Not a member of Pastebin yet?
Sign Up,
it unlocks many cool features!
- 1
- 00:00:08,199 --> 00:00:12,039
- This is Lukas Moodysson and I'm going
- to try to say something about the film.
- 2
- 00:00:13,920 --> 00:00:17,399
- The first time i watched the film with
- this thing in the beginning, -
- 3
- 00:00:19,640 --> 00:00:22,240
- - then I thought that
- it was a bit problematic.
- 4
- 00:00:22,240 --> 00:00:25,679
- I thought that people would
- expect completely wrong things -
- 5
- 00:00:25,880 --> 00:00:28,719
- - since it's looks a bit
- like science fiction.
- 6
- 00:00:29,000 --> 00:00:32,119
- Instead it becomes very
- everyday and Swedish.
- 7
- 00:00:33,679 --> 00:00:36,280
- I thought that people maybe would
- get confused by it.
- 8
- 00:00:36,280 --> 00:00:38,880
- The film shouldn't really
- start with this scene.
- 9
- 00:00:38,880 --> 00:00:41,679
- It was really much
- later in the film.
- 10
- 00:00:42,000 --> 00:00:45,439
- But when we editid we thought
- that whis was a good start.
- 11
- 00:00:46,159 --> 00:00:49,840
- That you put the cards on the table
- and tells about what it's about.
- 12
- 00:00:54,480 --> 00:00:56,439
- This is a good song.
- 13
- 00:01:03,319 --> 00:01:07,319
- In Berlin everyone laughed when it said
- Mathias Rust, since the German who -
- 14
- 00:01:09,560 --> 00:01:12,439
- - landed on The Read Square
- in Moskow had this name.
- 15
- 00:01:14,239 --> 00:01:17,120
- They thought it was a
- faked artist name.
- 16
- 00:01:17,359 --> 00:01:20,479
- The film should originally start
- with this scene.
- 17
- 00:01:25,159 --> 00:01:27,879
- And it was maybe too much...
- 18
- 00:01:40,240 --> 00:01:43,879
- It was cool to shoot this scene.
- We made new takes the whole time, -
- 19
- 00:01:43,879 --> 00:01:47,680
- - so Erica had to shower all the time
- because she had O'boy everywhere.
- 20
- 00:01:55,840 --> 00:01:59,400
- I think this is very fun...
- she was really like this.
- 21
- 00:02:35,360 --> 00:02:38,280
- It's quite good this scene,
- I think.
- 22
- 00:02:46,800 --> 00:02:49,439
- I think this is rather impresive.
- 23
- 00:02:49,919 --> 00:02:53,639
- It's a nice zoom, it should have been
- even more zooms in the film.
- 24
- 00:02:55,639 --> 00:02:59,319
- This was impresive.
- It was the first day Mathias was on, -
- 25
- 00:03:00,319 --> 00:03:02,800
- - and his first filming day ever.
- 26
- 00:03:04,479 --> 00:03:06,439
- I was pretty nervous.
- 27
- 00:03:07,079 --> 00:03:09,079
- He was probably even more nervous,
- but he was just super good.
- 28
- 00:03:15,060 --> 00:03:18,979
- I like that scene a lot,
- because I was happy it worked -
- 29
- 00:03:22,860 --> 00:03:26,099
- - and I started to understand
- that it would work with -
- 30
- 00:03:26,500 --> 00:03:29,180
- - all this unexperienced actors.
- 31
- 00:03:44,180 --> 00:03:46,780
- It's a Morrissey poster on
- the wall.
- 32
- 00:03:46,780 --> 00:03:50,659
- It's should have been Morrissey music
- in the film, but it never happened.
- 33
- 00:03:50,939 --> 00:03:53,259
- It was too problematic and expensive.
- 34
- 00:04:03,420 --> 00:04:07,219
- I've only seen the film 3- 4 times,
- and it's difficult to see it.
- 35
- 00:04:08,099 --> 00:04:12,060
- Now I'm sitting and watching it in a
- small sound studio in the countryside.
- 36
- 00:04:13,300 --> 00:04:15,939
- And it's a quite strange experience.
- 37
- 00:04:16,939 --> 00:04:19,539
- I think it's difficult to see it.
- I always believe that I'm going to think -
- 38
- 00:04:19,539 --> 00:04:21,620
- - that it's awfully bad, -
- 39
- 00:04:21,620 --> 00:04:25,659
- - and that it's some sort of mass psychosis
- that makes people think it's good.
- 40
- 00:05:27,139 --> 00:05:30,340
- I think it seems
- quite OK, this film.
- 41
- 00:05:41,180 --> 00:05:44,180
- This is the weirdest
- pictures in the whole film.
- 42
- 00:05:44,819 --> 00:05:47,420
- I like it very much
- because it's so stupid.
- 43
- 00:05:47,420 --> 00:05:50,019
- That pan shot from
- classroom to classroom.
- 44
- 00:05:50,019 --> 00:05:54,019
- It's a emergency-picture, to make you
- understand that they aren't in the same class.
- 45
- 00:05:57,819 --> 00:06:01,740
- It's the worst picture I've done,
- but just because of that it's quite cool.
- 46
- 00:06:03,539 --> 00:06:07,060
- At times it's cool to do
- bad things because it's fun.
- 47
- 00:06:08,740 --> 00:06:11,580
- This is a cool scene,
- when she says all wrong.
- 48
- 00:06:13,939 --> 00:06:17,220
- She said wrong in reality,
- bacuse she didn't know French.
- 49
- 00:06:18,100 --> 00:06:20,620
- Josefin then,
- who is very skilful.
- 50
- 00:06:22,259 --> 00:06:25,699
- She only attended seventh grade then
- and didn't know so much French.
- 51
- 00:06:53,460 --> 00:06:56,060
- It's quite good this, I think.
- 52
- 00:07:10,620 --> 00:07:13,180
- That little speech line earlier...
- 53
- 00:07:13,220 --> 00:07:17,220
- It's cool when they throw tomatoes,
- it got smutty in the restaurant.
- 54
- 00:07:18,420 --> 00:07:21,899
- The line about stopping to breed was
- something I heard on the bus.
- 55
- 00:07:22,579 --> 00:07:26,620
- Someone who said that her nail varnish
- had flaked, so she should die now...
- 56
- 00:07:27,779 --> 00:07:30,819
- It was a girl I heard on
- the bus sometime.
- 57
- 00:07:40,779 --> 00:07:44,019
- In the last scene we
- put up a lot of hockey plates.
- 58
- 00:07:47,019 --> 00:07:51,100
- I was very busy choosing the correct
- plate, so it was the right kind.
- 59
- 00:07:54,300 --> 00:07:56,379
- This is Broder Daniel.
- 60
- 00:08:00,019 --> 00:08:03,779
- I'm happy that we got to have
- Broder Daniel's music in the film.
- 61
- 00:08:07,819 --> 00:08:11,699
- Unfortunately it's oddly mixed,
- so in some cinemas it sounds bad.
- 62
- 00:08:16,660 --> 00:08:19,980
- The sound itself, then.
- It was some sort of mistake.
- 63
- 00:08:44,220 --> 00:08:47,299
- This in the elevator is shot
- in a home for the old people.
- 64
- 00:08:47,860 --> 00:08:51,259
- There weren't many lifts
- that fitted in Trollhättan.
- 65
- 00:08:53,059 --> 00:08:55,500
- Such that closed by themselves.
- 66
- 00:09:03,460 --> 00:09:07,100
- This looked rather different in
- the script. We cut a lot -
- 67
- 00:09:07,100 --> 00:09:09,700
- - because it got difficult with the lift
- door that should close and such.
- 68
- 00:09:09,700 --> 00:09:13,339
- She says something completely different
- there, so it's really cut together.
- 69
- 00:09:14,379 --> 00:09:17,660
- A lot of a film is really created
- when you cut it, -
- 70
- 00:09:20,100 --> 00:09:23,100
- - so a lot is Michal
- Leszczylowskis merit.
- 71
- 00:09:26,339 --> 00:09:29,860
- At times, when I and the actors
- think we're skilful, -
- 72
- 00:09:31,019 --> 00:09:33,019
- - it's really cut that way.
- 73
- 00:09:33,620 --> 00:09:36,620
- Some seconds here and there it enough.
- If you edit it together it works.
- 74
- 00:09:43,640 --> 00:09:46,600
- One of the few sneak commercials
- is there in the elevator.
- 75
- 00:09:46,759 --> 00:09:50,120
- The carrier bags are a commercial
- for an ICA shop in Trollhättan.
- 76
- 00:09:55,600 --> 00:09:58,920
- Else it's not much like that,
- there are no sponsors.
- 77
- 00:10:12,240 --> 00:10:14,400
- She has such a cool dialect there.
- 78
- 00:10:29,920 --> 00:10:33,040
- Alexandra had to learn how to
- speak the Trollhättan dialect.
- 79
- 00:10:33,040 --> 00:10:37,040
- We pretended it was the Åmål dialect,
- and some people taught her that.
- 80
- 00:10:39,280 --> 00:10:42,160
- At times it went really good,
- other times less good.
- 81
- 00:10:42,400 --> 00:10:45,880
- Erica, who plays big sister,
- helped a lot.
- 82
- 00:10:48,640 --> 00:10:51,920
- She was often there and helped
- Alexandra with the lines.
- 83
- 00:10:56,960 --> 00:11:00,480
- The in and out list was in the
- script, but I removed it.
- 84
- 00:11:01,640 --> 00:11:05,240
- I thought that it wouldn't exist
- any real list, where rave was out.
