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- 0
- 00:00:11,000 --> 00:00:20,000
- INDOXXI
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- 1
- 00:00:49,182 --> 00:00:50,046
- [interposing voices]
- 2
- 00:00:50,150 --> 00:00:52,141
- WOMAN: Camera B rolling.
- 3
- 00:00:52,218 --> 00:00:53,515
- DIRECTOR: And action.
- 4
- 00:01:01,061 --> 00:01:03,894
- [race cars driving]
- 5
- 00:01:20,513 --> 00:01:23,004
- [sirens]
- 6
- 00:01:23,983 --> 00:01:25,814
- [chopper noises]
- 7
- 00:01:39,933 --> 00:01:41,594
- MAN: OK.
- 8
- 00:01:41,701 --> 00:01:46,536
- Uh, why don't we just dive in
- and have a look at uh-- Steve,
- 9
- 00:01:46,606 --> 00:01:50,804
- what do you think of the
- circumstances that might have
- 10
- 00:01:50,910 --> 00:01:53,071
- led up to the disease itself?
- 11
- 00:01:53,179 --> 00:01:55,511
- How do you perceive that?
- 12
- 00:01:55,582 --> 00:01:57,516
- STEVE MCQUEEN: Two ways.
- 13
- 00:01:57,584 --> 00:02:03,523
- One is asbestos poisoning in
- my lungs, which is very rare.
- 14
- 00:02:03,590 --> 00:02:05,558
- Two is, I think,
- there were times
- 15
- 00:02:05,625 --> 00:02:07,650
- when I was under pressure.
- 16
- 00:02:07,760 --> 00:02:11,252
- I had a battle in my
- business with somebody
- 17
- 00:02:11,364 --> 00:02:14,390
- for about five years, so
- I think I really wanted
- 18
- 00:02:14,467 --> 00:02:18,597
- to let go under pressure.
- 19
- 00:02:28,615 --> 00:02:30,947
- NARRATOR: It all began
- when a super star
- 20
- 00:02:31,050 --> 00:02:34,816
- who loved auto racing decided
- to do a picture about his sport.
- 21
- 00:02:39,626 --> 00:02:41,958
- WOMAN: That was most
- seminal moment in his life.
- 22
- 00:02:46,232 --> 00:02:49,827
- MAN: What was happening when we
- were shooting this movie should
- 23
- 00:02:49,903 --> 00:02:53,202
- happen to no man.
- 24
- 00:02:53,273 --> 00:02:56,709
- MAN: I just wanted to
- get it down on film, what
- 25
- 00:02:56,776 --> 00:02:57,640
- I thought it was all about.
- 26
- 00:03:21,367 --> 00:03:23,665
- Ladies and gentlemen,
- the male world
- 27
- 00:03:23,770 --> 00:03:26,534
- film favorite, Steve McQueen.
- 28
- 00:03:26,606 --> 00:03:28,904
- [applause]
- 29
- 00:03:36,616 --> 00:03:37,275
- STEVE MCQUEEN: Thank you.
- 30
- 00:03:43,189 --> 00:03:44,520
- MAN: If you had your
- life to do over again,
- 31
- 00:03:44,624 --> 00:03:46,785
- would you do it the same way?
- 32
- 00:03:46,859 --> 00:03:48,224
- STEVE MCQUEEN: Damn right.
- 33
- 00:03:48,328 --> 00:03:49,625
- [Laughing]
- 34
- 00:03:49,696 --> 00:03:53,655
- Every bit of it,
- because I think film
- 35
- 00:03:53,733 --> 00:03:54,893
- is a very important medium.
- 36
- 00:04:02,308 --> 00:04:04,173
- When he was the number one
- superstar in the world,
- 37
- 00:04:04,244 --> 00:04:06,405
- he was, like, I
- think, 38 years old.
- 38
- 00:04:06,512 --> 00:04:09,208
- People went nuts
- wherever he went.
- 39
- 00:04:09,315 --> 00:04:12,250
- He was American Royalty.
- 40
- 00:04:12,318 --> 00:04:13,012
- Groovy.
- 41
- 00:04:13,086 --> 00:04:14,212
- Thanks.
- 42
- 00:04:14,320 --> 00:04:16,652
- [applause]
- 43
- 00:04:18,224 --> 00:04:20,249
- I started on a farm, in
- the state of Missouri,
- 44
- 00:04:20,360 --> 00:04:25,059
- and I lived there in
- my youth, and I got
- 45
- 00:04:25,164 --> 00:04:26,153
- out of there as quick as I can.
- 46
- 00:04:29,269 --> 00:04:31,601
- NARRATOR: His
- background gave him
- 47
- 00:04:31,704 --> 00:04:35,504
- a courageous element that stood
- him in very, very good stead
- 48
- 00:04:35,575 --> 00:04:37,202
- at that time.
- 49
- 00:04:37,277 --> 00:04:40,303
- STEVE MCQUEEN: I don't know
- very much about art or music,
- 50
- 00:04:40,413 --> 00:04:43,746
- except things that I like.
- 51
- 00:04:43,850 --> 00:04:48,480
- Basically, I come
- from the gutter,
- 52
- 00:04:48,554 --> 00:04:49,646
- and I'm not a compromiser.
- 53
- 00:04:54,861 --> 00:04:57,159
- MAN: He didn't give
- a shit, you know?
- 54
- 00:04:57,230 --> 00:05:00,199
- If there was a fight to be had,
- he would not turn his back,
- 55
- 00:05:00,266 --> 00:05:02,962
- and it doesn't
- matter who it was.
- 56
- 00:05:03,069 --> 00:05:05,367
- INTERVIEWER: I bet
- you're a perfectionist.
- 57
- 00:05:05,438 --> 00:05:07,804
- Well, I try to do a good job.
- 58
- 00:05:07,907 --> 00:05:09,101
- You know, I try.
- 59
- 00:05:23,389 --> 00:05:26,153
- "The Thomas Crown Affair"
- and "Bullet" were my two
- 60
- 00:05:26,225 --> 00:05:27,590
- pictures with Steve McQueen.
- 61
- 00:05:33,766 --> 00:05:38,066
- I convinced him that every
- time he went on the set,
- 62
- 00:05:38,137 --> 00:05:40,105
- no matter what
- the director said,
- 63
- 00:05:40,173 --> 00:05:43,768
- he should recite the mantra.
- 64
- 00:05:43,843 --> 00:05:46,539
- I decide what is right
- and what is wrong,
- 65
- 00:05:46,646 --> 00:05:50,173
- and I don't have to
- explain it to anybody.
- 66
- 00:05:50,283 --> 00:05:53,719
- I like women, but I'm a
- little afraid of them.
- 67
- 00:05:53,786 --> 00:05:55,549
- I'm not going to
- make a commitment,
- 68
- 00:05:55,621 --> 00:05:59,648
- because if you make a commitment
- to a woman, they can hurt you.
- 69
- 00:05:59,759 --> 00:06:02,694
- I won't pick a fight, but
- if you pick a fight with me
- 70
- 00:06:02,762 --> 00:06:07,358
- or back me into a corner,
- I will fucking kill you.
- 71
- 00:06:07,433 --> 00:06:09,765
- He used to recite
- that to himself
- 72
- 00:06:09,836 --> 00:06:11,963
- when he went on
- the set, regardless
- 73
- 00:06:12,038 --> 00:06:14,472
- of what the directions were.
- 74
- 00:06:14,540 --> 00:06:17,134
- And he played that character,
- I thought, just brilliantly.
- 75
- 00:06:23,516 --> 00:06:27,043
- INTERVIEWER: Which do you enjoy
- more, acting or producing?
- 76
- 00:06:27,153 --> 00:06:30,680
- STEVE MCQUEEN: Well,
- I'm sort of hung.
- 77
- 00:06:30,790 --> 00:06:33,782
- I like producing, as
- long as I'm acting,
- 78
- 00:06:33,860 --> 00:06:37,227
- because I think the ultimate
- is to have creative control.
- 79
- 00:06:37,330 --> 00:06:41,130
- He loved the part in the
- "Thomas Crown Affair,"
- 80
- 00:06:41,200 --> 00:06:43,395
- playing Tommy Crown.
- 81
- 00:06:43,503 --> 00:06:48,270
- Big business guy, no one
- knows anything more than him.
- 82
- 00:06:48,341 --> 00:06:51,777
- He aspired to that character.
- 83
- 00:06:51,844 --> 00:06:56,008
- He wanted to feel like
- he was a bit of a mogul.
- 84
- 00:06:56,082 --> 00:06:59,745
- STEVE MCQUEEN: Now,
- the movies are changed.
- 85
- 00:06:59,852 --> 00:07:00,784
- It's not a game anymore.
- 86
- 00:07:00,853 --> 00:07:03,686
- It's big bucks, heavy bucks.
- 87
- 00:07:03,756 --> 00:07:05,280
- And those people play
- for keeps out there.
- 88
- 00:07:08,428 --> 00:07:13,365
- He got this into his head, that
- he would build us an empire.
- 89
- 00:07:13,433 --> 00:07:16,732
- After "Thomas Crown," he
- said, I'm going to build us
- 90
- 00:07:16,836 --> 00:07:18,269
- an empire, baby doll.
- 91
- 00:07:25,945 --> 00:07:27,276
- STEVE MCQUEEN: If I
- have my name on there,
- 92
- 00:07:27,380 --> 00:07:30,372
- they can no longer
- pawn me off as just
- 93
- 00:07:30,450 --> 00:07:34,819
- a candy ass movie star who
- they've got to be easy with.
- 94
- 00:07:34,921 --> 00:07:38,413
- This puts me out
- front as an executive.
- 95
- 00:07:38,524 --> 00:07:42,153
- So therefore, they
- have to deal with me.
- 96
- 00:07:42,228 --> 00:07:43,490
- The juice.
- 97
- 00:07:43,563 --> 00:07:45,258
- He got the juice man,
- he got the power.
- 98
- 00:07:49,802 --> 00:07:53,431
- It was a very smart,
- intelligent, sophisticated move
- 99
- 00:07:53,539 --> 00:07:55,700
- for him to form a
- production company
- 100
- 00:07:55,775 --> 00:08:00,212
- called Solar, and exercised
- his clout in the way he did.
- 101
- 00:08:00,279 --> 00:08:02,543
- And the first
- person that he told,
- 102
- 00:08:02,615 --> 00:08:04,776
- his agents that he wanted to
- reach out to be his partner
- 103
- 00:08:04,884 --> 00:08:05,714
- was my father.
- 104
- 00:08:08,888 --> 00:08:12,881
- I'm standing here with Bob
- Relyea, the executive producer
- 105
- 00:08:12,959 --> 00:08:15,223
- of Solar Productions.
- 106
- 00:08:15,294 --> 00:08:17,819
- We had been through
- "The Magnificent Seven."
- 107
- 00:08:17,930 --> 00:08:20,262
- We'd been through
- "The Great Escape."
- 108
- 00:08:20,333 --> 00:08:23,769
- The company was a
- very well organized,
- 109
- 00:08:23,836 --> 00:08:25,804
- real production company.
- 110
- 00:08:25,905 --> 00:08:28,499
- The relationship that Steve
- and I had in our families
- 111
- 00:08:28,574 --> 00:08:31,407
- was extremely close.
- 112
- 00:08:31,477 --> 00:08:32,774
- INTERVIEWER: You
- actually throw a temper?
- 113
- 00:08:32,845 --> 00:08:34,039
- Can you?
- 114
- 00:08:34,146 --> 00:08:36,341
- Injustice bothers
- me a lot sometimes,
- 115
- 00:08:36,449 --> 00:08:38,474
- and I get angry about
- things, and so forth.
- 116
- 00:08:38,584 --> 00:08:41,781
- And I suppose I fly off
- the handle sometimes.
- 117
- 00:08:41,854 --> 00:08:44,823
- MAN: Steve trusted Bob.
- 118
- 00:08:44,924 --> 00:08:48,758
- If there was a problem, he'd
- just grab him by the shoulder,
- 119
- 00:08:48,828 --> 00:08:52,457
- and he'd take him
- off to the side.
- 120
- 00:08:52,532 --> 00:08:59,700
- As much as you want this, Steve,
- this passion doesn't mean shit.
- 121
- 00:08:59,805 --> 00:09:00,635
- And Steve got it.
- 122
- 00:09:10,850 --> 00:09:14,946
- It was a real coup to get him
- to come to Cinema Center Films,
- 123
- 00:09:15,021 --> 00:09:17,990
- and to be involved
- with his company.
- 124
- 00:09:18,057 --> 00:09:20,548
- That, in itself, was a
- major accomplishment.
- 125
- 00:09:28,734 --> 00:09:31,498
- It wasn't just "I'm the
- biggest star in the world."
- 126
- 00:09:31,571 --> 00:09:33,869
- It was I'm going to
- decide what films I make.
- 127
- 00:09:33,973 --> 00:09:36,999
- I'm going to decide
- who the directors are,
- 128
- 00:09:37,076 --> 00:09:38,771
- and I'm going to make
- that racing picture
- 129
- 00:09:38,878 --> 00:09:40,505
- that I always wanted
- to make, and it's
- 130
- 00:09:40,580 --> 00:09:41,342
- going to define my career.
- 131
- 00:09:56,929 --> 00:10:00,592
- I race motorcars,
- because I enjoy it.
- 132
- 00:10:00,700 --> 00:10:02,691
- I like the competitive element.
- 133
- 00:10:02,768 --> 00:10:05,202
- I like beating the other guy.
- 134
- 00:10:05,271 --> 00:10:06,465
- I do enjoy the feeling of power.
- 135
- 00:10:13,412 --> 00:10:14,344
- WOMAN: It was his thing.
- 136
- 00:10:17,416 --> 00:10:20,442
- It was his passion.
- 137
- 00:10:20,553 --> 00:10:26,924
- And if you find your passion in
- life, you know you got it made.
- 138
- 00:10:27,026 --> 00:10:29,392
- I remember the first time I
- raced, I was very frightened.
- 139
- 00:10:29,462 --> 00:10:30,759
- It scared me.
- 140
- 00:10:30,863 --> 00:10:31,795
- I didn't like the idea
- of being frightened,
- 141
- 00:10:31,864 --> 00:10:32,660
- and I wanted to overcome it.
- 142
- 00:10:32,732 --> 00:10:35,530
- That was one element.
- 143
- 00:10:35,601 --> 00:10:37,535
- The other element, and
- it is a very pure thing.
- 144
- 00:10:37,603 --> 00:10:39,366
- It's one of the few things
- in life you can't fix.
- 145
- 00:10:43,109 --> 00:10:44,201
- When you're out
- there by yourself,
- 146
- 00:10:44,276 --> 00:10:45,573
- you're very much by yourself.
- 147
- 00:10:48,547 --> 00:10:52,916
- MAN: The risk taking, the
- need for adrenaline, the what
- 148
- 00:10:52,985 --> 00:10:58,184
- do I have to lose attitude
- that he seemed to project,
- 149
- 00:10:58,290 --> 00:11:04,422
- it just matched McQueen's
- soul, his personality,
- 150
- 00:11:04,497 --> 00:11:05,657
- and his essence.
- 151
- 00:11:08,567 --> 00:11:11,559
- Racing drivers are
- a different breed.
- 152
- 00:11:11,637 --> 00:11:13,605
- When you're in the
- car behind the wheel,
- 153
- 00:11:13,673 --> 00:11:17,507
- you tune everything off.
- 154
- 00:11:17,610 --> 00:11:21,068
- There's one thing that
- you are focused on,
- 155
- 00:11:21,147 --> 00:11:28,110
- and that is to perform, to win.
- 156
- 00:11:28,187 --> 00:11:29,313
- And he had that.
- 157
- 00:11:44,603 --> 00:11:46,298
- NARRATOR: For 20
- years, an almost
- 158
- 00:11:46,372 --> 00:11:52,208
- forgotten airport has echoed
- to the fury of cars and speed.
- 159
- 00:11:52,311 --> 00:11:57,681
- MAN: Sebring was as close as you
- get to the brother of Le Mans.
- 160
- 00:11:57,783 --> 00:11:59,410
- If you're ever
- going to get a taste
- 161
- 00:11:59,485 --> 00:12:02,579
- of what it's like to be in an
- endurance race, this is it.
- 162
- 00:12:02,655 --> 00:12:06,250
- WOMAN: Just a week before,
- he had broken his foot
- 163
- 00:12:06,325 --> 00:12:08,259
- in the motorcycle race.
- 164
- 00:12:08,327 --> 00:12:10,158
- And I said, you
- better not do this.
- 165
- 00:12:10,229 --> 00:12:11,321
- He said, no.
- 166
- 00:12:11,397 --> 00:12:13,388
- He said, I can do
- it, I can do it.
- 167
- 00:12:13,499 --> 00:12:15,126
- INTERVIEWER: What about
- shifting and clutching?
- 168
- 00:12:15,201 --> 00:12:16,691
- Must be pretty difficult.
- 169
- 00:12:16,802 --> 00:12:23,139
- Well, it's a little difficult.
- I can't use afoot rest.
- 170
- 00:12:23,209 --> 00:12:25,803
- And we've put some
- sandpaper on the bottom,
- 171
- 00:12:25,878 --> 00:12:28,369
- taped it on, so I keep it on
- the clutch pedal, adjust it.
- 172
- 00:12:39,925 --> 00:12:40,550
- We went for it.
- 173
- 00:12:45,664 --> 00:12:47,461
- It was like a Hollywood script.
- 174
- 00:12:52,037 --> 00:12:55,370
- COMMENTATOR: A surprise to most
- of the 57,000 who looked on
- 175
- 00:12:55,441 --> 00:12:58,239
- was the McQueen
- Revson Porsche 908.
- 176
- 00:12:58,344 --> 00:13:00,005
- The two have done
- a Masterful job.
- 177
- 00:13:07,052 --> 00:13:10,078
- WOMAN: What was incredible
- about that race is suddenly,
- 178
- 00:13:10,189 --> 00:13:11,622
- they were winning.
