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SZS 253 V2

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Oct 2nd, 2015
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  1. Chapter 253: "The 'Going Too Far' Structure"
  2.  
  3. Chiri: Strong Killing Intent
  4. Nami: Normal Killing Intent
  5. Matoi: Stalker
  6. Majiru: Nephew
  7. Rin: Sisterly Killing Intent
  8. Kiri: Occasional Killing Intent
  9. Lee: Sees as rival
  10. Abiru: Domestic Violence
  11. From title in top left: Killing Intent
  12. Uropen: Killing Intent?
  13. Sensei: Victim "I"
  14.  
  15.  
  16. Page 1.
  17.  
  18. >And deep within the labrynth built by the cowardly king
  19. >The treasure of courage was hidden
  20.  
  21. >Kudou-kun, your stories...
  22. >Always move me to tears.
  23.  
  24. >As expected
  25.  
  26.  
  27. Page 2.
  28.  
  29. >As expected of our genius storyteller!
  30.  
  31. >Wha-!
  32.  
  33. >This is bad!
  34. >Kudou-kun is being abducted!
  35.  
  36. >Stop~!
  37.  
  38.  
  39. Page 3.
  40.  
  41. >The car is heading into that building.
  42.  
  43. >Th- This is...
  44.  
  45. sign: Tokyo Public Prosecutor
  46.  
  47. >I wonder if he's done something bad
  48.  
  49. >Kudou-kun, of all people?
  50.  
  51. >For now, let's go after them!
  52.  
  53. >And so that's how it is.
  54.  
  55. >We beg for your assistance.
  56.  
  57. >Ah, I think I've figured it out
  58.  
  59.  
  60. Page 4.
  61.  
  62. >The prosecution always starts
  63. >By giving the case a story
  64.  
  65. >Ah.
  66.  
  67. >They write a story, like "this and this happened, creating this motive, which led to this crime"
  68. >And from there they challenge any testimony that doesn't fit the narrative
  69.  
  70. background: Caught cheating -> Die! -> You too!
  71.  
  72. >Now that you mention it,
  73. >Forced testimonies and falsified evidence have become a real problem these days.
  74.  
  75. >Such things cannot be allowed
  76.  
  77. >Huh?
  78.  
  79. >A- Are you a prosecutor?
  80.  
  81. >Yes. And we have reflected on our past mistakes
  82.  
  83. >But don't you think
  84. >That story was a little weak?
  85.  
  86.  
  87. Page 5.
  88.  
  89. >If you give it more of an emotional impact
  90. >The story will become much more convincing
  91.  
  92. >That's not the issue, here!
  93.  
  94. >I invited this young man here to help us come up with a more moving story
  95.  
  96. >I think we should base the story on actual evidence, though
  97.  
  98. >Our goal
  99. >Is a tear-jerking prosecution!
  100.  
  101. >I'm not convinced at all
  102.  
  103. >Oh, Sensei
  104. >What are you doing here?
  105.  
  106. >Why was my scenario turned down, exactly!?
  107.  
  108. script: First Annual Tear-Jerking Prosecution Scenario Contest Entry, "A Gentle Lie" by Itoshiki Nozomu
  109.  
  110. >Huh?
  111.  
  112. >It's this
  113.  
  114.  
  115. Page 6.
  116.  
  117. poster:
  118. title: First Annual Tear-Jerking Prosecution Scenario Contest!!
  119. subtext: *First place scenario guarantees an indictment! If we decide to use your scenario for an important case, a public prosecutor will
  120.  
  121. serve as back-up!
  122. bubble: Now Accepting Entries
  123. down left side: Be the next Phoenix Wright!
  124.  
  125. >This was going on the whole time!?
  126.  
  127. >Why was my scenario rejected?
  128.  
  129. >Because it wasn't moving at all
  130. >Your story is trite and completely devoid of emotion
  131.  
  132. >But it makes me cry every time I reread it
  133.  
  134. >You came here just to complain about getting rejected?
  135.  
  136. >I thought it was very well written!
  137.  
  138. >Oh, please
  139.  
  140. >You have no literary talent whatsoever, Sensei
  141.  
  142.  
  143. Page 7.
  144.  
  145. >Aah-!
  146. >Aah-ah!
  147.  
  148. >You just said
  149. >Something you shouldn't have!
  150.  
  151. >What are you all doing here, anyway?
  152.  
  153. >You only just noticed?
  154.  
  155. >He really came here just to complain
  156.  
  157. >We're going to hold a conference about the scenario now
  158. >All of you are quite welcome to participate
  159.  
  160. >Now then, I'll explain the case at hand
  161.  
  162. >C and B, who were having an affair
  163. >Decided together to kill B's husband, A
  164.  
  165. background:
  166. between A and B: Married
  167. B to C: Affair
  168. Between C and B: Co-conspirators
  169. C to A: Murder
  170.  
