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Coco Bean (Short Collection)

Sep 27th, 2014
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  1. >Friday in Manehatten.
  2. >You breathe a sigh of relief as you climb the stairs of your apartment.
  3. >The long week had certainly taken it out of you.
  4. >It was time for a nice, relaxing night in.
  5. >In one hand, you carry some nice takeout food.
  6. >In the other, you hold a rented movie tape.
  7. >Equestrian technology was somewhat behind your own.
  8. >You reach your door and begin to fiddle with the lock before pushing it open gently.
  9. >As you enter the apartment, however, what you see surprises you.
  10. >The bag of takeout you were carrying slips from your hand and lands with a soft thud on the floor.
  11. >Coco, your marefriend, is sitting at the table, head in her hooves.
  12. >The fact she's in your apartment isn't unexpected, you recently moved in with her.
  13. >But the fact she looks like a flat tire, is.
  14. >Her face is red and puffy, tears staining her cream-colored fur.
  15. >Every few seconds she gives off a muffled, defeated sob.
  16. >As she hears the door swing open, she looks up to see you.
  17. >You stand there, leaning up against the kitchen door of your apartment, stunned.
  18. >The smile that normally greets you when you get home from work is gone.
  19. >She doesn't try to hide her tears or wipe them from her face.
  20. >Instead, she just hangs her head in shame.
  21. >"Oh. Hi, Anon."
  22. "Coco? Are you all right?"
  23. >She shakes her head weakly, her soft mane turning in delay.
  24. >"I got fired, Anon. I'm so, so sorry."
  25. >You don't answer right away, letting her words sink in.
  26. >Coco had always told you that her boss was a particularly unforgiving mare.
  27. >But Coco had never complained about the actual work.
  28. >She loved designing clothes, making ponies look beautiful with her creativity.
  29. >The fact that she lost it, you can see, has devastated her.
  30. >Before you get a chance to reply, Coco speaks up again.
  31. >"I understand if you want to break up with me. Nobody likes a freeloader."
  32.  
  33. "Whoa, whoa, slow down, Coco."
  34. >You slide into the kitchen, close the door behind you and leaving the takeout bag where it landed.
  35. >Pulling out a chair, you sit down next to her.
  36. >She doesn't move, continually staring down at the floor.
  37. >You take hold of one of her hooves, holding it delicately, caressing it with your thumb.
  38. >Her leg is limp and doesn't take much to move.
  39. >But she doesn't fight you, so that's good, right?
  40. "Why would I break up with you because you lost your job?"
  41. >Coco looks away, avoiding you.
  42. >"Suri doesn't need me. Why would you?"
  43. "Coco, don't talk like that."
  44. >She braces and gives a little shout.
  45. >"I just want to be valuable to somepony!"
  46. >It's not very loud, but considering how soft-spoken she normally is, this marked rise in volume lets you know just how upset she is.
  47. "You're valuable to me. Doesn't that count?"
  48. >She whips back around and stares at you, almost angry.
  49. >But before long her face softens.
  50. >"Of course! That's not what I…"
  51. >A smile tugs at the sides of your mouth.
  52. >She isn't capable of being mean.
  53. >You stand from the table and go to pick up the bag you dropped on the floor.
  54. "Come on, I brought dinner and rented a movie. Let's relax for a bit. Okay?"
  55. >Coco sits there sort of bewildered, as if she expected you to be upset or mad.
  56. >Anything other than what you are right now.
  57. >You bring the bag over to the kitchen counter and take out the individual boxes.
  58. >Soon, you have two nice neat little plates of food ready to go.
  59. >It doesn't take long to carry them into the living room and place them both on the coffee table.
  60. >You pop the tape into the VCR and soon the living room is bathed in the cool glow of the TV.
  61. >The couch gives forgivingly as you sit down.
  62. >But Coco stays in her kitchen seat, giving you a suspicious look from her chair.
  63. >It's as if she was expecting an argument.
  64. >Or she's waiting to see if this is some kind of ruse on your part.
  65. >You wave idly over to her, motioning for her to join.
  66. "You have to eat sooner or later, Coco."
  67. >Coco looks down at her stomach and runs a hoof over it, clearly famished.
  68. >She gets up from her seat and slowly trots over to you in the living room.
  69. >Her head is bowed, unsure and timid.
  70. >But eventually she reaches the couch and sits next to you.
  71. >You smile down at her as you take a bite of your food.
  72. >She stares back up at you, confused, but soon sets into her own plate.
  73. >The movie starts.
  74. >It's supposed to be about some cheesy spy flick.
  75. >Admittedly it doesn't interest you much anymore.
  76. >What really interests you, is Coco.
  77. >Every few minutes, you look at her as she's distracted by the screen.
  78. >And little by little, the pained look on her face seems to subside.
  79. >The tears dry up and gradually, the sadness in her eyes goes away.
  80. >You place your hand around her hoof again and hold it for awhile.
  81. >You brush her mane affectionately, raking your fingers through her locks.
  82. >She fidgets a bit as you give her these tender little displays of affection.
  83. >That's not to say she dislikes them, though.
  84. >She sort of pushes back into your hand, leaning into it desperately.
  85. >After you both finish your meals, Coco rests up against your shoulder.
  86. >And begins to wrap her hooves around your arm.
  87. >You wrap an arm around her too, pulling her close.
  88. >But soon, even that isn't enough for the two of you.
  89. >Picking Coco up under her forelegs, you lift her into your lap, still facing the screen.
  90. >The cream-colored mare squirms a bit in your grasp, yelping as you lift her off the couch.
  91. >"Anon! Put me d-dow…oh. That's actually…kind of…nice?"
  92. >For the rest of the movie, she stays there..
  93.  
  94. >Your hands pull on her barrel, bringing her as close as she can possibly be to you.
  95. >The movie finally finishes, but you don't have the heart to move Coco.
  96. >You want the two of you to stay like this. All weekend. Or maybe even forever.
  97. >Instead, as the TV goes dark, you hold her close, nosing her ears and whispers little things into them.
  98. "You're my little coco bean, you know that?"
  99. >It's corny and stupid, but, you want to see her smile. You want to hear her laugh.
  100. >Her hoof playfully slaps at your knee.
  101. >Her cheeks are now just as scarlet as her bow and ascot.
  102. >"Anon! Stop it!"
  103. >Your nimbly fingers begin to tickle her and soon Coco is a writhing heap of giggles.
  104. >The little mare turns to face you, swiveling around in your lap like you're a barstool.
  105. >She rests her head on your chest, hooves wrapping around your ribs.
  106. "Feeling better?"
  107. >She looks away for a moment, cringing as a tinge of sadness comes back.
  108. >But then she looks back at you, her cyan eyes sparkling.
  109. >"Yeah, I think so."
  110. >You stroke her back tenderly, letting your hand glide over her withers.
  111. >Coco seems to practically melt against you.
  112. "I love you, Coco."
  113. >"I love you too, Anon."
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