- 179
- 00:13:11,690 --> 00:13:12,952
- COMMENTATOR: With
- this combination,
- 180
- 00:13:13,025 --> 00:13:14,993
- Sebring could have
- a storybook finish.
- 181
- 00:13:20,633 --> 00:13:23,659
- Approaching the 11th hour,
- the Porsche closes the gap
- 182
- 00:13:23,769 --> 00:13:27,535
- on the faltering Ferrari.
- 183
- 00:13:27,606 --> 00:13:30,939
- The McQueen pits were
- overjoyed, thinking
- 184
- 00:13:31,043 --> 00:13:32,169
- the Ferrari was in trouble.
- 185
- 00:13:35,147 --> 00:13:40,312
- And out of the darkness, one
- car would emerge the victor.
- 186
- 00:13:40,419 --> 00:13:43,081
- MAN: It took Mario
- Andretti two cars
- 187
- 00:13:43,155 --> 00:13:47,615
- to beat us and only pass us
- on the last laps of the race.
- 188
- 00:13:52,898 --> 00:13:55,025
- COMMENTATOR: The 12 hours
- of Sebring was over,
- 189
- 00:13:55,100 --> 00:13:58,263
- and Ferrari had won.
- 190
- 00:13:58,337 --> 00:14:00,362
- McQueen Revson was second.
- 191
- 00:14:00,472 --> 00:14:02,736
- [cheering]
- 192
- 00:14:02,808 --> 00:14:06,300
- We were mobbed at
- the end of the race.
- 193
- 00:14:06,412 --> 00:14:13,215
- Steve gets up on the car
- and gives the peace signal.
- 194
- 00:14:13,285 --> 00:14:16,721
- And it was like Moses
- parted the waters
- 195
- 00:14:16,789 --> 00:14:21,783
- or God appeared in the sky.
- 196
- 00:14:21,861 --> 00:14:22,486
- Silence.
- 197
- 00:14:29,702 --> 00:14:31,693
- That was my biggest
- thrill, for me,
- 198
- 00:14:31,804 --> 00:14:34,602
- because I guess being an
- actor, people don't really
- 199
- 00:14:34,673 --> 00:14:36,937
- expect you to do
- it as well, and I
- 200
- 00:14:37,009 --> 00:14:41,378
- was a big man of my house with
- my kids for awhile, anyway.
- 201
- 00:14:41,480 --> 00:14:45,314
- That was a major, major
- happy time in his life.
- 202
- 00:14:45,384 --> 00:14:47,818
- I remember when he came home.
- 203
- 00:14:47,887 --> 00:14:49,377
- Yeah.
- 204
- 00:14:49,488 --> 00:14:51,251
- He was in a good mood for
- about a month after that.
- 205
- 00:15:07,306 --> 00:15:09,467
- MAN: After the Sebing
- Race, he wasn't
- 206
- 00:15:09,541 --> 00:15:12,374
- looked at just like,
- oh, he's the actor,
- 207
- 00:15:12,478 --> 00:15:14,503
- superstar, Steve McQueen.
- 208
- 00:15:14,580 --> 00:15:16,707
- He was admired by
- the other drivers
- 209
- 00:15:16,815 --> 00:15:18,146
- as a real, professional racer.
- 210
- 00:15:35,434 --> 00:15:39,393
- MAN: The interweaving of film
- and racing was now perfect.
- 211
- 00:15:39,505 --> 00:15:40,130
- It was a natural.
- 212
- 00:15:43,542 --> 00:15:49,742
- His next step was the 24 Hours
- of Le Mans and to race there.
- 213
- 00:15:58,290 --> 00:16:01,657
- MAN: This was going
- to be a lasting memory
- 214
- 00:16:01,760 --> 00:16:05,696
- of Steve McQueen, this film.
- 215
- 00:16:05,764 --> 00:16:09,928
- Steve wanted to really do the
- movie of all time, the movie
- 216
- 00:16:10,035 --> 00:16:13,903
- for all generations, the movie
- that captures the smells,
- 217
- 00:16:13,973 --> 00:16:19,001
- the noise, the feeling of
- car racing like no other film
- 218
- 00:16:19,111 --> 00:16:20,237
- ever had.
- 219
- 00:16:20,312 --> 00:16:21,108
- It was a really big deal.
- 220
- 00:16:26,752 --> 00:16:28,242
- -Hi, guys.
- -Bonjour.
- 221
- 00:16:28,320 --> 00:16:29,116
- How you doing?
- 222
- 00:16:29,221 --> 00:16:29,915
- [french speech]
- 223
- 00:16:29,989 --> 00:16:31,115
- Merci.
- 224
- 00:16:31,223 --> 00:16:32,087
- Wow.
- 225
- 00:16:32,157 --> 00:16:35,092
- It's been what, 40 years?
- 226
- 00:16:35,160 --> 00:16:36,525
- [sighs]
- 227
- 00:16:36,628 --> 00:16:38,493
- Ha!
- 228
- 00:16:38,597 --> 00:16:40,360
- MAN: Before Solar
- was even started,
- 229
- 00:16:40,432 --> 00:16:42,366
- McQueen decided he
- was going to make
- 230
- 00:16:42,434 --> 00:16:45,096
- the ultimate racing picture.
- 231
- 00:16:45,170 --> 00:16:48,628
- MAN: There was a project called
- "The Day of the Champion"
- 232
- 00:16:48,741 --> 00:16:51,539
- that never got made.
- 233
- 00:16:51,610 --> 00:16:52,474
- MAN: It was shut down.
- 234
- 00:16:55,180 --> 00:16:58,980
- MAN: John Frankenheimer got
- there first, with "Grand Prix."
- 235
- 00:16:59,084 --> 00:17:00,881
- Oh my god, get out.
- 236
- 00:17:00,953 --> 00:17:02,750
- Get out of here, you.
- 237
- 00:17:02,821 --> 00:17:05,119
- Give this guy hell, this driver.
- 238
- 00:17:05,190 --> 00:17:06,851
- Get the Ferrari out of here.
- 239
- 00:17:06,959 --> 00:17:10,417
- Change the lens on
- that, and let's go.
- 240
- 00:17:10,496 --> 00:17:13,192
- I've got to remember
- which is which.
- 241
- 00:17:13,298 --> 00:17:15,994
- MAN: James Garner was
- involved in "Grand Prix."
- 242
- 00:17:16,101 --> 00:17:17,693
- I've been driving it backwards.
- 243
- 00:17:17,770 --> 00:17:21,103
- MAN: And that left a very
- bitter taste in Steve's mouth.
- 244
- 00:17:21,173 --> 00:17:22,834
- Jim, where exactly do
- you use your brakes?
- 245
- 00:17:22,941 --> 00:17:23,635
- All right.
- 246
- 00:17:23,709 --> 00:17:25,836
- All right, good.
- 247
- 00:17:25,944 --> 00:17:28,913
- MAN: Another actor, and here he
- was, taking the subject matter,
- 248
- 00:17:28,981 --> 00:17:32,007
- and running with it.
- 249
- 00:17:32,117 --> 00:17:34,449
- MAN: Steve's apartment was
- above James Garner's apartment
- 250
- 00:17:34,520 --> 00:17:36,283
- in the same neighborhood.
- 251
- 00:17:36,355 --> 00:17:39,153
- And Steve would urinate
- out the window at night
- 252
- 00:17:39,224 --> 00:17:42,591
- on the flower boxes
- of James Garner below.
- 253
- 00:17:42,694 --> 00:17:46,460
- And as he performed this act,
- he went, you pissed on my film.
- 254
- 00:17:46,532 --> 00:17:48,124
- And now, I piss on you.
- 255
- 00:17:48,200 --> 00:17:49,030
- What is that?
- Paint?
- 256
- 00:17:49,134 --> 00:17:49,828
- No, no.
- 257
- 00:17:49,902 --> 00:17:51,767
- Close your eyes.
- 258
- 00:17:51,870 --> 00:17:53,235
- [Laughing]
- 259
- 00:17:53,338 --> 00:17:54,828
- It's all right.
- Cut it out.
- 260
- 00:17:54,907 --> 00:17:56,067
- It's not funny.
- 261
- 00:17:56,175 --> 00:17:57,472
- I can see him sitting
- in the theater,
- 262
- 00:17:57,543 --> 00:17:59,977
- watching that and
- saying, oh, shit.
- 263
- 00:18:00,045 --> 00:18:03,310
- It's just another movie.
- 264
- 00:18:03,382 --> 00:18:07,318
- His sense of racing
- was so personal.
- 265
- 00:18:07,386 --> 00:18:10,219
- If there was going to be
- one definitive movie about
- 266
- 00:18:10,322 --> 00:18:12,290
- that sport, he wanted to do it.
- 267
- 00:18:20,566 --> 00:18:24,229
- This is a treatment for "Le
- Mans" and general comments
- 268
- 00:18:24,336 --> 00:18:28,670
- dated October 2nd, 1969.
- 269
- 00:18:28,740 --> 00:18:30,537
- Ha.
- 270
- 00:18:30,609 --> 00:18:34,101
- "Grand Prix," a prime
- example of a director
- 271
- 00:18:34,213 --> 00:18:36,044
- playing with himself in public.
- 272
- 00:18:36,115 --> 00:18:36,945
- [Laughs]
- 273
- 00:18:38,617 --> 00:18:41,950
- We have to reach high in
- a picture like "La Mans,"
- 274
- 00:18:42,054 --> 00:18:44,079
- or there is no
- purpose in making it.
- 275
- 00:18:47,593 --> 00:18:52,553
- Well, how perfect is this?
- 276
- 00:18:55,934 --> 00:18:57,799
- OK.
- 277
- 00:18:57,903 --> 00:18:59,029
- Battle stations.
- 278
- 00:18:59,104 --> 00:19:00,401
- [Laughing]
- 279
- 00:19:07,913 --> 00:19:11,940
- MAN: We all remember the scene
- in "Apocalypse Now," where
- 280
- 00:19:12,050 --> 00:19:16,384
- up the river, Kurtz has
- built a piece of America
- 281
- 00:19:16,455 --> 00:19:18,423
- in the middle of hostile jungle.
- 282
- 00:19:21,326 --> 00:19:24,454
- That is what Steve
- McQueen decided
- 283
- 00:19:24,563 --> 00:19:29,432
- to lower in to rural Le Mans,
- and that was SoLA Village.
- 284
- 00:19:32,804 --> 00:19:36,069
- [french speech]
- 285
- 00:19:45,017 --> 00:19:47,212
- MAN: We want to photograph
- the entire race,
- 286
- 00:19:47,319 --> 00:19:49,981
- and then we want to recreate it.
- 287
- 00:19:50,088 --> 00:19:51,953
- And we want to use
- the same drivers.
- 288
- 00:20:16,315 --> 00:20:18,180
- Suddenly, out of the
- blue, we're asked to work
- 289
- 00:20:18,283 --> 00:20:19,250
- on a movie with Steve McQueen.
- 290
- 00:20:19,318 --> 00:20:20,307
- It was like, whoa.
- Wow.
- 291
- 00:20:20,385 --> 00:20:21,409
- Why not?
- 292
- 00:20:21,520 --> 00:20:23,181
- And then on top
- of that, you knew
- 293
- 00:20:23,288 --> 00:20:25,153
- you were going to earn $200 a
- day, which was a lot of money.
- 294
- 00:20:29,161 --> 00:20:30,253
- Excellent.
- 295
- 00:20:30,329 --> 00:20:32,763
- Absolutely excellent.
- 296
- 00:20:32,831 --> 00:20:36,699
- We were given a Porsche 911
- each to trundle around in,
- 297
- 00:20:36,802 --> 00:20:39,134
- and it was good news.
- 298
- 00:20:44,076 --> 00:20:48,604
- Well, it's quite a pleasant
- surprise to be invited.
- 299
- 00:20:48,714 --> 00:20:52,377
- I knew Steve quite well, and
- it was very nice of Steve,
- 300
- 00:20:52,484 --> 00:20:55,317
- letting me go racing
- at the weekends,
- 301
- 00:20:55,387 --> 00:20:58,083
- and letting his pilot and
- airplane to come back in time
- 302
- 00:20:58,190 --> 00:20:59,384
- for filming on Monday morning.
- 303
- 00:21:02,995 --> 00:21:05,486
- David Piper.
- 304
- 00:21:05,564 --> 00:21:07,031
- We used to call him the pirate.
- 305
- 00:21:07,099 --> 00:21:09,397
- [Laughing]
- 306
- 00:21:11,036 --> 00:21:14,005
- I think of the pipe
- hanging out of his mouth.
- 307
- 00:21:14,072 --> 00:21:15,699
- He was a grand, old guy.
- 308
- 00:21:15,774 --> 00:21:18,436
- [race car noises]
- 309
- 00:21:22,881 --> 00:21:27,215
- Mr. Sturges, you've directed
- Steve McQueen in several films,
- 310
- 00:21:27,286 --> 00:21:28,617
- including "The Great Escape."
- 311
- 00:21:28,720 --> 00:21:32,212
- And now, you're
- here in "Le Mans."
- 312
- 00:21:32,291 --> 00:21:34,486
- STEVE MCQUEEN: John Sturges
- is directing this film.
- 313
- 00:21:34,593 --> 00:21:35,958
- We've done three
- films together now,
- 314
- 00:21:36,061 --> 00:21:38,996
- and I tell you, we've
- had nothing but fun,
- 315
- 00:21:39,064 --> 00:21:40,395
- simply because
- we've had the time,
- 316
- 00:21:40,465 --> 00:21:42,160
- and we get excited about
- doing really good work.
- 317
- 00:21:45,771 --> 00:21:47,898
- MAN: John was an
- incredible director.
- 318
- 00:21:47,973 --> 00:21:52,273
- It was Steve working with
- John on "Great Escape"
- 319
- 00:21:52,377 --> 00:21:56,336
- and "Magnificent Seven" which
- made the myth, and the man,
- 320
- 00:21:56,415 --> 00:21:58,906
- and Steve McQueen who he was.
- 321
- 00:21:58,984 --> 00:22:01,976
- The hero of the film
- is racing in this scene.
- 322
- 00:22:02,087 --> 00:22:04,453
- That's what it's about.
- 323
- 00:22:04,556 --> 00:22:07,753
- [race car engine]
- 324
- 00:22:13,231 --> 00:22:15,165
- MAN: We have the star.
- 325
- 00:22:15,233 --> 00:22:16,666
- We had the drivers.
- 326
- 00:22:16,735 --> 00:22:20,603
- We had an incredible array
- of technical support.
- 327
- 00:22:20,672 --> 00:22:24,108
- We had everything,
- except the script.
- 328
- 00:22:24,176 --> 00:22:26,667
- He said that the script
- isn't entirely finished.
- 329
- 00:22:26,778 --> 00:22:28,769
- We're waiting for the end of
- the race to finish the script,
- 330
- 00:22:28,847 --> 00:22:30,371
- to finalize the script?
- 331
- 00:22:30,482 --> 00:22:34,248
- Well, we do want to adjust
- our story to the way things
- 332
- 00:22:34,319 --> 00:22:36,014
- happen that we
- actually photograph.
- 333
- 00:22:36,121 --> 00:22:36,917
- That's correct.
- 334
- 00:22:40,459 --> 00:22:45,328
- MAN: It's common in Hollywood
- to start without a script.
- 335
- 00:22:45,430 --> 00:22:46,454
- It's not the right way.
- 336
- 00:22:46,531 --> 00:22:47,896
- It's not the economic way.
- 337
- 00:22:47,999 --> 00:22:51,264
- But it's common, and
- anybody who says it's not
- 338
- 00:22:51,336 --> 00:22:52,428
- hasn't been there.
- 339
- 00:22:55,340 --> 00:22:57,433
- MAN: They had done it
- once before, Sturges,
- 340
- 00:22:57,509 --> 00:22:58,703
- McQueen, and my father.
- 341
- 00:22:58,810 --> 00:23:00,641
- They had done it on
- "The Great Escape,"
- 342
- 00:23:00,712 --> 00:23:02,543
- and it turned out well.
- 343
- 00:23:02,647 --> 00:23:05,411
- And after "Bullitt," my father
- said the studio would have
- 344
- 00:23:05,484 --> 00:23:07,509
- written him a blank check just
- to produce the phone book,
- 345
- 00:23:07,619 --> 00:23:09,814
- if he wanted to.
- 346
- 00:23:09,888 --> 00:23:12,982
- We have the best people
- in the business with us.
- 347
- 00:23:13,058 --> 00:23:15,356
- Bob Relyea, he's our
- executive producer.
- 348
- 00:23:15,460 --> 00:23:16,825
- John Sturges, he's our director.
- 349
- 00:23:16,895 --> 00:23:19,557
- He probably is the biggest
- director in America,
- 350
- 00:23:19,664 --> 00:23:21,461
- and he's probably one of
- the best in the world.
- 351
- 00:23:21,533 --> 00:23:23,660
- So with all those
- things going for us,
- 352
- 00:23:23,735 --> 00:23:25,566
- plus Steve McQueen
- and Le Mans, I
- 353
- 00:23:25,670 --> 00:23:28,002
- think we've got a
- picture that's going
- 354
- 00:23:28,073 --> 00:23:31,509
- to make an awful lot of money
- and make a lot of people happy.
- 355
- 00:23:31,576 --> 00:23:34,739
- This is the story
- of racing, man.
- 356
- 00:23:34,846 --> 00:23:36,973
- This is the guts.
- 357
- 00:23:37,048 --> 00:23:38,345
- Glass is all right.
- 358
- 00:23:38,417 --> 00:23:39,213
- All right.
- 359
- 00:23:39,317 --> 00:23:40,750
- OK.
- 360
- 00:23:40,819 --> 00:23:45,119
- You got motor racing,
- and you got Steve McQueen.
- 361
- 00:23:45,190 --> 00:23:46,817
- What have you got?
- 362
- 00:23:46,892 --> 00:23:49,725
- You've got everything.
- 363
- 00:23:49,828 --> 00:23:52,194
- [french speech]
- 364
- 00:23:52,264 --> 00:23:55,256
- "Le Mans" was going
- to be our number
- 365
- 00:23:55,367 --> 00:23:57,961
- one picture for the year.
