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- 3D-Camera-Tracker-foundry-For-AE full software download
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- After Effects Camera Tracker and Match Mover
- CAMERATRACKER for After Effects® allows you to pull 3D motion tracks and matchmoves without having to leave AE. It analyses the source sequence and extracts the original camera's lens and motion parameters, allowing you to composite 2D or 3D elements correctly with reference to the camera used to film the shot.
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- This 3d motion tracking technology was previously only available inNUKEX, the Foundry's high-end film compositing tool. You can now do all this in Adobe® After Effects® without exiting your application.
- Heard about CS6 and want to know how CAMERATRACKER fits in? Read The Foundry's CAMERATRACKER for CS6.
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- In this sequence, Alexander Lehnert of Haus&Gross communicationsdemonstrates 3D camera tracking with CAMERATRACKER inside After Effects®, exporting to Cinema 4D, projection mapping, rendering, reimporting to After Effects® and comping. He also shows the use ofKRONOS retiming plug-in to add visual impact to the shot's timing.
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- In this sequence, Mark T. Aro of Hyperactive Studios demonstrates using CAMERATRACKER for Adobe® After Effects® to insert and mask graphical titling elements on a shot for Finding Hope Now.
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- Dubstep Synths' from 5Pin Media is the seventh chapter in this successful series. This pack features monster basses, high octane synths and noises from deepest darkest earth, all driven by that 5Pin trademark MIDI. If you're serious about Dubstep, then this pack is unmissable.
- Monster Growls, check. Tortured Souls, check. Screaming Banshees, check. Seismic Bass, check. Terror Blips and Bleeps, check. Fasten those seatbelts, hold on tight, here we go on a hyper-galactic Dubstep sonic adventure.
- 'MIDI Focus: Dubstep Synths' features 112 MIDI files, 30 of those spread across five Construction Kits and the remaining 82 appearing as separate Bass, Leads and Pads.
- The five Construction Kits feature both Sub-basses and matching "phrase kits" for all manner of growls and other-worldly noises popular to the genre.
- All MIDI files are clearly labelled with musical part and key information for quick and easy recognition.
- On the sample front are 23 multi-sample patches captured in pristine 24-Bit audio available in Live 8 Sampler, Kontakt 3, NN-XT, EXS24, Halion and SFZ formats, plus an Ableton Live 8 pack.
- The backbone of the sample patches are undoubtedly the five phrase kits and five matching subs.
- In addition, there are a further 16 special must-have modulated bass patches exclusive to Live 8 Sampler and 11 modulated bass patches exclusive to NN-XT. Should you not have either of these samplers then the raw multi-sample WAVs are available in the sample folders, allowing you to build your own patches. They are filthy, so get those hands dirty!
- Last, but not least are 15 NI Massive presets, the go-to synth for Dubstep.
- All of the musical parts featured in the Demo are from the pack, whilst most of the drums and percussion are from 5 Pin's 'MIDI Focus: Dubstep Beats' pack.
- As a bonus, 5Pin have provided 13 exclusive WAV drum loops at 140 BPM, as well as 21 5Pin MIDI Groove Templates.
- Once again the flexibility of MIDI combined with exceptional sounds lies at the heart of this library, giving you the producer the freedom to take your productions in whichever creative direction you choose.
- MIDI Breakdown:
- ? 30 Construction Kit MIDI files
- ? 15 Phrases and 15 Sub-Bass
- ? 82 Element section MIDI files featuring 62 Bass, 10 Leads & 10 Pads
- Sample Patch Breakdown:
- ? 5 Sub-Bass
- ? 5 Phrase Kits
- ? 5 Synths
- ? 5 Pads
- ? 2 Screamers
- ? 2 Leads
- ? 16 Live Sampler Basses (exclusive)
- ? 11 NN-XT Basses (exclusive)
- ? 15 NI Massive Presets
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- Create, produce and perform. Create ideas, make changes without stopping, and capture everything as you work.
- If you’ve used music software before, you’re already familiar with one half of Ableton Live. Live’s Arrangement View is a familiar working space: time moves from left to right, while tracks are stacked vertically.
- But Live also features the revolutionary Session View: a unique sketchpad for improvising, playing and performing with musical ideas, without the constraints of the timeline. Freely and independently start and stop any number of audio or MIDI loops - everything stays in sync. Almost everything in Live works in real-time - add, reorder or remove devices, play with Live’s flexible track routing and more - all without interrupting your creative flow.
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- Infovox Desktop is an open SAPI text-to-speech engine that lets you access your computer through your favourite screen reader, screen magnifier or any other application supporting speech.
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- Bootable tool to work with hard disk partitions , as well as the creation and deployment of standard images known developer Acronis Inc. Backup software.
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- Acronis Disk Director Home Update 2 11.0.2343
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- Acronis True Image 2014 - the most advanced home PC backup software – now with 5GB of cloud storage included. We built on a solid core of speed and reliability to ensure this latest True Image version gives you even more protection, more dependability, and is even easier to use than ever. With the widest variety of backup choices – including free cloud storage – your files, photos, media library, or entire system are safe wherever you choose.
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- THIS IS NOT MY WORK, but it takes a lot to put something together!
