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ClaudiaPapillon

Pinky & No Brain

Jul 29th, 2016
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  197. <div id="cherry">
  198. <div id="beastly">
  199. <div id="space" class="text">
  200. Poem thingy
  201.  
  202.  
  203. </div>
  204. <div id="one" class="text">
  205.  
  206. I said a hip hop,
  207. Hippie to the hippie,
  208. The hip, hip a hop, and you don't stop, a rock it
  209. To the bang bang boogie, say, up jump the boogie,
  210. To the rhythm of the boogie, the beat.
  211. Now, what you hear is not a test - I'm rappin' to the beat,
  212. And me, the groove, and my friends are gonna try to move your feet.
  213. See, I am Wonder Mike, and I'd like to say hello,
  214. To the black, to the white, the red and the brown,
  215. The purple and yellow. But first, I gotta
  216. Bang bang, the boogie to the boogie,
  217. Say up jump the boogie to the bang bang boogie,
  218. Let's rock, you don't stop,
  219. Rock the rhythm that'll make your body rock.
  220. Well so far you've heard my voice but I brought two friends along,
  221. And the next on the mic is my man Hank,
  222. C'mon, Hank, sing that song!
  223.  
  224. Check it out, I'm the C-A-S-A, the N-O-V-A,
  225. And the rest is F-L-Y,
  226. You see I go by the code of the doctor of the mix,
  227. And these reasons I'll tell you why.
  228. You see, I'm six foot one, and I'm tons of fun
  229. When I dress to a T,
  230. You see, I got more clothes than Muhammad Ali
  231. and I dress so viciously.
  232. I got bodyguards, I got two big cars
  233. That definitely ain't the wack,
  234. I got a Lincoln Continental and a sunfoofed Cadillac.
  235. So after school I take a dip in the pool,
  236. Which is really on the wall,
  237. I got a colour TV, so I can see
  238. The Knicks play basketball. Hear me talk about
  239. Checkbooks, credit cards, mo' money
  240. Than a sucker could ever spend,
  241. But I wouldn't give a sucker or a bum form the Rucker
  242. Not a dime 'til I made it again. Everybody go
  243. Ho-tel, Mo-tel, Whatcha gonna do today? (Say what?)
  244. 'Cos I'm a get a fly girl,
  245. Gonna get some spank n' drive off in a def OJ. Everybody go
  246. Ho-tel, Mo-tel, Holiday Inn,
  247. Say if your girl starts actin' up, then you take her friend.
  248. Master Gee! My mellow!
  249. It's on to you, so whatcha gonna do?
  250.  
  251. Well, it's on'n'n'on'n'on on'n'on,
  252. The beat don't stop until the break of dawn.
  253. I said M-A-S, T-E-R, a G with a double E,
  254. I said I go by the unforgettable name
  255. Of the man they call the Master Gee.
  256. Well, my name is known all over the world
  257. By all the foxy ladies and the pretty girls.
  258. I'm goin' down in history
  259. As the baddest rapper there ever could be.
  260. Now I'm feelin' the highs and you're feelin' the lows,
  261. The beat starts gettin' into your toes
  262. You start poppin' your fingers and stompin' your feet
  263. And movin' your body while while you're sitting in your seat
  264. And then damn! Ya start doin' the freak, I said
  265. Damn! Right outta your seat
  266. Then you throw your hands high in the air,
  267. Ya rockin' to the rhythm, shake your derriere
  268. Ya rockin' to the beat without a care,
  269. With the sureshot MCs for the affair.
  270. Now, I'm not as tall as the rest of the gang
  271. But I rap to the beat just the same.
  272. I got a little face, and a pair of brown eyes
  273. All I'm here to do, ladies, is hypnotize
  274. Singin' on'n'n'on'n'on on'n'on,
  275. The beat don't stop until the break of dawn
  276. Singin' on'n'n'on'n'on on'n'on,
  277. Like a hot buttered pop da pop da pop dibbie dibbie
  278. Pop da pop pop, don't you dare stop
  279. Come alive y'all, gimme whatcha got
  280. I guess by now you can take a hunch
  281. And find that I am the baby of the bunch
  282. But that's okay, I still keep in stride,
  283. 'Cos all I'm here to do is just wiggle your behind
  284. Singin' on'n'n'on'n'on on'n'on,
  285. The beat don't stop until the break of dawn.
  286. Singin' on'n'n'on'n'on on'n'on,
  287. Rock rock, y'all, throw it on the floor
  288. I'm gonna freak you here, I'm gona freak you there,
  289. I'm gonna move you outta this atmosphere.
  290. 'Cos I'm one of a kind and I'll shock your mind
  291. I'll put TNT in your behind. I said
  292. One, two, three, four, come on, girls, get on the floor
  293. A-come alive, y'all, a-gimme whatcha got
  294. 'Cos I'm guaranteed to make you rock
  295. I said one, two, three, four, tell me, Wonder Mike
  296. What are you waiting for?
  297.  