- 366
- 00:23:58,036 --> 00:24:01,199
- It was a sure thing
- for Hollywood.
- 367
- 00:24:01,273 --> 00:24:02,968
- This could not miss.
- 368
- 00:24:20,926 --> 00:24:23,258
- MAN: It's the oldest, most
- famous race in the world.
- 369
- 00:24:26,198 --> 00:24:31,067
- As you arrive to Le Mans and
- come up beside the cathedral,
- 370
- 00:24:31,136 --> 00:24:33,263
- suddenly, the adrenaline will
- start to get in your stomach.
- 371
- 00:24:36,641 --> 00:24:40,475
- That was when I realized
- I was at Le Mans.
- 372
- 00:24:40,579 --> 00:24:43,013
- I knew we were driving
- into the unknown.
- 373
- 00:24:43,081 --> 00:24:45,914
- You're going to be driving
- at speeds that a racing
- 374
- 00:24:45,984 --> 00:24:48,509
- car's never been before.
- 375
- 00:24:48,620 --> 00:24:50,611
- It was terrifying.
- 376
- 00:24:50,722 --> 00:24:51,882
- Go.
- 377
- 00:24:51,957 --> 00:24:55,154
- [cheering]
- 378
- 00:25:01,099 --> 00:25:05,900
- It was a very fast
- flowing circuit.
- 379
- 00:25:05,971 --> 00:25:11,341
- Very dangerous, but all
- circuits were dangerous.
- 380
- 00:25:11,443 --> 00:25:15,140
- When I started racing, no
- one was worried about safety.
- 381
- 00:25:15,247 --> 00:25:17,238
- I mean, almost every
- race I went to,
- 382
- 00:25:17,315 --> 00:25:22,082
- someone was killed--
- sometimes, two or three people.
- 383
- 00:25:22,153 --> 00:25:22,778
- Life was cheap.
- 384
- 00:25:25,857 --> 00:25:27,620
- [crashing]
- 385
- 00:25:29,361 --> 00:25:31,488
- Those cars weren't very safe.
- 386
- 00:25:31,596 --> 00:25:34,292
- They were like sharp knives,
- if you had an accident.
- 387
- 00:25:34,366 --> 00:25:36,527
- They cut you to pieces.
- 388
- 00:25:36,635 --> 00:25:40,628
- A car catches on fire,
- and that's the end of it.
- 389
- 00:25:40,705 --> 00:25:41,569
- ANNOUNCER: We have trouble!
- 390
- 00:25:41,673 --> 00:25:42,537
- We have trouble.
- 391
- 00:25:42,641 --> 00:25:43,505
- Out at Nissan Dodge.
- 392
- 00:25:43,608 --> 00:25:44,939
- See the smoke billowing.
- 393
- 00:25:45,010 --> 00:25:46,841
- There is a problem.
- 394
- 00:25:46,945 --> 00:25:49,413
- STEVE MCQUEEN: You don't have
- time to make two decisions.
- 395
- 00:25:49,481 --> 00:25:52,450
- You have time only to make
- one, and it must be right.
- 396
- 00:25:52,517 --> 00:25:56,647
- You are sitting in a motor car
- that maybe has 600 horsepower
- 397
- 00:25:56,721 --> 00:25:58,552
- and 30 gallons of gasoline.
- 398
- 00:25:58,657 --> 00:26:01,785
- So you know that if you
- crash in this vehicle,
- 399
- 00:26:01,860 --> 00:26:03,851
- an impact is going
- to be disastrous.
- 400
- 00:26:13,972 --> 00:26:16,941
- There's nothing very
- glamorous about racing,
- 401
- 00:26:17,008 --> 00:26:18,270
- except when you're winning.
- 402
- 00:26:23,815 --> 00:26:25,077
- You get to the end of the race.
- 403
- 00:26:25,150 --> 00:26:28,483
- You're leading the race.
- 404
- 00:26:28,553 --> 00:26:34,890
- You're almost in tears on
- the last couple of laps, just
- 405
- 00:26:34,993 --> 00:26:39,327
- hoping you can get
- across the line.
- 406
- 00:26:39,397 --> 00:26:43,697
- ANNOUNCER: Here they come,
- toward the checkered flag.
- 407
- 00:26:43,768 --> 00:26:49,968
- Ford wins the 1969
- 24 hours of Le Mans.
- 408
- 00:26:50,075 --> 00:26:53,602
- And you don't get a situation
- like that in life very often,
- 409
- 00:26:53,712 --> 00:26:56,044
- you know.
- 410
- 00:26:56,114 --> 00:26:58,912
- [crowd cheering]
- 411
- 00:27:03,421 --> 00:27:04,945
- FRENCH MAN: You like
- speed, don't you?
- 412
- 00:27:05,056 --> 00:27:06,250
- Hmm?
- 413
- 00:27:06,358 --> 00:27:08,155
- FRENCH MAN: You like
- speed, don't you?
- 414
- 00:27:08,226 --> 00:27:09,591
- Oh, it's nice.
- 415
- 00:27:09,694 --> 00:27:10,490
- It's cold.
- 416
- 00:27:13,531 --> 00:27:16,364
- MAN: The original idea
- was for Steve to drive
- 417
- 00:27:16,434 --> 00:27:19,267
- Le Mans the actual 24 hours.
- 418
- 00:27:19,371 --> 00:27:23,330
- ANNOUNCER: The real question
- here is this is Steve McQueen,
- 419
- 00:27:23,408 --> 00:27:26,434
- and we are wondering
- whether or not Steve
- 420
- 00:27:26,544 --> 00:27:28,034
- McQueen will run in the race.
- 421
- 00:27:33,585 --> 00:27:36,554
- If I weren't so rotten
- inside for money,
- 422
- 00:27:36,621 --> 00:27:38,111
- I would probably tell
- them to go screw.
- 423
- 00:27:38,223 --> 00:27:40,521
- [french speech]
- 424
- 00:27:43,962 --> 00:27:46,226
- But I need the money
- to make the film.
- 425
- 00:27:46,297 --> 00:27:47,764
- [french speech]
- 426
- 00:27:49,167 --> 00:27:50,794
- And I will not race at Le Mans.
- 427
- 00:27:50,902 --> 00:27:53,166
- [french speech]
- 428
- 00:27:54,439 --> 00:27:56,031
- It was too big a risk.
- 429
- 00:27:56,107 --> 00:28:00,874
- And if something were to happen
- to him in the actual race,
- 430
- 00:28:00,945 --> 00:28:04,142
- that would put the film on hold
- and probably never get done.
- 431
- 00:28:07,152 --> 00:28:09,086
- That's how much it meant to him.
- 432
- 00:28:09,154 --> 00:28:11,816
- He gave up his shot
- at competing at Le
- 433
- 00:28:11,923 --> 00:28:15,359
- Mans for the sake of the film.
- 434
- 00:28:15,427 --> 00:28:17,725
- Well, the insurance company
- won't let Steve drive
- 435
- 00:28:17,796 --> 00:28:20,162
- in the race, as he told you.
- 436
- 00:28:20,265 --> 00:28:24,793
- We're going to be covering the
- race itself very extensively,
- 437
- 00:28:24,869 --> 00:28:27,133
- with cameras everywhere.
- 438
- 00:28:27,205 --> 00:28:29,969
- And we expect to work
- approximately three months
- 439
- 00:28:30,041 --> 00:28:31,838
- afterwards, staging the picture.
- 440
- 00:29:17,188 --> 00:29:19,213
- ANNOUNCER: Solar
- Productions ready the camera
- 441
- 00:29:19,324 --> 00:29:20,086
- car for the race.
- 442
- 00:29:27,766 --> 00:29:30,792
- My real contribution
- was driving the camera
- 443
- 00:29:30,902 --> 00:29:34,565
- car during the actual race.
- 444
- 00:29:34,672 --> 00:29:38,665
- It was the car that Steve
- and Peter Revson had finished
- 445
- 00:29:38,743 --> 00:29:42,042
- second at Sebring, and
- then they converted
- 446
- 00:29:42,113 --> 00:29:45,207
- it to carry three cameras,
- one in front, two at the back.
- 447
- 00:29:49,954 --> 00:29:53,151
- MAN: When the camera car
- was being fixed up Le Mans,
- 448
- 00:29:53,258 --> 00:29:54,782
- Steve was all around that.
- 449
- 00:29:54,893 --> 00:29:57,418
- And you could see written
- all over his face,
- 450
- 00:29:57,529 --> 00:29:59,895
- I want to be sitting
- where you are sitting
- 451
- 00:29:59,964 --> 00:30:01,932
- and to take this race on.
- 452
- 00:30:13,311 --> 00:30:16,075
- MAN: Most important
- was the start.
- 453
- 00:30:16,147 --> 00:30:18,274
- They wanted to get the
- start from in the car.
- 454
- 00:30:34,499 --> 00:30:37,491
- MAN: Going through the pit area,
- with the full grand stand of
- 455
- 00:30:37,602 --> 00:30:41,629
- don't know how many
- thousand people in it-- this
- 456
- 00:30:41,739 --> 00:30:44,537
- was genuine stuff.
- 457
- 00:30:44,609 --> 00:30:48,443
- We were told to film
- especially the leaders.
- 458
- 00:30:48,513 --> 00:30:51,175
- So you'd photograph them
- coming up behind you,
- 459
- 00:30:51,282 --> 00:30:52,909
- and then switch
- with the front one
- 460
- 00:30:52,984 --> 00:30:55,782
- on to catch them overtaking
- you, and pulling away.
- 461
- 00:31:02,260 --> 00:31:05,286
- MAN: Unless they'd had all
- the footage that they got,
- 462
- 00:31:05,363 --> 00:31:08,389
- they could've never
- made the film.
- 463
- 00:31:08,499 --> 00:31:09,488
- They were brilliant.
- 464
- 00:31:18,476 --> 00:31:21,001
- MAN: The camera car
- was bringing need
- 465
- 00:31:21,112 --> 00:31:24,411
- to the screen what
- a driver would
- 466
- 00:31:24,482 --> 00:31:34,414
- see-- cars passing at speed, car
- dicing, all part of the vision.
- 467
- 00:31:39,030 --> 00:31:41,464
- Here it is, after
- all this time.
- 468
- 00:31:58,016 --> 00:32:00,507
- NEILE ADAMS: (SINGING)
- And it started again,
- 469
- 00:32:00,585 --> 00:32:04,783
- and I meant every word,
- and I liked what I said,
- 470
- 00:32:04,889 --> 00:32:07,915
- and I liked what I heard.
- 471
- 00:32:08,026 --> 00:32:10,324
- And I started to think.
- 472
- 00:32:10,395 --> 00:32:15,662
- I could think about
- starting again.
- 473
- 00:32:15,733 --> 00:32:20,170
- We were laughing again
- over memories, and wine,
- 474
- 00:32:20,238 --> 00:32:23,571
- and the years in-between
- didn't seem a long time.
- 475
- 00:32:23,675 --> 00:32:28,009
- When I smiled, he knew why.
- 476
- 00:32:28,079 --> 00:32:31,537
- In a while, it was
- starting again.
- 477
- 00:32:31,616 --> 00:32:33,208
- We had so many similarities.
- 478
- 00:32:33,284 --> 00:32:36,811
- (SINGING) And I
- started to think.
- 479
- 00:32:36,921 --> 00:32:42,291
- We were raised by mothers who
- really were not particularly
- 480
- 00:32:42,393 --> 00:32:43,985
- ready to be mothers.
- 481
- 00:32:44,062 --> 00:32:46,030
- Our fathers left us.
- 482
- 00:32:46,097 --> 00:32:48,463
- We built our career together.
- 483
- 00:32:48,566 --> 00:32:50,397
- We had children
- together, and we were
- 484
- 00:32:50,468 --> 00:32:52,163
- married for a very long time.
- 485
- 00:32:52,270 --> 00:32:55,398
- (SINGING) You're walking
- along the street,
- 486
- 00:32:55,473 --> 00:32:56,804
- or you're at a party.
- 487
- 00:32:56,908 --> 00:33:00,776
- Or else you're alone and
- then you suddenly dig--
- 488
- 00:33:00,878 --> 00:33:03,312
- My mom-- I don't know
- how old she is now.
- 489
- 00:33:03,381 --> 00:33:04,507
- She won't tell me.
- 490
- 00:33:04,582 --> 00:33:07,574
- But she still does her act.
- 491
- 00:33:07,652 --> 00:33:10,018
- (SINGING) There's no
- controlling the unrolling
- 492
- 00:33:10,121 --> 00:33:12,316
- of my faith, my friend.
- 493
- 00:33:12,423 --> 00:33:16,086
- Who knows what's written
- in the magic book?
- 494
- 00:33:16,160 --> 00:33:17,821
- Well, my parents
- met in the '50s.
- 495
- 00:33:17,929 --> 00:33:19,692
- She was a star on Broadway.
- 496
- 00:33:19,764 --> 00:33:22,062
- And she's good at what she
- does, and she enjoys it.
- 497
- 00:33:22,133 --> 00:33:23,430
- She loves it.
- 498
- 00:33:23,501 --> 00:33:25,025
- I sure did like that.
- 499
- 00:33:25,136 --> 00:33:26,763
- She was about the sexiest
- girl I ever saw in my life.
- 500
- 00:33:26,838 --> 00:33:29,534
- I guess it was ever a thing
- of falling in love with a girl
- 501
- 00:33:29,640 --> 00:33:32,336
- at first sight, I guess that
- was it, because boy, I sure had
- 502
- 00:33:32,443 --> 00:33:33,808
- to chase her for a long time.
- 503
- 00:33:38,416 --> 00:33:41,180
- [applause]
- 504
- 00:33:54,599 --> 00:33:57,693
- It was just our
- destiny to be together.
- 505
- 00:33:57,769 --> 00:34:01,466
- I walked out of Carnegie
- Hall, and he came right to me.
- 506
- 00:34:01,539 --> 00:34:02,233
- And he said, hi.
- 507
- 00:34:02,340 --> 00:34:03,932
- You're pretty.
- 508
- 00:34:04,008 --> 00:34:05,168
- And I was stunned.
- 509
- 00:34:05,276 --> 00:34:06,868
- And I said, well,
- you're pretty too.
- 510
- 00:34:28,966 --> 00:34:30,991
- I remember there
- was a long drive.
- 511
- 00:34:43,414 --> 00:34:44,608
- Yeah.
- 512
- 00:34:44,715 --> 00:34:48,082
- This was my home for
- three months, man.
- 513
- 00:34:48,186 --> 00:34:51,781
- The people my dad or
- Solar rented it from,
- 514
- 00:34:51,856 --> 00:34:54,051
- they lived on that floor, there.
- 515
- 00:34:54,158 --> 00:34:57,127
- And they had a nutty
- daughter, if I remember.
- 516
- 00:34:57,195 --> 00:35:00,494
- We pulled in here, and she
- was chasing a chicken around.
- 517
- 00:35:00,565 --> 00:35:02,556
- And she had a fucking
- ax in her hand.
- 518
- 00:35:02,667 --> 00:35:04,601
- And she grabbed it
- and cut its fucking
- 519
- 00:35:04,669 --> 00:35:06,830
- head off, right in front of us.
- 520
- 00:35:06,904 --> 00:35:09,372
- It was the first time I
- ever saw a chicken running
- 521
- 00:35:09,440 --> 00:35:12,238
- around with no head right here.
- 522
- 00:35:12,343 --> 00:35:14,334
- I'd come from Brentwood.
- 523
- 00:35:14,412 --> 00:35:17,040
- [dog barking]
- 524
- 00:35:18,583 --> 00:35:21,609
- NEILE ADAMS: I didn't
- want to go to Le Mans.
- 525
- 00:35:21,719 --> 00:35:25,246
- However, because Chad had
- been doing badly in school,
- 526
- 00:35:25,356 --> 00:35:26,983
- I said, OK.
- 527
- 00:35:27,058 --> 00:35:30,391
- If you improve your
- grades, we'll go.
- 528
- 00:35:30,461 --> 00:35:33,225
- And he did, so I had to go.
- 529
- 00:35:36,400 --> 00:35:40,996
- I used to wait right out here
- to see dad's Porsche coming up.
- 530
- 00:35:44,108 --> 00:35:45,234
- ANNOUNCER: The fact
- that you're here
- 531
- 00:35:45,309 --> 00:35:47,004
- with the likes of Hertz and--
- 532
- 00:35:47,111 --> 00:35:50,706
- Would you like some gum?
- 533
- 00:35:50,781 --> 00:35:52,612
- Thank you.
- 534
- 00:35:52,717 --> 00:35:58,212
- When the flower children came
- along, everything changed.
- 535
- 00:35:58,289 --> 00:36:00,655
- Everything changed.
- 536
- 00:36:00,758 --> 00:36:03,784
- He was almost 40.
- 537
- 00:36:03,895 --> 00:36:06,762
- There was suddenly free
- sex, and free love, and free
- 538
- 00:36:06,831 --> 00:36:08,458
- this, and free everything.
- 539
- 00:36:08,566 --> 00:36:10,090
- He said to me one day.
- 540
- 00:36:10,168 --> 00:36:12,966
- He said, I have to work so
- hard for love in this house.
- 541
- 00:36:13,070 --> 00:36:15,197
- (LAUGHING) He said, I can
- get it for free out there.
- 542
- 00:36:19,010 --> 00:36:21,843
- MAN: His conquest of
- women behind his wife's
- 543
- 00:36:21,946 --> 00:36:25,609
- back probably averaged
- about a dozen women a week.
- 544
- 00:36:25,683 --> 00:36:28,550
- It was a little
- less than two a day.
- 545
- 00:36:28,653 --> 00:36:30,678
- They wanted to say, I had
- sex with Steve McQueen.
- 546
- 00:36:40,798 --> 00:36:45,735
- He loved cars, liquor,
- women, and he was interesting,
- 547
- 00:36:45,803 --> 00:36:47,168
- and cool, and dangerous.
