063. >She stops in mid-sentence, looking up at you
  1064. >She smiles sweetly, leans in a bit, and continues talking
  1065. >You listen to her story, keeping eye contact and nodding
  1066. >Truth be told, it is hard to listen over the sound of you being such a courageous hero
  1067. >It was even awkward either
  1068. >Just two friends, keeping warm
  1069. >She breaks your reverie with a sudden cry
  1070. >”Look!”
  1071.  
  1072. >The sky had begun to explode in color now.
  1073. >What was previously yellow, orange and red is now a host of colors
  1074. >Purple, blue, grey had made their entrance, swirling about like a grand kaleidoscope
  1075. >”Woooow”
  1076. “Woooow,”
  1077. > you both exclaim in unison at the dancing lights in the sky above
  1078. >Earth never had such a great view
  1079. >You don’t notice her snuggle up closer to you,
  1080. > just the new lack of chills
  1081. >Silently, you and Minuette take in the perfect sky above you,
  1082. > a silent light show, with a picnic blanket wrapped around two bodies lightly touching
  1083. >As soon as it had begun, the lights were swept from the sky, and an barely visible indigo hue captured the sky
  1084. >You turn to Minuette, and she turns to you
  1085. >You smile at her, the action quickly becoming the norm for seeing her face
  1086. >Strangely, she doesn’t return it
  1087. >Inches away from you, you had make out the red shades on her cheek
  1088. >She breathes in deep, her eyes wide and staring directly into yours
  1089. >Her next few breathes come heavily before she fakes a chuckle, and sits up, imperceptibly backing away
  1090. >”Well, we better head over to Lyra’s place”
  1091.  
  1092. >A sense of loss hits you in the stomach, its source unclear
  1093. >Something was missed there, you can’t help thinking
  1094. >But as had happened too much today, you hadn’t the first inkling of what it was
  1095. >But you’re having a good time, and there’s reason to believe it’ll continue
  1096. >The walk down the hill is mostly silent
  1097. >You’re in that special place where you don’t need words
  1098. >The day had passed pleasantly, and the night promised more of the same
  1099. >Right now you were just an observer of your own life
  1100. >Your stroll is quick and easy, the former to reach Lyra’s house without being late
  1101. >You just can’t get over how well the day is going
  1102. >Months of lounging about, feeling that agonizing crawl as the days disappeared into the calender
  1103. >Terrified of wasting time, terrified of living
  1104. >And with two visits and the better part of a day, you were better
  1105. >Not complete
  1106. >The terrors would probably return, you think grimly
  1107.  
  1108. >But you had a foothold in the world
  1109. >A beach-head, as your old pastor would have said
  1110. >And from there, you would move forward, you promised yourself
  1111. >You were going to be ok
  1112. >And with a smile at the future, you returned to the present
  1113. >The second half of the most beautiful day, with the most beautiful mare
  1114. >er
  1115. >Hmm
  1116. >You grumble and force the compliment out of your head
  1117. >The longer you spent time around her, the more easily you slipped into thinking things like that
  1118. >You’d take risks, as you had decided to do when you saw her shivering
  1119. >But this wasn’t one to consider lightly, or just fall into
  1120. >Pretty as it sounds, you weren’t going to let your heart lead the way
  1121.  
  1122. >In your isolation, that path had led to a lot of crushes on any somewhat-cute girl that had been nice to you
  1123. >If you were to feel that way towards Minuette…
  1124. >You weren’t sure what you would do then
  1125. >But you’d have to make sure that the feeling was genuine
  1126. >After all,
  1127. > and you were sure of this,
  1128. > you cared deeply about Minuette
  1129. >And she deserved nothing but the best
  1130. >You weren’t going to risk your friendship and her feelings if what you had wasn’t completely genuine
  1131. >You looked down at the mare, slightly obscured in the cool night
  1132. >A smile graced your lips, rejecting their natural state
  1133. >This was going to be a good night
  1134.  
  1135. >This is going to be a terrible night!
  1136. >You are Minuette, and you are freaking out
  1137. >What on earth are you doing
  1138. >First you made that dumb picnic plan
  1139. >Then you pushed him into it even though he only wanted a game night
  1140. >Then, that whole shebang with the race
  1141. >Afterwards, you cuddled up to him
  1142. >Even nuzzling him! Geez!
  1143. >And then the hug
  1144. >Oh my Celestia, when he turned to you and smiled, so close to your face…
  1145. >Girl, what on earth are you doing??
  1146. >You were going to ruin this night for Anon if you didn’t keep your act together
  1147. >Geez, you didn’t even know why those awkward moment s kept happening
  1148. >You weren’t an awkward person!
  1149. >You aren’t!
  1150. >You’re the one that keeps conversations and friendships going even when weirdness bears its ugly head!
  1151. >My Celestia, what is happening to you!
  1152.  
  1153. >You don’t answer the question
  1154. >Honestly, you just wanted to give Anon a boost today, and have a little fun
  1155. >You have the best friends a mare could ask for, and just about any time you were together was fantastic
  1156. >Anon was looking more and more like he was gonna become one of them
  1157. >Not just a friend, but a close friend
  1158. >He was funny, smart, and actually kind of nice to be around when his troubles weren’t consuming him
  1159. >And you think he was really getting better
  1160. >He seemed a lot more open and upbeat than he did when you had first met him
  1161. >You couldn’t help but give yourself some credit for this
  1162. >You find yourself smiling at the thought
  1163. >He was so clearly tortured when he had appearing, sitting in a chair in the waiting room
  1164. >You’d been intent on helping him, giving him the opportunities to succeed in a strange world
  1165.  
  1166. >You hadn’t thought he’d be so fun to be around, if you’re being honest
  1167. >But you were getting looser, more at ease around him
  1168. >You tried to be professional around people you weren’t close to
  1169. >You’d learned that a familiar tone wasn’t always what helped people, and so you’d reserve it
  1170. >But Anon just kept bringing it out in you
  1171. >He felt like an old friend, despite your brief periods of time together
  1172. >It seemed harmless at first
  1173. >He definitely enjoyed being around you when you were being your jolly self
  1174. >But now you were slipping up, saying things that didn’t make sense
  1175. >Things that might be taken the wrong way
  1176. >You’d have to try to keep yourself from doing any of that at the party tonight
  1177. >You sure hoped Lyra didn’t bring any of that apple cider…
  1178. >Your cheeks flush as you remember the last time you’d had access to that
  1179. >Cranky’s wedding
  1180. >Let’s just say there were more than a few stallions with red kiss marks by the end of that
  1181. >You walk on in silence, your mind filled with worried thoughts impeding your natural cheer
  1182.  
