Arpeggio starting from 3rd //
The Hybrid Dominant Chord //
harmonized harmonic chords on V7 //
pentatonic based on other scales //
lydian b7 over V7 substituted (in major tonic?) //
repeating phrase 1 semitone higher //
circle of 5ths chords exercise //
poliphony california dreaming copy //
#IVdim  in blues/jazz resolving to I treat #IVdim as viidim //
Valt resolving to minor chords or Valt of V7 //
bebop = larger leaps //
hexal harmony //
#IV dim search //
mixolydian + 7 chromatic = bebop dominant //
altered notes on dominant chord (target altered notes on landing) //
avoid 4th for jazz licks? in major//
https://www.youtube.com/watch?v=IHE6hZU72A4 //
1 3 1 7 5 pattern //

major scale :    all diatonic chords
harmonic minor : dom7th(in minor tonic) and dim chords
melodic minor :  tonic minor(if 6 is natural), lydiandom and altered

minor iv in major key (to going to tonic after mostly?) //
#IV diminished to go back to tonic or to suspend (ii V #IVdim I)

toontrack superior drummer 2.0
1 b2 b3 resolving to 3 on Imaj7
1# 5# 3# 7# 7....... 5 3 1............. on arpeggios
arpeggio from the 3rd into 2b
7 2 3 4 6 4... 5 6b 1. 6...
4 3 - 2 2b -
limetorrents.cc
vinyl distortion in ableton
corpus pipe didgeridoo in ableton
drop 2 arpeggio
assign didg vowels to chord functions
syncopation by ted reed