- 548
- 00:36:47,271 --> 00:36:48,761
- See, they liked
- the danger in him.
- 549
- 00:36:51,642 --> 00:36:53,473
- Whatever Steve's
- activities might
- 550
- 00:36:53,544 --> 00:36:57,537
- have been when he had a break
- in the afternoon, so to speak.
- 551
- 00:37:01,052 --> 00:37:02,542
- His trailer was never empty.
- 552
- 00:37:18,669 --> 00:37:21,604
- I had came from the Royal
- Dramatic School in Stockholm,
- 553
- 00:37:21,672 --> 00:37:23,503
- and I was there for the job.
- 554
- 00:37:26,344 --> 00:37:27,936
- Only if you'd like it better.
- 555
- 00:37:31,983 --> 00:37:33,814
- He had something hidden.
- 556
- 00:37:33,884 --> 00:37:39,550
- Maybe that also made him
- attractive on the screen.
- 557
- 00:37:39,657 --> 00:37:46,460
- And as a woman, that's something
- that I want to get to know.
- 558
- 00:37:46,530 --> 00:37:48,828
- I don't know who cast her.
- 559
- 00:37:48,899 --> 00:37:52,699
- Think Steve had an eye for her.
- 560
- 00:37:52,770 --> 00:37:53,702
- She appealed to him.
- 561
- 00:37:53,771 --> 00:37:54,897
- She was an attractive lady.
- 562
- 00:37:58,075 --> 00:38:04,014
- My respect for him was
- not as big as his for me.
- 563
- 00:38:04,081 --> 00:38:07,414
- We shared this thing
- about the accident.
- 564
- 00:38:19,263 --> 00:38:22,755
- I had worked for
- Steve about two years,
- 565
- 00:38:22,867 --> 00:38:25,995
- almost, before we did "Le Mans."
- 566
- 00:38:26,070 --> 00:38:28,937
- I was involved more
- with the car racing
- 567
- 00:38:29,040 --> 00:38:31,838
- and other personal matters.
- 568
- 00:38:35,479 --> 00:38:37,310
- I had dinner
- together with Steve,
- 569
- 00:38:37,415 --> 00:38:42,284
- and the count and the countess
- from whom he rented this castle
- 570
- 00:38:42,386 --> 00:38:45,014
- in which he was living.
- 571
- 00:38:45,089 --> 00:38:45,748
- He would drive me home.
- 572
- 00:38:48,959 --> 00:38:51,894
- It was like 12:00,
- 1 o'clock in the morning.
- 573
- 00:38:51,962 --> 00:38:54,294
- And Steve comes into my
- room and says, come on.
- 574
- 00:38:54,398 --> 00:38:55,763
- We've got to go.
- 575
- 00:38:55,833 --> 00:38:57,095
- Where are we going?
- Why don't we go tomorrow?
- 576
- 00:38:57,168 --> 00:38:57,862
- I'm tired.
- 577
- 00:38:57,968 --> 00:38:59,094
- I haven't slept.
- 578
- 00:38:59,170 --> 00:39:01,764
- He told me to screw
- myself and said,
- 579
- 00:39:01,839 --> 00:39:02,669
- what are you worried about?
- 580
- 00:39:02,773 --> 00:39:04,104
- You're only 21.
- 581
- 00:39:04,175 --> 00:39:05,267
- You'll sleep when you die.
- 582
- 00:39:08,012 --> 00:39:10,105
- I never knew her name.
- 583
- 00:39:10,181 --> 00:39:12,046
- I never got introduced.
- 584
- 00:39:12,149 --> 00:39:13,980
- And it wasn't just any night.
- 585
- 00:39:14,085 --> 00:39:16,246
- It was my first night
- arriving in France.
- 586
- 00:39:19,156 --> 00:39:23,149
- I sat down next to
- him in the front seat.
- 587
- 00:39:23,260 --> 00:39:24,625
- Steve was not driving a Porsche.
- 588
- 00:39:24,695 --> 00:39:26,526
- He was driving a Peugeot,
- or something like that.
- 589
- 00:39:34,372 --> 00:39:37,671
- MAN: He was driving like a
- maniac, and it started to rain.
- 590
- 00:39:42,880 --> 00:39:44,814
- And I keep telling
- him to slow down,
- 591
- 00:39:44,882 --> 00:39:48,340
- and he keeps telling
- me to shut up.
- 592
- 00:39:48,452 --> 00:39:50,818
- Suddenly, there was a curve.
- 593
- 00:39:50,888 --> 00:39:52,378
- [brakes screeching]
- 594
- 00:39:53,290 --> 00:39:54,780
- [cutting noise]
- 595
- 00:39:54,859 --> 00:39:58,386
- He drove at the side, and
- we rolled over the field.
- 596
- 00:39:58,496 --> 00:40:00,760
- [clunking noises]
- 597
- 00:40:00,831 --> 00:40:05,268
- Ch-ch-ch-ch-ch-ch-- I remember
- them smashing their heads
- 598
- 00:40:05,336 --> 00:40:08,464
- into the windshield.
- 599
- 00:40:08,539 --> 00:40:10,507
- I went flying.
- 600
- 00:40:10,574 --> 00:40:14,169
- I remember looking at my arm,
- holding on, as we're crashing
- 601
- 00:40:14,245 --> 00:40:15,212
- down, and it just broke.
- 602
- 00:40:15,312 --> 00:40:16,677
- I could see it snap.
- 603
- 00:40:20,017 --> 00:40:20,847
- I was just out.
- 604
- 00:40:23,754 --> 00:40:25,722
- [whistling]
- 605
- 00:40:27,858 --> 00:40:31,988
- Tss-- And I
- remember reaching up,
- 606
- 00:40:32,062 --> 00:40:36,863
- and opening the door, and
- pushing the door open, and cut.
- 607
- 00:40:39,937 --> 00:40:43,031
- Steve thought that I was dead,
- because I was lying there.
- 608
- 00:40:47,411 --> 00:40:50,437
- The water, the light
- rain, woke him up.
- 609
- 00:40:50,548 --> 00:40:53,881
- And he said, what
- the fuck happened?
- 610
- 00:40:53,951 --> 00:40:55,077
- Holy shit.
- 611
- 00:40:55,186 --> 00:40:56,949
- What have I done?
- 612
- 00:40:57,021 --> 00:40:58,318
- Oh my god, she's dead!
- 613
- 00:40:58,389 --> 00:40:59,481
- Is she dead?
- 614
- 00:40:59,557 --> 00:41:01,525
- And of course, my
- arm's like this.
- 615
- 00:41:01,592 --> 00:41:04,527
- It's just hanging.
- 616
- 00:41:04,595 --> 00:41:06,290
- And she comes to.
- 617
- 00:41:06,397 --> 00:41:09,230
- She seemed OK, not too bad.
- 618
- 00:41:09,300 --> 00:41:10,426
- He didn't have a scratch.
- 619
- 00:41:14,905 --> 00:41:21,003
- They didn't call an ambulance,
- because they didn't want this
- 620
- 00:41:21,078 --> 00:41:24,275
- to get official, of course.
- 621
- 00:41:24,381 --> 00:41:27,214
- We saw a little farmhouse.
- 622
- 00:41:27,284 --> 00:41:29,275
- Steve says, there's a car there.
- 623
- 00:41:29,386 --> 00:41:32,913
- Let's go hot wire it.
- 624
- 00:41:32,990 --> 00:41:37,984
- And all of a sudden, we
- hear the dogs barking.
- 625
- 00:41:38,095 --> 00:41:41,428
- And this French guys
- comes out in pajamas,
- 626
- 00:41:41,499 --> 00:41:44,798
- and he's got a shot gun, and
- old, big gun in his hand.
- 627
- 00:41:44,902 --> 00:41:47,928
- And he's screaming in French
- something-- [french speech]
- 628
- 00:41:48,005 --> 00:41:48,869
- Pow!
- 629
- 00:41:48,973 --> 00:41:50,804
- [gun shot]
- 630
- 00:42:06,824 --> 00:42:09,520
- My makeup, early in the
- morning, she didn't know.
- 631
- 00:42:09,627 --> 00:42:13,996
- She asked me why I had bruises,
- but they were not too big.
- 632
- 00:42:14,098 --> 00:42:17,898
- And I said, ah, well, you know.
- 633
- 00:42:17,968 --> 00:42:22,803
- The production team, so to
- say, must have known about it.
- 634
- 00:42:22,873 --> 00:42:24,898
- Well, I know that
- there was an accident,
- 635
- 00:42:25,009 --> 00:42:26,374
- but I don't want to go there.
- 636
- 00:42:26,477 --> 00:42:27,739
- I don't want to go there.
- 637
- 00:42:35,119 --> 00:42:38,145
- I took the wrap for it.
- 638
- 00:42:38,222 --> 00:42:41,350
- They said that I was the
- one who caused the problem,
- 639
- 00:42:41,458 --> 00:42:46,589
- but the fact that Steve was with
- the girl was never revealed.
- 640
- 00:42:46,664 --> 00:42:50,327
- You just have to protect
- Steve, and it's no big deal.
- 641
- 00:42:50,401 --> 00:42:52,096
- Nobody got killed.
- 642
- 00:42:52,202 --> 00:42:52,998
- Don't worry about it.
- 643
- 00:42:53,070 --> 00:42:53,593
- It's part of our jobs.
- 644
- 00:42:57,741 --> 00:43:01,575
- What would have happened if
- it'd been on the headlines
- 645
- 00:43:01,679 --> 00:43:05,012
- just before we started shooting
- the movie saying, Steve
- 646
- 00:43:05,082 --> 00:43:08,540
- McQueen, the great
- driver, he had an accident
- 647
- 00:43:08,652 --> 00:43:10,779
- with a young actress.
- 648
- 00:43:10,854 --> 00:43:12,185
- [clacking tongue]
- 649
- 00:43:12,256 --> 00:43:12,915
- Could you imagine?
- 650
- 00:43:18,028 --> 00:43:19,620
- He was so afraid.
- 651
- 00:43:19,697 --> 00:43:23,189
- I could see how scared
- he was that I would
- 652
- 00:43:23,267 --> 00:43:25,030
- ruin him and his production.
- 653
- 00:43:29,540 --> 00:43:32,737
- He said to me, I'd appreciate
- it if you don't talk about this.
- 654
- 00:43:32,843 --> 00:43:33,537
- So I said--
- 655
- 00:43:33,611 --> 00:43:34,305
- [pops lips]
- 656
- 00:43:34,411 --> 00:43:37,114
- no, I won't.
- 657
- 00:43:37,114 --> 00:43:37,876
- no, I won't.
- 658
- 00:43:37,948 --> 00:43:41,247
- [train station noises]
- 659
- 00:43:53,464 --> 00:43:56,262
- NARRATOR: The cars pass
- through the sleepy French towns
- 660
- 00:43:56,367 --> 00:43:58,198
- and countryside.
- 661
- 00:43:58,268 --> 00:44:02,762
- Strange, slow parade
- of muttering monsters.
- 662
- 00:44:02,873 --> 00:44:03,498
- PRODUCER: Rolling.
- 663
- 00:44:07,544 --> 00:44:10,012
- MAN: McQueen were trying to
- achieve something that hadn't
- 664
- 00:44:10,080 --> 00:44:12,105
- been done in mainstream
- films about a sport
- 665
- 00:44:12,216 --> 00:44:14,081
- that he had a true passion for.
- 666
- 00:44:14,151 --> 00:44:15,812
- Cars underway.
- 667
- 00:44:15,919 --> 00:44:17,853
- MAN: He really wanted
- to break through
- 668
- 00:44:17,921 --> 00:44:19,445
- and do a film that
- was as authentic
- 669
- 00:44:19,556 --> 00:44:22,252
- as you could possibly get.
- 670
- 00:44:22,326 --> 00:44:25,762
- MAN: He wanted to put the
- person in the theater, put
- 671
- 00:44:25,829 --> 00:44:27,353
- them in the seat of a race car.
- 672
- 00:44:27,464 --> 00:44:31,958
- He wanted them to feel what
- he felt as a driver himself.
- 673
- 00:44:32,069 --> 00:44:34,731
- That was always his intent.
- 674
- 00:44:34,805 --> 00:44:38,297
- Wes, I think this is the first
- time this sort of a production
- 675
- 00:44:38,409 --> 00:44:40,001
- has been undertaken.
- 676
- 00:44:40,077 --> 00:44:41,669
- Yes, it is.
- 677
- 00:44:41,745 --> 00:44:44,270
- This is the first time anything
- like this has been filmed.
- 678
- 00:44:44,348 --> 00:44:47,215
- [cars racing]
- 679
- 00:44:48,852 --> 00:44:50,479
- The things with this
- car and the mounts on it,
- 680
- 00:44:50,587 --> 00:44:51,781
- and the cameras on
- it that have never
- 681
- 00:44:51,855 --> 00:44:53,516
- been used before--
- they're entirely new
- 682
- 00:44:53,624 --> 00:44:58,152
- mounts, entirely new concept of
- the way to shoot a racing film.
- 683
- 00:44:58,262 --> 00:44:59,695
- So far, everything is
- going so beautifully,
- 684
- 00:44:59,763 --> 00:45:00,422
- it's almost unbelievable.
- 685
- 00:45:03,867 --> 00:45:06,495
- STEVE MCQUEEN: They were
- able to achieve camera mounts
- 686
- 00:45:06,603 --> 00:45:11,734
- on automobiles that never before
- had ever thought of being used.
- 687
- 00:45:11,809 --> 00:45:18,180
- To be able to get the feeling
- of speed on film, helping us
- 688
- 00:45:18,282 --> 00:45:22,275
- crash which we call
- the film barrier.
- 689
- 00:45:22,352 --> 00:45:25,480
- When Steve talked about
- breaking the film barrier,
- 690
- 00:45:25,556 --> 00:45:29,720
- he was using language
- that Hollywood didn't use.
- 691
- 00:45:29,827 --> 00:45:33,354
- Nobody ever thought
- of doing it that way.
- 692
- 00:45:33,464 --> 00:45:36,831
- What he was trying
- to do was give
- 693
- 00:45:36,900 --> 00:45:39,425
- the total visual experience.
- 694
- 00:45:43,474 --> 00:45:47,308
- I'll tell you, Steve was ahead
- of his time with his vision.
- 695
- 00:45:52,816 --> 00:45:54,613
- STEVE MCQUEEN: As far as
- reality film's concerned,
- 696
- 00:45:54,685 --> 00:45:56,846
- that's where it's at.
- 697
- 00:45:56,920 --> 00:46:00,083
- That's where it should be.
- 698
- 00:46:00,190 --> 00:46:01,953
- MAN: He wanted it
- shot at race speeds.
- 699
- 00:46:08,866 --> 00:46:11,664
- STEVE MCQUEEN: If you're
- going 20, 40 in the race,
- 700
- 00:46:11,735 --> 00:46:15,865
- we're doing 240 in
- every shot we do.
- 701
- 00:46:15,939 --> 00:46:18,305
- [racecar vrooming]
- 702
- 00:46:18,408 --> 00:46:19,932
- Every driver that
- was on that picture,
- 703
- 00:46:20,043 --> 00:46:22,568
- I mean, they were risking
- their lives every single day
- 704
- 00:46:22,679 --> 00:46:25,011
- they were there.
- 705
- 00:46:25,082 --> 00:46:27,778
- MAN: These scenes that they
- shot were choreographed.
- 706
- 00:46:27,885 --> 00:46:30,649
- You had to do a ballet
- out on the track
- 707
- 00:46:30,721 --> 00:46:33,315
- and do what the director
- had asked you to do.
- 708
- 00:46:39,062 --> 00:46:41,826
- MAN: The making of
- film was, in many ways,
- 709
- 00:46:41,899 --> 00:46:45,733
- a lot more dangerous
- than the race.
- 710
- 00:46:45,803 --> 00:46:51,400
- And Steve did also not have
- much of a sense of danger.
- 711
- 00:46:51,475 --> 00:46:53,102
- So everything was
- pushed to the extreme.
- 712
- 00:46:56,113 --> 00:46:58,411
- Now, we're going
- 220 miles an hour.
- 713
- 00:46:58,482 --> 00:46:59,847
- Now, we're dicing.
- 714
- 00:46:59,950 --> 00:47:01,577
- Now, we're setting up a shot.
- 715
- 00:47:01,652 --> 00:47:03,244
- Not what might
- happen consciously
- 716
- 00:47:03,320 --> 00:47:05,652
- to a driver in his mind.
- 717
- 00:47:05,756 --> 00:47:08,884
- At a certain spot, we're
- asking drivers to do this.
- 718
- 00:47:12,296 --> 00:47:13,126
- It's death.
- 719
- 00:47:25,809 --> 00:47:29,108
- [people talking]
- 720
- 00:47:36,286 --> 00:47:38,117
- NARRATOR: Dereck Bell
- is the first driver
- 721
- 00:47:38,188 --> 00:47:40,520
- to experience a narrow escape.
- 722
- 00:47:40,624 --> 00:47:41,556
- MAN: Get out the way there.
- 723
- 00:47:41,625 --> 00:47:43,616
- Get the men out of the way.
- 724
- 00:47:43,694 --> 00:47:45,821
- Steve and I were doing a shot.
- 725
- 00:47:45,929 --> 00:47:48,261
- Suddenly, the car
- sort of just exploded.
- 726
- 00:47:48,332 --> 00:47:51,460
- It sort of went up
- in flames in my face.
- 727
- 00:47:51,535 --> 00:47:53,696
- [fire burning]
- 728
- 00:47:53,804 --> 00:47:55,465
- STEVE MCQUEEN: And
- it appeared that he
- 729
- 00:47:55,539 --> 00:47:58,372
- took to unfasten the seat belt
- and climbing out of the door.
- 730
- 00:47:58,475 --> 00:48:00,841
- It's when I got burned.
- 731
- 00:48:00,944 --> 00:48:04,573
- Oh, I just got very
- burnt around here.
- 732
- 00:48:04,648 --> 00:48:06,639
- STEVE MCQUEEN: It could
- have been a lot worse.
