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-Browser Pone Opera pt.7-

Mar 17th, 2013
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  1. >You weren't kidding when you told Opera that traffic tends to be a headache in the mornings
  2. >So many assholes in SUVs
  3. >You thought living in the city would be convenient
  4. >It has been up to now
  5. >When you need to save a life
  6. >Why can't you have a siren?
  7. >Okay, no use in getting riled up and doing stupid shit
  8. >Getting arrested would only further the delay
  9. >As you drive as fast as legally possible through traffic, taking risks to get to you destination faster, you ponder
  10. >Opera is, indeed, a computer program.
  11. >An internet browser.
  12. >But she seems to function wholly and seamlessly as an organic being
  13. >So what the fuck happened?
  14. >She was acting weird
  15. >More like when you first met her
  16. >But less warm
  17. >Was she mad?
  18. >She hadn't indicated that anything was wrong
  19. >But she did faint right after...
  20. >After she opened that damned rickroll
  21. >Oh divine arabian zombie carpenter
  22. >A fucking virus!
  23. >Shit, these script kiddies have suddenly been granted the power to mess with lives
  24. >Possibly end them
  25. >You now have a need to choke a bitch
  26. >You look over at Opera
  27. >She looks peaceful, at least
  28. >You've never been tech-savvy past the basics
  29. >You decide to turn on the radio
  30. >Maybe the stars will align and there'll be some useful news, or at the very least some good music
  31. >The Darkness wants to let you know about a little thing called love
  32. >Haha, fate, u so funeh
  33. >You channelsurf, but find only braindead, vapid radio hosts with nothing to say or dubstep
  34. >The Darkness it is
  35. >You realize, as cheesy as it is, it kind of describes your feelings for Opera
  36. >For a little pastel pony you've known but for a day
  37. >yfw
  38. >Finally you pull into the store's parking lot, and you grab opera and run inside
  39. >A quick push of a button locks your car
  40. >The guy behind the counter doesn't even get out his greeting before you start explaining
  41. "AI! Materialized from my phone, might have gotten some sort of virus while browsing please see if there's anything you can do to fix her!"
  42. >The store clerk takes a moment to absorb what you just said, then nods and heads into the back
  43. >He gestures for you to follow him
  44. >You bring Opera with you and hurry after him
  45. >"I'm not sure what to do with an AI, as they've only just started materializing in the last 24 hours. But as you've probably figured, they work as both programs and organic beings. So we're gonna have to work out a way to interface them with computers."
  46. >He grabs the end of a USB cable connected to the store computer
  47. >And gently puts it in her mouth
  48. >Wat
  49. >Both of you are even more shocked to see that it worked...probably
  50. >Something's happening on the screen.
  51. >He looks over it, then clicks rapidly here and there
  52. >"I'm running a diagnostic on all connected units. If we're lucky, we might be able to figure out what's affecting her."
  53. >You nod
  54. >Now the two of you wait
  55. "Th-thank you...for doing this. And even more so for succeeding this far."
  56. >He shakes his head
  57. >"I pulled something outta my ass and it worked. 's a lucky shot, hernando. But I'll be glad if I can save a life. That'll be my good deed for the day."
  58. >He smiles at you
  59. >You smile back and look at the screen
  60. "It's done"
  61. >You jerk your thumb at the screen
  62. >He nods and gets to it
  63. >"Oh, that's it...? I think that'll be manageable."
  64. "What is it she's got?
  65. >"Have you heard of 'LOLOOP.xzz'?"
  66. "No, but it sounds like I could make out what it does from the name."
  67. >"Maybe. It sends a computer into a locked loop which is annoying, but manageable if you know what it is. Kind of like the computer flu, I s'pose."
  68. >He withdraws a tiny plastic bag of little SD cards
  69. >No, they're so tiny, they're...(micro)chips?
  70. >He hands it to you
  71. >"Think of this as the medicine. Let her rest for a bit, and give her those, and she'll likely make a full recovery. I think. I'm not a doctor."
  72. >You nod and thank him, then run back out into the car and head on your way home.
  73. >Opera is still asleep
  74. >She's making soft sounds
  75. >Either she's snoring
  76. >Or she's talking in her sleep
  77. >She's cute as hell no matter which it is, though
  78. >You listen closer
  79. >You can't quite make out words, but she doesn't sound like she's experiencing anything pleasant
  80. >Do browser ponies dream of electric sheep?