- 85
- 00:11:06,320 --> 00:11:09,440
- It felt like something stupid
- that wouldn't exist in reality.
- 86
- 00:11:09,440 --> 00:11:13,280
- Suddenly we found a Vecko-Revyn
- with a list where rave was out, -
- 87
- 00:11:16,200 --> 00:11:19,640
- - along with i.e. pasta, Spice Girls.
- Then we included the list again.
- 88
- 00:11:24,519 --> 00:11:27,680
- We changed quite a lot during
- the shooting.
- 89
- 00:11:34,920 --> 00:11:38,400
- There are a lot of scenes that
- are completely improvised, -
- 90
- 00:11:39,080 --> 00:11:42,200
- - where the actors get to do and
- say whatever they want to.
- 91
- 00:11:42,200 --> 00:11:45,080
- Quite a lot changed
- during the shooting.
- 92
- 00:11:45,840 --> 00:11:49,920
- I'm a vegetarian, so it's me who
- propagands in favor of not eating roastbeef.
- 93
- 00:11:52,080 --> 00:11:56,040
- This scene is one of the oldest,
- it existed in an early version of the script.
- 94
- 00:11:59,880 --> 00:12:03,000
- I'm very fond of this one,
- it's one of the very first.
- 95
- 00:12:03,000 --> 00:12:06,400
- The script itself really started
- with the two sisters, -
- 96
- 00:12:07,160 --> 00:12:11,040
- - who lived next to a mass murder
- that kept killing people.
- 97
- 00:12:12,880 --> 00:12:16,600
- They locked themselves out and had to knock on
- at the neighbour's in the middle of the night, -
- 98
- 00:12:18,600 --> 00:12:22,240
- - and there were a lot of bloody
- matters, knives, murders and things.
- 99
- 00:12:24,320 --> 00:12:27,600
- This scene was before they went
- into their neighbour, -
- 100
- 00:12:29,000 --> 00:12:32,440
- - and it started my whole
- interest for this world.
- 101
- 00:12:33,680 --> 00:12:37,600
- That they should talk about what they wanted,
- to take drugs and to become in love...
- 102
- 00:12:45,120 --> 00:12:48,240
- We made up a part of the scene
- during the shooting.
- 103
- 00:13:00,200 --> 00:13:03,720
- The Italian from Bosnia is a left-over
- from an earlier script.
- 104
- 00:13:04,880 --> 00:13:08,640
- Maybe it doesn't fit completely,
- that she has been with a Bosnian who -
- 105
- 00:13:10,600 --> 00:13:14,759
- - pretended to be Italian.
- It's maybe too metropolistic.
- 106
- 00:13:19,960 --> 00:13:23,519
- This is good. It's nice to see that
- she talks with her back towards the camera.
- 107
- 00:13:28,279 --> 00:13:31,759
- I think one moment here is
- really good, it'll come soon.
- 108
- 00:13:48,560 --> 00:13:52,440
- It's good that she drinks all the time,
- and that she bends out of the image.
- 109
- 00:13:54,279 --> 00:13:57,240
- I didn't control many of the
- best moments.
- 110
- 00:13:58,960 --> 00:14:02,680
- You can't direct details like that,
- that will make it totally lifeless.
- 111
- 00:14:08,840 --> 00:14:12,720
- A lot of what I'm most proud of
- was things I hadn't planned.
- 112
- 00:14:15,080 --> 00:14:19,080
- Alexandra wanted to direct the boys in
- the shower, but I took over a good deal.
- 113
- 00:14:23,920 --> 00:14:27,279
- Alexandra had many ideas
- and we discussed a lot.
- 114
- 00:14:27,560 --> 00:14:30,240
- This was shot after I had
- said thanks.
- 115
- 00:14:34,320 --> 00:14:37,279
- It's the editor's merit
- that it's in the film.
- 116
- 00:14:40,039 --> 00:14:43,000
- This is outside the hockey arena
- in Trollhättan.
- 117
- 00:14:46,800 --> 00:14:48,440
- They are good here.
- 118
- 00:14:49,400 --> 00:14:51,840
- This is a small error in the film.
- 119
- 00:14:52,519 --> 00:14:55,680
- If you live in Åmål I don't
- think it means so much -
- 120
- 00:14:56,680 --> 00:14:58,759
- - if one is 14 and one is 17.
- 121
- 00:14:58,759 --> 00:15:01,560
- It's not such a big
- difference in that age.
- 122
- 00:15:13,840 --> 00:15:16,840
- That kick was for instance not
- planned.
- 123
- 00:15:30,480 --> 00:15:32,759
- He's so touching and good here.
- 124
- 00:15:54,920 --> 00:15:57,800
- I'm really happy about
- the music in the film.
- 125
- 00:16:01,160 --> 00:16:04,360
- That we got to have the Gyllene
- Tider-tune in it makes me happy.
- 126
- 00:16:15,200 --> 00:16:18,720
- The shooting here in front of the
- mirror was much longer than in the film.
- 127
- 00:16:27,160 --> 00:16:30,160
- Johan was really good
- for a long, long time.
- 128
- 00:16:37,440 --> 00:16:41,000
- A good tune in the background,
- which is missed outside Sweden.
- 129
- 00:16:41,600 --> 00:16:45,440
- I'm always surprised that people
- likes the film in other countries.
- 130
- 00:16:45,759 --> 00:16:48,720
- I've just come home from
- USA and Canada.
- 131
- 00:16:51,480 --> 00:16:54,240
- They don't understand
- things like Gyllene Tider.
- 132
- 00:16:56,159 --> 00:16:59,440
- There are some small technical errors
- with look directions and such here.
- 133
- 00:17:07,079 --> 00:17:10,680
- The posters come from they who
- plays Elin's friends, «the gang»
- 134
- 00:17:14,880 --> 00:17:17,880
- They came and put up posters
- and wrote things.
- 135
- 00:17:22,160 --> 00:17:26,079
- They wrote with lipstick, put up their
- favourite boys and made a mess of things.
- 136
- 00:17:29,440 --> 00:17:31,240
- This is fun.
- 137
- 00:17:31,519 --> 00:17:34,799
- That big nice buffet that
- the set designer had made.
- 138
- 00:17:37,759 --> 00:17:40,480
- And then nobody comes,
- such a tragic image.
- 139
- 00:17:52,319 --> 00:17:56,119
- A magic thing: How did she manage
- to ring the doorbell from down there?
- 140
- 00:17:57,000 --> 00:18:00,079
- Yes, the dad has made an own
- bell for her.
- 141
- 00:18:06,880 --> 00:18:08,960
- And then he lifts her up.
- 142
- 00:18:08,960 --> 00:18:11,680
- I find the Robyn perfume
- very cool.
- 143
- 00:18:12,599 --> 00:18:16,039
- I was afraid that Robyn would believe
- that we made fun of her, -
- 144
- 00:18:16,759 --> 00:18:20,200
- - but it's more that it's
- jolly to have your own perfume.
- 145
- 00:18:24,559 --> 00:18:27,759
- Robyn liked the film and wanted
- to have her tune with.
- 146
- 00:18:28,200 --> 00:18:31,799
- I'm incredible glad for that,
- it made the film a lot better.
- 147
- 00:18:50,039 --> 00:18:53,960
- This is an example of directing
- your aggresions over to other people.
- 148
- 00:18:58,880 --> 00:19:02,519
- Like getting scold at work, and
- then you go home and beats your wife.
- 149
- 00:19:06,680 --> 00:19:08,960
- Not me personally then...
- 150
- 00:19:09,279 --> 00:19:13,240
- It's not her Agnes it's mad at,
- more her parents and the whole world.
- 151
- 00:19:22,279 --> 00:19:25,720
- We discussed whether she could say
- «I want to go home now», -
- 152
- 00:19:25,920 --> 00:19:29,839
- - because she drives home. But she
- couldn't say «I drive home now».
- 153
- 00:19:31,119 --> 00:19:35,160
- It was cool when she should drive
- wheelchair, she doesn't in reality.
- 154
- 00:19:38,400 --> 00:19:40,559
- This is a sad scene.
- 155
- 00:19:41,519 --> 00:19:44,400
- I think the film seems
- quite OK so far.
- 156
- 00:19:54,000 --> 00:19:57,200
- This is edited different from
- how it was filmed.
- 157
- 00:20:26,240 --> 00:20:29,680
- A good way to write a screenplay
- is to exclude some things.
- 158
- 00:20:30,920 --> 00:20:34,319
- She says «I know that my mum was
- like them who...»
- 159
- 00:20:35,079 --> 00:20:38,759
- So you say. You don't always
- speak in complete sentences.
- 160
- 00:20:40,799 --> 00:20:44,759
- You understand that she means «like
- them who mob me», or something like that.
- 161
- 00:20:55,880 --> 00:20:59,119
- Maybe we should have seen it
- was an A-drain there.
- 162
- 00:20:59,519 --> 00:21:02,279
- It didn't exist most likely,
- I can't remember.
- 163
- 00:21:09,400 --> 00:21:11,880
- It's really nice zooms actually.
- 164
- 00:21:20,840 --> 00:21:24,519
- He had eaten so much sweets
- he wasn't able to eat anything.
- 165
- 00:21:26,039 --> 00:21:29,360
- In reality he's chewing a jellybean
- or something.
- 166
- 00:22:15,960 --> 00:22:19,240
- Agnes' liberal mum has given them
- some wine to drink.
