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Mar 18th, 2013
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  1. Xavin
  2.  
  3. He is a wise Yeleni and stands at approximately seven feet in height. His skin is a dark brown that
  4. speaks of time spent under the sun. His frame is well muscled, lending him an air of practiced nobility and a hint of quiet confidence. Long, tangled hair of a brilliant silvery-white hue cascades behind him, nearly reaching the small of his back. His features are sharp and angular, granting him the likeness of a Tsol'aa, a resemblance that is heightened by his sharply tapered ears. His eyes are broad, their pupils slit down the center and the irises are a brilliant amber hue, flecked through with silver. Three ragged scars mar his right eye, raked across from the bridge of his nose to just above his cheekbone. Patches of silver-blue scales are scattered about his flesh, running down his arms and legs. A long, sinewy tail hangs behind him, the end tapering to a rounded point that flicks lazily behind himself. Nearly invisible tendrils of light and warmth play across his form, occasionally coalescing into brilliant bands of light that sprout from his shoulder blades like a series of thin, ethereal wings.
  5.  
  6. a circlet of the elements -
  7.  
  8. A band of silvery-blue mithril has been twisted and worked to twine with thin band of warm yellow gold to make up the base of this unique circlet. A trio of brilliant gemstones have been set into the circlet, at a spot where the metal dips to the center of a wearer's forehead - a diamond, sapphire and ruby, each of a circular cut. The gems posses an odd shimmer, seeming to twinkle even in the absence of direct light. Stylized points rise from the circlet, each an equal distance from the adjacent points, and each worked to resemble one of three representations of the elements - furling waves, flickering flame and multi-pointed starbursts. Swirling motes of glowing elemental energy dance and flicker about the points, white around the starbursts, red around the flames and aqua around the waves.
  9.  
  10. a regal, crimson and silver cloak -
  11.  
  12. Durable, crimson cloth has been used to create this somewhat formal looking cloak. The lower hem of the garment falls to just above the ankles of the wearer, not quite brushing the ground while at rest. The fabric is light, acting as an accessory rather than any real protection from the elements though the cloak seems warm and dry in even the coldest winter storm or harshest spring rain. The garment rests atop the shoulders of the wearer and secures just below the throat with a silver clasp. The clasp has been carefully worked, the image of an phoenix in flight above a curling draconic serpent clearly visible upon the surface. The cloak bears a deep hood and can be closed about the wearer to conceal his or her form. The hems of the garment have been edged with silver thread, adding a simple, if elegant, accent to the piece.
  13.  
  14. a midnight blue tunic -
  15.  
  16. This piece of clothing is of an altogether simple design. The tunic is cut with the masculine form in mind, particularly at the shoulders. The sleeves fall to just above the elbows of the wearer and the lower hem is cut to fall at the upper thigh. Heavy jade and silver hued thread has been used to create a relatively simple interwoven pattern at the hem, neckline and the ends of the sleeves to add an accent to the piece.
  17.  
  18. a pair of crisp white slacks -
  19.  
  20. Sewn entirely from a heavy white cloth, this pair of slacks is designed more for comfort and durability than for fashion. The pants are entirely unadorned, lacking any sort of pockets or accent, though they have been carefully pressed to maintain a crisp, well kept appearance. A simple button fly secures them to the wearer's form.
  21.  
  22. a blackened serpentine bracer -
  23.  
  24. Crafted of blackened pig iron, this bracer has been crafted into an intricate locking mechanism that
  25. resembles that of a vast serpent that winds its way about the wearer's arm. The metallic creature's great jaws unhinge, puncturing into the flesh when the final lock is snapped into place. Etchings line the whole of the serpent's body and have been dabbed with a dark red paint haphazardly along the metal.
  26.  
  27.  
  28.  
  29.  
  30. Elwyn
  31.  
  32. She is a powerful Azudim, six feet, six inches tall with a woman's figure, the curves of her body giving her a strong, healthy look. Her slitted eyes are slate gray in color, many varying shades of gray giving them the quality of clouds in a raging storm. Her lightly tanned skin is covered by living vines, which shift over her form as if sentient. Each tendril is long and thin, with interspersed leaves and even thorns, and they shift across her skin comfortably without leaving marks or drawing blood. Light auburn hair falls down to her mid-back, thick and inextricably tangled with braids and brush, accentuating high cheekbones, a petite nose and full crimson lips. Entwined with a front piece of her hair, two ribbons has been braided carefully through, falling across her left cheek. Perched above her right eyebrow, a jagged scar cuts a pale swath through her skin. Normally tucked down, inky black insect wings sprout elegantly from her back, thin tendrils of vine making up the thick branches. Across each palm is a clean cut, obviously done with a dagger, that has scarred over. The skin is slightly pink and raised against the white of her palms. Her right hand's knuckles are littered with small scars from her hand being broken several times, they are white and faded but noticeable against her tan skin. Starting from her fingertips over both hands, spiraling out like shattered ice, pure white lines of skin trails to her wrists.
  33.  
  34. Top
  35.  
  36. Made of a cream-colored chiffon, this top is simplistic. It has been designed to bare the midriff of any individual, the chiffon bunching up in an artistic way. It is almost completely see-through, except over the bosom where the material is layered to keep modesty intact. A dramatic 'V 'neckline dips low, showing off any cleavage the wearer may have. The sleeves are billowy to the elbows where it gathers much like the middle of the top. In soft, silver thread that stands out just enough to be noticeable, there is a pattern of curling vines woven throughout the entirety of the top.
  37.  
  38. Vest
  39.  
  40. This vest can be worn by itself or over another article of clothing. It is a soft cotton that has been dyed a pretty sage-green. Down each side of the vest are many silver eyelets, in which a silken rope has been threaded through to be laced up. It is designed to be short, falling to the midriff of an individual. A pattern of curling vines weaves itself through the whole of this vest in soft, silver thread, giving decoration to this otherwise simple piece of clothing.
  41.  
  42. Skirt
  43.  
  44. Made up of layers of silk and chiffon, this skirt is sage and cream in color. The under layer is the silk and sage color. It falls in a scoop hemline, longer in the back, below the knees. The front hem is much higher, ending almost immodestly on the upper thigh, showing off ample amount of leg. The hem is ruffled and free flowing, being nonrestrictive of movement. The outer layer is the cream-colored chiffon, completely see-through, letting the sage of the silk bleed through, though muted in hue. It has been made to sit low on the hips in a ruffled top hem, the material stretchy as it hugs any curves. A small embellishment, carefully stitched into the chiffon, of curling vines, twist and weave about the chiffon layer in soft silver thread, looking as if the vines creep down the skirt.
  45.  
  46. Choker
  47.  
  48. A length of silken black ribbon makes up this simplistic choker. It ties around the owner's neck in a neat bow with a small silver clamp to keep it from unraveling easily. A small chain has been attached to the clamp, settling neatly on the back of the neck. The only real feature of this choker is a small silver disc, engraved with the initials "AA" in calligraphy, that lays against the ribbon to show where it should be settled against the throat.
  49.  
  50. Circlet
  51.  
  52. Two pieces of Elder wood has been braided with a piece of mithril, twisted perfectly into an elegant circlet. The braid twists and curls to fit against the wearer's head, going with the contours and coming to lay across and down the forehead in a perfectly sharp point. The silvery glint of the mithril shines a blueish tint against the wood and tiny pieces of emberite have been placed between the gapes of the braid. The thin pieces of gem seem to slice through the wood and metal, jagged like cracks in lava, the red-orange jewel contrasting with the braid.
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