  1183. >At last, Lyra’s house came into view
  1184. >The two of you stepped down the walkway
  1185. >The door at the end popped open right as Anon raised his hand to knock
  1186. >There was Lyra, toting a large wooden cask behind her
  1187. >AllofmyUhohs.png
  1188. >”My, aren’t the two of you looking sweet together!”
  1189. > Lyra says with an impish grin
  1190. >Practically the only one she has
  1191. >Both of your cheeks turn bright red, and you turn away from each other nervously
  1192. >Lyra’s shipping eyes don’t miss a bit
  1193. >”Ooh, did I touch on something?”
  1194. >She saunters up to Anon with a seamless casualness, though they hadn’t spoken before, as far as you knew
  1195. >”Anon, buddy, you know you can tell me anything,”
  1196. >She places a busload of emphasis of “anything,” and smirks a bit
  1197.  
  1198. >Anon’s red cheeks, spotlighted by the light of Lyra’s house is too much for you
  1199. >You laugh, his embarrassment just way to funny
  1200. >Lyra keeps her flirtatious look at Anon up for a minute before joining you
  1201. >You’re about to explain, but Anon piles confusion on top of bashfulness
  1202. >The pure perplexion in his face sets you up for another round of laughter, while awareness slowly dawns on him
  1203. “Anon, don’t take this mare seriously,”
  1204. >you offer a comforting smile, not wanting to torture the poor dear for too long
  1205. “Nobody should be taking her too seriously!”
  1206. >Lyra pouts for a moment, then laughs
  1207. >”It’s true,”
  1208. > she admits, with a bit of self-deprecating humor
  1209. >The two of you exchange hugs, and you’re off to your home
  1210.  
  1211. >The whole way back Lyra is just pounding Anon with questions
  1212. >What did he do, what does he want to do, and so forth
  1213. >You already know the answers, you think happily to yourself
  1214. >You lead ahead in silence, letting Anon do the explaining
  1215. >He seems to be pretty comfortable talking to Lyra
  1216. >You pretend you don’t feel a pang of jealousy at the thought
  1217. >He’s making friends!
  1218. >That’s good!
  1219. >That’s what you wanted!
  1220. >You’ve mostly tuned out, planning out exactly the party’s gonna go, when a question from Lyra shocks you back to attention
  1221. >”So, Anon, did you have a special somepony back home?”
  1222. >You didn’t know that answer
  1223. >Why didn’t you ask that question?
  1224.  
  1225. >You slow down, and turn back towards Anon
  1226. >He looks back at you, and you realize you’d been eagerly waiting for his answer
  1227. >A little put on the spot, he seems to get a bit shyer
  1228. >He scratches his head, and answers hesitantly
  1229. >”Not really…
  1230. >”I mean, there was this one girl, and I was really into her.
  1231. >”But now she’s out of reach. Kinda was back then, I guess.”
  1232. >He looks down on the ground
  1233. >You focus on your sympathy for his loneliness, rather than the small satisfaction at his single state
  1234. >The three of you keep walking and chatting when you find your home
  1235. >The door’s open, with the lights on
  1236. “Huh?”
  1237. >Then Moondancer and Lemonhearts come out, trotting happily over to you
  1238. >Minuette! I hope you don’t mind! We came here early, and we thought we’d get set up,”
  1239. > they say with bright faces
  1240. “Of course I don’t! Moondancer, Lemonhearts, I’d like you to meet our guest of honor!”
  1241. >You step back, and place your arms wide in front of Anon, like a magician revealing a magical sight
  1242. “Mr. Anon Y. Mous!”
  1243.  
  1244. >The girls gather around Anonymous, the two joiners looking him up and down
  1245. >They’d been pretty excited to meet your alien friend
  1246. >You and Lyra had been excited back when Anon had first arrived
  1247. >But you’d both gotten used to it over time
  1248. >There were a lot of strange beings in Equestria, and a few in Ponyville, so getting accustomed hadn’t taken long
  1249. >Lemon and Moon begin asking him all sorts of questions about where he was from and who or what he was
  1250. >He seemed a little overwhelmed, being unable to answer all the questions at once
  1251. >Besides, he clearly wasn’t used to being the center of attention
  1252. >This, along with the fact that you were all outside in the cold, prompts you to herd everyone inside
  1253. “Come on, girls, you’ll have plenty of chances to get to know Anon inside.”
  1254. >Leading the way, you find your table decorated with large bowls and plates of food
  1255. >Moon and Lemon had offered to bring dinner
  1256. > and yowza! They hadn’t disappointed!
  1257.  
  1258. >The five of you get seated
  1259. >You make sure you’re sitting next to Anonymous
  1260. >You hadn’t really thought of the possibility of him being overwhelmed
  1261. >But now that the thought occurred to you, you wanted to make sure you were near
  1262. >Anon needed help when he was isolated, but he might need help easing back into the social sphere
  1263. >And you were the right mare for the job!
  1264. >Feeling confident, you start passing around the food, making sure everyone’s plate is full
  1265. >The five of you chat happily away, mostly focusing on Anon and his experiences
  1266. >You sense some discomfort when he speaks of his old life, but when you inform him that he doesn’t have to speak about it
  1267. > he assures you he’s fine
  1268. >You lean over and rub his back with your hoof, comfortingly, whenever he seems to get uncomfortable
  1269. >It seems to be happening less and less as dinner goes on, with Anon volunteering information not directly asked for
  1270. >You find yourself deeply aware of his movements, his hand gestures and where his eyes look
  1271. >You know, just so you can make sure you can keep him as comfortable as possible
  1272. >This is the first party he voluntarily came to
  1273. >(Pinkie had a thing for surprises)
  1274.  
  1275. >He’s leaning forward, and genuinely smiling as he recounts the details of his old life
  1276. >His old professors, and the arguments he got into with a couple of them
  1277. >His friends, who he used to have game nights and video game sessions with
  1278. >His family, and all the fun times they had
  1279. >What had begun as a caretaker’s interest became something else entirely
  1280. >You hung on each of his words with bated breath, fascinated as much by the strange human world as you were by the social side of Anon
  1281. >You noticed, by the positive slant of the stories, that his life seemed a lot happier than you expected
  1282. >Something made you think that he was leaving out the bad parts
  1283. >Still, he had a more interesting life than you had expected
  1284. >He’d been involved in plays, used to play an instrument, and been on some silly dates
  1285. >You tried to ignore the knots in your stomach forming as he described running around a library, leaving a variety of notes in the books
  1286. >And holding a girl in his arms as he walked by the side of a river
  1287. >You gasped when he recounted his one and only theft: some black eyeliner he’d slipped in his pocket
  1288. “You moron, why in Equestria would you do that!?”
  1289. >”I think the item I stole explains that: I was the kind of moron that wore black eyeliner”
  1290.  