- 167
- 00:22:24,799 --> 00:22:28,680
- This scene is an example of mine and
- camera man's Ulf Brantås principle -
- 168
- 00:22:32,599 --> 00:22:36,319
- - that we in a while came to how
- we wanted to shoot the film.
- 169
- 00:22:38,839 --> 00:22:41,880
- We just placed the camera in
- a corner.
- 170
- 00:22:42,480 --> 00:22:46,200
- On a tripod. There are nearly no hand
- cameras, even if a lot of people think so.
- 171
- 00:22:53,920 --> 00:22:57,599
- You place the camear in a corner,
- zooms and follows people, like here.
- 172
- 00:23:00,680 --> 00:23:04,319
- I have no deep comments on this,
- they exist in the film.
- 173
- 00:23:06,400 --> 00:23:08,480
- I comments only little things.
- 174
- 00:23:08,480 --> 00:23:11,400
- I had Orson Welles on my
- wall in Göteborg.
- 175
- 00:23:12,639 --> 00:23:15,480
- I don't know why I have
- included Casablanca.
- 176
- 00:23:28,759 --> 00:23:31,799
- It's so cool that she comes
- crawling in the stairs.
- 177
- 00:23:31,880 --> 00:23:34,960
- The thought is not that Agnes
- is supposed to be high-cultural, -
- 178
- 00:23:35,519 --> 00:23:38,639
- - but that she likes strong
- feelings in some way.
- 179
- 00:23:45,400 --> 00:23:48,799
- I've written to poem so it's
- not supposed to be very good.
- 180
- 00:23:51,119 --> 00:23:54,400
- But it's still quite good.
- Or maybe not by the way.
- 181
- 00:23:56,319 --> 00:23:59,639
- I think that Rebecka thought
- it was a bit too bad.
- 182
- 00:24:01,519 --> 00:24:04,680
- That it was a bit too bad to
- be a poem written by Agnes.
- 183
- 00:24:10,880 --> 00:24:14,400
- Elin haven't at all thought that
- she will become a lesbian so far, -
- 184
- 00:24:16,079 --> 00:24:18,159
- - it's just something she says.
- 185
- 00:24:18,159 --> 00:24:20,400
- But I'm not sure of that.
- 186
- 00:24:33,759 --> 00:24:37,519
- On the left is a cloth that's
- visible in all my films.
- 187
- 00:24:42,079 --> 00:24:45,200
- It was even there in she short film
- «Bara prata lite» («Just talk a little»).
- 188
- 00:24:48,319 --> 00:24:51,720
- It's hanging there just to be with.
- It's my fun thing.
- 189
- 00:24:52,480 --> 00:24:55,200
- It's going to be in my
- nest film too.
- 190
- 00:25:03,920 --> 00:25:07,440
- On the wall are real photos of Rebecka
- when she was a kid.
- 191
- 00:25:10,679 --> 00:25:14,279
- Romeo and Juliet is a small mistake.
- I thought it was good, -
- 192
- 00:25:14,320 --> 00:25:18,000
- - but many said it was bad. It's
- stupid it's shown so much.
- 193
- 00:25:22,119 --> 00:25:25,840
- It becomes like they are Romeo and
- Juliet, but that was not intended.
- 194
- 00:25:30,440 --> 00:25:33,639
- Other things are more thought out,
- like the Morrissey poster.
- 195
- 00:25:34,079 --> 00:25:37,880
- By the lamp is an Edvard Munch
- postcard I appreciate very much.
- 196
- 00:25:40,320 --> 00:25:43,360
- And these are my son's drawings
- in the background, I believe.
- 197
- 00:25:45,000 --> 00:25:48,759
- It's supposed to be Agnes' drawings,
- that she made when she was small.
- 198
- 00:25:53,840 --> 00:25:57,400
- It's so touching with that sad and
- clown-like mouth, -
- 199
- 00:25:59,039 --> 00:26:01,599
- - and it starts to jerk in her chin.
- 200
- 00:26:02,159 --> 00:26:05,000
- This is an example of such things
- you can't direct.
- 201
- 00:26:05,279 --> 00:26:09,119
- That her chin starts to jerk is something
- she does because she feels for it.
- 202
- 00:26:21,920 --> 00:26:24,920
- After that scene I thought it was the
- best I ever had directed.
- 203
- 00:26:28,519 --> 00:26:31,559
- I don't know,
- maybe I still think so.
- 204
- 00:26:35,799 --> 00:26:39,279
- She throws the 20-note on the ground
- there, not everyone understands that.
- 205
- 00:26:44,119 --> 00:26:47,880
- In the last scene Erica started to sing
- «Sommaren i City 1990» («Summer in City 1990»).
- 206
- 00:26:55,559 --> 00:26:57,599
- But it was cut out.
- 207
- 00:26:58,160 --> 00:27:02,279
- The party scene was cool. We had borrowed
- a house we didn't change very much.
- 208
- 00:27:04,920 --> 00:27:08,599
- It's not much set design, we just
- went into the house we'd borrowed.
- 209
- 00:27:18,440 --> 00:27:22,160
- It was cool, even though it became
- hard at 5 in the morning.
- 210
- 00:27:26,240 --> 00:27:29,880
- It's a bit weird that she answers
- when she's so sad.
- 211
- 00:27:39,240 --> 00:27:42,880
- It was hard to direct when they
- should say offensive things, -
- 212
- 00:27:42,880 --> 00:27:45,160
- - because I am a bit touchy.
- 213
- 00:27:49,640 --> 00:27:53,480
- It's cool when they play electric organ,
- it's also on the soundtrack.
- 214
- 00:27:56,400 --> 00:27:59,720
- The «Pripps Blå» (beer brand) thing on
- his head is also not directed.
- 215
- 00:28:05,240 --> 00:28:08,160
- "Do you have a crush on her?"
- The dialect is so cool.
- 216
- 00:28:18,759 --> 00:28:22,279
- They sing «Fancy Dreamworld» in
- the background, that's also cool.
- 217
- 00:28:30,200 --> 00:28:32,519
- She's really drunk now, I assume.
- 218
- 00:28:45,799 --> 00:28:49,319
- It's good when she's vomiting.
- From the beginning it was a lot coarser.
- 219
- 00:28:49,960 --> 00:28:52,759
- Johan Hult was much meaner
- originally.
- 220
- 00:28:54,639 --> 00:28:57,240
- He nearly tried to rape her here.
- 221
- 00:28:58,799 --> 00:29:02,559
- But it was more interesting and better
- that he was a nice boy.
- 222
- 00:29:05,559 --> 00:29:08,960
- He was more like Markus originally,
- and touched her.
- 223
- 00:29:10,759 --> 00:29:14,039
- But we never recorded that,
- which I'm happy for.
- 224
- 00:29:17,519 --> 00:29:21,360
- It's good that he didn't become
- a pig, even though he's
- 225
- 00:29:37,279 --> 00:29:40,720
- We had to remove the bath tub
- to get room for the camera man.
- 226
- 00:29:43,000 --> 00:29:45,599
- I sat outside with
- a video monitor.
- 227
- 00:29:48,720 --> 00:29:52,519
- Toilet scenes are hard to shoot,
- because there's so little room.
- 228
- 00:30:01,720 --> 00:30:04,119
- It was cool to shoot this.
- 229
- 00:30:07,960 --> 00:30:10,200
- Apart from here late in the morning.
- 230
- 00:30:12,119 --> 00:30:16,160
- It was a cut scene here in the kitchen,
- where Elin says she wants to make off.
- 231
- 00:30:21,480 --> 00:30:24,360
- It's really great when she
- starts to cry here.
- 232
- 00:30:30,319 --> 00:30:33,440
- You shouldn't think that she
- was going to take Distalgesic.
- 233
- 00:30:36,039 --> 00:30:39,559
- She puts them back and
- thinks to cut herself instead.
- 234
- 00:30:44,880 --> 00:30:48,680
- It's cool when you serious
- things a bit human and fun.
- 235
- 00:30:54,759 --> 00:30:58,599
- To commit suicide with normal safety
- razors is both tragic and comical, -
- 236
- 00:30:59,440 --> 00:31:01,680
- - which makes it more touching.
- 237
- 00:31:02,559 --> 00:31:05,960
- Normal razors had been coarser
- and not so comfortable, -
- 238
- 00:31:08,799 --> 00:31:11,799
- - like she was professional in
- commiting suicide.
- 239
- 00:31:16,599 --> 00:31:20,559
- This was hard to put sound on in away
- that the music didn't become to romantic.
- 240
- 00:31:29,599 --> 00:31:32,960
- It could easy become something else,
- too Hollywoodish.
- 241
- 00:32:02,880 --> 00:32:06,319
- «Okidoki» (OK) is put on afterwars.
- It's a good think to say.
- 242
- 00:32:13,799 --> 00:32:17,000
- It was important that it was
- a nice dad in the film.
- 243
- 00:32:20,039 --> 00:32:23,400
- Surely because I'd just become
- a dad myself.
- 244
- 00:32:34,599 --> 00:32:37,799
- The music here is good.
- And she walks funny. A good picture.
- 245
- 00:32:45,000 --> 00:32:47,319
- Some desolate desperation.
- 246
- 00:32:55,920 --> 00:32:59,639
- One of the set designers tried to cut
- herself with a double safety razor -
- 247
- 00:33:02,159 --> 00:33:04,639
- - and she said it bleed a lot.
- 248
- 00:33:07,360 --> 00:33:11,039
- Not so much that she was in danger of dying,
- but a lot more than you would think.
- 249
- 00:33:18,799 --> 00:33:21,799
- But this is a film trick.
- A bit amateurish, but it's quite nice.
