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FingerbangingMLP

MonCapitan - Bleeding Out (Octavia, unfinished)

Dec 9th, 2013
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  1. *Bvrrrt…bvrrrt…bvrrrt…bvrrrt…*
  2. >”Hey…it’s me again…just hoping you’ll pick up your phone…and call me back…and I hope we can talk this through…”
  3. >…
  4. ---
  5. >Eight hours later.
  6. >You bring the bottle to your lips.
  7. >It’s empty.
  8. >You are currently lying face down, drunk, on a cold sidewalk.
  9. >You roll over as the bottle slips out of your hand.
  10. >Bringing the hand to your face, your vision blurs.
  11. >You cough as you roll over again.
  12. >This time your body slides down into the gutter.
  13. >At least it isn’t wet.
  14. >You can’t bring yourself to stand.
  15. >An overwhelming desire to sleep hits you.
  16. >You fall asleep in a street gutter.
  17. >You are Anonymous.
  18. >This is your life now.
  19. >It beats being dead…
  20. >Maybe…
  21. >The scariest thing to you is that you aren’t quite sure if it does.
  22.  
  23. Bleeding Out
  24.  
  25. >Six hours later.
  26. >You feel the heat of the sun beating down on the back of your neck.
  27. >You try to pull yourself up, but you’re greeted with an intense pain in the back of your eyes.
  28. >You fall back down and bump your forehead against the hard ground.
  29. >A lance of pain spears your skull and you let out a silent scream.
  30. >A few minutes pass before you manage to partially right yourself.
  31. >The pain in your head hasn’t diminished, you must be hungover.
  32. >You manage to sit on the curb.
  33. >One eye slightly open, you look down at yourself.
  34. >Baggy grey shirt, covered in filth, and a pair of torn, faded jeans, also stained with dirt and other grime.
  35. >You don’t have any shoes on.
  36. >Looking around you spy an empty bottle laying quietly in the gutter.
  37. >You check your pockets.
  38. >Nothing.
  39. >Fuck…
  40. >You stand and another spike of pain courses through your body and implants itself in your head.
  41. >You wince and begin the long walk back to your dorm.
  42. >You think back to the events of the previous night.
  43. >Things were kind of blurry.
  44. >You hear the train’s whistle in the distance.
  45. >Stopping in your tracks, you remember.
  46.  
  47.  
  48. ---
  49. >You could hear it now.
  50. >Its rumble growing louder with every passing second.
  51. >You take a deep breath and exhale slowly.
  52. >You turn the volume up car’s speakers.
  53. >https://www.youtube.com/watch?v=gJEoxeW7JvQ
  54. >Grabbing the bottle of gun on the seat next to you, you pull off the cap.
  55. >Pressing it to your lips you hear the whistle of the train scream out.
  56. >Its headlights shimmer across the car’s interior.
  57. >You take a swig and lower the bottle, resting your head against the back of the seat.
  58. >The music fills your ears and you close your eyes.
  59. >…
  60. >You almost don’t hear the passenger door open.
  61. >Your eyes flick open and you turn to see a beautiful grey-skinned women of about-your-age.
  62. >Her long black hair frames her face and trails down to her lap.
  63. >You mouth: Wha-
  64. >Her slender hand raises itself to the knob that controls the volume.
  65. >It delicately twists the music to a much more reasonable listening level.
  66. >Gently retracting her hand, she turns her head to face you.
  67. >The train’s whistle sounds.
  68. >It’s close now, not much longer.
  69. >You stare into her deep purple eyes.
  70.  
  71. “H-hello?”
  72.  
  73. >She turns her head forward.
  74. >A lock of her hair swings around at the motion.
  75. >Light from the train shines through the stray lock of hair.
  76. >Your mind goes numb for a moment as you stare at the girl next to you.
  77. >Suddenly your heart rate spikes.
  78. >Your hands are shaking, but you manage to twist the key in the ignition.
  79. >The engine roars to life.
  80. >Your eyes never leave the girl.
  81. >A brief smile flits across her face.
  82. >Slamming the car into drive, you turn your head forward and press your foot to the gas.
  83. >The car lurches forward, clambering over the tracks.
  84. >You drive just beyond the warning bar and stop.
  85. >Slowly shifting the car to park and stopping the engine, you hear the train thunder across the tracks where you were parked just moments before.
  86. >You turn back to the girl to find her already staring at you.
  87. >Silence fills the car.
  88.  
  89. >Not an awkward silence, nor a dreadful one, but a silence that fills the gap of two people introducing themselves, a proper sort of silence.
  90. >She leans over you, a stern look having pervaded her face.
  91. >Her aroma washes over you as her hand gracefully slides the key out of the ignition.
  92. >She smells of lilac.
  93. >You watch as she takes the keys and brings her hand back to her lap.
  94. >You finally manage to speak up.
  95.  
  96. “W-what?”
  97. >”What, indeed.”
  98.  
  99. >…
  100.  
  101. >”Shall we be off then?”
  102. “Y-you have the keys.”
  103. >”Well, you did just try to do something awful.”
  104.  
  105. >You look at her.
  106. >She smiles a kind, comforting smile at you.
  107. >Her eyes are filled with warmth.
  108. >You unbuckle your seatbelt and exit the car, gin in hand.
  109. >As you walk around the car, her door opens as well.
  110. >She elegantly strides past you, filling your nostrils with her scent.
  111. >You stumble to the passenger side and get in.
  112. >She’s already in the driver’s seat, door closed, seat belt fastened.