- 733
- 00:48:06,717 --> 00:48:08,810
- I could've been dead,
- just as easy as that.
- 734
- 00:48:19,029 --> 00:48:20,997
- MAN: Steve was committed.
- 735
- 00:48:21,064 --> 00:48:23,555
- He put his but on the line.
- 736
- 00:48:23,667 --> 00:48:25,601
- Let's put it that way.
- 737
- 00:48:25,669 --> 00:48:28,467
- Every day, we shot
- with him in the car.
- 738
- 00:48:31,975 --> 00:48:34,307
- MAN: How can I get this shot?
- 739
- 00:48:34,378 --> 00:48:35,572
- That's Steve McQueen.
- 740
- 00:48:35,679 --> 00:48:37,647
- That's the loner with the dream.
- 741
- 00:48:40,918 --> 00:48:44,547
- If you have this unlimited film
- barrier that you want to crash
- 742
- 00:48:44,655 --> 00:48:47,089
- through, you're going to
- be worried about if you're
- 743
- 00:48:47,157 --> 00:48:49,785
- going to die in the process?
- 744
- 00:48:49,860 --> 00:48:52,693
- [cars racing]
- 745
- 00:49:06,276 --> 00:49:09,712
- In the film, I played
- a race car driver.
- 746
- 00:49:09,780 --> 00:49:12,476
- I drove for Ferrari.
- 747
- 00:49:12,582 --> 00:49:14,277
- And Steve drove for Porsche.
- 748
- 00:49:19,890 --> 00:49:22,484
- I do some paintings.
- 749
- 00:49:27,097 --> 00:49:31,591
- You need a place where
- you are by yourself.
- 750
- 00:49:31,702 --> 00:49:34,637
- And of course,
- Steve is here too.
- 751
- 00:49:34,705 --> 00:49:36,002
- [Laughs]
- 752
- 00:49:41,445 --> 00:49:44,073
- Steve always did it different.
- 753
- 00:49:44,147 --> 00:49:45,512
- We were talking about reading.
- 754
- 00:49:45,615 --> 00:49:48,448
- And I said, I don't
- like reading too much.
- 755
- 00:49:48,552 --> 00:49:54,013
- I read my scripts, and aw, I
- don't like it either, he said.
- 756
- 00:49:54,091 --> 00:49:57,219
- I only read one book
- in my life, he said,
- 757
- 00:49:57,294 --> 00:50:01,128
- a book about
- Alexander the Great.
- 758
- 00:50:01,231 --> 00:50:04,166
- And I was very impressed
- by one sentence, he said.
- 759
- 00:50:06,903 --> 00:50:10,600
- I can't get the world, but
- I didn't conquer myself.
- 760
- 00:50:10,674 --> 00:50:12,301
- PRODUCER: Get off!
- 761
- 00:50:12,409 --> 00:50:13,034
- DIRECTOR: Action.
- 762
- 00:50:16,179 --> 00:50:17,612
- Who are you?
- 763
- 00:50:17,681 --> 00:50:21,515
- Especially as an actor,
- you ask yourself.
- 764
- 00:50:21,618 --> 00:50:22,607
- Who are you, really?
- 765
- 00:50:28,358 --> 00:50:29,791
- Sometimes, I had
- a feeling he was
- 766
- 00:50:29,860 --> 00:50:34,024
- always searching for something.
- 767
- 00:50:34,131 --> 00:50:39,626
- [cars racing]
- 768
- 00:50:39,703 --> 00:50:41,000
- STEVE MCQUEEN: My
- theory had always
- 769
- 00:50:41,104 --> 00:50:44,767
- been the racing world
- is no less creative
- 770
- 00:50:44,841 --> 00:50:46,968
- in expression than film itself.
- 771
- 00:50:50,280 --> 00:50:52,646
- It's only an oddity,
- because it's a blood sport.
- 772
- 00:50:56,953 --> 00:50:59,251
- He wanted to leave
- his scratch marks
- 773
- 00:50:59,322 --> 00:51:02,018
- on the history of filmmaking.
- 774
- 00:51:02,125 --> 00:51:03,786
- I'm a driver.
- 775
- 00:51:03,860 --> 00:51:05,487
- I'm an actor, and a filmmaker.
- 776
- 00:51:08,298 --> 00:51:10,596
- [french speech]
- 777
- 00:51:13,837 --> 00:51:16,431
- MAN: He was quasi directing.
- 778
- 00:51:16,506 --> 00:51:17,803
- He would say, look.
- 779
- 00:51:17,874 --> 00:51:20,001
- It would be great to
- get a shot like this.
- 780
- 00:51:20,077 --> 00:51:23,740
- It caused quite a bit of
- conflict with John Sturges.
- 781
- 00:51:23,847 --> 00:51:26,281
- This will be a
- serious film, and
- 782
- 00:51:26,349 --> 00:51:28,943
- since the romantic interests
- will be kept down to a minimum,
- 783
- 00:51:29,019 --> 00:51:32,511
- this will concentrate on sports
- car racing and the 24 hours
- 784
- 00:51:32,589 --> 00:51:33,283
- at Le Mans.
- 785
- 00:51:33,390 --> 00:51:35,051
- Is that right?
- 786
- 00:51:35,158 --> 00:51:37,251
- Well, I'll go with you that we
- concentrate on the race, yes.
- 787
- 00:51:37,327 --> 00:51:39,852
- Whether anything else is
- kept to a minimum or not--
- 788
- 00:51:39,930 --> 00:51:42,626
- I don't know.
- 789
- 00:51:42,732 --> 00:51:45,098
- MAN: Steve was an
- executive producer.
- 790
- 00:51:45,202 --> 00:51:47,363
- He outright Sturges.
- 791
- 00:51:47,437 --> 00:51:49,234
- This was not the
- same McQueen that
- 792
- 00:51:49,339 --> 00:51:51,500
- worked with Sturges
- on "The Magnificent
- 793
- 00:51:51,575 --> 00:51:53,941
- Seven" or "The Great Escape."
- 794
- 00:51:54,044 --> 00:51:56,171
- STEVE MCQUEEN: You've got to
- believe in what you're doing.
- 795
- 00:51:56,246 --> 00:51:59,079
- I believe in what I do.
- 796
- 00:51:59,182 --> 00:52:01,548
- And if I'm shooting
- my best shot for me,
- 797
- 00:52:01,618 --> 00:52:04,815
- then I'm doing my
- best for the audience.
- 798
- 00:52:04,921 --> 00:52:07,583
- But my obligation's
- got to be to myself.
- 799
- 00:52:12,429 --> 00:52:15,694
- To me, he became the
- character, which I
- 800
- 00:52:15,765 --> 00:52:19,428
- described to him in the mantra.
- 801
- 00:52:19,536 --> 00:52:20,696
- He made his own rules.
- 802
- 00:52:20,770 --> 00:52:22,203
- He knew his own right and wrong.
- 803
- 00:52:22,272 --> 00:52:24,968
- He didn't have to
- answer to anybody.
- 804
- 00:52:25,075 --> 00:52:27,100
- Well, I'll get all these
- idiots away from you.
- 805
- 00:52:27,210 --> 00:52:28,541
- [cars racing]
- 806
- 00:52:28,612 --> 00:52:31,911
- If they tell you
- you're a genius
- 807
- 00:52:31,982 --> 00:52:35,315
- with sufficient frequency,
- you start to believe that.
- 808
- 00:52:35,418 --> 00:52:39,445
- And I think most people out
- there who get that sort of fame
- 809
- 00:52:39,556 --> 00:52:42,659
- have a great deal of
- difficulty handling it.
- 810
- 00:52:42,659 --> 00:52:43,717
- have a great deal of
- difficulty handling it.
- 811
- 00:52:43,793 --> 00:52:47,092
- [chopper noises]
- 812
- 00:53:00,277 --> 00:53:03,804
- MAN: It was a wild time.
- 813
- 00:53:03,914 --> 00:53:07,350
- It was a time of
- great rebelliousness
- 814
- 00:53:07,417 --> 00:53:10,215
- and attempting to overthrow
- the gods of Hollywood.
- 815
- 00:53:14,157 --> 00:53:16,819
- Jay Sebring was a very
- good friend of ours.
- 816
- 00:53:19,930 --> 00:53:22,592
- And I liked Sharon Tate.
- 817
- 00:53:22,666 --> 00:53:25,760
- Sharon was married to
- Roman Pilanski at the time,
- 818
- 00:53:25,835 --> 00:53:26,597
- and she was pregnant.
- 819
- 00:53:29,606 --> 00:53:32,131
- Jay said, why don't
- you and Neil come over
- 820
- 00:53:32,209 --> 00:53:33,676
- and have dinner with us?
- 821
- 00:53:33,777 --> 00:53:36,041
- And Steve said, oh, yeah, sure.
- 822
- 00:53:36,112 --> 00:53:40,913
- I knew I wasn't coming,
- and I didn't want to go.
- 823
- 00:53:40,984 --> 00:53:42,815
- MAN: The bodies will have to
- be made in the examination
- 824
- 00:53:42,886 --> 00:53:44,183
- by the coroner.
- 825
- 00:53:44,287 --> 00:53:45,481
- REPORTER: There's no
- evident cause of death?
- 826
- 00:53:45,555 --> 00:53:47,819
- MAN: Not that we can
- say at this time.
- 827
- 00:53:47,891 --> 00:53:52,692
- People kept calling the next
- day and said, is Steve OK?
- 828
- 00:53:52,796 --> 00:53:56,892
- An employee came to
- work at 10050 Cielo
- 829
- 00:53:56,967 --> 00:54:02,166
- and found several
- bodies in the house.
- 830
- 00:54:02,239 --> 00:54:03,900
- NEILE ADAMS: And then
- I find out that there
- 831
- 00:54:04,007 --> 00:54:07,966
- had been these murders, and
- they thought Steve was there.
- 832
- 00:54:08,044 --> 00:54:11,844
- A tentative identification
- of the persons are as follows.
- 833
- 00:54:11,915 --> 00:54:15,510
- Sharon Polanski, Jay Sebring.
- 834
- 00:54:15,585 --> 00:54:17,348
- MAN: Steve was supposed
- to be at the party.
- 835
- 00:54:17,420 --> 00:54:19,081
- MAN: Abigail Folger.
- 836
- 00:54:19,189 --> 00:54:22,124
- MAN: But he ran into a lady or
- something, and didn't show up.
- 837
- 00:54:22,192 --> 00:54:26,856
- Voytek Frykowski, and
- another man who is unknown.
- 838
- 00:54:26,930 --> 00:54:28,761
- Was there anything
- scrolled on the front door
- 839
- 00:54:28,865 --> 00:54:30,162
- of that house in blood?
- 840
- 00:54:30,233 --> 00:54:31,530
- MAN: I can't answer
- that question.
- 841
- 00:54:31,601 --> 00:54:32,533
- MAN: How you doing, Charlie?
- 842
- 00:54:32,602 --> 00:54:33,466
- Good.
- 843
- 00:54:33,570 --> 00:54:34,935
- How are you this morning?
- 844
- 00:54:35,038 --> 00:54:36,369
- NEILE ADAMS: His name
- was Charles Manson,
- 845
- 00:54:36,439 --> 00:54:40,967
- and he had a gang of misfits.
- 846
- 00:54:41,077 --> 00:54:42,601
- MAN: Body is badly mutilated.
- 847
- 00:54:42,712 --> 00:54:44,543
- MAN: This, I'd
- rather not discuss.
- 848
- 00:54:44,614 --> 00:54:47,879
- NEILE ADAMS: I'd never heard
- of people who massacred the way
- 849
- 00:54:47,951 --> 00:54:51,284
- they massacred these people.
- 850
- 00:54:51,388 --> 00:54:53,151
- [Laughing]
- 851
- 00:54:57,727 --> 00:54:58,887
- It's all a play, isn't it?
- 852
- 00:55:04,067 --> 00:55:06,900
- MAN: They found his name
- on the list of other people
- 853
- 00:55:06,970 --> 00:55:10,428
- that Manson wanted to murder.
- 854
- 00:55:10,540 --> 00:55:11,700
- It'd freak him out a lot.
- 855
- 00:55:24,587 --> 00:55:28,614
- Dear Eddie-- Eddie
- Rubin was our attorney.
- 856
- 00:55:28,725 --> 00:55:31,091
- As you know, I have been
- selected by the Manson group
- 857
- 00:55:31,161 --> 00:55:32,788
- to be marked for death.
- 858
- 00:55:32,896 --> 00:55:35,763
- In some ways, I find it
- humorous, and in other ways,
- 859
- 00:55:35,832 --> 00:55:37,663
- frighteningly tragic.
- 860
- 00:55:37,767 --> 00:55:41,430
- But I must, I must
- consider it may be true.
- 861
- 00:55:41,504 --> 00:55:43,995
- If you could call Palm
- Springs and have my gun
- 862
- 00:55:44,107 --> 00:55:48,043
- permit renewed, as it is the
- only sense of self-protection
- 863
- 00:55:48,111 --> 00:55:49,806
- for my family and myself.
- 864
- 00:55:49,913 --> 00:55:52,211
- I'm waiting for an
- immediate reply.
- 865
- 00:55:52,282 --> 00:55:53,943
- My best, Steve.
- 866
- 00:55:54,017 --> 00:56:07,294
- This was 1970, on
- the set of "Le Mans."
- 867
- 00:56:07,364 --> 00:56:08,729
- MAN: Steve was
- already what I would
- 868
- 00:56:08,832 --> 00:56:13,769
- call in a heightened
- state; extremely paranoid.
- 869
- 00:56:13,837 --> 00:56:15,327
- Everything was raised.
- 870
- 00:56:15,438 --> 00:56:19,465
- The levels of craziness,
- anxiety were heightened.
- 871
- 00:56:19,542 --> 00:56:21,476
- Everything is zz-- up.
- 872
- 00:56:31,688 --> 00:56:33,485
- NEILE ADAMS: He was never
- the same at any one point.
- 873
- 00:56:38,361 --> 00:56:40,329
- That marriage was
- fraying at the seams.
- 874
- 00:56:43,199 --> 00:56:48,068
- MAN: When they appeared on
- set, they appeared on and on.
- 875
- 00:56:48,171 --> 00:56:49,138
- They appeared devoted.
- 876
- 00:56:52,375 --> 00:56:56,471
- But you can also see in Neile's
- expression, a certain weariness
- 877
- 00:56:56,546 --> 00:56:57,478
- to the whole situation.
- 878
- 00:57:02,318 --> 00:57:06,812
- He said, by the way,
- I'm having friends
- 879
- 00:57:06,890 --> 00:57:08,517
- visit me from all over Europe.
- 880
- 00:57:08,591 --> 00:57:09,353
- I said, really?
- 881
- 00:57:09,426 --> 00:57:10,586
- Who are they?
- 882
- 00:57:10,693 --> 00:57:14,390
- He said, well,
- they're mostly women.
- 883
- 00:57:14,497 --> 00:57:16,124
- And you know, that
- really got to me,
- 884
- 00:57:16,199 --> 00:57:17,723
- and I remember sobbing away.
- 885
- 00:57:21,204 --> 00:57:22,136
- MAN: She was wonderful.
- 886
- 00:57:22,205 --> 00:57:24,469
- She was a smart woman.
- 887
- 00:57:24,541 --> 00:57:26,873
- I would say to him, you're
- going to ruin your marriage.
- 888
- 00:57:26,943 --> 00:57:30,071
- What is wrong with you?
- 889
- 00:57:30,180 --> 00:57:35,311
- Until one night, I told him,
- I had gotten even with him.
- 890
- 00:57:38,421 --> 00:57:42,380
- MAN: Steve asked Neile whether
- she'd ever had an affair.
- 891
- 00:57:42,459 --> 00:57:45,087
- I said, well, as a matter
- of fact, I said, yeah, I had.
- 892
- 00:57:53,636 --> 00:57:55,103
- I was the one
- person in the world
- 893
- 00:57:55,205 --> 00:58:00,643
- that he trusted, the
- one person he thought
- 894
- 00:58:00,710 --> 00:58:03,008
- he could do anything to.
- 895
- 00:58:03,079 --> 00:58:04,171
- I would never retaliate.
- 896
- 00:58:07,617 --> 00:58:09,983
- For him to hear
- that coming from me
- 897
- 00:58:10,086 --> 00:58:13,419
- was totally unbelievable to him.
- 898
- 00:58:17,894 --> 00:58:20,590
- He was really, really,
- deeply wounded.
- 899
- 00:58:26,236 --> 00:58:28,898
- MAN: It was him, not her.
- 900
- 00:58:28,972 --> 00:58:31,497
- He's the one that
- just had this hunger.
- 901
- 00:58:34,644 --> 00:58:36,111
- MAN: And you think,
- my god, the next day
- 902
- 00:58:36,179 --> 00:58:37,476
- he's got to get up,
- and go out, and drive
- 903
- 00:58:37,580 --> 00:58:39,673
- a 917 at 200 miles an hour.
- 904
- 00:58:42,318 --> 00:58:44,650
- The whole situation
- was problematic.
- 905
- 00:58:53,196 --> 00:58:56,996
- [car racing]
- 906
- 00:59:09,479 --> 00:59:12,346
- MAN: The one thing he wanted
- to do is what we were doing.
- 907
- 00:59:12,448 --> 00:59:16,282
- He wanted to be a racing driver.
- 908
- 00:59:16,352 --> 00:59:18,013
- STEVE MCQUEEN:
- It's a combination
- 909
- 00:59:18,121 --> 00:59:21,955
- of trying to use a motor car and
- yourself as one complete unit.
- 910
- 00:59:22,025 --> 00:59:25,392
- It's really an umbilical
- connection between the two,
- 911
- 00:59:25,495 --> 00:59:26,985
- the man and the machine.
- 912
- 00:59:29,866 --> 00:59:32,835
- MAN: 248 miles an hour.
- 913
- 00:59:32,902 --> 00:59:38,340
- Just imagine losing control
- and hitting that Armco rail.
- 914
- 00:59:43,413 --> 00:59:49,113
- Well, racing, it's life.