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- Substance Designer 3 is the tool of choice for all your texturing work, whether you are working on Games or Animation/VFX. It has been already chosen by numerous, prestigious and overall great studios over the world as a hub in their pipeline, and for good reasons: Substance Designer includes dedicated and empowering features and tools such as an amazing batching system, letting you batch process numerous meshes and textures at the same time, a live link with Adobe Photoshop letting artists use the tool they want for the job, powerful preset filters and more to speed up texture creation time, all this in a unique non linear environment. Compatible with Substance Player, Autodesk 3ds Max, Autodesk Maya, Autodesk Flame, Unity and Unreal Engine.
- Photoshop Workflow
- Paint in Adobe Photoshop and visualize your layers directly in Substance Designer!
- Substance Designer lets you load and link .PSD files right within your graph and pick the layers you want to use as independent nodes. Do a modification in Photoshop, the corresponding layer will automatically be updated in Substance Designer!
- . 3D View
- The unique 3D Views allows you to have a visual feedback of your substance directly on your mesh.
- . Visual Feedback
- Textures are meant to be used on 3D meshes. With 3D View, you can get an instant feedback of your work-in-progress texture directly on your mesh, saving you lots of time.
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- . Extracting Maps from the Mesh
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- - High poly: low poly Tangent maps
- - Position
- - Convert UV to SVG
- - Ambient Occlusion
- - Normal Map Worldspace
- - Curvature Map
- . Bitmap + SVG + Procedural Painting
- Use what is needed, whatever the situation and your preference: save hundreds of hours by not having to constantly go back and forth between different applications.
- Our new bitmap painting editor comes in 3.1 with a bunch of unique features to help you creating textures faster than ever:
- - Our unique Tiling Mode makes your brush seamlessly tile automatically!
- - This tiling paint works with the brush but also the stamp tool. Never ever has it been that easy to paint tiling textures.
- - The stamp tool finally allows you to pick your source on every node: you will also love this killer feature.
- . Substance Batchtools
- Thanks to Substance Batchtools, replicate your most common operations on all your assets, helping you save tons of time. This batch/scripting capabilities are truly unique in the industry!
- NB: Substance Batchtools can be used only with Substance Designer license, and cannot be shared/distributed with any other program.
- . Embedded Content
- A lots of content is embedded with Substance Designer, allowing you to create wonderful graphical effects for your textures:
- - Parametric noises
- - Parametric grunge maps
- - Parametric generators: wood, parquet, brick walls, stone, etc.
- - Filtes for blending, tiling, adjustment, etc.
- - Mesh adaptive filters
- - Special effects
- . Graph Editor
- The graph editor is the core of Substance Designer, allowing you to produce content in a non-linear / non-destructive authoring process.
- . Non-Linear Authoring Workflow
- You are free to make any change you want at any time, and all your changes will automatically be applied to all the outputs of your substance (diffuse, specular, normal, etc), so you can create and edit complete texture sets in a much faster way than with traditional tools.
- . Non-Destructive Authoring Workflow
- Non-Destructive authoring workflow means you can revert all the actions you are making without losing any of your work. No more "I can't come back to that point"!
- . Layer System
- Our familiar layer based system is here to help any artists to create content in an easy and friendly way.
- . Familiar Workflow
- Layers based system has been made for artists not so familiar with the graph editor. This system allows you to create textures and add effects as you would do in other authoring tools. And in case you want to have more controls, Substance Designer will automatically create the corresponding graph when you create effects in the layer mode.
- . Automatic Tiling
- Substance Designer allows you to make all your textures tile in an automatic way.
- You don't need to rework your photo to make it tile before creating your texture.
- Just import your resources into Substance Designer 3 and make them tile automatically!
- . Bitmap2Material Lite
- Bitmap2Material Lite is an incredibly powerful filter that helps you generate full, seamlessly tiling materials from any bitmap image.
- This Lite version of Bitmap2Material is embedded with Substance Designer, to create materials from any picture or photo.
- Features:
- - Diffuse control. Sharpen the diffuse output, control HSL and levels.
- - Normal control. Several controls over the normal map intensity and edges.
- - Specular control. Several controls on the influence of the diffuse map over the specular map.
- - Height map control. Control frequencies and levels of the height map.
- - Ambiant occlusion control. Get control over the spreading, strength and levels.
- - Depth Balance. Balancing size of background/foreground elements.
- And you can of course use regular Bitmap2Material inside Substance Designer for more control on your materials!
- . Advanced Noise Graph Editor (FXMaps)
- The unique FXMaps technology allows you to create animated and parametric noises.
- . Parametric Noises
- FX-Map allows you to create procedural images. It is one of the most powerful features of the Substance technology.
- The most common uses of FX-Maps are creating repetitive patterns, such as stripes and bricks, and noises, such as Perlin, Brownian and Gaussian. Noises are particularly useful in creating organic, natural-looking textures like dirt, dust, liquid spatters and so on.
- What's new in version 3.7.1:
- Opening an sbs opens the dependency graph instead of the sbs graph.
- Normal Map format consistency
- 3D View: bad filtering for textures over 1024*1024
- 3D View: Relief shader crashing SD with integrated graphics and other hardware.
- 3D View: OBj files crash SD when loaded
- 2D View: black diagonal line
- [Steam] Wrong Resource path
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