- 250
- 00:33:31,960 --> 00:33:35,319
- A lot of us in the cast and crew did
- a feature film for the first time.
- 251
- 00:33:36,119 --> 00:33:39,240
- Like me, the set designers and
- a lot of the actors.
- 252
- 00:33:40,279 --> 00:33:43,839
- It was fun to be on the same
- level, and that I wasn't -
- 253
- 00:33:43,920 --> 00:33:46,359
- - surrounded by a lot of super proffessionals.
- 254
- 00:33:48,079 --> 00:33:51,799
- The camera man, editor, producer
- and sound technician were profesionals.
- 255
- 00:34:00,039 --> 00:34:03,880
- It rains here in reality,
- but one can't hear nor see that.
- 256
- 00:34:15,639 --> 00:34:19,360
- She answered here originally, but
- the cutter thought she should be quiet.
- 257
- 00:34:22,920 --> 00:34:26,719
- It's good. She stands dumb opposite
- this crazyness that surrounds her.
- 258
- 00:34:28,639 --> 00:34:31,719
- That she's first going to die,
- but then she say okay after all.
- 259
- 00:34:35,920 --> 00:34:39,239
- I think that's so nice...
- ...that she doesn't die.
- 260
- 00:34:57,760 --> 00:35:01,360
- This is not a favorite scene.
- It was originally longer.
- 261
- 00:35:03,480 --> 00:35:06,320
- They discuss that thing
- around her hand, -
- 262
- 00:35:07,639 --> 00:35:10,599
- - and then she say she was
- going to commit suicide.
- 263
- 00:35:11,800 --> 00:35:15,599
- But then she say she's joking,
- and Elin doesn't know what to think.
- 264
- 00:35:16,480 --> 00:35:20,360
- Then they discuss the Bob Hund CD,
- and Elin thinks it's a person.
- 265
- 00:35:25,840 --> 00:35:28,920
- We filmed all that,
- but it didn't work out well.
- 266
- 00:35:33,119 --> 00:35:36,559
- One of the few occasions when the
- acting didn't work properly.
- 267
- 00:35:38,320 --> 00:35:41,239
- Alexandra and Rebecca are
- super super good all the time.
- 268
- 00:35:43,519 --> 00:35:46,679
- It was me that didn't explain
- what I wanted I guess. So we had
- to edit this scene.
- 269
- 00:35:58,599 --> 00:36:02,440
- I haven't got a DVD player, so I
- don't know how it use to be.
- 270
- 00:36:03,800 --> 00:36:06,840
- It use to be a bit deep
- things maybe.
- 271
- 00:36:15,760 --> 00:36:18,239
- One of the points with the film is...
- 272
- 00:36:21,480 --> 00:36:24,880
- ...that she says «yes, okay»
- all the time, and comes with.
- 273
- 00:36:27,719 --> 00:36:30,480
- She could easily had been
- sour and bitter.
- 274
- 00:36:37,599 --> 00:36:40,480
- This was in the middle of the
- night and it was very cold.
- 275
- 00:36:42,280 --> 00:36:46,159
- We shot a small part and then
- they jumped into big down jackets.
- 276
- 00:36:49,039 --> 00:36:52,960
- The point is that Elin has too little
- clothes, but it was very cold.
- 277
- 00:36:54,760 --> 00:37:00,800
- Alexandra had just had inflammation of
- the throat, she was on a penicillin cure,
- so it felt a bit like child abuse here.
- 278
- 00:37:13,480 --> 00:37:16,480
- Everything around the bridge
- was very complicated to shoot.
- 279
- 00:37:20,760 --> 00:37:23,719
- It was very cold and then you
- get in a bad mood.
- 280
- 00:37:24,920 --> 00:37:31,039
- But you can't stand leaning toward a
- fence of metal when it's cold outside.
- You can't do that even in the summer, at
- least in the night.
- 281
- 00:37:40,000 --> 00:37:43,480
- So we blow-dried it with
- hair dryers to heat it up.
- 282
- 00:37:44,679 --> 00:37:48,480
- But it didn't help very much,
- so it also feels like child abuse.
- 283
- 00:37:50,400 --> 00:37:53,559
- She stands there suffering with
- her arms on that cold fence.
- 284
- 00:38:39,800 --> 00:38:43,159
- It's cool that a big truck comes
- in the middle of the night.
- 285
- 00:38:51,760 --> 00:38:54,840
- If I were to make a re-make of
- this film in the U.S., -
- 286
- 00:38:55,400 --> 00:38:58,279
- - which I absolutely won't do
- personally, but a lot of people
- have asked about this, -
- 287
- 00:39:00,079 --> 00:39:04,039
- - then it would be cool if it was
- in Alaska and all the cars that come -
- 288
- 00:39:05,800 --> 00:39:09,440
- - were full-loaded timber trucks.
- There's something romantic about them.
- 289
- 00:39:31,279 --> 00:39:34,239
- This scene is okay,
- not one of the best, -
- 00:06:17.40,00:06:20 .52
- - men en av de viktigaste.
- - but one of the most important,
- but I think... OK.
- 290
- 00:39:46,360 --> 00:39:50,039
- I'm very proud of this scene because
- it was so difficult to get right.
- 291
- 00:39:51,559 --> 00:39:55,800
- The cars came in the wrong order, and
- a lot of cars stopped that weren't
- supposed to.
- 292
- 00:39:57,279 --> 00:40:00,039
- Just because it was a girl
- in a short dress standing there.
- 293
- 00:40:01,960 --> 00:40:04,960
- We had to reshoot and reshoot...
- 294
- 00:40:05,599 --> 00:40:08,599
- And then it started to get light,
- but it had to be dark -
- 295
- 00:40:10,480 --> 00:40:13,239
- - so we had to edit a lot.
- 296
- 00:40:17,239 --> 00:40:21,039
- And they forgot their lines. But they
- were really heroes there in the cold.
- 297
- 00:40:29,199 --> 00:40:32,440
- Rebecka was going with the first train
- that morning (at 5 a.m.) in addition.
- 298
- 00:40:38,039 --> 00:40:41,039
- The lasts things here,
- like when the car really stops, -
- 299
- 00:40:46,360 --> 00:40:48,440
- - are done in 4 minutes.
- 300
- 00:40:48,960 --> 00:40:52,679
- I never thought it would be enough,
- that we had to do it again.
- 301
- 00:40:58,840 --> 00:41:02,159
- But it worked fairly good
- and I'm proud of that.
- 302
- 00:41:02,480 --> 00:41:05,079
- It's a lot of things like that you're
- proud of when you're a director -
- 303
- 00:41:05,079 --> 00:41:08,599
- - that you manages to get together
- something that you didn't think
- would work out.
- 304
- 00:41:09,760 --> 00:41:12,599
- This in the car was shot previously,
- the night before I think.
- 305
- 00:41:21,719 --> 00:41:25,280
- Originally Scorpion's «You and I»
- should have been background music...
- 306
- 00:41:26,920 --> 00:41:30,800
- ...he looks like the football trainer
- Sven-Göran Eriksson, but it isn't him...
- 307
- 00:41:32,119 --> 00:41:35,719
- ...but then in the car Malin and I heard
- Bonnie Tyler's «Total Eclipse of -
- 308
- 00:41:42,000 --> 00:41:45,519
- - the Heart» in the radio all the
- time, and thought it was so damn good.
- 309
- 00:41:46,159 --> 00:41:49,199
- But it was too expensive, it costed
- around 400000 SKR so we swapped to
- Foreigner.
- 310
- 00:41:52,400 --> 00:41:54,800
- It was lucky, because it's really great.
- 311
- 00:42:02,280 --> 00:42:04,360
- And this is so romantic...
- 312
- 00:42:05,920 --> 00:42:09,079
- Everyone wonders if this was
- a hard scene to shoot, -
- 313
- 00:42:10,079 --> 00:42:12,159
- - and I think they should answer
- that themselves. But I don't think so.
- 314
- 00:42:12,159 --> 00:42:14,800
- The hard was a lot of
- technical things.
- 315
- 00:42:16,320 --> 00:42:20,000
- They didn't hear when the door
- was opened in the beginning, and
- continued kissing, -
- 316
- 00:42:24,639 --> 00:42:27,280
- - so we had to reshoot it
- 3- 4 times.
- 317
- 00:42:31,400 --> 00:42:34,880
- We got the "Welcome to Amal" sign
- specially made, -
- 318
- 00:42:35,559 --> 00:42:38,679
- - because Amal municipality didn't
- want to lend us any. They were really
- angry at us.
- 319
- 00:42:38,679 --> 00:42:40,760
- Not now, but then they were.
- 320
- 00:42:40,760 --> 00:42:43,880
- I can understand that. They didn't know
- what the film was about, -
- 321
- 00:42:43,880 --> 00:42:46,480
- - just that is was going to be called
- Fucking Åmål.
- 322
- 00:42:46,480 --> 00:42:49,800
- It was stupid of us not to tell
- what it was about, -
- 323
- 00:42:52,199 --> 00:42:55,039
- - so they didn't think it just
- was mean. Because I don't
- think it is at all.
- 324
- 00:43:11,960 --> 00:43:15,079
- It's cool when she smokes
- and eats chips at the same time.
- 325
- 00:43:15,079 --> 00:43:17,159
- It's my favourite chips.
- 326
- 00:43:24,440 --> 00:43:28,199
- In this scene there's a small error,
- but I won't tell you - find it yourself.
- 327
- 00:43:30,159 --> 00:43:33,639
- Or there's an error between this
- scene and the last one.
