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- It is a terrible night to be out. The moon's shine is overpowered by
- the dense layer of storm clouds above. The ground is cold and damp from the
- rain before. The air is frigid and flowing, full of water and empty of warmth.
- But of course, here I am, walking back from the convience store. Being
- the lazy student that I am, I waited until the last minute for shopping and
- was stuck without food and a full night of studying for the next exam. So with
- my bag of various instant foods and snacks, I try to hurry home to the long
- night ahead.
- Other than the light from the streetlights, the darkness is empty. Not
- a car roaming or person wandering. The buildings around are vacant. There is,
- however, that slight, mysterious buzzing that comes with this city setting.
- Realizing how eerie it is out here and vulnerable I am, I quicken my pace.
- I turn down a pitch-dark alley, between the tall vacant buildings.
- Walking stiffly into the abyss, the clouds loosen overhead and the moon peaks
- through. And I see her.
- A short girl, about 5'5" leaning against the building to my right. Her
- hair, a warm dark red, clashes with the cold around her. Her bright green eyes
- stare into me with a look of something between displeasure and anger. She's in
- a dark hoodie. And she's pretty. So much so, I stopped walking without being
- aware I did.
- "You're Ein, right?" Her soft voice shattering the slience.
- Half shocked and half flattered, I answer, "Yeah, but how --"
- Fwish! The air by my left shoulder rushes around. Something flew by
- me. Around the girl. Gleams float in the air. Like a peacock's tail, in an
- arc around and over her head. I step back. They're floating. She begins
- walking toward me. The light from the moon disappears, throwing me into
- blind panic.
- Fwoosh! The air over my head flees and knocks my senses back together.
- I have to get out of here. I drop my bag and take off to the closest exit of the
- alley. Which way I was going, and which way I came make no difference anymore and
- I couldn't tell if I tried.
- Shink! I scream in pain as my arm is pierced from behind by an icy
- numbness, flinging it foward sharply, shooting me stumbling ahead with it. I
- reach out for arm with my other hand and feel a shard lodge in my tricep from
- behind and my slippery blood dripping out of it. A shard of ice.
- With no mind to think about what the hell is going on, I keep running.
- Time blurs around me, as more shards fly past me as I run. Almost as though,
- I've been running for hours and have heard thousands of shards of ice
- miss me. But eventually, that comes to an end.
- Close to the exit of the alley I fall to the ground before I feel the
- pain in my leg. A shard of ice was launched into the back of my thigh. I can
- only scream in reaction to this pain. My screams, my crying, and her running
- footsteps ring together in my blank head.
- "Why! Wh --" Before I can finish all the air leaves my body.
- She finished her run toward me with a solid kick to my back and all I
- can do is gasp for air.
- "That's for running!" She screams between her pants and gasps. "I hate
- running!"
- She walks around me, trying to catch her breath and holding her heart.
- After a short while, she crouches near me. Because of how close she is, and
- the nearby streetlight I can see her clearly. Her hood now down, you can see
- she has her hair two pigtails fixed on opposite sides of her head. She's still
- panting and looks uncomfortable.
- Breathing heavily, she speaks. "Ein, you're going to die today."
- Her face looks emotionless as she utters these deafening words.
- "You're dying for making such a beautiful girl run and get sweaty and
- uncomfortable."
- Her icy hand touches my face. My mouth dries out and the saliva
- disappears from it. My throat feels itchy and tight. My skin feels as though
- it's too small for me. The air feels as sharp as a knife against my body.
- Under her other hand which is hanging over my body, a horizontal spear
- of ice forms slowly. Taking her hand off my cheek, she makes motions toward
- the spear, crafting edges and designs as it grows. Abstract designs that can
- only be described as "awe-inspiring" and "elegant" are begin taking shape all
- along the spear. Finally, when she seems done, she flicks her small hand
- moving the spear in front of me.
- "What do you think? Pretty good, huh?"
- Before I can answer, she stands up, and kicks me over so that I'm
- laying flat. She quickly moves the spear vertically, over my heart all the
- while with a flawless, angry look on her face. And she looks down at me.
- "I really do hate running."
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