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The Modern Movement

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Apr 26th, 2017
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  1. LARCH 060
  2. Modern Landscape Architecture
  3.  
  4. 1. What was the inspiration for the Modern Movement in landscape architecture?
  5.  
  6. Modern art was a big source of inspirations.
  7.  
  8. Modern architecure, too.
  9.  
  10. 2. What’s the significance of the "Harvard Three"?
  11.  
  12. They broke away from the restrictive ideas of eclecticism (embrace design that arises from function; sleek, useful, modern)
  13.  
  14. 3. What is asymmetrical geometry and what did it offer the profession?
  15.  
  16. Design without regards to axes of symmetry. It allowed for more creativity in design
  17.  
  18. 4. Including asymetrical geometry, describe the four other new ideas that resulted from the modern movement in landscape design. How do these compare to the previous "eclectic" design as represented by Charles Platt?
  19.  
  20. i. creative problem solving - using the site and the 'program' to solve the problem and design the space
  21. ii. taboo against revival styles - never start out by basing your space off of a previous era's styles
  22. iii. beauty is function - The beauty of a design should come from and complement the function of the space
  23. iv. free-flowing space - layers, designs have flows
  24.  
  25. 5. How were postwar changes in attitudes and lifestyles reflected in home and landscape designs? What are the "new" characteristics of modern interior and exterior design?
  26.  
  27. i. People felt gardens were either indulgences or only for growing food. Eckman believed that the space outside a house should be modeled as an extension of the house and its functions.
  28. ii. The baby boom shaped the modern lifestyle and designs of homes and their exteriors
  29. a. Most people were living in suburbs (most affordable house lots postwar)
  30. b. Again, focus on using the outdoor environment as an extension of the indoor environment
  31.  
  32. 6. What three criteria did Thomas Church set for his designs?
  33.  
  34. i. satisfy functional needs
  35. ii. designs should fall out of the functions they're for (never have pre-concieved ideas for geometries)
  36. iii. make the space low maintenance
  37.  
  38.  
  39. NOTES ON LAST FEW SLIDES:
  40. i. weaknesses
  41. a. even modernism can be turned into a hollow aesthetic, there are plenty of examples of bad modernism
  42. ii. impact
  43. a. middle class single-family homes are still basically what was developed by modernist architecture and its effects on landscape architecture
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