- 328
- 00:43:40,559 --> 00:43:44,599
- This is a balcony, that she walks
- on to and throws out the chips.
- Not everyone has understood that.
- 329
- 00:44:00,320 --> 00:44:03,800
- This is an example of a scene where
- we just placed the camera in the
- same position the whole time.
- 330
- 00:44:09,159 --> 00:44:12,400
- They talk about that Leonardo
- DiCaprio is «flötig» here.
- 331
- 00:44:15,400 --> 00:44:19,159
- It's a Trollhättan expression which
- means that he's just skin and fat.
- 332
- 00:44:23,720 --> 00:44:27,679
- That one is un-muscular, but a bit fat.
- No, it have to mean bone and fat.
- 333
- 00:44:35,159 --> 00:44:38,800
- And then this should be a dream sequence,
- I'm a bit disappointed of that.
- 334
- 00:44:40,360 --> 00:44:44,199
- We shot the picture on her foot for fun,
- like a "foot fetish" picture.
- 335
- 00:44:50,239 --> 00:44:54,119
- It use to be such pictures in all
- films, when they shall enjoy a bit.
- 336
- 00:44:58,559 --> 00:45:01,840
- So we kept it. It's so stupid,
- but it's still cool.
- 337
- 00:45:15,199 --> 00:45:18,199
- It was important to have that dream
- sequence, because we should know
- that what she experience with Agnes -
- 338
- 00:45:19,440 --> 00:45:22,719
- - still was in her head.
- But it was hard to do.
- 339
- 00:45:28,280 --> 00:45:30,360
- This is a funny scene.
- 340
- 00:45:34,000 --> 00:45:37,480
- She has some sort of face solarium
- she turns on in the end.
- 341
- 00:45:42,840 --> 00:45:46,559
- I'm proud of my own dialog here;
- the wheelchair match is basket.
- 342
- 00:45:49,599 --> 00:45:53,159
- I had to leave here because
- I started to roar with laughter.
- 343
- 00:45:55,840 --> 00:45:59,039
- I couldn't manage to see it,
- it was too comical.
- 344
- 00:46:07,800 --> 00:46:09,880
- Josefin was so great, but she...
- 345
- 00:46:12,480 --> 00:46:15,920
- ...never managed to learn the
- lines just like I wanted them.
- 346
- 00:46:19,760 --> 00:46:21,320
- But it doesn't matter, because
- the result is good anyway.
- 347
- 00:46:21,320 --> 00:46:24,679
- The solarium came there because
- Josefin had planned a trip to
- Mallorca.
- 348
- 00:46:28,079 --> 00:46:32,039
- To avoid it looking strange on the
- film when she was sunburnt, she'd
- look red and strange, -
- 349
- 00:46:34,840 --> 00:46:38,679
- - we thought up the solarium,
- like an occasion to why she was brown.
- 350
- 00:46:44,239 --> 00:46:48,239
- I don't think you see... or anybody
- thinks about... But it's a lucky
- chance that it turned out that way.
- 351
- 00:46:49,400 --> 00:46:52,519
- They have Spice Girls posters
- because they hate them.
- 352
- 00:46:54,079 --> 00:46:57,920
- They've written a lot of shit about
- them and scribbled on their faces.
- 353
- 00:46:59,800 --> 00:47:03,159
- You see different photos of the sisters
- and such in the background.
- 354
- 00:47:07,599 --> 00:47:10,719
- It's a bit strange that she still says
- hello after a so long time, but...
- 355
- 00:47:18,000 --> 00:47:21,280
- Elin is wearing a shirt, while her
- sister is wearing a quilted anorak.
- 356
- 00:47:21,639 --> 00:47:24,079
- - and that's maybe a bit strange.
- 357
- 00:47:26,320 --> 00:47:29,760
- But Elin is a person that doesn't
- wear so much, though.
- 358
- 00:47:34,119 --> 00:47:37,880
- It's hard to know what to
- wear at some seasons.
- 359
- 00:47:43,480 --> 00:47:45,960
- But there's no leaves on the trees.
- 360
- 00:47:48,159 --> 00:47:51,920
- There's some children on the fence
- behind there looking. That's cool.
- They sat there with their bicycle
- helmets on.
- 361
- 00:48:01,159 --> 00:48:04,760
- This is one of the few occasions
- when we used hand cameras in the film.
- 362
- 00:48:08,960 --> 00:48:12,440
- The children was not planned,
- they just sat there watching.
- 363
- 00:48:32,880 --> 00:48:36,519
- I think she hurts for real here,
- because Alexandra had really hit her,
- so she got a bit sad.
- 364
- 00:48:37,039 --> 00:48:39,119
- One of my favourite scenes.
- 365
- 00:48:40,159 --> 00:48:43,960
- This was so cool - Erica told me she
- had a friend who watched the film and
- didn't really know what she thought of it.
- 366
- 00:48:47,960 --> 00:48:51,599
- But when this scene appeared, and he
- opened the hatch with sweets, -
- 367
- 00:48:52,639 --> 00:48:55,480
- - she understood it
- was a good film.
- 368
- 00:48:55,760 --> 00:49:00,039
- I don't really understand why... but in
- some way I understand, it is fun when
- someone win a lot of sweets.
- 369
- 00:49:04,599 --> 00:49:08,159
- Abroad people think that this is
- an actor and a parody.
- 370
- 00:49:08,239 --> 00:49:11,639
- They can't believe that neither
- the show nor Loket are for real.
- 371
- 00:49:17,599 --> 00:49:21,119
- Even in Denmark someone commented
- that this was a good actor.
- 372
- 00:49:28,519 --> 00:49:31,519
- A good scene,
- and then this family idyl here.
- 373
- 00:49:32,159 --> 00:49:34,480
- And then she talks about her dad.
- 374
- 00:49:37,360 --> 00:49:40,559
- We discussed where the dad
- had gone.
- 375
- 00:49:41,000 --> 00:49:43,840
- We discussed the characters
- a lot before the shooting started.
- 376
- 00:49:45,159 --> 00:49:49,000
- I don't direct so much,
- so it's important that the actors -
- 377
- 00:49:49,320 --> 00:49:52,320
- themselves know what they shall do
- and who they play.
- 378
- 00:49:56,599 --> 00:50:00,639
- I don't know if we ended up with something
- about the dad... we concluded that the mum
- do some work of caring nature.
- 379
- 00:50:01,279 --> 00:50:05,159
- And that she has night shifts. That's
- why she's often away at night.
- 380
- 00:50:05,960 --> 00:50:08,960
- It's good when Alexandra
- lies down like that.
- 381
- 00:50:11,679 --> 00:50:15,599
- I think she did so on a practise
- and then I told her to do it again.
- 382
- 00:50:16,360 --> 00:50:18,400
- It's not in the script.
- 383
- 00:50:19,480 --> 00:50:22,119
- This was quite painful
- to shoot.
- 384
- 00:50:22,599 --> 00:50:26,199
- But it was important so it shouldn't
- get too pink light.
- 385
- 00:50:36,119 --> 00:50:39,400
- That there's some corporal love
- aswell. So you understand she's really
- on to Elin.
- 386
- 00:50:40,279 --> 00:50:42,760
- It had been too cute otherwise.
- 387
- 00:50:47,559 --> 00:50:54,159
- But Rebecka thought it was hard to play
- alone, so she told me afterwards that
- if she was ever going to make another
- film with me she could to anything if
- she just had some company.
- 388
- 00:50:59,519 --> 00:51:02,920
- So in my next film I'm going to
- write a gigantic orgy scene to Rebecka.
- 389
- 00:51:07,840 --> 00:51:09,800
- No, I'm not. I'm not going to do that.
- 390
- 00:51:16,159 --> 00:51:19,159
- She wrote black rings under the
- eyes of Jenny Ulving.
- 391
- 00:51:27,440 --> 00:51:30,039
- But it's not a hate
- towards Jenny Ulving personally.
- 392
- 00:51:30,039 --> 00:51:33,960
- It's more a symbol of all the beautiful
- faces you see in the magazines, -
- 393
- 00:51:35,239 --> 00:51:38,719
- - who Elin can feel she hates. But
- I don't know exactly. I express myself
- so bad here.
- 394
- 00:51:45,119 --> 00:51:49,500
- This was also very cool... we just
- placed the camera in one place and
- zoomed in on various things.
- 395
- 00:51:58,639 --> 00:52:01,719
- That was a "boar car" driving by
- playing "Hjalle och Heavy".
- 396
- 00:52:03,320 --> 00:52:11,119
- I never undertood what they're talking
- about here... if it's about strenght
- training or weight-liftning or anabolic
- steroids and such things... I don't know
- - they made that up themselves.
- 397
- 00:52:13,719 --> 00:52:15,280
- A good scene.
- 398
- 00:52:21,000 --> 00:52:26,000
- Both of them are good here. And it's
- good that he suddenly backs in there
- in the middle of the scene.
- 399
- 00:52:48,039 --> 00:52:55,099
- I remember now this was quite hard actually.
- It's again in the middle of the night. Then
- you often get grumpy and tired when it moves
- toward morning again.
- 400
- 00:52:55,320 --> 00:52:58,800
- I was angry at alexandra because
- she was so stubborn.
- 401
- 00:52:59,480 --> 00:53:04,039
- She was mad at me too I guess,
- because I was angry with her. But
- it wasn't that serious.
- 402
- 00:53:04,159 --> 00:53:07,000
- Alexandra was a person you get
- angry with.
- 403
- 00:53:07,280 --> 00:53:10,920
- That's what's so good with her,
- that she has a strong will.