  1291. >You punch him in the shoulder
  1292. >Geez, Anon
  1293. >As you help yourself to some more cake, you notice the expressions of the others
  1294. >Moon’s got the look she gets when she’s into a good book
  1295. >Studiously attentive, as if there will be a test on this
  1296. >Lemon’s looking confused,
  1297. > probably lacking a full understanding of the human world
  1298. >Not that you weren’t in a similar position
  1299. >He kept mentioning something about being drafted before he came over here
  1300. >When you asked what that meant, he just said that he was supposed to fight somebody
  1301. >He didn’t seem to want to continue the subject, so you let him let it go
  1302. >Glancing back to your regular companions, you notice the look on Lyra’s face
  1303. >She’s leaning in towards Anon, a smile wrapped around her face, but mostly on the left side
  1304. >And half-lidded eyes, fluttering gently whenever Anon looks her way
  1305. >Oh no
  1306. >This is the first thing she does when she’s talking to a stallion she’s interested in
  1307. >You resist the incoming scowl
  1308. >You take a deep breath, and calm yourself down
  1309. >It isn’t like this is the first time Lyra’s hit on a guest
  1310.  
  1311. >The cider Lyra brought has been flowing, mostly towards Lyra and Lemon
  1312. >Well, you had a bit, you suppose
  1313. >It’s not your fault you’d been absent-mindedly reaching for your cup whenever Anon told a new stories about his old marefriends
  1314. >Girlfriends?
  1315. >You fill up your glass again
  1316. >Pulling it up to your mouth, you take a big sip
  1317. >Setting it down, you notice Lyra leaning in a bit more
  1318. >Her empty glass tells you all you need to know about how much she’s had
  1319. >There’s definitely been a few refills on her end
  1320. >Lemon’s looking at Lyra with a bemused expression
  1321. >Ah, she knows what’s going on
  1322. >Lyra get’s that smile she gets
  1323. >She places her hoof on Anon’s arm, and
  1324. “H-hey guys!”
  1325. >All eyes are on you
  1326. >Lyra recedes, thankfully
  1327. “Uh, why don’t we start on those games!”
  1328. >You laugh, trying to sound casual
  1329.  
  1330. >”Of course!”
  1331. > Lyra says happily, the bouts of cider serving to make her fairly amenable
  1332. >Moondancer looks up from her…
  1333. >notes?
  1334. >Yup, she’s taking notes on Anon
  1335. >You hold back your laughter, not wanting to risk hurting her feelings
  1336. >”That’s right! We haven’t even started the games yet!”
  1337. >She exclaims, before pulling up a large board with a tall stack of papers
  1338. >”Alright, so the game I brought was Ogres and Oubliettes..”
  1339. >A minute into her explanation of the complicated game, Lemon lightly prods her and whispers something into her ear
  1340. >Moon blushes, and meekly apologizes
  1341. >”I’m sorry, Anon, I kind of got ahead of myself?
  1342. >”What would you like to play?”
  1343. >Anon thinks for a while, then turns to you
  1344. >”What was that one game you were explaining to me?”
  1345. >You remind him of your favorite party game, Crazy Eighty Eights, and he smiles broadly, picking it
  1346. >You pull the cards out and begin to shuffle
  1347. >This was gonna be fun
  1348.  
  1349. >Several rounds in and the Lyra problem presents itself again
  1350. >Moondancer, previously sitting by Anon, had gone up to the bathroom
  1351. >On her return, there was a cyan mare in her place
  1352. >Leaning up against Anon
  1353. >You grit your teeth, then relax them
  1354. >Relax, Minuette
  1355. >It’s just drunk Lyra
  1356. >Happens every time, right?
  1357. >Anon’s been giving you the occasional look, slightly curious
  1358. >You’ve been laughing much more than usual, partly because of the cider and partly as a mask for
  1359. >…
  1360. >For whatever it is you’re feeling
  1361. >He just shrugs and looks away, taking the cider Lyra’s been handing him
  1362. >Wait a minute.. how long has THAT been going on?
  1363. >You try to count the refills she’s brought him, but find your memory a bit fuzzy
  1364. >Doesn’t matter, you guess
  1365. >It’s a party, and he’s allowed to drink as much as he wants to
  1366. >And talk to Lyra as much as he wants to
  1367. >And… hug Lyra… as much as he wants to
  1368. >Each time you tell yourself this, it works a little less
  1369.  
  1370. >The next round of games pass quickly, as you move from Crazy Eighty Eights to another, then another
  1371. >All following a familiar routine
  1372. >Moondancer watches the other players, learns their playstyle, and counters it
  1373. >Lemonhearts blithely plays, loses, drinks, and watches Anon and his minty compatriots with a bemused smile
  1374. >She tosses a wink at Anon here and there, and bursts out laughing at Minuette’s bewildered glare at her
  1375. >Lyra, barely playing the game, keeps tossing her glass back and giving Anonymous a lascivious stare
  1376. >Each game brings her less concern over her hopeless losing streak and more daring in her pursuit of Anon
  1377. >First, she leans against him, her back on his arm
  1378. >Then she reaches over and pulls his arm around her
  1379. >Then she turns to her side, and snuggles up to him
  1380. >At present, she’s rubbing her cheek into his side, throwing cards on the table every time Minuette testily reminds her
  1381.  
  1382. >Minuette’s caught in a cycle of staring at Anon with wide eyes and almost perceptible breaths from her slightly parted mouth
  1383. >She’s ripped from this constantly by Lyra’s furthered moves
  1384. >She turns from a look of shock into anger, a glare thrust towards Lyra’s delirious visage
  1385. >Unnoticed, she turns to her cards, eyes down, and plays
  1386. >After a minute, Anon will play, say something, or touch her
  1387. >The petting or scratching of Anon sets her rigid, cheeks turning an almost tangible red
  1388. >And she’s back into square one
  1389. >Anon is, to himself, a worthy opponent of Moondancer
  1390. >Ever oblivious, he carefully observes every move made by the mares in front of him
  1391. >He spends a lot of time analyzing the cards carefully laid by Moondancer, lazily thrown down by Lemon and Lyra, and furiously slammed by Minuette
  1392. >He even stops to congratulate himself on his masterful ability to read the ponies around him, due to his title of second place
  1393. >In his victory, he finds himself with an arm wrapped around a cute minty pony to his right, and occasionally petting or scratching the adorable blue pony to his left
  1394. >All is well for Anon, his satisfied smile declares
  1395.  
  1396. >Lyra turns towards Anon and stares into his eyes
  1397. >He looks back, but you can’t see his expression
  1398. >She grins, and brings her feet closer to the chair, preparing to stand up, which would bring her face right up to-
  1399. >No!
  1400. “Hey!
  1401. “-Uh, so Anon had that game I told you about!”