- 915
- 00:59:49,218 --> 00:59:53,348
- Anything that happens before
- or after is just waiting.
- 916
- 00:59:56,225 --> 00:59:57,749
- That's a good
- sentence for Steve.
- 917
- 01:00:00,430 --> 01:00:03,558
- Sometimes, I had the
- feeling it is like this.
- 918
- 01:00:08,404 --> 01:00:11,999
- It meant a lot to him,
- almost everything.
- 919
- 01:00:18,214 --> 01:00:20,182
- And we had a scene where
- we get out of the car
- 920
- 01:00:20,249 --> 01:00:22,046
- after two hours of driving.
- 921
- 01:00:22,118 --> 01:00:24,416
- Of course, you sweat.
- 922
- 01:00:24,520 --> 01:00:27,148
- And the makeup man
- came, and put some water
- 923
- 01:00:27,223 --> 01:00:31,057
- in my face, and hair.
- 924
- 01:00:31,127 --> 01:00:33,391
- And he wanted to
- do this to Steve.
- 925
- 01:00:33,463 --> 01:00:35,658
- And Steve said,
- no, no, no, no, no.
- 926
- 01:00:35,765 --> 01:00:37,562
- He stepped in his car.
- 927
- 01:00:37,634 --> 01:00:40,899
- He drove a couple of
- rounds, got out of the car.
- 928
- 01:00:40,970 --> 01:00:43,461
- He was sweating naturally.
- 929
- 01:00:43,573 --> 01:00:47,600
- And he said, Siggy,
- look at this.
- 930
- 01:00:47,710 --> 01:00:51,840
- It's swollen here, the vein.
- 931
- 01:00:51,914 --> 01:00:55,543
- So that is the perfect thing.
- 932
- 01:00:55,618 --> 01:00:59,452
- The makeup man can't do this.
- 933
- 01:00:59,555 --> 01:01:02,649
- It has to be real.
- 934
- 01:01:02,725 --> 01:01:04,249
- And Steve wanted it like this.
- 935
- 01:01:10,600 --> 01:01:12,898
- STEVE MCQUEEN: As an actor,
- if you get in the position
- 936
- 01:01:12,969 --> 01:01:15,733
- to be able to have
- control, or as a filmmaker,
- 937
- 01:01:15,805 --> 01:01:18,933
- you must carry your project.
- 938
- 01:01:19,008 --> 01:01:21,374
- Carry it all the way
- through, to the end.
- 939
- 01:01:21,477 --> 01:01:23,104
- That means you can't give up.
- 940
- 01:01:23,179 --> 01:01:25,340
- You can't let a thing go.
- 941
- 01:01:25,448 --> 01:01:26,813
- And nobody will make
- a decision for you,
- 942
- 01:01:26,916 --> 01:01:28,247
- and nobody's smarter
- than you are.
- 943
- 01:01:38,261 --> 01:01:41,458
- MAN: There was really no script.
- 944
- 01:01:41,531 --> 01:01:43,362
- We were winging it.
- 945
- 01:01:43,466 --> 01:01:47,061
- In the meantime, until we
- got somewhat of a script,
- 946
- 01:01:47,136 --> 01:01:50,594
- we were shooting just footage.
- 947
- 01:01:50,673 --> 01:01:53,301
- Hollywood is a
- formula they like,
- 948
- 01:01:53,376 --> 01:01:55,640
- and they like to stick to it.
- 949
- 01:01:55,712 --> 01:01:59,239
- They wanted to have
- more of a love story.
- 950
- 01:01:59,348 --> 01:02:03,216
- My dad wanted cars and realism.
- 951
- 01:02:06,956 --> 01:02:11,825
- MAN: You had a mental picture
- of a documentary, something that
- 952
- 01:02:11,894 --> 01:02:15,660
- was paired down to give you
- the total experience of what
- 953
- 01:02:15,732 --> 01:02:18,860
- was going on.
- 954
- 01:02:18,968 --> 01:02:22,062
- MAN: People like
- myself felt Le Mans
- 955
- 01:02:22,138 --> 01:02:27,440
- would make a great background
- for a dramatic story.
- 956
- 01:02:27,510 --> 01:02:31,708
- That debate caused
- writers to come,
- 957
- 01:02:31,814 --> 01:02:37,775
- and go, and take a shot at the
- script that would make sense.
- 958
- 01:02:37,854 --> 01:02:40,186
- MAN: They were called
- dueling caravans,
- 959
- 01:02:40,256 --> 01:02:42,918
- because they were lined
- up next to each other.
- 960
- 01:02:43,025 --> 01:02:49,191
- Who could get the latest new
- script on Steve's desk first?
- 961
- 01:02:49,265 --> 01:02:52,393
- MAN: He was trying to write the
- great American novel when he
- 962
- 01:02:52,502 --> 01:02:54,129
- was trying to write the script.
- 963
- 01:02:54,203 --> 01:02:57,695
- And because the first sentence
- written was in the greatest
- 964
- 01:02:57,774 --> 01:02:59,639
- sentence ever
- written, he couldn't
- 965
- 01:02:59,742 --> 01:03:02,438
- get himself to that point,
- putting it down on paper.
- 966
- 01:03:05,348 --> 01:03:07,475
- MAN: Everybody that went
- to the box office back then
- 967
- 01:03:07,550 --> 01:03:08,517
- said, oh, he's going to win it.
- 968
- 01:03:08,584 --> 01:03:09,744
- He's going to win it.
- 969
- 01:03:09,852 --> 01:03:11,786
- So let's throw a
- little wrench in this.
- 970
- 01:03:11,854 --> 01:03:13,116
- I'm going to give him
- something different.
- 971
- 01:03:16,092 --> 01:03:17,081
- OK, Steve.
- 972
- 01:03:17,193 --> 01:03:18,660
- You walk into this caravan.
- 973
- 01:03:18,728 --> 01:03:21,219
- You see this girl you
- haven't seen in a long time.
- 974
- 01:03:21,297 --> 01:03:24,289
- And she looks up at
- you and says, hello.
- 975
- 01:03:24,400 --> 01:03:26,368
- What would you say, hello?
- 976
- 01:03:26,435 --> 01:03:29,871
- And he said, not necessarily.
- 977
- 01:03:29,939 --> 01:03:31,770
- That was the lowest
- point for me.
- 978
- 01:03:31,874 --> 01:03:34,240
- I thought, we're never
- going to get a script.
- 979
- 01:03:43,619 --> 01:03:46,986
- If I had written the script,
- I know it would have worked.
- 980
- 01:03:47,089 --> 01:03:49,853
- It would have worked.
- 981
- 01:03:49,926 --> 01:03:50,950
- I was his boy.
- 982
- 01:03:51,060 --> 01:03:52,550
- I was his writer.
- 983
- 01:03:52,628 --> 01:03:55,495
- His favorite expression is
- the son of a bitch knows me.
- 984
- 01:03:55,598 --> 01:03:57,122
- I don't know how,
- but he knows me.
- 985
- 01:04:03,906 --> 01:04:05,897
- The meeting took
- place in Steve's home.
- 986
- 01:04:14,784 --> 01:04:18,720
- He insisted that the
- character had to be a loser,
- 987
- 01:04:18,788 --> 01:04:20,779
- and I didn't want
- to write a loser.
- 988
- 01:04:23,759 --> 01:04:27,718
- You have to remember,
- I was also a star.
- 989
- 01:04:27,797 --> 01:04:32,496
- I thought I had a write
- to insist on my position.
- 990
- 01:04:32,602 --> 01:04:41,374
- He just wanted to lose in that
- movie, and I don't know why.
- 991
- 01:04:41,444 --> 01:04:45,312
- Steve wanted to have
- something more than just
- 992
- 01:04:45,381 --> 01:04:48,748
- Steve McQueen doing
- Steve McQueen on film.
- 993
- 01:04:48,851 --> 01:04:50,284
- You're talking
- about something he
- 994
- 01:04:50,353 --> 01:04:53,811
- wanted to do that was more
- important than acting.
- 995
- 01:04:58,995 --> 01:05:01,657
- You shouldn't argue
- with a superstar,
- 996
- 01:05:01,731 --> 01:05:05,258
- even if you helped
- make him a superstar.
- 997
- 01:05:05,368 --> 01:05:08,235
- I was the highest paid
- screenwriter in town
- 998
- 01:05:08,337 --> 01:05:10,464
- when I went to that meeting.
- 999
- 01:05:10,539 --> 01:05:13,736
- And after that meeting,
- the phone never rang again.
- 1000
- 01:05:30,259 --> 01:05:33,057
- [cars racing]
- 1001
- 01:05:42,705 --> 01:05:45,572
- His love of cars
- were so infectious
- 1002
- 01:05:45,675 --> 01:05:47,370
- that is screwed me up for life.
- 1003
- 01:05:51,781 --> 01:05:54,443
- Since day one when I
- got here, I'm like, dad,
- 1004
- 01:05:54,550 --> 01:05:56,882
- can you just give me a ride
- in one of the race cars?
- 1005
- 01:05:56,953 --> 01:05:59,046
- That's all I wanted.
- 1006
- 01:05:59,121 --> 01:06:01,419
- Must've been two months
- went by, and my dad
- 1007
- 01:06:01,524 --> 01:06:03,185
- turned the car around.
- 1008
- 01:06:03,259 --> 01:06:04,624
- He opened his right
- door, the side door,
- 1009
- 01:06:04,727 --> 01:06:06,695
- and went like that,
- turned around,
- 1010
- 01:06:06,762 --> 01:06:08,229
- and he sat me on his lap.
- 1011
- 01:06:08,297 --> 01:06:12,063
- And I just put my hands
- inside of his hands.
- 1012
- 01:06:12,134 --> 01:06:13,658
- For a second, he pulled
- his hands out the wheel,
- 1013
- 01:06:13,769 --> 01:06:15,396
- and I was steering the 917.
- 1014
- 01:06:15,471 --> 01:06:17,405
- And that was pretty bitching.
- 1015
- 01:06:23,312 --> 01:06:24,142
- Yeah, baby!
- 1016
- 01:06:24,246 --> 01:06:26,077
- Ha, ha!
- 1017
- 01:06:26,148 --> 01:06:32,109
- NEILE ADAMS: Chad didn't tell us
- that he hit a wall in Daytona.
- 1018
- 01:06:32,221 --> 01:06:35,384
- He's got 16 screws on his
- neck, and he's got a rod
- 1019
- 01:06:35,458 --> 01:06:38,325
- on either side of his spine.
- 1020
- 01:06:38,427 --> 01:06:42,022
- I broke everything in my body.
- 1021
- 01:06:42,098 --> 01:06:43,224
- And the reason
- I'm wearing shades
- 1022
- 01:06:43,299 --> 01:06:44,766
- is my right eye
- is still towed in.
- 1023
- 01:06:50,306 --> 01:06:52,137
- I was in a coma for
- three and a half weeks.
- 1024
- 01:06:52,241 --> 01:06:54,072
- Did I say that?
- 1025
- 01:06:54,143 --> 01:06:55,337
- Would I change anything?
- 1026
- 01:06:55,444 --> 01:06:56,138
- No.
- 1027
- 01:06:56,245 --> 01:06:57,007
- I wouldn't.
- 1028
- 01:06:57,079 --> 01:06:57,738
- Pretty neat, huh?
- 1029
- 01:07:03,285 --> 01:07:05,776
- There is nothing
- better, nothing better.
- 1030
- 01:07:08,524 --> 01:07:11,220
- I mean, motorsports is the
- strongest drug in the world.
- 1031
- 01:07:27,777 --> 01:07:29,870
- STEVE MCQUEEN: We attempted
- to show in the film,
- 1032
- 01:07:29,945 --> 01:07:32,914
- rather than to explain it,
- just to show why a man races.
- 1033
- 01:07:36,218 --> 01:07:38,709
- The feelings that
- he gets from it.
- 1034
- 01:07:38,821 --> 01:07:42,757
- It's a great sense of freedom.
- 1035
- 01:07:42,825 --> 01:07:44,850
- It's a high of one
- sort or another.
- 1036
- 01:07:54,236 --> 01:07:57,535
- MAN: To drive a car in
- perfect condition to the limit
- 1037
- 01:07:57,640 --> 01:07:59,107
- was the most gratifying
- thing you ever did.
- 1038
- 01:08:02,411 --> 01:08:03,901
- It's almost like a
- ballet, with the car
- 1039
- 01:08:04,013 --> 01:08:06,607
- going in through the corners.
- 1040
- 01:08:06,682 --> 01:08:10,311
- And it's a thing of beauty.
- 1041
- 01:08:10,386 --> 01:08:11,080
- It is a work of art.
- 1042
- 01:08:18,060 --> 01:08:21,188
- I went 330 kilometers per hour.
- 1043
- 01:08:24,600 --> 01:08:28,900
- The faster I went, the
- more relaxed I was.
- 1044
- 01:08:29,004 --> 01:08:32,531
- But when it's finished,
- you have the time to think,
- 1045
- 01:08:32,608 --> 01:08:37,136
- and then you're glad that
- nothing happened more.
- 1046
- 01:08:41,884 --> 01:08:45,513
- MAN: It overtakes drivers,
- without them knowing it.
- 1047
- 01:08:45,588 --> 01:08:49,718
- The freedom of an eagle
- floating in the sky
- 1048
- 01:08:49,792 --> 01:08:53,228
- was something that
- racing brought to him.
- 1049
- 01:09:04,406 --> 01:09:08,740
- Whatever that other stuff was
- that came from his upbringing,
- 1050
- 01:09:08,811 --> 01:09:09,607
- he could set that aside.
- 1051
- 01:09:13,215 --> 01:09:14,239
- Death is so close.
- 1052
- 01:09:14,316 --> 01:09:15,908
- It's right on my shoulder.
- 1053
- 01:09:15,985 --> 01:09:19,944
- And yet, there's a peace here.
- 1054
- 01:09:20,055 --> 01:09:23,081
- And he actually found
- such joy in that, that he
- 1055
- 01:09:23,159 --> 01:09:24,319
- wanted to give that to people.
- 1056
- 01:09:28,898 --> 01:09:31,765
- I've always wanted to shoot
- a motor racing picture,
- 1057
- 01:09:31,834 --> 01:09:35,600
- because it's always been
- something close to my heart.
- 1058
- 01:09:35,671 --> 01:09:40,301
- I sometimes thought, well,
- maybe I shouldn't do it.
- 1059
- 01:09:40,409 --> 01:09:42,070
- When something is
- close to you, you
- 1060
- 01:09:42,144 --> 01:09:46,171
- have a tendency to become too
- much a perfectionist with it.
- 1061
- 01:09:46,282 --> 01:09:49,046
- And I don't think there's
- any race driver that can
- 1062
- 01:09:49,118 --> 01:09:50,415
- really tell you why he races.
- 1063
- 01:09:53,255 --> 01:09:56,747
- But I think he could
- probably show you.
- 1064
- 01:09:56,825 --> 01:10:00,124
- [cars racing]
- 1065
- 01:10:05,701 --> 01:10:09,364
- MAN: He was not Hercules.
- 1066
- 01:10:09,471 --> 01:10:12,599
- He was Icarus.
- 1067
- 01:10:12,675 --> 01:10:18,773
- Steve wanted to fly so
- high, and he didn't quite
- 1068
- 01:10:18,847 --> 01:10:23,216
- understand the point where the
- wax starts to leave your wings.
- 1069
- 01:10:45,407 --> 01:10:47,773
- PRODUCER: Through the
- set, through the set.
- 1070
- 01:10:47,876 --> 01:10:49,537
- And cars are rolling.
- 1071
- 01:10:56,218 --> 01:10:58,015
- [crashing]
- 1072
- 01:10:58,087 --> 01:10:59,748
- MAN: I was rolling.
- 1073
- 01:10:59,855 --> 01:11:00,879
- They had to pay the drivers.
- 1074
- 01:11:00,990 --> 01:11:01,979
- They had to pay the camera men.
- 1075
- 01:11:02,057 --> 01:11:03,490
- They had to pay the sound men.
- 1076
- 01:11:03,559 --> 01:11:05,686
- They had to pay the people
- that fed them at lunch.
- 1077
- 01:11:05,761 --> 01:11:07,558
- [tires screeching]
- 1078
- 01:11:07,663 --> 01:11:10,791
- And the people in the cinema
- center were checking in.
- 1079
- 01:11:10,866 --> 01:11:12,026
- How are things going over there?
- 1080
- 01:11:12,101 --> 01:11:14,035
- Well, not so good.
- 1081
- 01:11:14,103 --> 01:11:16,128
- We ain't got no story.
- 1082
- 01:11:16,238 --> 01:11:20,072
- We were approximately
- $1.5 million over budget.
- 1083
- 01:11:20,175 --> 01:11:23,167
- And the studio was expecting
- a Steve McQueen movie to bail
- 1084
- 01:11:23,245 --> 01:11:26,737
- us out, and we didn't have it.
- 1085
- 01:11:26,849 --> 01:11:28,646
- We were going to make
- the most expensive
- 1086
- 01:11:28,717 --> 01:11:32,016
- documentary in the world,
- if somebody didn't talk.
- 1087
- 01:11:32,087 --> 01:11:35,056
- Everybody was looking
- for the same thing,
- 1088
- 01:11:35,124 --> 01:11:36,989
- with one exception--
- with one exception,
- 1089
- 01:11:37,092 --> 01:11:38,354
- and that would be Steve McQueen.
- 1090
- 01:11:46,735 --> 01:11:52,071
- MAN: The truth is we had gone
- into a rather lengthy debate
- 1091
- 01:11:52,141 --> 01:11:53,972
- over the basis of the film.
- 1092
- 01:11:57,646 --> 01:12:00,911
- My father went back to
- his production office,
- 1093
- 01:12:00,983 --> 01:12:05,682
- and in a fit of rage, threw
- a lamp against the wall.
- 1094
- 01:12:05,788 --> 01:12:09,087
- [glass breaking]
- 1095
- 01:12:09,158 --> 01:12:12,821
- He said, this picture's
- fucking out of control.