- 404
- 00:53:11,440 --> 00:53:15,760
- So it sort of "comes in the package".
- What a stupid expression!
- 405
- 00:53:28,599 --> 00:53:32,280
- This is quite undirected, they did
- what they wanted to themselves here.
- 406
- 00:53:46,840 --> 00:53:49,679
- What you feel when you sit looking
- at the film like this... when I've
- seen the film before in cinemas...
- 407
- 00:53:49,840 --> 00:53:53,679
- as I've said before I haven't seen
- it many times... I've been thinking
- about the reactions of the audience.
- 408
- 00:53:54,599 --> 00:53:58,599
- For instance when they laugh and
- why don't laugh, and what they are
- thinking of.
- 409
- 00:54:04,440 --> 00:54:07,679
- But when I'm sitting here watching it
- for myself now, I feel how much -
- 410
- 00:54:10,159 --> 00:54:17,920
- - I like the characters and I'm
- touched by various persons and how fun
- it was to make this film. How nice and
- good people they were in reality.
- 411
- 00:54:19,000 --> 00:54:25,320
- The boy who cycles in the background
- was also only occasional. He was there,
- and we thought he could cycle a bit
- there in the background.
- 412
- 00:54:26,800 --> 00:54:30,119
- Later his Dad came to pick him up,
- and he was wearing a Einstürzende
- Neubauten t-shirt.
- 413
- 00:54:32,000 --> 00:54:34,480
- That was a bit unexpected in Trollhättan.
- 414
- 00:54:38,760 --> 00:54:41,480
- Or I'm maybe only prejudiced now.
- 415
- 00:54:44,480 --> 00:54:47,119
- I regret a bit that she's standing
- there in bra. That was not because she
- should stand there in bra.
- 416
- 00:54:49,159 --> 00:54:52,960
- It was because you should understand
- that she should dress quickly.
- 417
- 00:54:53,320 --> 00:54:56,199
- Bcause she was going out to see
- Johan Hult.
- 418
- 00:54:59,559 --> 00:55:01,239
- This is good.
- 419
- 00:55:02,159 --> 00:55:06,119
- She should be stressed then, because
- they'd decided to meet and she was
- late.
- 420
- 00:55:09,440 --> 00:55:12,880
- This is good. This is one of the
- best moments, real Swedish sadness.
- 421
- 00:55:16,719 --> 00:55:18,400
- And the wind.
- 422
- 00:55:24,519 --> 00:55:27,320
- This was here at first because it
- was Agnes' dad's music.
- 423
- 00:55:28,679 --> 00:55:30,519
- It's Lars Gullin.
- 424
- 00:55:31,280 --> 00:55:33,679
- But it's got a great importance.
- 425
- 00:55:36,480 --> 00:55:40,000
- It gives a sad Sunday feeling or afternoon
- feeling, when everything is a bit sad.
- 426
- 00:55:45,840 --> 00:55:49,199
- I'm happy I found out I would
- use this music.
- 427
- 00:55:51,559 --> 00:55:55,239
- This scene was originally longer, we
- had to cut it a bit, but the principle
- is interesting.
- 428
- 00:56:05,079 --> 00:56:08,639
- In a way he says something comforting,
- but in a way not.
- 429
- 00:56:10,280 --> 00:56:14,119
- When you're sixteen you can't imagine
- how it will be 25 years later.
- 430
- 00:56:16,000 --> 00:56:19,440
- It's comforting in away, but it still
- isn't at all. It's a bit complicated.
- 431
- 00:56:37,500 --> 00:56:40,000
- An interesting detail, or a totally
- uninteresting detail...
- 432
- 00:56:40,500 --> 00:56:44,500
- ...that I'll mention even so. There's a
- detail that isn't quite right in this film
- but nobody notices,
- 433
- 00:56:45,000 --> 00:56:48,500
- and that's the fact that Rebecka is rather
- small, or even very small, and the Dad is
- very tall...
- 434
- 00:56:49,000 --> 00:56:53,500
- ...and I mean very tall. Such a big
- difference in height is maybe not.
- 435
- 00:56:59,679 --> 00:57:03,280
- There's also a big difference in height
- between Elin and her sister.
- 436
- 00:57:12,159 --> 00:57:14,840
- So Elin got to stand on different
- benches and such.
- 437
- 00:57:15,800 --> 00:57:18,039
- Here it's a lot... It's good when
- they talk here.
- 438
- 00:57:21,000 --> 00:57:24,639
- This is also improvised,
- I only told them what to talk about,
- 439
- 00:57:25,000 --> 00:57:28,500
- the trouble the day before and such,
- but it's all improvised and it was
- very good.
- 440
- 00:57:30,000 --> 00:57:33,500
- We had to change this scene. We started
- to shoot at another location. And this
- was also one of those days when I was
- 441
- 00:57:34,000 --> 00:57:37,880
- in a really bad mood, and thought
- everything went really bad.
- 442
- 00:57:38,679 --> 00:57:43,400
- I remember I called the producer,
- Lars Jönsson, who was in Stockholm,
- and told him that we had to cancel
- the film, -
- 443
- 00:57:44,920 --> 00:57:49,960
- - becuase it gets really bad,
- they are acting bad, everything
- I do gets bad and everything goes
- to hell.
- 444
- 00:57:53,760 --> 00:58:01,639
- We were working on this scene and I thought
- that nothing worked out and I didn't know
- what to film or nothing. But then as a
- coincidence...
- 445
- 00:58:03,639 --> 00:58:07,079
- We started shooting by the municipal
- music school in Trollhättan.
- 446
- 00:58:09,880 --> 00:58:13,599
- They had drum practice, so it was drum
- playing in the background all the time.
- 447
- 00:58:14,000 --> 00:58:18,500
- We tried to make them quit their
- drum practise, but they wouldn't and I
- can understand that...
- 448
- 00:58:19,000 --> 00:58:22,440
- ...because they had waited for the
- practise all week so they couldn't
- cancel just like that.
- 449
- 00:58:24,960 --> 00:58:29,039
- We were in there talking with the
- headmaster, but they refused to quit
- and blah-blah and I can understand that.
- 450
- 00:58:32,239 --> 00:58:35,880
- So we had to move the whole scene
- to another location, -
- 451
- 00:58:36,400 --> 00:58:38,480
- - which is where it is shot.
- 452
- 00:58:38,480 --> 00:58:43,079
- It's a much better environment, it's on
- a playground it wasn't before, and the
- scene became much better.
- 453
- 00:58:45,760 --> 00:58:49,000
- Suddenly I felt I was not completely
- worthless, that I maybe shouldn't go
- home and kill myself -
- 454
- 00:58:49,920 --> 00:58:52,000
- - and that it maybe would
- become a completely okay film.
- 455
- 00:58:52,000 --> 00:58:55,599
- And it's nice in the end when
- the leaves blow over the playground.
- 456
- 00:58:57,720 --> 00:59:00,639
- And it's cool in a way that they quarrel on
- a playground.
- 457
- 00:59:00,840 --> 00:59:03,400
- Expresses the sandbox-level in a way.
- 458
- 00:59:06,559 --> 00:59:09,559
- And that they still
- are children in a way.
- 459
- 00:59:12,960 --> 00:59:16,079
- Besides, there's a link
- to the film "G", -
- 460
- 00:59:16,079 --> 00:59:19,360
- - when Niels Jensen walkns and sings
- "Barn" ("Children") on a playground.
- 461
- 00:59:21,800 --> 00:59:23,880
- It's not among my favourite
- films, -
- 462
- 00:59:23,880 --> 00:59:27,320
- - but I think there's some
- subconscious link there.
- 463
- 00:59:31,159 --> 00:59:33,760
- Now I've missed commenting some things, but...
- This is one of the best camera moves in the film.
- 464
- 00:59:33,760 --> 00:59:37,239
- The pans back and forth all the
- time, even from the beginning.
- 465
- 00:59:37,400 --> 00:59:41,000
- Over to Jessica who sits down, and
- it becomes an echo image.
- 466
- 00:59:47,280 --> 00:59:50,599
- And it started over there on Agnes.
- That was done great.
- 467
- 00:59:56,119 --> 00:59:58,840
- There are nice wallpapers there,
- completely spew-green.
- 468
- 01:00:08,599 --> 01:00:10,760
- And that's a real "slap on the face".
- 469
- 01:00:30,440 --> 01:00:33,559
- Another scene where the camera sits
- in the same place the whole the time.
- 470
- 01:00:33,559 --> 01:00:34,960
- Good tune.
- 471
- 01:00:37,199 --> 01:00:40,840
- I got the idea that we should shoot
- the whole scene in a complete image.
- 472
- 01:00:43,440 --> 01:00:47,400
- There's a bit too few complete images in
- the film, but it's not a big problem.
- 473
- 01:00:48,119 --> 01:00:51,400
- I think you should have gotten
- to see more of Elin's room.
- 474
- 01:00:56,960 --> 01:01:00,119
- Here's a mix of two tunes
- that we did.
- 475
- 01:01:00,599 --> 01:01:02,559
- It ends with Yvonne.
- 476
- 01:01:07,360 --> 01:01:10,800
- Alexandra really wanted a nicer
- light setting here than we had planned.
- 477
- 01:01:17,760 --> 01:01:21,559
- We had thought of something more
- realistic, but she wanted something nicer.
- 478
- 01:01:22,440 --> 01:01:25,800
- So we lightened her, and set
- the light more romantic.
- 479
- 01:01:29,199 --> 01:01:32,400
- It's so nice he's wearing his
- digital watch.