  298. I said a hip hop,
  299. The hippie to the hippie
  300. The hip hip a hop, and you don't stop, a rock it
  301. To the bang bang boogie, say up jump the boogie,
  302. To the rhythm of the boogie, the beat.
  303. A Skiddleebebop, we rock, scooby doo,
  304. And guess what, America, we love you
  305. 'Cos you rocked and a rolled with so much soul,
  306. You could rock 'til a hundred and one years old.
  307. I don't mean to brag, I don't mean to boast,
  308. But we like hot butter on our breakfast toast
  309. Rock it up, Baby Bubba!
  310. Baby Bubba to the boogie da bang bang da boogie
  311. To the beat, beat, it's unique
  312. Come on everybody and dance to the beat!
  313.  
  314. [Drum break]
  315.  
  316. A hip hop
  317. The hippie to the hippie the
  318. Hip hip a hop and you don't stop, rock it
  319. Rock it out, Baby Bubba to the boogie da bang bang
  320. The boogie to the boogie, the beat.
  321. I said, I can't wait 'til the end of the week
  322. When I'm rappin' to the rhythm of a groovy beat
  323. And I attempt to raise your body heat.
  324. Just blow your mind, so you can't speak
  325. And do a thing but a-rock and shuffle your feet
  326. And let it change up to a dance called the freak
  327. And when you finally do come into your rhythmic beat,
  328. Reast a little while so you don't get weak.
  329. I know a man named Hank
  330. He has more rhymes than a serious bank
  331. So come on Hank, sing that song,
  332. To the rhythm of the boogie, the bang bang da bong!
  333.  