  1402. >It may only delay the inevitable
  1403. >But you had to do everything you could
  1404. >Your cider-addled mind had forgotten the thin justifications for your desire to intervene
  1405. >You only had one thought
  1406. >Do not let Lyra kiss Anon
  1407. >You explain the rules to minds just bright enough to nod in comprehension
  1408. >5 players, 3 rebel trying to make the missions go, 2 spies trying to stop the missions
  1409. >5 missions require 2, 3, 2, 3, 3 people, everyone voted for who went
  1410. >During the explanation, you look at Anon, wanting to make sure you got it right and wanting to look at Anon
  1411.  
  1412. >The first game is just a practice round
  1413. >The designation cards are passed out, and instead of everyone closing their eyes while the spies keep theirs open to see each other, everyone watches
  1414. >Its Anon and Lyra
  1415. >She winks at him, mumbling something about cahoots
  1416. >He winks back
  1417. >You clear your throat loudly, breaking their staring
  1418. >Or what you perceive as staring
  1419. >The round continues and you demonstrate failing and succeeding in a mission
  1420. >Once everyone knows what to do, you shuffle out the cards and go again
  1421. >You look at your designation card: you’re a spy
  1422. “Alright, everyone close your eyes.
  1423. “Ok, now spies open their eyes.”
  1424. >You see Lyra open her eyes, grinning at you
  1425. >You nod, ready to start
  1426. >But Lyra’s pointing at Anon and –oh!
  1427. > suggesting something very ready with her hoof movements
  1428. >You turn red and shake your head furiously
  1429. >Then she raises her eyebrows, and gestures to herself and you, then to Anon
  1430. >Wait, what?
  1431.  
  1432. >”Can we open our eyes now?”
  1433. “Uh, no.”
  1434. >You turn away from Lyra, who is now mouthing “Both”
  1435. “Alright, everybody close your eyes now.”
  1436. >You try not to think about what Lyra was implying
  1437. >It isn’t too hard: you don’t really want Lyra there
  1438. >Or Anon!
  1439. >You recoil from the thought of furiously rutting your new friend into the ground
  1440. >You stop thinking about tearing his pants off on the table after the rest have fallen asleep
  1441. >You push away thoughts of him looking deep into your eyes while he just takes you in those big strong hands of his, and just–
  1442. >Agh!!
  1443. “Alright, everybody open your eyes!”
  1444. > you shout a little too loudly and out of breath
  1445. >Everyone does
  1446. >Okay, round 1
  1447.  
  1448. >The round passes quickly, everyone too drunk to figure out the spy
  1449. >Honestly, you were hoping were a greater climax
  1450. >Guess this game isn’t so interesting when everybody’s drunk off their asses
  1451. >Lyra pretty much gave away the whole thing when she ran her hoof up Anon’s chest and told him that she had a secret
  1452. >You didn’t help when you shooshed her and told her not to say that
  1453. > falling into Anon’s lap
  1454. > forgetting to leave until Anon cheerfully hugged you and Lyra pushed you two off
  1455. >You tried to lean back, and laugh it off
  1456. >But he just dashed right after you once he heard that laugh and hugged you even tighter
  1457. >Lyra came afterward, tackle-hugging the both of you
  1458. >Lemon had erupted in laughter, and Moondancer just stared at you
  1459. >You’d just lain there, not necessary wanting to push him off of you
  1460. >So yeah, the game didn’t really end on an interesting note
  1461. >Just you and two of your closest friends, collapsed on the floor
  1462. >With one of them planting her lips on the other’s
  1463.  
  1464. “Get off!”
  1465. >You kick out with your hooves, forcing your two friends off of you
  1466. >Anon took the brunt of the blow, right in the chest
  1467. >He tumbles back, crashing against the table
  1468. >Lyra, pushed back with him, is lying at his side
  1469. >He looks at you, dazed
  1470. >”Sorry,”
  1471. > he slurs, pain evident in his eyes
  1472. >He grasps his chest, and wheezes in pain
  1473. >No
  1474. >No, you didn’t mean for this to happen
  1475. >You just wanted Lyra off
  1476. “Anon, I’m so sorry! I didn’t mean to-“
  1477. >”No, it’s fine,”
  1478. > he wheezes, trying to appease you
  1479. >You didn’t need appeasing
  1480. >You just-
  1481. >This was supposed to be a good day for him!
  1482. >Why did you hurt him?
  1483.  
  1484. >Tears stir up in your eyes as you witness your failure
  1485. >Anon’s hurt, and all because you couldn’t control yourself
  1486. >Lyra’s picking herself back up
  1487. >and laying herself down in Anon’s lap
  1488. >She starts humming a tune, and you realize she’s way too wasted to understand what was going on
  1489. >Anon sighs heavily, his eyes filled with that familiar despair
  1490. >You can’t see this
  1491. >Him tumbling back to where he’d been, this time by your hoof
  1492. “Anon, I’m sorry!”
  1493. > you cry out through your first tears
  1494. >And with that, you run into the next room, unable to hold in the torrent anymore
  1495. >Leaning up against a wall, you let go
  1496. >All the tension of today, all the confusion, all the frustration,
  1497. > all bottled up as you tried to fake the cheeriness that usually comes so naturally to you
  1498. >As you gasp for air between sobs, you feel a familiar sensation
  1499. >”There there,” a voice whispers softly, as you feel your back being lightly rubbed
  1500.  
  1501. >You turn back, the alcohol and sobbing making you unsure of the source
  1502. >A warm smile and a pair of raspberry eyes greet you
  1503. >Lemon sits by your side, then pulls you into a hug
  1504. >You resist for a second, trying to convince yourself you’re fine
  1505. >You give up immediately, and sink into her embrace
  1506. >It’s there you cry into her chest, as she brushes your hair
  1507. >It hadn’t been the first time you’d pushed yourself to hard, her watching and comforting you when you failed
  1508. >You’d always had trouble overestimating what you could do, and after too many rebuffs, Lemon stopped trying to talk you down
  1509. >But she didn’t stop comforting you
  1510. >You’d never stopped being grateful for that
  1511. >”Wanna talk about it?
  1512. > she asks, ready to accept a yes or a no
  1513. >You sniffle, and nod your head
  1514.  
  1515. >You lean up, and start talking
  1516. >You start with the feeling you got after Moondancer
  1517. >Like you’d been passing by people in need, not even noticing them
  1518. >How you’d tried to be more vigilant in seeing people that needed a friend
  1519. >Your successes, your failures
  1520. >And then your meeting with Anon
  1521. >He seemed painfully isolated, but what’s more, open to friendship
  1522. >You’d taken an interest, and visited him a few times more
  1523. >You’d gone to eat with him on several occasions, and once had had s’mores and cocoa with him and Twilight
  1524. >Nothing too big and fancy though, just short hang-outs where you could find him
  1525. >All initiated and supported by you
  1526. >This had been the first time he’d reached out, asking you if you’d like to hang out
  1527. >You’d been so giddy to see him coming of his shell, you brought him over to your house
  1528. >At least, that’s what you’d told yourself
  1529. >Lately, you’d been wondering whether your desire to pursue his happiness was only out of friendly concern
  1530.  