- 480
- 01:01:37,519 --> 01:01:42,320
- Karl Strandling, who plays the hockey
- coach, was the person who found the
- actors, did some research and such things.
- 481
- 01:01:42,719 --> 01:01:45,760
- He's from Trollhättan
- and is a great quy.
- 482
- 01:01:45,840 --> 01:01:48,960
- He's really an actor and made
- this guest apperence. He is
- really good.
- 483
- 01:01:55,199 --> 01:01:58,880
- We edited together a lot
- of unsuccessful pictures from
- the hockey arena.
- 484
- 01:02:05,599 --> 01:02:08,639
- The team playing here is probably
- better in reality than it seems like here.
- 485
- 01:02:15,480 --> 01:02:19,440
- But it creates a great contrast to
- what the girls are talking about on
- the tribune.
- 486
- 01:02:24,840 --> 01:02:27,599
- That's not Markus there really.
- 487
- 01:02:30,559 --> 01:02:33,159
- I'd thought that the scene should
- take place on a park bench, -
- 488
- 01:02:33,159 --> 01:02:35,280
- - or at home in their room.
- 489
- 01:02:38,360 --> 01:02:42,320
- But a girl from Amal told me that
- when she grew up they often sat -
- 490
- 01:02:49,280 --> 01:02:52,800
- - on the tribune watching the
- boys when they practised hockey.
- 491
- 01:02:54,480 --> 01:02:56,719
- So I moved the location here.
- 492
- 01:02:59,159 --> 01:03:02,800
- Many situations have come out of
- influence from other people.
- 493
- 01:03:07,480 --> 01:03:10,840
- I wrote the script all by myself and
- then a number of people read it.
- 494
- 01:03:12,679 --> 01:03:16,880
- Some lesbian girls in this age,
- or a bit older, teenagers from Amal
- and Trollhättan, -
- 495
- 01:03:22,039 --> 01:03:24,880
- - and people who had knowledge about
- different things.
- 496
- 01:03:28,800 --> 01:03:33,480
- The photo earlier was showing Stefan Hörberg,
- the actor who plays Markus, from his time
- in kindergarten.
- 497
- 01:03:36,079 --> 01:03:39,159
- He's just eaten a flower there
- in reality.
- 498
- 01:03:49,599 --> 01:03:55,599
- This was a fun day, because this is shot
- in Kungälv's ice hall, which was one of
- the few that still had ice at the time.
- 499
- 01:03:59,480 --> 01:04:02,920
- We had a lot of fun and played for a long
- time. I can't skate, so I didn't, but we
- 500
- 01:04:03,199 --> 01:04:07,920
- played a lot of weird games on the ice.
- So that was fun.
- 501
- 01:04:13,519 --> 01:04:16,519
- Another zoom.
- 502
- 01:04:31,880 --> 01:04:35,800
- This scene was a bit hard because
- that poster was going to be there.
- 503
- 01:04:40,360 --> 01:04:47,480
- I guess I have this... even though it's
- a good scene. So when we practised the
- scene we just put a yellow note there.
- 504
- 01:04:48,519 --> 01:04:51,880
- We only put up the porn poster when
- we shot the scene.
- 505
- 01:04:52,679 --> 01:04:56,079
- I have some sort of cleft in myself
- between what I write -
- 506
- 01:04:57,880 --> 01:05:00,280
- - and things I want to talk about.
- 507
- 01:05:02,039 --> 01:05:05,360
- But I'm maybe exaggerating a bit,
- I'm not that prudish.
- 508
- 01:05:09,840 --> 01:05:15,639
- This scene was a bit tough because Axel,
- who plays little brother, was a bit
- troublesome this time.
- 509
- 01:05:18,159 --> 01:05:21,599
- He'd hurt his foot and took it a
- bit serious than it really was.
- 510
- 01:05:24,920 --> 01:05:29,840
- He god the idea that he's fractured
- the foot and refused to walk and was
- limping all the time.
- 511
- 01:05:34,280 --> 01:05:37,719
- He plays very good, and was very
- nice and friendly.
- 512
- 01:05:42,599 --> 01:05:46,440
- Her lines here is based on what I'd
- answer myself if someone asked.
- 513
- 01:05:47,280 --> 01:05:49,840
- It's my own dumbness that's presented.
- 514
- 01:05:51,440 --> 01:05:54,840
- She's says things that are true,
- but in a bit funny way.
- 515
- 01:05:59,760 --> 01:06:03,440
- It was important for me all the way
- not to make fun out of people, -
- 516
- 01:06:03,920 --> 01:06:07,320
- - so I wrote it about like
- I'd say it myself.
- 517
- 01:06:15,360 --> 01:06:18,719
- That's most likely the reason it
- becomes comic, but not contempting.
- 518
- 01:06:28,880 --> 01:06:32,719
- This shows that it exists a lot
- who is so liberal and correct, -
- 519
- 01:06:33,559 --> 01:06:37,480
- - who is in favor of homosexuals and
- against racism, but when it comes -
- 520
- 01:06:39,280 --> 01:06:42,840
- - close to themselves, like their own
- children is homosexual, -
- 521
- 01:06:47,079 --> 01:06:49,480
- - they suddenly get another view.
- 522
- 01:06:54,880 --> 01:06:58,719
- Even if one is even so intelectual
- and correct, it's a big chance -
- 523
- 01:07:00,079 --> 01:07:03,400
- - that one reacts like this when
- it comes so close to oneself.
- 524
- 01:07:04,239 --> 01:07:08,119
- Exactly like a lot who speaks for
- a multi-cultural society often -
- 525
- 01:07:13,079 --> 01:07:15,400
- - are people who don't live in it.
- 526
- 01:07:25,559 --> 01:07:28,159
- I'm also in favor of a multi-cultural
- society that's not the question.
- 527
- 01:07:28,159 --> 01:07:32,159
- But there is a problem having
- so good opinions officially, -
- 528
- 01:07:35,440 --> 01:07:38,159
- - but to think something else
- in practice.
- 529
- 01:07:57,280 --> 01:08:01,039
- The people in "Bingo lotto" had now
- idea they were going to be in
- Fucking Amal.
- 530
- 01:08:13,920 --> 01:08:17,479
- The sofa here belongs to Malini Ahlberg,
- who was director of production.
- 531
- 01:08:22,760 --> 01:08:25,640
- After the shooting it smelled
- really bad.
- 532
- 01:08:26,920 --> 01:08:29,760
- It was most likely moth
- or something in the apartment.
- 533
- 01:08:30,560 --> 01:08:33,840
- She was very sorry about
- the sofa being ruined.
- 534
- 01:08:34,199 --> 01:08:35,880
- Sorry, Malini.
- 535
- 01:08:38,880 --> 01:08:42,760
- This is not supposed to be some paraphrase
- to a scene in a Kieslowski-film.
- 536
- 01:08:52,399 --> 01:08:56,079
- He has supposedly done a similar scene,
- but I haven't seen that.
- 537
- 01:09:18,920 --> 01:09:20,920
- Here the boys are so good.
- 538
- 01:09:22,560 --> 01:09:26,720
- The dialog is a bit overstating. It's
- even good, because Stefan plays it
- really good.
- 539
- 01:09:45,960 --> 01:09:47,479
- That's good.
- 540
- 01:10:19,760 --> 01:10:22,880
- It's important that one shall
- be able to change sympathies.
- 541
- 01:10:24,439 --> 01:10:28,479
- One feels sorry for Johan Hult here,
- and before one thought he was an idiot.
- 542
- 01:10:32,760 --> 01:10:35,920
- He is dumb, but one feels very
- sorry for him here.
- 543
- 01:10:36,399 --> 01:10:39,239
- That look is very good
- and sad.
- 544
- 01:10:47,840 --> 01:10:50,800
- In this scene it's many,
- especially girls, -
- 545
- 01:10:52,520 --> 01:10:55,680
- - who cheers when she calls
- to brake up with him.
- 546
- 01:10:57,199 --> 01:11:01,000
- One can do that, but at the same time
- it's very sad for Johan Hult.
- 547
- 01:11:21,000 --> 01:11:24,000
- People start to applaud here, but
- I don't know. It's maybe right.
- 548
- 01:11:53,079 --> 01:11:55,079
- This scene is okay.
- 549
- 01:12:01,399 --> 01:12:03,359
- Mark 3 out 5 I think.
- 550
- 01:12:05,039 --> 01:12:07,279
- Sometimes 4, sometimes 2, mostly 3.
- 551
- 01:12:09,720 --> 01:12:11,159
- Sometimes 4.
- 552
- 01:12:12,840 --> 01:12:16,439
- This is completely incomprehensible
- in other countries than Sweden.
- 553
- 01:12:19,600 --> 01:12:22,000
- A lot of people asks: What is an A-drain?
- 554
- 01:12:22,199 --> 01:12:25,800
- Nobody understands that A- and K-drains
- is some Swedish superstition.
- 555
- 01:12:26,359 --> 01:12:28,520
- It's hard to translate.
- 556
- 01:12:32,600 --> 01:12:35,760
- It becomes K-drain,
- and "love" doesn't begin with K.
- 557
- 01:12:38,840 --> 01:12:42,479
- The translation becomes complicated,
- and it becomes quite incomprehensible.
- 558
- 01:13:14,720 --> 01:13:16,600
- This is edited.
- 559
- 01:13:20,960 --> 01:13:23,399
- The order was completely different.
- 560
- 01:13:23,560 --> 01:13:26,479
- So we had to maximise the drama
- in the editing.