  81. >Maybe she's having a nightmare because of the virus
  82. >Or just a plain vanilla nightmare
  83. >You've had nightmares about vanilla ice cream after you read somewhere that artificial vanilla flavoring comes from the anal scent glands of beavers
  84. >You doubt she's having that nightmare though
  85. >Or maybe
  86. >Just maybe
  87. >She's upset, and her subconscious is doing something related to that
  88. >The store clerk did say it was a loop virus
  89. >Crazy theory time
  90. >Perhaps the loop is forcing Opera to have a Groundhog day experience with unpleasant memories
  91. >Fuck, you don't even know
  92. >The roads seem to be less congested now
  93. >The drive home feels quick and uneventful
  94. >You park at home
  95. >You bring Opera inside
  96. >Tuck her into bed
  97. >Debate whether or not to wait with giving her the medicine
  98. >Decide to give her some
  99. >If not, maybe she'll stay locked in that loop
  100. >You withdraw the bag of chips
  101. >You open Opera's mouth as carefully as you can
  102. >Put a few on her tongue
  103. >Close her mouth
  104. >Tilt her head back
  105. >Massage her throat
  106. >It always worked in the movies
  107. >They eventually seem to go down
  108. >Her body jerks a bit
  109. >Then calms down
  110. >She seems less tense
  111. >She's not making as many unhappy noises
  112. >You decide to monitor her for a bit, see if she gets better
  113. >Might as well get some tea while you wait
  114. >You brew up a cup of 4RF
  115. >Already it brings back memories
  116. >You sit there, watching her, blowing on your tea
  117. >She's an odd pone
  118. >Well, only pone - and AI - you've ever met
  119. >Maybe she's perfectly normal by their standards
  120. >No matter
  121. >You find her quirks endearing
  122. >And it's surprisingly easy to bear with her whenever she's being....quirky
  123. >At least she has character
  124. >And you're falling in love with her
  125. >Some arcane part of your brain apparently has no problem with the fact that she could just as well be your pet
  126. >She's still giving you boners
  127. >And feels
  128. >So many feels
  129. >Maybe you're not showing it enough
  130. >No, you're not some kind of unemotional golem
  131. >Are you?
  132. >Perhaps that's how she views you
  133. >And that causes her to feel unloved
  134. >It's a possibility, you suppose
  135. >You blow on your brew again
  136. >Opera's nose twitches
  137. >Her eyelids flutter
  138. >Wat
  139. >Was she just cured by the power of tea?
  140. >You're not some mountain boddhisatva, brewing nirvana juice
  141. >But fuck it, you're not gonna look this gift horse in the mouth
  142. >Well, maybe at some point it will be necessary to see if she's brushed
  143. >Her eyes are open now
  144. >She looks like she has the world's worst hangover
  145. >She eyes your tea
  146. >You nod and put the cup to her lips
  147. >She drinks deep
  148. >Then lets out a satisfied sigh
  149. >She's not dead, and in fact, seems to have made some recovery
  150. >You decide to explain the situation
  151. >As you do, you feed her some medicine chips and chase those down with tea
  152. >So far she's awfully quiet
  153. >Listening
  154. >From the look on her face, she feels like shit
  155. >As you finish, you ask
  156. "Opera...what was it like when you were unconscious?"
  157. >Her eyes glaze over in that usual way they do when she's looking up something
  158. >"It was a nightmare, I believe. Surreal, frightening audiovisual stimuli."
  159. >She looks down
  160. >"I dreamt of losing you. I dreamt that you didn't like me, and wanted me gone. And it doesn't help that...that I've been an unprofessional, emotionally messed up nuisance." Her voice cracks and chokes as she bursts into tears
  161. >She's sobbing now
  162. >Great going, fucko
  163. >You embrace her firmly, but gently
  164. "Opera, I..."
  165. >Fuck
  166. >Your voice is cracking too
  167. >You feel sobs coming on
  168. >You let it all out as you hold her
  169. >She must be really fucking confused right now
  170. >You wouldn't blame her
  171. >You're pretty fucking confused too
  172. >But you know for sure you won't let go
  173. >Not right now
  174. >She means too much to you
  175. -You are Opera pony-
  176. >Anon is currently hugging you tight
  177. >You've both been out of tears for a while
  178. >Neither of you seem particularly willing to let go, though
  179. >That's fine with you
  180. >You must look like a mess
  181. >You feel like one
  182. >And have probably landed yourself in one
  183. >No...you thought you could make out something between his sobs
  184. >Something about not believing that nightmare
  185. >Or maybe you just wanted to hear that
  186. >But even so
  187. >His actions...
  188. >You don't mean to be presumptuous
  189. >But it seems like he doesn't mind you
  190. >In fact, you think he might..
  191. >Might..
  192. >Want to have you around
  193. >You can hope
  194. >And you will
  195. >The thought lifts your spirits
  196. >You gently push away from him, breaking the embrace
  197. >He lets go, looking at you
  198. >His eyes are puffy and red
  199. >And still moist
  200. >He gives you a confused look
  201. >But he looks relieved when you give him a coy smile
  202. "A-Anon...did you say what I think you said?"