  113. >Closing your door and buckling your belt, you turn to watch as she starts the car.
  114.  
  115. >”So, where shall I drop you off?”
  116.  
  117. >You think for a moment.
  118. >Bvrrrt…bvrrrt…bvrrrt…
  119. >The reason for your attempted suicide rushes back to your mind.
  120. >Raising the bottle of gin, you look down at it and tell her.
  121.  
  122. “Macintosh’s Bar at the corner of Fifth and Mane.”
  123.  
  124. >She sighs and shifts the car into drive.
  125. ---
  126. >That’s where your wallet and phone went too.
  127. >Your phone was plugged into the car’s jack and you gave her your wallet with your ID in it so she could return your car.
  128. >Big Mac probably just added last night to your tab.
  129. >Your head throbs.
  130. >Knowing a bar’s owned helped when you didn’t have your ID.
  131. >You didn’t even get her name.
  132. >Hell, she probably just stole your car and wallet.
  133. >Damn it.
  134. >You shouldn’t have driven off the tracks.
  135. >You should have just let that train kill you and-
  136. >You almost immediately regret thinking that thought.
  137. >Your head starts throbbing again.
  138. >You slowly march home.
  139.  
  140. >Your car is sitting in the parking lot of your dorm.
  141. >Peering in the window you spy your wallet, sitting on the seat, and your phone, still plugged into the center console.
  142. >You try the door.
  143. >Locked.
  144. >Well then.
  145. >The keys don’t appear to be inside the car.
  146. >You walk around it and step up the staircase to your building.
  147. >You live in a large two-story dorm on the old side of Canterlot University.
  148. >A fresh coat of paint on the outside hides the true age of the building, but the low ceilings and small doors of the interior reveal the truth.
  149. >Pushing open the door you step into a tight carpeted hallway lined with doors.
  150. >You drag yourself through the musty corridor.
  151. >As you approach your room, the door across from it opens and out steps Flash Sentry.
  152.  
  153. >”Hey, bro.”
  154.  
  155. >You nod at him and grab the handle of your door.
  156. >It’s locked.
  157.  
  158. >” Having trouble?”
  159. “Door’s locked.”
  160. >”Yeah, I hear ya, bro. Hey, listen, I got the key, man.”
  161.  
  162. >You sigh.
  163.  
  164. “Why do you have my key?”
  165. >”Some wicked hot grey-skinned beauty with a smoking body swung by and dropped it off. I turned on the old Flash Sentry charm, but she didn’t take the bait, fucking dyke.”
  166.  
  167. >You stare at him.
  168. >The more he talks the stronger the pain in your head grows.
  169. >You hold out your hand and he ducks back into his room.
  170. >A few moments later he returns and hands you the keys.
  171.  
  172. “Thanks.”
  173. >”Yeah, no prob, bro.”
  174.  
  175. >He closes the door.
  176. >Fucking cunt.
  177. >Your head throbs in pain.
  178. >Looking down at the key ring in your hand you realize that you now have access to your car.
  179. >Another jolt of pain rushes through your head.
  180. >…
  181. >I’ll deal with it later.
  182.  
  183. >The next day…
  184. >You stare at the note she left in your car.
  185. >It reads: “Don’t give up. We will meet again soon.”
  186. >An expertly drawn treble clef followed.
  187. >You don’t even know her name.
  188. >She trusts you not to kill yourself though.
  189. >You aren’t sure if that’s stupid or kind of her.
  190.  
  191. >Twisting the key in the ignition and pocketing the note, you turn in time to see a familiar motorcycle pulling into the lot.
  192. >A wave of horror and dread spreads through your body.
  193. >Rainbow Dash.
  194. >You see the dark plate of her helmet turn towards you.
  195. >Slamming the car into reverse, you back up quickly.
  196. >She speeds up and pulls right next to you.
  197. >Her gloved hand knocks on the window.
  198. >Turning swiftly, you shift into drive and pound the pedal.
  199. >The car takes off through the parking lot.
  200. >Dash’s motorcycle screeches after you.
  201. >You make a sharp turn out into the street.
  202. >She matches.
  203. >You accelerate down the empty road, swerving occasionally, but nothing shakes her.
  204. >You spy an intersection with a busy one-way road ahead.
  205. >Your mind goes numb as you consider your next move.
  206. >It’s a small college town so there aren’t that many cops.
  207. >You’re a good driver.
  208. >Right?
  209. >Is it worth it?
  210. >You turn your head and see the ends of her rainbow-colored hair flapping in the wind.
  211. >…
  212. >FUCK.
  213. >No, you weren’t going to be caught by her.
  214. >You power through the red light and drift right into the oncoming traffic.
  215. >You push down on the gas, accelerating.
  216. >Swerving around the first few cars you check your mirror to see that she is no longer following you.
  217. >Turning your full attention back to game of life and death in front of you, you fully realize what you’re doing.
  218. >It feels exhilarating.
  219. >Like you are more alive now than you ever have been before.
  220. >For a moment you forget everything, except the adrenaline rushing through you.
  221. >You are violently returned to reality.
  222. >There is only one way to avoid it.
  223. >First, you are not an expert evasive driver, so you have no idea what you’re even doing.
  224. >Second, you were not paying enough attention and now that your eyes are back on the road it’s too late to successfully avoid the truck barreling towards you.
  225. >Only one option.
  226. >You slam the wheel left hard.
  227. >*Screeeeeeech*
  228. >BLAM
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