  334. Well, I'm Imp the Dimp, the ladies' pimp,
  335. The women fight for my delight.
  336. But I'm the grandmaster with the three MCs
  337. That shock the house for the young ladies
  338. And when you come inside, into the front,
  339. You do the freak, spank, and do the bump
  340. And when the sucker MC try to prove a point,
  341. We're a treacherous trio, we're the serious joint!
  342. a-From sun to sun and from time to time
  343. I sit down and write a brand new rhyme
  344. Because they say that miracles never cease
  345. I've created a devastating masterpiece
  346. I'm gonna rock the mic 'til you can't resist,
  347. Everybody, I say it goes like this
  348. Well, I was walking home late one afternoon
  349. A reporter stopped me for an interview
  350. She said she's heard stories and she's heard fables
  351. That I'm vicious on the mic and the turntable
  352. This young reporter I did adore,
  353. So I rocked some vicious rhymes like I never did before
  354. She said, "Damn, fly guy, I'm in love with you
  355. The Casanova legend must have been true"
  356. I said, "By the way, baby, what's your name?"
  357. Said, "I go by name of Lois Lane
  358. And you could be my boyfriend, you surely can,
  359. Just let me quit my boyfriend called Superman."
  360. I said, "He's a fairy, I do suppose
  361. Flyin' through the air in pantyhose
  362. He may be very sexy, or even cute,
  363. But he looks like a sucker in a blue and red suit,"
  364. I said, "You need a man man who's got finesse
  365. And his whole name across his chest
  366. He may be able to fly all through the night,
  367. But can he rock a party 'til the early light?
  368. He can't satisfy you with his little worm,
  369. But I can bust you out with my super sperm!"
  370. I go do it, I go do it, I go do it, do it, do it.
  371. An' I'm here an' I'm there, I'm Big Ban Hank, I'm everywhere
  372. Just throw your hands up in the air
  373. And party hardy like you just don't care
  374. Let's do it, don't stop, y'all, a tick tock, y'all, you don't stop!
  375. Go ho-tel, mo-tel, whatcha gonna do today? (Say what?)
  376. I'm gonna get a fly girl, gonna get some spank, drive off in a def OJ,
  377. Everybody go, "Ho-tel, mo-tel, Holiday Inn"
  378. You say if your girl starts actin' up, then you take her friend
  379. I say skip, dive, what can I say?
  380. I can't fit 'em all inside my OJ,
  381. So I just tak half, and bust 'em out,
  382. I give the rest to Master Gee so he can shock the house
  383. It was twelve o'clock one Friday night
  384. I was rockin' to the beat and feelin' all right
  385. Everybody was dancin' on the floor
  386. Doin' all the things they never did before
  387. And then this fly girl with a sexy lean
  388. She came into the bar, she came into the scene
  389. She travelled deeper inside the room
  390. All the fellas checked out her white Sassoons
  391. She came up to the table, looked into my eyes
  392. Then she turned around and shook her behind
  393. So I said to myself, it's time for me to release
  394. My vicious rhyme I call my masterpiece
  395. And now people in the house, this is just for you
  396. A little rap to make you boogaloo
  397. Now the group you hear is called Phase Two
  398. And let me tell you somethin', we're a helluva crew
  399. Once a week, we're on the street
  400. Just to cut in the jams and look at your feet
  401. For you to party, you gotta have the moves,
  402. So we'll get right down and get you a groove
  403. For you to dance, you got to be hot
  404. So we'll get right down and make you rock
  405. Now the system's on and the girls are there
  406. You definitely have a rockin' affair
  407. But let me tell you somethin', there's still one fact
  408. And to have a party, you got to have a rap
  409. So when the party's over, you're makin' it home,
  410. And tryin' to sleep before the break of dawn
  411. And while you're sleepin', you start to dream,
  412. And thinkin' how you danced on the disco scene
  413. My name appears in your mind,
  414. Yeah, a name you know that was right on time
  415. It was Phase Two just doin' a do
  416. Rockin' you down 'cos you knew we could
  417. To the rhythm of the beat that makes you freak,
  418. Come alive girls, get on your feet
  419. To the rhythm of the beat to the beat the beat
  420. To the double beat beat that makes you freak
  421. To the rhythm of the beat that says you go on
  422. On'n'on into the break of dawn
  423. Now I got a man comin' on right now
  424. He's garuanteed to throw down
  425. He goes by the name of Wonder Mike
  426. Come on, Wonder Mike, do what you like!
  427.  
  428. I say a can of beer that's sweeter than honey,
  429. Like a millionaire that has no money
  430. Like a rainy day that is not wet,
  431. Like a gamblin' fiend that does not bet
  432. Like Dracula without his fangs,
  433. Like the boogie to the boogie without the boogie bang
  434. Like collard greens that don't taste good,
  435. Like a tree that's not made out of wood
  436. Like goin' up and not comin' down,
  437. Is just like the beat without the sound, no sound
  438. To the beat beat, you do the freak
  439. Everybody just rock and dance to the beat
  440. Have you ever went over a friends house to eat
  441. And the food just ain't no good?
  442. The macaroni's soggy, the peas are mushed,
  443. And the chicken tastes like wood
  444. So you try to play it off like you think you can
  445. By saying that you're full
  446. And then your friend says, "Mama, he's just being polite
  447. He ain't finished, uh-uh, that's bull!"
  448. So your heart starts pumpin' and you think of a lie
  449. And you say that you already ate
  450. And your friend says "Man, there's plenty of food"
  451. So you pile some more on your plate
  452. While the stinky food's steamin', your mind starts to dreamin'
  453. Of the moment that it's time to leave
  454. And then you look at your plate and your chicken's slowly rottin'
  455. Into something that looks like cheese
  456. Oh so you say "That's it, I gotta leave this place
  457. I don't care what these people think,
  458. I'm just sittin' here makin' myself nauseous
  459. With this ugly food that stinks"
  460. So you bust out the door while it's still closed
  461. Still sick from the food you ate
  462. And then you run to the store for quick relief
  463. From a bottle of Kaopectate
  464. And then you call your friend two weeks later
  465. To see how he has been
  466. And he says, "I understand about the food,
  467. Baby Bubba, but we're still friends"
  468. With a hip hop the hippie to the hippie
  469. The hip hip a hop, a you don't stop the rockin'
  470. To the bang bang boogie
  471. Say up jump the boogie to the rhythm of the boogie the beat
  472. I say, "Hank, can ya rock?
  473. Can ya rock to the rhythm that just don't stop?
  474. Can ya hip me to the shoobie doo?"
  475. I said, "Come on, make, make the people move!"
  476.  