  203. >He merely nods
  204. "Then...I know this sounds like I'm full of myself, but...do you accept me for who I am? And still want me around? Because nothing would make me happier~"
  205. >Your stomach is simultaneously full of butterflies and knotted up in a tiny little ball
  206. >It feels like a cold, heavy liquid is sloshing around inside you
  207. >This is it
  208. >"Are you kidding?! Of course!"
  209. >He leans down and kisses your nose
  210. >"Opera, I...I think I'm developing feelings for you. Not just friendship - although I consider you a lovely friend - but also romantic. And I know that's silly, considering we've known each other for less than a day. But...life's not always logical. I'm not saying we have to enter into a relationship - in fact, doing so is probably a bad idea, at least at this juncture - but my point is, I want you around."
  211. >You sit there, baffled
  212. >Your grin threatens to consume your entire face
  213. >"I..I'll go make some more tea"
  214. >You flop back down onto the pillow
  215. >You are so incredibly relieved
  216. >And happy
  217. >Anon...
  218. >Anon loves you!
  219. >You love him too of course
  220. >But...you're not entirely sure if it's romantic, sexual or platonic, or even a mixture
  221. >Right now, you can't bring yourself to care
  222. >Too happy
  223. >Anon comes back with two cups of tea
  224. >He sets one down on the nightstand
  225. >He sips his own
  226. >The two of you sit in silence for a while, sipping your tea
  227. >Neither party seems to know how to start off
  228. "So...how do we do this thing?" You surprise yourself by taking the initiative
  229. >He shrugs
  230. >"I figure we could live together and just take one day at a time. No grand plan, just living life, and then we see how that turns out."
  231. >You nod
  232. "I'd like that. A lot."
  233. >You both sip your tea
  234. "So...weren't you supposed to work today? I mean, I know I kinda crapped out, but isn't your boss gonna be like, super-mad that you're not there?"
  235. >"Not at all. I thought I told you, but apparently not: I called her and said that I too had experienced the materialization of an AI into my life. She said I could have the day off to deal with it."
  236. >You laugh
  237. "She sounds nice. A bit firm, but nice."
  238. >"Yeah. But anywho, that means I've got today, saturday and sunday off."
  239. "Aah, so plenty of time, then. That's good."
  240. >"Yep. Now, would you kindly check the news for any updates about this whole situation?"
  241. "Can do!"
  242. >Your search yields no new results
  243. >You inform him of that
  244. >"Figures. There'll probably be more news the next days, though, so be vigilant."
  245. >You give him the military salute
  246. "Yes, sir!"
  247. >You giggle
  248. "So, what are we going to do today, Anon?"
  249. >He looks thoughtful for a moment
  250. >"Well, the only time you've been outside the house, you were unconscious and sick, so I was thinking maybe you'd enjoy going outside for a bit. And seeing as you just moved in, we're gonna need a few things. So we'll head to the mall for a bit, if that's alright with you?"
  251. >You nod furiously
  252. >You didn't want to admit it, but you could see yourself getting understimulated pretty quickly when confined to the house
  253. >"One thing, though...as we've established, we should probably be a bit on the down-low, seeing as how people might not entirely know how to deal with AIs yet. I'm not saying we lie or anything, just that we don't draw unnecessary attention to ourselves."
  254. >You give a curt nod
  255. "Understood."
  256. >You spring excitedly out of bed
  257. >By some miracle, you stick the landing like a pro, instead of faceplanting
  258. >You trot towards the door
  259. "What'cha waiting for? Let's get going!
  260. >To your own ears, you sound almost smug
  261. >You're just excited and happy as hell though
  262. >He gives a sigh that turns into a laugh and follows you
  263. >You exit the house
  264. >Lock the door
  265. >Get in the car
  266. >Fasten seatbelts of course
  267. >And head off to the mall
  268. >You try to take in everything that's zooming by
  269. >Actually seeing things is a very different experience to just reading about them
  270. >Anon seems to note your excitement with amusement
  271. >You eventually reach the mall and go inside
  272. "So where do we head first, Anon?"
  273. >"The pet shop."
  274. >Right
  275. >You are an animal after all
  276. >Speaking of
  277. >You're getting weird looks
  278. >From everywhere
  279. >Oh dear
  280. >Don't panic, don't panic
  281. >You reach the pet shop without deciding to run off and hide somewhere
  282. >Funny, you hadn't considered yourself directly shy before
  283. >Anon purchases a litterbox and some specialized brushes, then you leave
  284. >And head to a convenience store in the same mall
  285. >"So, Opera, can you think of anything we need?"
  286. "I would appreciate anything in the realms of vegetables and fruits, considering that's what horses eat."
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