  171. >And that's all we have so far
  172.  
  173. >I don't see a problem
  174.  
  175. >There's even a motive.
  176.  
  177. >Boring
  178. >It's too simple, with no twists
  179.  
  180.  
  181. Page 8.
  182.  
  183. >Do you really think you can
  184. >Draw out an emotional response with a story like that?
  185.  
  186. >My point exactly
  187.  
  188. >But, that's...
  189.  
  190. >Well, they did implement that new lay judge system recently...
  191. >It might be necessary for the story to be a little engaging
  192.  
  193. >You, think of something!
  194.  
  195. >Eh!? Me?
  196.  
  197. >Um...
  198.  
  199. >A is terrorist from a certain country plotting a chemical weapon attack
  200. >B is an undercover government agent, and C, whose marriage to A is only for appearances, is really B's superior...
  201.  
  202. >Too broad, too broad
  203. >You've completely lost touch with reality
  204.  
  205.  
  206. Page 9.
  207.  
  208. >Nami-chan does seem like the type who regularly goes to see movie versions of TV dramas
  209. >The ones with the overly grand plots.
  210.  
  211. >So what if I do!?
  212.  
  213. >Plus, all of that happening in Adachi ward?
  214. >I don't see it
  215.  
  216. >What if we made the crime scene a hotspring?
  217.  
  218. >I like it!
  219.  
  220. >One with a big bridge in the background would really bring the scenery together, I think.
  221.  
  222. >A bridge! I like it, I like it!
  223.  
  224. >Wait just a minute!
  225.  
  226. >You're fabricating the whole story!
  227.  
  228. >Ah
  229.  
  230. >It's fine
  231. >So long as it's interesting!
  232.  
  233. >Let's make it autumn instead of winter too, so the leaves can be red
  234.  
  235. >This is like some kind of editorial committee.
  236.  
  237. >With the setting and timeframe settled, the motive should be easy
  238.  
  239. >Here's what I suggest
  240.  
  241. >Fujiyoshi-san? When did you...?
  242.  
  243.  
  244. Page 10.
  245.  
  246. >Rather than an affair between B and C,
  247. >It turns out that A and C were really in a romantic relationship!
  248.  
  249. >Between two men?
  250.  
  251. >What year do you think it is?
  252. >And also...
  253.  
  254. >C is the bottom
  255.  
  256. >Please stop.
  257.  
  258. >This way ensures a certain level of public support!
  259.  
  260. >I- Is that so?
  261.  
  262. >So, a romantic relationship between A and C...
  263.  
  264. >What are you doing!?
  265.  
  266. >But if they're both in a relationship
  267. >Wouldn't it be strange for C to kill A?
  268.  
  269. >You're probably right
  270.  
  271.  
  272. Page 11.
  273.  
  274. >You shouldn't think of it as C killing A in the first place!
  275. >He just sent him on a trip to Hocchania!
  276.  
  277. >Ho...cchania?
  278.  
  279. >It's the paradise awaiting us, where love transcends gender and the eels and mandarin oranges are delicious
  280.  
  281. >I see, you're talking about a cult
  282. >Let's throw a shady religious group into the story, then
  283.  
  284. >A brick is too boring of a murder weapon if there's a cult involved
  285. >There must be something more distinctive we can use...
  286.  
  287. >A scrubbing brush!
  288. >True believers hang them from their necks
  289.  
  290. >How would you kill someone with a brush?
  291.  
  292. >Slowly, of course.
  293.  
  294. >By wearing them down psychologically.
  295.  
  296. background:
  297. top: Dropping one on their head every minute
  298. speaker: Brush~
  299. middle: Constant noise from speakers
  300. bottom: Scrubbing brush burger
  301.  
  302. >You should have been helping from the beginning if you're going to come up with stuff like that!
  303.  
  304. >Teehee.
  305.  
  306. >We can win with this!
  307. >We'll wear down the defendant's stonewalling tactics!
  308.  
  309.  
  310. Page 12.
  311.  
  312. >And that's what really happened!
  313.  
  314. sign on building: Tokyo Courthouse
  315.  
  316. >So, was the defendant found guilty?
  317.  
  318. >Yes
  319. >He said he'd rather confess to everything than listen to our story
  320.  
  321. >Does that really count as a victory?
  322.  
  323. >It's winning the battle but losing the war
  324.  
  325. >Sob
  326. >Sob
  327.  
  328. >No talent... No talent...
  329.  
  330. >Showing up to protest your rejection was your only appearance this time, huh?
  331.  
  332.  
  333. Page 13.
  334.  
  335. >What was Sensei's scenario about?
  336.  
  337. >Um... A has a fatal illness,
  338. >C works at a host bar, and B is an escort
  339.  
  340. >The three first meet in Shibuya, and then...
  341.  
  342. >Ah
  343. >That's enough
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