  1531. >Anon was a better friend than you’d ever imagined he’d be
  1532. >He was funny, polite, and actually pretty smart once he got going about things he was passionate about
  1533. >And his hands were pure magic
  1534. >It was embarrassing to admit, but every time he starting petting you or scratching behind your ear, your whole body felt like it had caught on fire
  1535. >Stuff like that was usually coltfriend material, and he had started doing it accidently, not really thinking about it, while he would speak to you
  1536. >But you didn’t want it to stop, even when you’d seen Twilight inquisitively staring at Anon’s absent-minded hands on your neck
  1537. >Anyway, he came over to your place, and you’d been shocked by how much better he looked without his trademark slouch and downcast eyes
  1538. >Before you’d known it, you added a third option to the two you’d prepared beforehand
  1539. >an option for a more intimate hang-out tonight
  1540. >And when he denied that, you ended up shoe-horning it in anyway
  1541. >And then Lyra had been…
  1542. >You didn’t know how you felt, or what it was
  1543. >Maybe you just didn’t want to know
  1544.  
  1545. >Lemon looks at you directly,
  1546. > her firm look preventing you from avoiding an answer
  1547. >”Minuette, do you like Anon?”
  1548. >You briefly consider pretending to mistake her meaning, and say yes, you like him as a friend
  1549. >You knew that wouldn’t last a second with Lemon
  1550. >No longer able to avoid the question, you think about it
  1551. >There was definitely some attraction there
  1552. >And he was an incredibly welcome addition to your life
  1553. >Couldn’t deny either of those
  1554. >But he was different from you, in tremendous ways
  1555. >Not just his having a different form, but it seemed that his mind worked in ways that a pony’s mind didn’t
  1556. >From what you could pick up, his race seemed to be defined by both genius and hatred
  1557. >And while you were fascinated by his mind and who he was, there were times that you got a little worried
  1558. >It was rare, and not too strong, but it reminded you of how different he was from you
  1559. >Not to mention, you just didn’t think you knew him well enough
  1560. >You’d been friends for a month or so, and you knew a bit, but there were still mysteries about him,
  1561. > mysteries you wanted solved before anything happened
  1562. >These reservations, coupled with your immense care and admiration for him, left you unsure
  1563. >A lost look returns Lemon’s even stare
  1564. “I don’t know.”
  1565.  
  1566. >She nods, seeming to understand
  1567. >You recount to her, exhaustedly, your entire thought process
  1568. >She continues nodding, her studious look bringing Moondancer to mind
  1569. >A smile breaks across her face as you explain his good traits, not the least of which are his magic hands
  1570. >She frowns as you describe the issues of him being so different,
  1571. > but then her eyes light up, and a wide smile stretches across her face
  1572. >What?
  1573. “What?
  1574. > you ask, tentatively
  1575. >”Oh, nothing,” she replies, with teasing cheerfulness
  1576. >Oh, you are so not keeping this from me
  1577. “Come on!”
  1578. > you demand, only partly kidding
  1579. >”Fine,” she responds happily, clearly intending an eventual surrender
  1580. >”Just something I noticed: all the positive attributes described the ways that you liked Anon.”
  1581. “Uh-huh”
  1582. > “And all the negative traits were reasons not to be with him.”
  1583. >…
  1584. “And?”
  1585. >”You really don’t get it?”
  1586. > she asks, honestly surprised
  1587. >”Pretty much all those reasons you said you didn’t like him were reasons why you shouldn’t like him, not why you didn’t like him.”
  1588.  
  1589. >After a moment, you understand her meaning
  1590. >”Minuette, I think you do like him, you just don’t want to.”
  1591. >A concerned visage tells her you don’t know how to feel
  1592. >What do you do?
  1593. >You can’t deny it, you do have some feelings for Anon
  1594. >Not the strongest, consuming feelings, but they are there,
  1595. > and they are definitely not ignorable
  1596. “What do I do?”
  1597. >”Well, if you want my opinion, you shouldn’t just jump in.
  1598. >”Your concerns were valid, and yeah, I do think you should get to know him a little better before you think about anything like dating
  1599. >”But you gotta be honest with yourself, and probably him too
  1600. >”He knows something’s up, and you might sabotage yourself if you keep trying to convince the both of you that there’s nothing going on.
  1601. >”And who knows? Maybe he’s got something for you too.”
  1602. >At this last remark, she gives you a sly little smile, and you remember that she’d been watching you and him the whole night
  1603. >Wait a minute
  1604. “Does he?”
  1605. >She glances upward, poorly pretending innocence
  1606. >”Oh, I wouldn’t know. I’ve never met a human before!”
  1607.  
  1608. >Before you can argue the point, she’s changing the subject, and walking back to the living room
  1609. >”It’s getting late, and Lemon and I gotta catch that train back.”
  1610. >You’d forgotten about that
  1611. >It was a last-minute party, so it was understandable
  1612. >You wipe the stray tears off your face, and hope your eyes aren’t too red
  1613. >The two of you head back into the living room, where the other three have been for the last half hour
  1614. >Lyra’s snoring loudly on the lounge chair, a mostly empty glass on the table within reach
  1615. >Anon’s deep in conversation with Moondancer, who’s compromised her pure studious expression with one tinted with compassion
  1616. >Anon is still definitely affected by the alcohol, closer to Lyra’s state than yours or Lemon’s
  1617. >He’s rocking around, gesticulating wildly as he tries to explain…
  1618. >something… to Moondancer
  1619. >You can’t really tell, since half of his words are slurred
  1620. >You can make out your name, a mention of the race, and makes a hand motion that looks a whole lot like groping
  1621. >Moondancer blushes at this last part, and judging by her concentrated look, appears to be understanding what he’s saying
  1622. >Maybe you weren’t off on your interpretation of his gesticulation
  1623.  
  1624. >Moondancer notices you and Lemon, and perks up
  1625. >”Oh! I was just thinking about when we needed to go.
  1626. >”Is it now?”
  1627. >Lemon hearts nods, and opens her mouth in a gaping yawn
  1628. >Moondancer surprises you by turning to Anon and giving him a big hug, which he happily returns
  1629. >Wrapping his arms around Moondancer, he notices you too the side
  1630. >”Ohheyyy, Minwet! We were jusht talking boutchu!”