- 1096
- 01:12:12,928 --> 01:12:14,259
- MAN: And it was at
- that moment that he
- 1097
- 01:12:14,330 --> 01:12:17,322
- turned and saw Bob Rosen
- reclining on his couch,
- 1098
- 01:12:17,433 --> 01:12:20,368
- reading a magazine.
- 1099
- 01:12:20,436 --> 01:12:21,562
- MAN: Wrong guy was in the room.
- 1100
- 01:12:24,807 --> 01:12:30,609
- Bob called the studio and said,
- we've got real problems now.
- 1101
- 01:12:30,679 --> 01:12:32,613
- They're falling out
- among themselves.
- 1102
- 01:12:36,752 --> 01:12:38,413
- MAN: I don't remember
- that happening.
- 1103
- 01:12:38,487 --> 01:12:39,249
- Could it have happened?
- 1104
- 01:12:39,321 --> 01:12:40,845
- Yeah.
- 1105
- 01:12:40,956 --> 01:12:44,289
- But it wasn't like a revelation.
- 1106
- 01:12:44,360 --> 01:12:46,828
- Everybody knew the picture
- was out of control.
- 1107
- 01:12:49,665 --> 01:12:54,659
- MAN: Cinema Center's answer was
- we'll take the picture over.
- 1108
- 01:12:54,770 --> 01:12:57,466
- Now, we call the shots,
- and we make the decision.
- 1109
- 01:12:57,539 --> 01:12:59,803
- We don't care which
- script you make.
- 1110
- 01:12:59,875 --> 01:13:02,639
- Just make one of them.
- 1111
- 01:13:02,711 --> 01:13:05,544
- NEILE ADAMS: And you, Steve,
- will lose your salary,
- 1112
- 01:13:05,647 --> 01:13:07,808
- will not get your points.
- 1113
- 01:13:07,883 --> 01:13:12,013
- You have nothing to do with
- this picture, except act.
- 1114
- 01:13:12,121 --> 01:13:14,954
- MAN: We don't got no picture.
- 1115
- 01:13:15,023 --> 01:13:17,116
- Last night, they took
- the picture away from us.
- 1116
- 01:13:30,539 --> 01:13:33,997
- It says, I have
- read the foregoing
- 1117
- 01:13:34,076 --> 01:13:36,909
- and agree to render
- services only as an actor
- 1118
- 01:13:37,012 --> 01:13:39,503
- in the picture.
- 1119
- 01:13:39,581 --> 01:13:47,386
- And then my dad signed
- his name, "in blood."
- 1120
- 01:13:47,489 --> 01:13:48,581
- It's brilliant.
- 1121
- 01:13:48,657 --> 01:13:51,626
- It goes in character
- with my dad.
- 1122
- 01:13:51,693 --> 01:13:52,682
- I love this shit.
- 1123
- 01:13:57,099 --> 01:13:58,964
- STEVE MCQUEEN: There's a great
- deal of compromise involved
- 1124
- 01:13:59,067 --> 01:14:02,332
- in movies, I suppose, and I get
- a bit undone when people try
- 1125
- 01:14:02,404 --> 01:14:04,770
- to use me, or there's
- compromises, or injustice,
- 1126
- 01:14:04,873 --> 01:14:06,306
- and I fly off the handle.
- 1127
- 01:14:11,346 --> 01:14:14,543
- Steve was furious
- with my father.
- 1128
- 01:14:14,616 --> 01:14:16,413
- At this point, in
- McQueen's mind,
- 1129
- 01:14:16,518 --> 01:14:19,009
- my father had gone over to
- the other side of the fence
- 1130
- 01:14:19,087 --> 01:14:19,712
- and betrayed him.
- 1131
- 01:14:23,759 --> 01:14:28,025
- This racing picture was
- so close to all of us
- 1132
- 01:14:28,096 --> 01:14:30,894
- that when the
- studio took it over,
- 1133
- 01:14:30,966 --> 01:14:35,130
- Mr. McQueen felt that
- that had put a knife
- 1134
- 01:14:35,237 --> 01:14:38,729
- in the heart of the company.
- 1135
- 01:14:38,807 --> 01:14:41,970
- And Steve and I did
- not speak again.
- 1136
- 01:14:44,646 --> 01:14:45,578
- You betrayed me.
- 1137
- 01:14:45,647 --> 01:14:46,636
- You stabbed me in the back.
- 1138
- 01:14:46,748 --> 01:14:48,079
- I'll never talk to you again.
- 1139
- 01:14:54,389 --> 01:14:57,517
- CHAD MCQUEEN: Loyalty was
- a big thing with my dad.
- 1140
- 01:14:57,593 --> 01:15:04,294
- If my dad felt in any way that
- he had been burnt, that was it.
- 1141
- 01:15:04,399 --> 01:15:07,163
- I don't think my
- father betrayed Steve.
- 1142
- 01:15:07,236 --> 01:15:09,170
- But I think he fell again,
- as a business person,
- 1143
- 01:15:09,238 --> 01:15:11,536
- as a professional, that that
- was going to be the course it
- 1144
- 01:15:11,607 --> 01:15:13,097
- was headed for, no matter what.
- 1145
- 01:15:16,278 --> 01:15:18,803
- Thanks very much, Bob Relyea.
- 1146
- 01:15:18,914 --> 01:15:20,347
- Thank you very
- much, Mr. Sturges.
- 1147
- 01:15:20,415 --> 01:15:21,074
- Bye.
- 1148
- 01:15:25,287 --> 01:15:27,812
- John came to me.
- 1149
- 01:15:27,923 --> 01:15:30,585
- And he said, I'm going to quit.
- 1150
- 01:15:30,659 --> 01:15:34,857
- And it came about because of
- the relationship with Steve.
- 1151
- 01:15:34,963 --> 01:15:37,659
- MAN: John Sturges was
- brought in to make
- 1152
- 01:15:37,766 --> 01:15:42,703
- a theatrical motion picture with
- characters and a story in it.
- 1153
- 01:15:42,771 --> 01:15:46,798
- The more John tried
- to have it his way,
- 1154
- 01:15:46,875 --> 01:15:50,367
- the less ground
- Steve would give him.
- 1155
- 01:15:50,479 --> 01:15:54,643
- He said, I'm too fucking
- old and rich to put up
- 1156
- 01:15:54,716 --> 01:15:57,014
- with this type of shit anymore.
- 1157
- 01:15:57,119 --> 01:15:57,744
- Goodbye.
- 1158
- 01:16:04,693 --> 01:16:07,491
- Now, here we are, half
- way in the production,
- 1159
- 01:16:07,563 --> 01:16:10,430
- and they don't have a director.
- 1160
- 01:16:10,532 --> 01:16:11,362
- Now, what?
- 1161
- 01:16:16,338 --> 01:16:17,464
- STEVE MCQUEEN:
- There's a lot of ways
- 1162
- 01:16:17,539 --> 01:16:20,064
- that man can be
- hurt in business.
- 1163
- 01:16:20,175 --> 01:16:21,836
- They can hurt your head.
- 1164
- 01:16:21,910 --> 01:16:24,003
- They can hurt you financially.
- 1165
- 01:16:24,079 --> 01:16:25,740
- They can gut you.
- 1166
- 01:16:25,847 --> 01:16:28,680
- Or they can cause that thing
- to pop up in your throat.
- 1167
- 01:16:28,750 --> 01:16:30,012
- A couple of times
- a day, you start
- 1168
- 01:16:30,085 --> 01:16:31,017
- thinking about it a little bit.
- 1169
- 01:16:33,755 --> 01:16:36,246
- He was nothing but success
- up to the point of "Le Mans."
- 1170
- 01:16:36,358 --> 01:16:38,622
- Everything that he
- did turned to gold.
- 1171
- 01:16:41,396 --> 01:16:43,193
- And now, "Le Mans,"
- everything turned to shit.
- 1172
- 01:17:00,382 --> 01:17:02,680
- MAN: I've always wanted
- to know if Steve had
- 1173
- 01:17:02,751 --> 01:17:05,276
- walked off the production
- at that point, what
- 1174
- 01:17:05,387 --> 01:17:06,012
- would've happened.
- 1175
- 01:17:08,757 --> 01:17:11,385
- MAN: Call it ego.
- 1176
- 01:17:11,460 --> 01:17:12,256
- Call it his name.
- 1177
- 01:17:15,397 --> 01:17:18,525
- It's not good press if the
- world's number one box office
- 1178
- 01:17:18,600 --> 01:17:25,529
- attraction walks off a film, a
- film that meant so much to him.
- 1179
- 01:17:25,607 --> 01:17:27,802
- CHAD MCQUEEN: There
- was no quit in my dad.
- 1180
- 01:17:27,909 --> 01:17:29,774
- He had something
- that he started,
- 1181
- 01:17:29,878 --> 01:17:31,641
- and he wanted to finish it.
- 1182
- 01:17:47,496 --> 01:17:49,794
- MAN: We're rolling, guys.
- 1183
- 01:17:49,898 --> 01:17:50,694
- Thank you.
- 1184
- 01:17:50,766 --> 01:17:52,063
- Guys, settle, please.
- 1185
- 01:17:52,134 --> 01:17:52,930
- [Laughing]
- 1186
- 01:17:56,938 --> 01:17:58,098
- I come in on a Monday morning.
- 1187
- 01:17:58,173 --> 01:17:59,640
- And Jerry Henshaw
- comes in, says how
- 1188
- 01:17:59,741 --> 01:18:02,676
- would you like to go to France?
- 1189
- 01:18:02,744 --> 01:18:03,403
- That's how it happened.
- 1190
- 01:18:06,848 --> 01:18:08,839
- They had no story.
- 1191
- 01:18:08,950 --> 01:18:12,579
- They knew that Steve was
- never going to win the race.
- 1192
- 01:18:12,654 --> 01:18:14,747
- That's about what they knew.
- 1193
- 01:18:14,823 --> 01:18:16,313
- MAN: I can see him
- now with the glasses,
- 1194
- 01:18:16,425 --> 01:18:19,519
- and that funny hat he
- wore the whole time.
- 1195
- 01:18:19,594 --> 01:18:23,724
- He wasn't this mogul, this
- great icon of the movie world.
- 1196
- 01:18:23,799 --> 01:18:27,599
- He was a guy called Lee Katzin,
- who nobody had heard of.
- 1197
- 01:18:27,669 --> 01:18:29,967
- Poor old Lee didn't know the
- front of a car from the back,
- 1198
- 01:18:30,038 --> 01:18:31,835
- so that wasn't helpful.
- 1199
- 01:18:31,940 --> 01:18:34,306
- McQueen hadn't chosen
- him, didn't like him,
- 1200
- 01:18:34,376 --> 01:18:36,401
- wasn't impressed by him.
- 1201
- 01:18:36,511 --> 01:18:39,969
- And he was obliged
- to work with him.
- 1202
- 01:18:40,048 --> 01:18:41,572
- MAN: They did a
- take in the pits.
- 1203
- 01:18:41,683 --> 01:18:44,516
- And Lee said, one more please.
- 1204
- 01:18:44,619 --> 01:18:45,586
- Steve got up.
- 1205
- 01:18:45,654 --> 01:18:47,019
- And he said, listen, asshole.
- 1206
- 01:18:47,122 --> 01:18:48,919
- I'II tell you when
- we get one more.
- 1207
- 01:18:48,990 --> 01:18:50,082
- Move to your next shot.
- 1208
- 01:18:50,158 --> 01:18:53,958
- And if I like it, I'll show up.
- 1209
- 01:18:54,029 --> 01:18:57,988
- The problems of individual's
- egos were there.
- 1210
- 01:18:58,066 --> 01:19:00,864
- It wasn't a lot of
- fun that way, at all.
- 1211
- 01:19:08,009 --> 01:19:11,342
- [cars racing]
- 1212
- 01:19:16,184 --> 01:19:17,151
- Come on.
- 1213
- 01:19:17,219 --> 01:19:17,810
- I want to show you something.
- 1214
- 01:19:29,164 --> 01:19:29,926
- Come on.
- 1215
- 01:19:29,998 --> 01:19:30,862
- Walk with me.
- 1216
- 01:19:38,840 --> 01:19:41,604
- I want to get down here, because
- this is where Dave Piper lost
- 1217
- 01:19:41,676 --> 01:19:43,041
- it, right in this right hander.
- 1218
- 01:19:58,527 --> 01:20:01,724
- We'd been filming
- in the morning.
- 1219
- 01:20:01,797 --> 01:20:05,255
- Everything went according
- to plan, no problem.
- 1220
- 01:20:05,367 --> 01:20:09,064
- Went to lunch, came
- back to the circuit,
- 1221
- 01:20:09,137 --> 01:20:12,402
- and the director wanted
- the Ferraris to be
- 1222
- 01:20:12,474 --> 01:20:14,066
- leading with a Porsche behind.
- 1223
- 01:20:17,646 --> 01:20:20,809
- They haven't decided what
- the script was going to be,
- 1224
- 01:20:20,916 --> 01:20:22,747
- and they wanted both options.
- 1225
- 01:20:28,089 --> 01:20:30,353
- [cars racing]
- 1226
- 01:20:32,727 --> 01:20:42,693
- I drove just as I had
- driven in the morning, went
- 1227
- 01:20:42,771 --> 01:20:44,432
- into this right hand corner.
- 1228
- 01:20:50,011 --> 01:20:52,445
- The back end just went.
- 1229
- 01:20:52,514 --> 01:20:53,811
- [crash]
- 1230
- 01:21:15,370 --> 01:21:17,838
- Word had gotten
- back to the compound
- 1231
- 01:21:17,939 --> 01:21:19,634
- that there was an accident.
- 1232
- 01:21:19,708 --> 01:21:21,676
- And I got that.
- 1233
- 01:21:21,776 --> 01:21:25,075
- And I was thinking, geez,
- I hope it's not my dad.
- 1234
- 01:21:25,146 --> 01:21:27,580
- I hear the triad a lot.
- 1235
- 01:21:27,649 --> 01:21:29,276
- And so what's going on?
- 1236
- 01:21:29,351 --> 01:21:32,843
- He says, I want to show you
- what can happen in motor racing.
- 1237
- 01:21:32,954 --> 01:21:37,323
- Steve, I'm calling you to tell
- you that we're having accident.
- 1238
- 01:21:37,392 --> 01:21:40,589
- David Piper, he's been
- taken to hospital.
- 1239
- 01:21:40,695 --> 01:21:43,960
- This was all grass, and
- I remember a couple cows.
- 1240
- 01:21:44,032 --> 01:21:46,694
- And there was a wheel assembly,
- sitting out in the middle
- 1241
- 01:21:46,801 --> 01:21:48,325
- of fucking nowhere.
- 1242
- 01:21:48,403 --> 01:21:51,702
- Uh, well, he had a crash.
- 1243
- 01:21:55,343 --> 01:21:59,177
- MAN: He was left bolted
- onto the engine in the seat,
- 1244
- 01:21:59,247 --> 01:22:00,737
- and the rest of the car
- took off and left him.
- 1245
- 01:22:04,719 --> 01:22:08,519
- You can see there's quite a lot
- of blood coming out of your leg
- 1246
- 01:22:08,590 --> 01:22:11,081
- in your overalls.
- 1247
- 01:22:11,192 --> 01:22:16,152
- But it's a tremendous
- relief that you're
- 1248
- 01:22:16,231 --> 01:22:20,031
- still conscious and alive.
- 1249
- 01:22:20,101 --> 01:22:21,898
- MAN: David has been injured.
- 1250
- 01:22:22,003 --> 01:22:23,971
- I just spoke to the pilot.
- 1251
- 01:22:24,039 --> 01:22:26,872
- He will come in at night.
- 1252
- 01:22:26,942 --> 01:22:28,773
- It was my doctor.
- 1253
- 01:22:28,877 --> 01:22:30,344
- He said, we're going
- to have to amputate.
- 1254
- 01:22:35,717 --> 01:22:37,742
- I said, well, take it off
- four inches below the knee,
- 1255
- 01:22:37,852 --> 01:22:38,682
- and I'll take my chances.
- 1256
- 01:22:49,097 --> 01:22:52,794
- My mom took me, my
- sister to see Dave.
- 1257
- 01:22:52,901 --> 01:22:55,233
- And I remember
- the room was dark,
- 1258
- 01:22:55,303 --> 01:22:58,500
- and I remember he
- had a sheet over him.
- 1259
- 01:22:58,606 --> 01:23:04,875
- And you could clearly see
- that below his knee was gone.
- 1260
- 01:23:04,946 --> 01:23:06,106
- I lost it there.
- 1261
- 01:23:06,214 --> 01:23:07,306
- I lost that much.
- 1262
- 01:23:24,232 --> 01:23:25,597
- INTERVIEWER: Would
- your accident have
- 1263
- 01:23:25,667 --> 01:23:28,659
- happened if a proper
- script had been in place?
- 1264
- 01:23:28,770 --> 01:23:29,896
- Oh, no.
- 1265
- 01:23:29,971 --> 01:23:31,563
- It probably wouldn't
- have done, yeah.
- 1266
- 01:23:31,639 --> 01:23:33,004
- Definitely wouldn't have done,
- because they wouldn't have
- 1267
- 01:23:33,108 --> 01:23:34,234
- wanted to do the shot twice.
- 1268
- 01:23:37,278 --> 01:23:40,042
- MAN: It shouldn't have happened.
- 1269
- 01:23:40,115 --> 01:23:42,948
- [engine vrooming]
- 1270
- 01:23:44,619 --> 01:23:46,780
- MAN: With David Piper,
- Steve was very, very aware
- 1271
- 01:23:46,855 --> 01:23:49,790
- and very worried about it.
- 1272
- 01:23:49,858 --> 01:23:54,386
- You'd think it was his fault.
- 1273
- 01:23:54,496 --> 01:23:56,987
- MAN: It's his film.
- 1274
- 01:23:57,098 --> 01:23:58,861
- The bucks stops at the top.
- 1275
- 01:24:06,608 --> 01:24:09,475
- I never saw him afterwards.