  477. I go to the balls and then ring the bell
  478. Because I am the man with the clientele
  479. And if ya ask me why I rock so well,
  480. A Big Bang, I got clientele
  481. And from the time I was only six years old
  482. I never forgot what I was told
  483. It was the best advice I ever had
  484. It came from my wise, dear old dad
  485. He said, "Sit down, punk, I wanna talk to you
  486. And don't say a word until I'm through
  487. Now there's a time to laugh, a time to cry
  488. A time to live and a time to die
  489. A time to break and a time to chill
  490. To act civilized or act real ill
  491. But whatever you do in your lifetime
  492. You never let an MC steal your rhyme"
  493. So from six to six 'til this very day
  494. I'll always remember what he had to say
  495. So when the sucker MCs try to chump my style
  496. I let them know that I'm versatile
  497. I got style, finesse, and a little black book
  498. That's filled with rhymes and I know you wanna look
  499. But the thing that seperates you from me
  500. And that is called originality
  501. Because my rhymes are on from what you heard
  502. I didn't even bite, not a go---word
  503. And I say a little more, later on tonight
  504. So the sucker MCs can bite all night
  505. A tick a tock, y'all, a beat beat, y'all
  506. A let's rock, y'all, you don't stop
  507. Ya go, "Ho-tel, mo-tel, whatcha gonna do today?" (Say what?)
  508. Ya say, "I'm gonna get a fly girl, gonna get some spank and
  509.  
  510. Drive off in a def OJ"
  511. Everybody go, "Ho-tel, mo-tel, Holiday Inn"
  512. Ya say if your girl starts actin' up, then you take her friends
  513. A like that, y'all, to the beat, y'all
  514. Beat beat y'all, ya don't stop!
  515. A Master Gee, my mellow
  516. It's on to you so whatcha gonna do?
  517.  
  518. Well, like Johnny Carson on the Late Show
  519. A like Frankie Crocker in stereo
  520. Well like the Barkay's singin' "Holy Ghost"
  521. The sounds to throw down, they're played the most
  522. It's like my man Captain Sky
  523. Whose name he earned with his super sperm
  524. We rock and we don't stop
  525. Get off, y'all, I'm here to give you whatcha got
  526. To the beat that it makes you freak
  527. And come alive, girl, get on your feet
  528. A like a Perry Mason without a case
  529. Like Farrah Fawcett without her face
  530. Like the Barkays on the mic
  531. Like gettin' down right for you tonight
  532. Like movin' your body so you don't know how
  533. Right to the rhythm and throw down
  534. Like comin' alive to the Master Gee
  535. The brother who rocks so viciously
  536. I said the age of one, my life begun
  537. At the age of two I was doin' the do
  538. At the age of three, it was you and me
  539. Rockin' to the sounds of the Master Gee
  540. At the age of four, I was on the floor
  541. Givin' all the freaks what they bargained for
  542. At the age of five I didn't take no jive
  543. With the Master Gee it's all the way live
  544. At the age of six I was a-pickin' up sticks
  545. Rappin' to the beat, my stick was fixed
  546. At the age of seven, I was rockin' in heaven
  547. Don'tcha know I went off
  548. I gotta run on down to the beat you see
  549. Gettin' right on down, makin' all the girls
  550. Just take off their clothes to the beat the beat
  551. To the double beat beat that makes you freak
  552. At the age of eight, I was really great
  553. 'Cause every night, you see, I had a date
  554. At the age of nine, I was right on time
  555. 'Cause every night I had a party rhyme
  556. Going on'n'n'on'n' on on'n'on
  557. The beat don't stop until the break of dawn
  558. A sayin' on'n'n'on'n' on on'n'on
  559. Like a hot buttered de pop pop de popcorn...
  560.  
  561.  
  562. </div>
  563. <div id="two" class="text">
  564.  
  565. </div>
  566. <div id="three" class="text">
  567.  
  568. </div>
  569. </div>
  570.  
  571. <div id="beauty">
  572.  Occ will go here <u>underline</u> <i>Italics</i> <b>Bold</b> <a href="bored.com">Link</a>
  573.  
  574. </div>
  575. </div>
  576.  
  577. <div id="tickle"></div>
  578. <div id="me"></div>
  579. <div id="sexy"></div>
  580. <div id="gray"><big></big>Derp a dork</div>
  581. <div id="bar">
  582. <a href="#one" class="menu">Waka Laka</a>
  583. <a href="#two" class="menu">Waka Laka</a>
  584. <a href="#three" class="menu">Waka Laka</a>
  585. </div>
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