  1631. >You and Lemon turn to Moondancer, who laughs sheepishly
  1632. >She explains that Lyra had fallen asleep right after the two of you had left, and she’d been talking with Anon
  1633. >He had told her about his start in Ponyville, and she relayed her similar experience of isolation
  1634. >Afterwards, they bonded over their mutual knowledge of rocks
  1635. >You laugh out loud, interrupting her
  1636. >Of course she’d know about rocks
  1637. >She starts to resume, but then stops
  1638. >”The he, uh, started talking about you, Minuette.”
  1639.  
  1640. >Your ears perk up
  1641. “Oh yeah? What’d he say?”
  1642. >Anon, not listening at all, had been smiling gaily at you for the past minute
  1643. >On impulse, he rushes in for a hug, squeezing you tightly
  1644. >Over his shoulder, you see Moondancer blush a little
  1645. >Lemon snickers as she sees Anon holding you, oblivious to everything but you
  1646. >He raises his hand up and
  1647. >-oh, he’s petting you again
  1648. >You catch your breathe, clear your throat, and look at Minuette as seriously as you can
  1649. ”What’d he say?”
  1650. >Obviously uncomfortable, she tosses a handful of ums and uhs your way
  1651. >At your insistence, she just tells you
  1652. > “I think you oughtta talk to him sometime.
  1653. >”It’s really not for me to say.”
  1654. >Your cock your head, confused
  1655. >Lemon laughs, and goes over to Moondancer’s side
  1656. >”Alright, we better head out now. You got Lyra?”
  1657. “Yeah, I’ll put a blanket over her”
  1658. > You reply, suspicious of them
  1659. >They were clearing keeping something from you
  1660. >But it became clear that they weren’t going to tell you when they stepped out the door and waved goodbye, before disappearing into the night
  1661.  
  1662. >After they leave, you turn towards Anon, still hugging you
  1663. >His head rests on your shoulder, and you can hear him softly humming
  1664. “Anon,”
  1665. > you whisper softly, not wanting to disturb him
  1666. >”Anon, I gotta get Lyra.”
  1667. >He seems to get the message, as he holds you a little tighter, and grunts in the negative
  1668. >You can’t bring yourself to pry him off, so you return the hug to him
  1669. >He doesn’t let go for a while
  1670. >You’d think he’d fallen asleep if not for the steady petting
  1671. >Finally, he lets up for a moment, just enough to look you in the eyes from a few inches away
  1672. >You can see his dilated eyes, so close now
  1673. >He starts to move his face towards yours
  1674. >You should push him away
  1675. >You close your eyes
  1676. >You should push him away
  1677. >You lean in
  1678. >You should push him away
  1679. >You part your lips
  1680.  
  1681. >You feel Anon’s forehead press against yours, the crown of his head pressing against your horn
  1682. >What?
  1683. >You open your eyes, to see your Anon with his own closed, a content smile on his face
  1684. >Oh
  1685. >Guess that was something else
  1686. >You cough, trying to hide your embarrassment,
  1687. >Afterwards, you lightly but firmly push him off
  1688. >Shaking your head, you levitate Lyra onto the couch
  1689. >You pull a couple of blankets off the shelves, and bring them over to the couch, laying them on Lyra
  1690. >She’s snoozing peacefully
  1691. >For a moment, you’re jealous of her
  1692. >But you’ll be asleep soon, and afterward, you can talk to Anon
  1693. >Celestia, what a night
  1694. >You turn towards Anon, who had seated himself in the recliner in your absence
  1695. >Still a bit upset at what transpired, you say, a little too testily
  1696. “Anon, it’s time to go.”
  1697.  
  1698. >His face is unreadable as he stands up
  1699. >He walks towards you, until his stomach is eye-level
  1700. >Then he kneels down and sits with his legs crossed, like he did that first time in your office
  1701. >And again he’s staring into your eyes
  1702. >You can’t let this happen again
  1703. >But this time, his breath deepens along with yours
  1704. >His eyes dilate, and a goofy grin spreads across his face
  1705. >”Hey Minuette.”
  1706. > he says, leaning in, his soft voice enchanting you
  1707. “W-what??
  1708. >You find your voice shaky as you lean in closer, hypnotized by his half open eyes
  1709. >”I like you.”
  1710. > he says, smiling sweetly
  1711. “I, uh, like you too, Anon.
  1712. > you respond, trying to play it cool
  1713. >”I like you a lot,”
  1714. > he says breathily, his right hand rising up to trace your trembling lips
  1715. >His finger touches your lips, then moves them slightly downward,
  1716. > exposing the wet, inner portion, which his finger runs down
  1717. >his finger retracts, and he runs his thumb from left to right, then along your cheek
  1718. >Under his spell, you close your eyes and move your head along with it, tilted slightly to the side while he opens his palm to cup the side of your face while you nuzzle him
  1719. “Anon…”
  1720. >You moan, not wanting him to stop
  1721. >Your eyes flutter open, and see him closer than ever, his beautiful lips almost on yours
  1722. >You close your eyes again, and move forward, pressing your lips into his
  1723.  
  1724. >The kiss goes on for minutes, your bodies magnetized to each other
  1725. >He cups the back of your head and pushes you into him
  1726. >Your tongues come out, intermingling
  1727. >Celestia, you’ve wanted this
  1728. >You didn’t allow yourself to know it
  1729. >To fully give into it, even when you received Lemon’s revelation
  1730. >This was incredible
  1731. >But there was something wrong
  1732. >There was a pit in your stomach
  1733. > that was getting harder to ignore
  1734. >You pull yourself off of him, a frown spreading across your face
  1735. >This moment should have been more
  1736. >He was trashed, completely drunk
  1737. >And as much as you wanted him, you wanted him as is
  1738. > not so smashed he could barely see in front of him
  1739. >Your heart seizes with worry
  1740. >Maybe you were wrong, maybe you should have just let it happen
  1741. >Were your fears founded?
  1742. >Were you just scared?
  1743. >Either way, you felt unsure about this
  1744. >And that’s not a thing to ignore and push forward on
  1745. >You’d deal with this, but later,
  1746. > when he wasn’t drunk, and you weren’t on the verge
  1747. >He sits there, looking at you with a sleepy, confused expression
  1748. “Come on, it’s time to go to bed”
  1749. >He grins wickedly at this
  1750. >You sigh heavily, trying to suppress your reaction to his meaning
  1751. “No, not like that”
  1752. >A pouty face comes forth, and you find a little of your sense of humor return
  1753. >Maybe you weren’t going to be sleeping with him tonight
  1754. >But…
  1755. >A small spark of joy ignites as you justify your plan
  1756. “Come on, Anon”
  1757. > you say with a small, gentle smile
  1758. >He follows you into your bedroom, and up onto your bed
  1759. >You stop his hand from wandering as he snuggles up close
  1760. “Not that, not now.
  1761. “Just sleeping tonight. Is that okay with you?”