- 561
- 01:13:35,520 --> 01:13:38,800
- When one direct, cut and
- write one try -
- 562
- 01:13:41,760 --> 01:13:44,279
- - to maximise the feelings all the time.
- 563
- 01:13:45,920 --> 01:13:48,479
- So we edited quite a lot here.
- 564
- 01:13:49,039 --> 01:13:52,000
- We made these photographs a while
- before the shooting.
- 565
- 01:13:54,239 --> 01:13:57,239
- A lot of people wonder why she's
- called Akerblom in the book.
- 566
- 01:14:06,720 --> 01:14:10,039
- We made the class photo before we
- started shooting the film.
- 567
- 01:14:14,520 --> 01:14:16,600
- I thought she should be called
- Akerblom then.
- 568
- 01:14:16,600 --> 01:14:19,640
- But during production I
- changed it to Ahlberg.
- 569
- 01:14:20,239 --> 01:14:24,039
- It's Malini Ahlberg's surname.
- Akerblom is my mother's maiden
- name.
- 570
- 01:14:28,039 --> 01:14:31,159
- It's completely unlikely that
- she would manage to throw
- the rock that hard.
- 571
- 01:14:31,159 --> 01:14:34,000
- But now I'm sitting here
- unveiling secrets.
- 572
- 01:14:35,319 --> 01:14:38,880
- We throwed stones with a slingshot,
- to be able to brake the window.
- 573
- 01:14:43,119 --> 01:14:46,119
- She would never be able to brake
- the window with that rock from that
- position.
- 574
- 01:15:00,600 --> 01:15:03,640
- That's really a broom closet they're
- walking into.
- 575
- 01:15:08,920 --> 01:15:11,840
- This is the only scene shot
- in a studio.
- 576
- 01:15:14,640 --> 01:15:18,560
- We built a studio which looked exactly
- like the toilet in this school.
- 577
- 01:15:19,319 --> 01:15:22,520
- It's just a little bit bigger, so we
- were able to get enough room.
- 578
- 01:15:23,479 --> 01:15:25,960
- The camera is standing outside though,
- I think.
- 579
- 01:15:29,720 --> 01:15:32,520
- All the other scenes are shot
- on real locations.
- 580
- 01:15:45,840 --> 01:15:49,560
- I'm starting to feel a bit tired now,
- I've seen this so many times.
- 581
- 01:16:08,199 --> 01:16:12,079
- My only thought is that I was sitting
- in an armchair when we shot this.
- 582
- 01:16:12,359 --> 01:16:16,560
- I was mostly sitting on benches, but
- since this was in a studio I had got...
- 583
- 01:16:17,000 --> 01:16:20,000
- ...an armchair to sit in. Incredibly
- interesting information...
- 584
- 01:17:12,159 --> 01:17:14,399
- Back to school now.
- 585
- 01:17:19,439 --> 01:17:22,439
- I chased Alexandra into the
- broom closet here.
- 586
- 01:17:27,239 --> 01:17:31,000
- And then she clamped her thumb,
- so she almost died of pain.
- 587
- 01:17:36,600 --> 01:17:39,880
- I think she's mostly thinking that
- she was really hurting here.
- 588
- 01:17:45,960 --> 01:17:49,880
- I was going to show her how to close
- the door quickly, and then she cruched
- her thumb.
- 589
- 01:18:16,640 --> 01:18:19,319
- Here comes Nisse again,
- he's really great.
- 590
- 01:18:28,600 --> 01:18:32,119
- Nisse, who knocks on the door,
- is the boy who plays electric organ.
- 591
- 01:18:36,399 --> 01:18:40,239
- We are credited as authors of the
- fantastic electric organ music on the CD.
- 592
- 01:18:52,399 --> 01:18:57,000
- And that's... that's... now I was
- going to say something, but I don't
- remember.
- 593
- 01:19:36,720 --> 01:19:40,319
- In one version of the script it ended
- with them kissing here.
- 594
- 01:19:41,399 --> 01:19:45,119
- It would have been too much, but
- you want it to be solved -
- 595
- 01:19:46,600 --> 01:19:48,960
- - so they can have each other.
- 596
- 01:19:49,199 --> 01:19:52,760
- I'm romantic and both believes
- and hopes it will be so.
- 597
- 01:19:57,000 --> 01:19:59,800
- If you got to see what what
- happened after the film.
- 598
- 01:20:03,239 --> 01:20:05,680
- He's a real teacher at the school.
- 599
- 01:20:08,960 --> 01:20:11,479
- All the pupils are pupils from the school.
- 600
- 01:20:18,840 --> 01:20:22,500
- He has quite cool lines there that you
- unfortunately can't here, where he talks
- about, well... verious things.
- 601
- 01:20:26,640 --> 01:20:29,439
- Johan and Jessica
- becomes together, then.
- 602
- 01:21:06,680 --> 01:21:09,319
- This is the big "Grande Finale" of the film.
- 603
- 01:21:11,359 --> 01:21:14,680
- But for me comes the big moment
- a bit later.
- 604
- 01:21:18,640 --> 01:21:20,199
- That's a funny line.
- 605
- 01:21:20,199 --> 01:21:22,840
- The really brave
- comes a bit later.
- 606
- 01:21:23,319 --> 01:21:27,079
- They are brave, but this is something
- one can do when one is in passion, -
- 607
- 01:21:31,119 --> 01:21:34,079
- - when one is very
- harrassed by the situation.
- 608
- 01:21:34,760 --> 01:21:37,079
- When one is emotionally high.
- 609
- 01:21:43,079 --> 01:21:46,399
- The really brave part is that
- they sit down and talk.
- 610
- 01:21:52,439 --> 01:21:55,560
- Like two persons who goes home
- together from the pub -
- 611
- 01:21:55,560 --> 01:21:57,640
- - and spends
- the night together.
- 612
- 01:21:57,640 --> 01:22:02,560
- The real brave is the day after, if
- they dare to see each other's eyes
- and talk.
- 613
- 01:22:07,000 --> 01:22:10,960
- Even though the dialog here is pointless.
- It's completely improvised.
- 614
- 01:22:11,500 --> 01:22:14,500
- We discussed so we knew about what
- they were goint to talk about.
- 615
- 01:22:17,399 --> 01:22:21,079
- The dialog has no big meaning,
- but it's the key to -
- 616
- 01:22:27,800 --> 01:22:30,520
- if they're going to succeed
- in having a relationship.
- 617
- 01:22:36,119 --> 01:22:40,279
- Elin could go back to school and
- say "She's stupid. I was just joking..."
- 618
- 01:22:41,319 --> 01:22:44,279
- The bravest is that they sit here
- and talk.
- 619
- 01:22:51,199 --> 01:22:55,079
- When it cuts from the scene before,
- and "Show me love" fades up -
- 620
- 01:22:56,399 --> 01:22:59,680
- - it's one of the strongest
- moments for me in the film.
- 621
- 01:23:00,039 --> 01:23:04,920
- Partially because it's a good moment,
- and partially because it reflects
- the success and triumph of the film.
- 622
- 01:23:12,000 --> 01:23:14,840
- At the premiere it was such
- a great atmosphere.
- 623
- 01:23:21,359 --> 01:23:24,800
- I'll always connect this song with
- the public progress of the film.
- 624
- 01:23:27,079 --> 01:23:29,640
- This is the world's slowest
- credits.
- 625
- 01:23:30,720 --> 01:23:35,119
- It's to include the complete song,
- which is quite long, so we made
- very slow credits.
- 626
- 01:23:42,680 --> 01:23:45,960
- Britt Odeberg Alexandra and
- Rebecca's teacher, -
- 627
- 01:23:46,840 --> 01:23:48,920
- - so they could do some schoolwork.
- 628
- 01:23:48,920 --> 01:23:51,000
- Adviser Coco is my wife.
- 629
- 01:23:51,000 --> 01:23:55,760
- She has had a lot of influence.
- She has a lot of influence with
- everything I do.
- 630
- 01:24:01,920 --> 01:24:05,119
- Sofia Wennberg is credited twice.
- I don't know why.
- 631
- 01:24:07,119 --> 01:24:11,720
- Now I really haven't anymore to
- say but... The songs are listed one by
- one only to include the whole song.
- 632
- 01:24:21,680 --> 01:24:23,239
- I like all the songs.
- 633
- 01:24:23,239 --> 01:24:26,640
- I haven't chosen any music
- because it should be cool.
- 634
- 01:24:27,399 --> 01:24:30,640
- The song by Combayah isn't my
- favourite type of music, -
- 635
- 01:24:31,559 --> 01:24:34,159
- - but is chosen
- because I like it in a way.
- 636
- 01:24:34,680 --> 01:24:38,279
- Even the Lasse Kronér tune, whick
- one hardly hears, has a meaning.
- 637
- 01:24:45,600 --> 01:24:48,319
- Even the lyrics has some
- little meaning.
- 638
- 01:24:49,760 --> 01:24:53,640
- I'd never choose tunes which only
- should sound in a specific way.
- 639
- 01:24:57,039 --> 01:25:00,559
- All tunes must have a meaning
- for the narratation too.
- 640
- 01:25:06,920 --> 01:25:10,680
- The last people in the thanks list
- is they who read the script, and
- came with advice.
- 641
- 01:25:25,119 --> 01:25:28,440
- Yes... I don't know really what to
- say on things like this, but now
- I've tried -
- 642
- 01:25:28,760 --> 01:25:31,880
- - so I hope you're not disappointed.
- Thanks and hey.
Add Comment
Please, Sign In to add comment