- 1276
- 01:24:09,544 --> 01:24:10,169
- No.
- 1277
- 01:24:13,782 --> 01:24:17,718
- Just never happened
- to see him again.
- 1278
- 01:24:24,826 --> 01:24:26,487
- STEVE MCQUEEN: It was a film
- that took us four months
- 1279
- 01:24:26,561 --> 01:24:28,552
- to shoot, and was
- very difficult,
- 1280
- 01:24:28,663 --> 01:24:32,258
- and we had a couple
- of very bad accidents.
- 1281
- 01:24:32,333 --> 01:24:34,699
- It was the most difficult
- film I've ever done.
- 1282
- 01:24:46,014 --> 01:24:48,812
- MAN: One morning,
- at Solar Village,
- 1283
- 01:24:48,883 --> 01:24:51,215
- no one else was there
- but myself and Steve.
- 1284
- 01:24:51,319 --> 01:24:54,345
- And he said, Lee, I see
- what you're trying to do,
- 1285
- 01:24:54,422 --> 01:24:56,219
- and I'm not going to fight you.
- 1286
- 01:24:56,324 --> 01:24:57,416
- I'm not going to be against you.
- 1287
- 01:24:57,492 --> 01:25:00,461
- I want to work with you.
- 1288
- 01:25:00,528 --> 01:25:04,157
- From that time on,
- it was wonderful.
- 1289
- 01:25:04,232 --> 01:25:08,726
- We battered out an outline
- that Steve agreed to.
- 1290
- 01:25:08,837 --> 01:25:11,965
- It took 6, 8, 10 weeks
- for this to happen.
- 1291
- 01:25:12,040 --> 01:25:17,239
- And finally, we got basically
- what we had in the movie,
- 1292
- 01:25:17,345 --> 01:25:19,973
- in terms of dialogue.
- 1293
- 01:25:20,048 --> 01:25:23,040
- When people risk their
- lives, shouldn't it be
- 1294
- 01:25:23,118 --> 01:25:24,710
- for something very important?
- 1295
- 01:25:28,056 --> 01:25:31,150
- Well, it better be.
- 1296
- 01:25:31,226 --> 01:25:36,254
- MAN: He was trying to vindicate
- the purpose of the film
- 1297
- 01:25:36,364 --> 01:25:40,198
- by making sure it was
- finished and would be
- 1298
- 01:25:40,268 --> 01:25:46,070
- a testament to the personal
- bravery of his most respected
- 1299
- 01:25:46,141 --> 01:25:47,904
- pals, the motor racing drivers.
- 1300
- 01:25:57,418 --> 01:26:00,546
- WOMAN: It was late
- October or November.
- 1301
- 01:26:00,622 --> 01:26:05,559
- And the trees were
- turning yellow.
- 1302
- 01:26:05,627 --> 01:26:09,324
- It should be within
- 1303
- 01:26:09,430 --> 01:26:12,888
- So they had to paint the leaves.
- 1304
- 01:26:12,967 --> 01:26:14,264
- Ugh, my goodness.
- 1305
- 01:26:17,071 --> 01:26:19,403
- MAN: In November,
- 1970, filming finally
- 1306
- 01:26:19,474 --> 01:26:23,342
- wrapped three months
- over schedule,
- 1307
- 01:26:23,444 --> 01:26:25,742
- and about $1.5
- million over budget.
- 1308
- 01:26:31,786 --> 01:26:38,248
- He was sort of
- melancholy, I think.
- 1309
- 01:26:38,326 --> 01:26:39,657
- He said, it's done.
- 1310
- 01:26:44,265 --> 01:26:48,565
- The last day of filming,
- he got out of his car,
- 1311
- 01:26:48,636 --> 01:26:54,233
- and he unbuckled his wrist
- watch, and walked over to me,
- 1312
- 01:26:54,309 --> 01:26:56,777
- and handed me the watch.
- 1313
- 01:26:56,844 --> 01:26:58,778
- And he said, I want
- you to have this.
- 1314
- 01:26:58,846 --> 01:27:01,178
- Thank you for keeping me
- alive all these months.
- 1315
- 01:27:05,820 --> 01:27:08,186
- STEVE MCQUEEN:
- Le Mans is close to me.
- 1316
- 01:27:08,289 --> 01:27:10,951
- I love motor racing.
- 1317
- 01:27:11,025 --> 01:27:14,119
- It was a film that was
- very, very close to me,
- 1318
- 01:27:14,195 --> 01:27:15,856
- and we all hope
- it turns out well.
- 1319
- 01:27:19,500 --> 01:27:22,333
- CREW: Camera number
- three, marker.
- 1320
- 01:27:22,403 --> 01:27:24,268
- CREW: Camera number
- four, marker.
- 1321
- 01:27:24,372 --> 01:27:26,738
- CREW: Camera number
- five, marker.
- 1322
- 01:27:26,841 --> 01:27:30,174
- DIRECTOR: We now have
- speed on all the cameras.
- 1323
- 01:27:30,245 --> 01:27:34,079
- I will call action, and
- then it'll be a count of 10.
- 1324
- 01:27:34,182 --> 01:27:39,210
- If anything happens to me,
- Allie gets my pickup truck.
- 1325
- 01:27:39,320 --> 01:27:40,685
- DIRECTOR: Guys, can
- you hear me all right?
- 1326
- 01:27:40,755 --> 01:27:41,551
- All right.
- 1327
- 01:27:41,656 --> 01:27:44,022
- The fire brigade ready?
- 1328
- 01:27:44,092 --> 01:27:45,286
- All right.
- 1329
- 01:27:45,393 --> 01:27:47,190
- Now, may I have your
- attention please?
- 1330
- 01:28:16,891 --> 01:28:19,257
- CHAD MCQUEEN: I don't care
- what anybody else says.
- 1331
- 01:28:19,360 --> 01:28:22,887
- I think he was satisfied
- as a filmmaker at what
- 1332
- 01:28:22,964 --> 01:28:27,094
- he had done for this picture.
- 1333
- 01:28:27,201 --> 01:28:30,398
- I've never seen the movie.
- 1334
- 01:28:30,471 --> 01:28:33,406
- It's too difficult for me.
- 1335
- 01:28:33,474 --> 01:28:37,501
- Steve lost his wife, lost
- his marriage, lost the film,
- 1336
- 01:28:37,612 --> 01:28:38,442
- Iost everything.
- 1337
- 01:28:46,954 --> 01:28:49,252
- MAN: All of that
- loss, at that point
- 1338
- 01:28:49,324 --> 01:28:53,283
- in time, I think it really
- speaks to how deeply he cared
- 1339
- 01:28:53,394 --> 01:28:58,093
- about that project, and how it
- was so tied into his persona,
- 1340
- 01:28:58,166 --> 01:29:01,602
- and his soul, that I think he
- sensed that if it wasn't going
- 1341
- 01:29:01,669 --> 01:29:02,863
- to happen on that
- film, it wasn't going
- 1342
- 01:29:02,970 --> 01:29:06,804
- to happen in his lifetime.
- 1343
- 01:29:06,908 --> 01:29:08,102
- STEVE MCQUEEN: Being
- an actor is a gas.
- 1344
- 01:29:08,176 --> 01:29:10,804
- Being a movie star
- is a pain in the ass.
- 1345
- 01:29:10,912 --> 01:29:15,679
- And when that happens, you
- stop your personal growth.
- 1346
- 01:29:15,750 --> 01:29:19,743
- And that's the thing
- that I suffered from.
- 1347
- 01:29:19,821 --> 01:29:22,312
- MAN: When he wanted
- to give back,
- 1348
- 01:29:22,423 --> 01:29:26,257
- Hollywood wasn't there for him.
- 1349
- 01:29:26,327 --> 01:29:31,594
- He had this vision that
- came out of his heart.
- 1350
- 01:29:31,666 --> 01:29:34,464
- I don't think any of those other
- movies came out of his heart.
- 1351
- 01:29:40,708 --> 01:29:43,006
- The world just became
- a different color
- 1352
- 01:29:43,111 --> 01:29:44,442
- to him, after that film.
- 1353
- 01:29:57,358 --> 01:30:01,624
- MAN: "Le Mans" is a
- turning point in his life.
- 1354
- 01:30:01,696 --> 01:30:05,655
- When he left Le Mans, he
- turned his back on the sport.
- 1355
- 01:30:05,733 --> 01:30:09,430
- The zest he had for
- driving fast had gone.
- 1356
- 01:30:13,474 --> 01:30:15,101
- STEVE MCQUEEN: As far
- as me moving on myself,
- 1357
- 01:30:15,176 --> 01:30:17,610
- I think I'm more into
- life than cinema.
- 1358
- 01:30:17,678 --> 01:30:21,170
- My conception can only be
- motorcycles, and speed,
- 1359
- 01:30:21,249 --> 01:30:22,216
- and things like that.
- 1360
- 01:30:22,316 --> 01:30:23,112
- I don't want to do that anymore.
- 1361
- 01:30:23,184 --> 01:30:23,775
- I don't do it no more.
- 1362
- 01:30:27,088 --> 01:30:27,747
- Now, I'm clean.
- 1363
- 01:30:31,259 --> 01:30:33,227
- Well, it's done.
- 1364
- 01:30:33,327 --> 01:30:34,624
- I've got to try something else.
- 1365
- 01:30:39,233 --> 01:30:43,033
- Do I really want
- to do this anymore?
- 1366
- 01:30:43,104 --> 01:30:46,437
- Do I want to go that fast?
- 1367
- 01:30:46,541 --> 01:30:50,170
- And I think with David
- Piper's accident,
- 1368
- 01:30:50,244 --> 01:30:54,613
- an awareness of
- the vulnerability
- 1369
- 01:30:54,715 --> 01:30:56,012
- was in his psyche.
- 1370
- 01:31:02,123 --> 01:31:04,455
- NEILE ADAMS: What he cared
- most about in that picture
- 1371
- 01:31:04,559 --> 01:31:06,857
- were the drivers.
- 1372
- 01:31:06,928 --> 01:31:08,725
- He loved the drivers.
- 1373
- 01:31:16,604 --> 01:31:18,936
- Oh.
- 1374
- 01:31:19,040 --> 01:31:23,909
- Dear Sid, so many times before,
- in the history of motion
- 1375
- 01:31:23,978 --> 01:31:27,243
- pictures, brave men have
- lost their lives and limbs,
- 1376
- 01:31:27,315 --> 01:31:29,579
- and people have
- forgotten about it.
- 1377
- 01:31:29,650 --> 01:31:33,177
- I feel very strongly
- that we should dedicate
- 1378
- 01:31:33,287 --> 01:31:37,747
- the first premier to David
- Piper and give all the proceeds
- 1379
- 01:31:37,825 --> 01:31:40,350
- to him and his family.
- 1380
- 01:31:40,461 --> 01:31:44,557
- Would you please pass
- this on to the higher ups?
- 1381
- 01:31:44,632 --> 01:31:47,260
- And I do think we
- do this to racing
- 1382
- 01:31:47,335 --> 01:31:50,361
- for what they gave this film.
- 1383
- 01:31:50,471 --> 01:31:53,497
- My best, Steve McQueen.
- 1384
- 01:31:53,608 --> 01:31:56,441
- Oh, how wonderful.
- 1385
- 01:31:56,511 --> 01:31:58,376
- Gosh, that is terrific.
- 1386
- 01:32:01,616 --> 01:32:04,414
- I really lost touch
- when I was in hospital.
- 1387
- 01:32:04,485 --> 01:32:09,184
- I never heard of
- anything like this.
- 1388
- 01:32:09,290 --> 01:32:12,259
- How very nice.
- 1389
- 01:32:12,326 --> 01:32:14,988
- Well, Steve's heart was really
- in the right place, wasn't it?
- 1390
- 01:32:15,096 --> 01:32:15,755
- It's fantastic.
- 1391
- 01:32:30,344 --> 01:32:33,643
- STEVE MCQUEEN: I just wanted
- to get it down on film for what
- 1392
- 01:32:33,714 --> 01:32:35,306
- I thought it was all about.
- 1393
- 01:32:35,383 --> 01:32:37,749
- And I guess it's going to be
- up to the audience to decide
- 1394
- 01:32:37,852 --> 01:32:38,682
- whether I was right or wrong.
- 1395
- 01:32:43,624 --> 01:32:45,387
- Oh, it was a lot of cars.
- 1396
- 01:32:49,363 --> 01:32:52,890
- And I was waiting for my scenes.
- 1397
- 01:32:53,000 --> 01:32:54,991
- [Laughing]
- 1398
- 01:32:55,069 --> 01:32:57,560
- Most actors do that, first
- time they see a movie.
- 1399
- 01:33:03,210 --> 01:33:05,804
- I was disappointed.
- 1400
- 01:33:05,880 --> 01:33:07,142
- I could never see
- how it was going
- 1401
- 01:33:07,214 --> 01:33:09,205
- to be a roaring
- success at the time,
- 1402
- 01:33:09,317 --> 01:33:10,249
- because there was no script.
- 1403
- 01:33:14,388 --> 01:33:16,686
- But then I saw the
- film two years ago,
- 1404
- 01:33:16,757 --> 01:33:18,850
- and I went, god,
- that's brilliant.
- 1405
- 01:33:22,530 --> 01:33:25,624
- MAN: It's the most wonderful
- documentary of one of the most
- 1406
- 01:33:25,700 --> 01:33:29,568
- glorious times of motor
- racing on the greatest
- 1407
- 01:33:29,670 --> 01:33:30,466
- track in the world.
- 1408
- 01:33:33,941 --> 01:33:37,536
- From an actor's point
- of view, loves it.
- 1409
- 01:33:37,612 --> 01:33:40,979
- But from his point of view,
- from a driver's point of view,
- 1410
- 01:33:41,082 --> 01:33:42,572
- lovely.
- 1411
- 01:33:42,683 --> 01:33:45,151
- And from a car's point
- of view, beautiful.
- 1412
- 01:33:50,958 --> 01:33:53,950
- MAN: It gets acclaim, because
- it's trying to be pure.
- 1413
- 01:33:54,061 --> 01:33:55,722
- It's not a Hollywood concoction.
- 1414
- 01:33:59,367 --> 01:34:01,733
- But what the film
- doesn't capture
- 1415
- 01:34:01,802 --> 01:34:02,826
- is dramatic storytelling.
- 1416
- 01:34:10,044 --> 01:34:13,377
- Problems, they vanish
- in all the years.
- 1417
- 01:34:19,920 --> 01:34:25,415
- I think he would have
- been proud that we did it.
- 1418
- 01:34:25,493 --> 01:34:27,154
- Proud that he did it.
- 1419
- 01:34:44,578 --> 01:34:49,106
- MAN: What's happened now is a
- cult is following this picture.
- 1420
- 01:34:51,852 --> 01:34:56,812
- People who are into
- cars revere this film.
- 1421
- 01:34:56,924 --> 01:34:59,449
- That's all they want to
- talk about is "Le Mans."
- 1422
- 01:34:59,527 --> 01:35:01,552
- It has taken on a
- life of its own.
- 1423
- 01:35:07,835 --> 01:35:10,633
- The thing that Steve did
- that moved cinema forward
- 1424
- 01:35:10,705 --> 01:35:13,697
- was his absolute
- insistence on authenticity.
- 1425
- 01:35:16,444 --> 01:35:20,073
- You just have to say,
- you went for it, guy.
- 1426
- 01:35:20,147 --> 01:35:21,842
- I say, power to him.
- 1427
- 01:35:25,319 --> 01:35:26,843
- They still are
- not able to capture
- 1428
- 01:35:26,954 --> 01:35:31,084
- what we captured inside those
- cars with the real drivers
- 1429
- 01:35:31,158 --> 01:35:32,989
- today.
- 1430
- 01:35:33,060 --> 01:35:36,689
- Steve McQueen, he had no fear.
- 1431
- 01:35:53,314 --> 01:35:58,445
- When he went to Mexico
- to get treatment,
- 1432
- 01:35:58,519 --> 01:36:00,646
- he had a copy of the
- film shipped to Mexico,
- 1433
- 01:36:00,721 --> 01:36:02,188
- and showed it to the
- patients in the house.
- 1434
- 01:36:08,395 --> 01:36:15,824
- I think it was his last
- goodbye to everything.
- 1435
- 01:36:15,903 --> 01:36:20,101
- He was just a nice man who
- lost his way along the way,
- 1436
- 01:36:20,207 --> 01:36:21,640
- and found it back.
- 1437
- 01:36:21,709 --> 01:36:27,670
- And hopefully, he's up
- there, having a good time.
- 1438
- 01:36:27,748 --> 01:36:30,273
- Like I used to say,
- safe travel, honey.
- 1439
- 01:36:30,384 --> 01:36:31,681
- [Laughing]
- 1440
- 01:36:42,963 --> 01:36:44,794
- I always get a sense
- he's watching me,
- 1441
- 01:36:44,899 --> 01:36:48,699
- but close your eyes,
- and listen to that.
- 1442
- 01:36:48,769 --> 01:36:50,600
- Close your eyes and
- listen to this again.
- 1443
- 01:36:56,243 --> 01:36:57,767
- So that's what my
- dad envisioned,
- 1444
- 01:36:57,878 --> 01:36:59,175
- bringing that to life.
- 1445
- 01:37:02,249 --> 01:37:06,015
- But I think today he
- would say, ah, now,
- 1446
- 01:37:06,086 --> 01:37:07,747
- you guys finally get it.
- 1447
- 01:37:31,278 --> 01:37:35,715
- STEVE MCQUEEN: My big
- thing is daydreaming.
- 1448
- 01:37:35,783 --> 01:37:39,446
- You know when you
- daydream, you go to sleep.
- 1449
- 01:37:39,520 --> 01:37:41,488
- In my life, my
- daydreams came true.
- 1450
- 01:37:44,491 --> 01:37:45,458
- [coughs]
- 1451
- 01:37:45,526 --> 01:37:46,618
- It's just that I run out of gas.
- 1452
- 01:37:57,304 --> 01:38:00,171
- [piano playing]
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