  1762. >He looks at you thoughtfully, and smiles shyly
  1763. >”Yeah”
  1764. >With the last of your strength, you bring the blanket over the both of you
  1765. >You knew that this was wrong
  1766. >You should send him home
  1767. >But it was so cold out there, and he was way to drunk to find his way home
  1768. >Poor thing would probably freeze
  1769. >And you wanted him close
  1770. >Maybe it was silly to deny a kiss and share a bed
  1771. >But the alcohol and exhaustion from a day of excitement and keeping yourself from Anon had taken its toll
  1772. >Anything could happen tomorrow
  1773. >Including a split, you think with a grimace
  1774. >And even if you didn’t feel comfortable with a kiss, the self-denial of that had used up your last stores of self-control
  1775. >You could sleep together chastely
  1776. >Your inner arguments and turmoil fade as you fall into sleep
  1777. > with Anon’s arm around you
  1778.  
  1779. >You wake up to a pressure over your chest
  1780. >Its Anon’s arm, hugging you
  1781. >wait
  1782. >OH CELESTIA WHAT DID YOU DO
  1783. >Anon was in your bed, half naked
  1784. >Oh no oh no oh no oh no
  1785. >You couldn’t remember last night
  1786. >You couldn’t remember last night!
  1787. >You sit up, a cold sweat freezing your body
  1788. >You shake Anon awake, your fear expressing itself in a violence you did not expect
  1789. >Anon winces at the pain
  1790. >”Ah, what the hell?”
  1791. >He shoves your hoof away, then looks blankely around him
  1792. >”Wait…”
  1793. > he asks with a confused visage, beginning to understand the situation
  1794. >His eyes bug out as he completes his grasping of such
  1795. >Frantically, he darts under the covers, and throws them off
  1796. >He’s eyeing them now, a frantic concentration evident in his focused eyes
  1797. >You sit there, absolutely confounded at his reaction
  1798. “What are you doing?”
  1799. > you cry out, finally finding your voice
  1800.  
  1801. >”hold on, hold on”
  1802. >He grinds his teeth, and launches the blanket to the floor, spreading it flat out, then examining it from above
  1803. >After a minute, he smiles, satisfied
  1804. “Anon, what in Equestria-“
  1805. >”Stains,”
  1806. > he interrupts you, blushing a little
  1807. “Pardon?”
  1808. >”Stains. If we’d done something, there’d be stains,” he sheepishly responds
  1809. >You look at him, slackjawed for a moment
  1810. >Then you realize he has a point
  1811. >So what did happen?
  1812. “Anon, I can’t remember what happened.”
  1813. >He nods, looking uncomfortable: “Neither can I.”
  1814. >An idea clicks in your head
  1815. “Hey Anon, can you get Twilight over here?”
  1816. >”Huh?”
  1817. “She could cast a spell to make us remember.”
  1818. >”Really?”
  1819. “Well, I assume so. That, or she can go back in time. Or make us go back in time.
  1820. “I really don’t know. But if anyone can help us, it’s gonna be Twilight.”
  1821. >He thinks about it for a minute, then nods, running out of the house, and towards his own
  1822.  
  1823. >You are now Anon
  1824. >Something definitely happened
  1825. >Maybe it didn’t go as far as it could’ve but something definitely happened
  1826. >The thatched-roofs fly past you as you sprint back to the castle
  1827. >They fly past less quickly when you halt, gasping for air, moments later
  1828. >You frown, lips curled downwards as you try not to vomit
  1829. >Between the blinding, burning sun and your ridiculous decision to sprint home
  1830. >With heroic resolve, you keep your mouth closed, and shudder on
  1831. >A painful mile later, you arrive at your house
  1832. >Twilight’s in the main hall, discussing something with an unfamiliar horse
  1833. “Twilight,” you gasp, with imperfectly functioning lungs
  1834. >She doesn’t hear you
  1835. >You lurch forwards, calling her names at intervals, but to no avail
  1836. >Finally, you stop, take a long breath, and call out her name once more, with as much breath as you can muster
  1837.  
  1838. >Thankfully, she turns towards you
  1839. >”Anon! There you are!
  1840. >”Where were you? I had no idea you’d gone!”
  1841. “S-sorry,”
  1842. > you grunt through your agony
  1843. “Was at Minuette’s. Party. Need spell.”
  1844. >Her eyebrow raises
  1845. >”Huh? You need a spell for her party?”
  1846. “No. I was”
  1847. >breath
  1848. “at a party. I don’t”
  1849. >breath
  1850. “remember what hap-“
  1851. >breathe
  1852. “penned. Need a memory spell.”
  1853. >Your point comes laboriously through, and she nods, then frowns
  1854. >”Anon, I’m sorry, I don’t have any spells like that
  1855. >The pony you don’t recognize pipes up:
  1856. >”I do!”
  1857. >”Back in my uh, utopia, I had to manage my citizens’ memory”
  1858. >Her words drop when she says “utopia,” but you hear it alright
  1859. >You’re feeling suspicious
  1860. > but then, you really need to know what happened
  1861. “Ok, whatever, can you do it?”
  1862. >”Sure, let me just-“
  1863.  
  1864. >A light bluish magic emanates from her horn, and seeps into your forehead
  1865. >Then, blinding pain
  1866. “Ah! Fucking shit!”
  1867. >You push the mare over as you flail
  1868. >The pounding inside your head stops, and you open your eyes again
  1869. >Geez Louise, that hurt
  1870. >The purple unicorn’s picking herself up
  1871. >”Ow”
  1872. “Sorry about that…”
  1873. > you murmur, not really feeling sorry
  1874. >”It’s alright. That happened to me a couple times before,”
  1875. > she responds, a nostalgic half-smile on her lips
  1876. >”How are you feeling now? Remember anything?”
  1877. >The night’s coming back to you, but still fuzzy
  1878. “It’s still kinda fuzzy.”
  1879. >”It’ll be that way for a bit. Just give it an hour or so”
  1880. >With that promise, you start running back
  1881. >Your mind was full of Minuette; everything else was barely registering
  1882. “Thanks, whoever you are!
  1883.  
  1884. >You hurtle down the street, only to be stopped by the familiar agony in your stomach
  1885. >Keeled over once more, you feel a flash of pain in your head
  1886. >Pictures of the day before return to you with every pulse
  1887. >A race
  1888. >A hoof on your chin
  1889. >A picnic
  1890. >A blanket curled around the both of you
  1891. >And then they stop
  1892. >You take a minute, moving to the shade of Sugarcube Corner to rest
  1893. >The agony of the hangover combined with Celestia’s unwelcome gift was enough
  1894. >Besides, you might as well take a minute to recover all the memories
  1895. >No point in coming back with half a story
  1896. >You lounge into the chair, a mess of limbs flopped every which way
  1897. >Occasionally grunts of pain murmur outward as you twist and turn to keep the sun out of your eyes
  1898. >”Can I help you?”
  1899. >A somewhat chipper, somewhat nervous voice asks
  1900. >The blurry figure of Mrs. Cake materializes before you
  1901. >Guess you were being pretty noisy
  1902. >Still, you weren’t really in a position to be sorry
  1903. “You can if you got anything for hangovers”
  1904. > you groan, staring directly at the plump pony
  1905.  
  1906. >Her discomfort increases, and she just nods vaguely at you
  1907. >She backs away, stealing glances at you until she’s behind the counter
  1908. >You notice her talking to her husband, who frowns and nods
  1909. >Well, guess you’re gonna have a short stay here
  1910. >Watching Mr. Cake exit, another surge of pain comes to you
  1911. >Meeting some new ponies
  1912. >Telling stories of Earth
  1913. >Playing Crazy Eighty Eights
  1914. >Getting completely smashed
  1915. >Getting kissed by Lyra
  1916. >As the memory of that last on come back, you blush a bit
  1917. >Man, that’s gonna be awkward the next time you see her
  1918. >Ah well
  1919. >It was a pretty fun night, judging by what you remember
  1920. >Probably not much left, although you can’t imagine what it was that went on between you and Minuette
  1921. >A deep sigh enters the morning air, and you wish it wouldn’t be too weird
  1922. >Still
  1923. >You aren’t afraid that it’ll be the end
  1924. >Minuette’s not the kind of girl to take off on you
  1925. >She’s a friend
  1926. >You smile at the thought
  1927. >She’s my friend, and I’m not going anywhere
  1928.  
  1929. >It takes you longer than you’d like, with multiple stops due to your not yet faded headache.
  1930. >Still, you make it, panting and gasping for air.
  1931. >Your stomach heaves with every breath, the toll of your frantic pace nearly disabling you.
  1932. >It wouldn’t have bothered you one bit,
  1933. > had Minuette not opened the door at that exact moment.
  1934. >You struggle to greet her, but your ragged breaths interrupt your every attempt.
  1935. >A look of surprised concern crosses her face, and she pulls you inside, out of the blistering sun.
  1936. >Panting on the nearby couch, you begin to rethink yourself.
  1937. >You can imagine the sweaty, near-broken mess of a person on the couch, hair matted with perspiration and chests heaving raggedly.
  1938. >You fight against it, only winning
  1939. >But at the end, you can’t beat this on your own
  1940. >Anguish crosses your face as your confidence fails,
  1941. > the old self-revile returning with seven more measures of strength.
  1942. >Through the crippling despair spreading through you like some vicious poison,
  1943. > one sensation breaks through your numbed consciousness: a hoof on your hand.
  1944. >You look up from your lap, greeted by Minuette’s concerned face,
  1945. > looking half as troubled as you feel.
  1946. >“I shouldn’t have let you go,”
  1947. > her trembling voice comes,
  1948. >“I should have gone with you, or gone myself.”
  1949. >You try to assure her that it’s fine, but she’s convinced she’s the fault of your pathos.
  1950. >A reminder of the message you were sent to get runs through you, and you rush to fulfill your duty.
  1951. “Minuette, I,”
  1952. >Your voice gives out as pain wracks your sorry head, sending it straight down into your heads.
  1953. >A worn groan leaves your lips, followed by a worried sigh.
  1954. >“Don’t try to speak now, sweetie.”
  1955. > comes her soothing tone.
  1956. >The final expression is noticed by both of you, and your tired eyes rise to meet her own, shocked and wide.
  1957. “Minuette,”
  1958. > you sputter, followed by her clasping her hoof over your mouth,
  1959. > from equal parts desire to make you rest and to prevent your reaction.
  1960. >Exhaustion convinces you to rest, and you keel over on the couch,
  1961. > eyes still barely open, staring at the worried pony before you.
  1962. >Your mind fading to a less inhibited state, you mumble to her
  1963. “I love you…”
  1964. >Too tired to be alert, but not of the kind to put you to sleep, you fall into a painful half-alive state.
  1965. >Your eyes close and open lazily over the next few minutes,
  1966. > taking blurry snap-shots of the sweet pony before you.
  1967. >Her perfect blue mouth open, eyes wide in surprise.
  1968. >Darkness.
  1969. >Her having taken a step back, a hoof held to her mouth, covering full lips,
  1970. > which bear a slowly growing upward curve.
  1971. >Darkness.
  1972. >Wondrous eyes, closer to you,
  1973. >but focusing on something above you, an smile half open and forgotten by its owner.
  1974. >Darkness.
  1975. >Perfect blue eyes, covered by a silver and dark blue curtain.
  1976. >Darkness. A hoof moving it aside, revealing two windows, crinkled at the sides.
  1977. >Darkness.
  1978. >Then more darkness.
  1979. >You had surrendered to your hurt,
  1980. > unwilling to expend the effort to keep your eyes open or understand where you were.
  1981. >The last sensation you feel is of a faint whispering, tickling your ear with unheard messages.
  1982. >Minutes later, your eyes open, and your arms contract.
  1983. >Your arm finds itself obstructed, and a cursory investigation finds the source:
  1984. > a giddy pony’s face resting on your forearm, blissfully staring at you.
  1985. “Minuette?” You start, your pain mostly gone.
  1986. >“Yes?”
  1987. > comes the lazy answer,
  1988. >her eyes still dead set on your face, exuding a glowing happiness you had come to love so.
  1989. “Minuette, we kissed.”
  1990. >”I know,”
  1991. > she tells you without a trace of discomfort.
  1992. > Her easy tone confuses you, and you inquire whether or not she already knew.
  1993. >Her eyes leave you, and focus on some distant point.
  1994. >”I pieced it together just now. After you told me that you…”
  1995. > her voice trails off, and her eyes come back to you, almost expectantly.
  1996. “that I loved you,”
  1997. > you reply.
  1998. >The nervousness you felt before had left.
  1999. >Not completely, but the presence of this beloved, perfect mare had finally broken through,
  2000. > to the point where you barely felt a tinge of fear.
  2001. >There is a knot of discomfort growing in your stomach as you realize that only part of your dream is realize.
  2002. >You look at her, concern in your eyes:
  2003. “Um, Minuette...?”
  2004. > You place your hand on her hoof, which rests on your chest.
  2005. >She looks towards your hand, then towards your worry.
  2006. >Realizing what you ask for before you say it,
  2007. > she leans in close, her muzzle brushing your cheek as it comes to rest over your face.
  2008. > Her lips hover just above your own, and her warm eyes hold yours for what feels like eternity. >“Anon,”
  2009. > she whispers, her warm breath on your own lips,
  2010. >“I love you too.”
  2011. >With that, she drops her lips onto yours,
  2012. > and your world is made complete.
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