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GOERZEN DOX

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  1.          ___    ,---.   ,--.--------.  ,--.--------.                                          
  2.   .-._ .'=.'\ .--.'  \ /==/,  -   , -\/==/,  -   , -\                                        
  3.  /==/ \|==|  |\==\-/\ \\==\.-.  - ,-./\==\.-.  - ,-./                                        
  4.  |==|,|  / - |/==/-|_\ |`--`\==\- \    `--`\==\- \                                            
  5.  |==|  \/  , |\==\,   - \    \==\_ \        \==\_ \                                          
  6.  |==|- ,   _ |/==/ -   ,|    |==|- |        |==|- |                                          
  7.  |==| _ /\   /==/-  /\ - \   |==|, |        |==|, |                                          
  8.  /==/  / / , |==\ _.\=\.-'   /==/ -/        /==/ -/                                          
  9.  `--`./  `--` `--`           `--`--`        `--`--`                                          
  10.       _,---.     _,.---._        ,----.                            ,----.  .-._              
  11.   _.='.'-,  \  ,-.' , -  `.   ,-.--` , \  .-.,.---.   ,--,----. ,-.--` , \/==/ \  .-._        
  12.  /==.'-     / /==/_,  ,  - \ |==|-  _.-` /==/  `   \ /==/` - ./|==|-  _.-`|==|, \/ /, /      
  13. /==/ -   .-' |==|   .=.     ||==|   `.-.|==|-, .=., |`--`=/. / |==|   `.-.|==|-  \|  |        
  14. |==|_   /_,-.|==|_ : ;=:  - /==/_ ,    /|==|   '='  / /==/- / /==/_ ,    /|==| ,  | -|        
  15. |==|  , \_.' )==| , '='     |==|    .-' |==|- ,   .' /==/- /-.|==|    .-' |==| -   _ |        
  16. \==\-  ,    ( \==\ -    ,_ /|==|_  ,`-._|==|_  . ,'./==/, `--`\==|_  ,`-._|==|  /\ , |        
  17.  /==/ _  ,  /  '.='. -   .' /==/ ,     //==/  /\ ,  )==\-  -, /==/ ,     //==/, | |- |        
  18.  `--`------'     `--`--''   `--`-----`` `--`-`--`--' `--`.-.--`--`-----`` `--`./  `--`        
  19.                 _,.---._           ,-.--, .--.-.                                              
  20.   _,..---._   ,-.' , -  `..--.-.  /=/, .'/==/  /   _,..---._                                  
  21. /==/,   -  \ /==/_,  ,  - \==\ -\/=/- /  \==\ -\ /==/,   -  \                                
  22. |==|   _   _\==|   .=.     \==\ `-' ,/    \==\- \|==|   _   _\                                
  23. |==|  .=.   |==|_ : ;=:  - ||==|,  - |     `--`-'|==|  .=.   |                                
  24. |==|,|   | -|==| , '='     /==/   ,   \          |==|,|   | -|                                
  25. |==|  '='   /\==\ -    ,_ /==/, .--, - \         |==|  '='   /                                
  26. |==|-,   _`/  '.='. -   .'\==\- \/=/ , /         |==|-,   _`/                                
  27. `-.`.____.'     `--`--''   `--`-'  `--`          `-.`.____.'      
  28.  
  29. name: Matt Goerzen
  30. aliases: yosupyall, sup_beach
  31. b.: 1984
  32. nationality: canadian
  33. birthplace: saskatoon, saskatchewan
  34. resides: Montréal
  35. sin: 468 244 1805
  36. emails: mdgoerzen@gmail.com; matthew.goerzen@mail.mcgill.ca
  37. website: http://mattgoerzen.com
  38. IP: 64.233.160.0
  39. Profession: artist / researcher
  40. Spouse: n/a
  41.  
  42. Education:
  43. 2013-2015 – MA, Communications Studies, McGill University under Gabriella Coleman, Montréal.
  44. Tentative Thesis Title: To Dox the Anonymous.
  45. 2006-2009 – BFA, Painting and Drawing, Concordia University, Montréal.
  46. 2001-2006 – BJ, Journalism and Philosophy, Carleton University, Ottawa.
  47.  
  48. Solo Exhibitions:
  49. (Upcoming) 2015 – Security Through Obscurity, TBD.
  50. (Upcoming) 2014 – Websites for Small Businesses, TBD.
  51. 2012 – Supporting Materials, Coatcheck Gallery, Montréal.
  52. 2011 – Sure Investment, (as Winthrop Jones), BOCA Gallery, Online (no longer accessible by design).
  53. 2010 – The Subletters by a table, Mark and Kyoko, Berlin.
  54.  
  55. Group Exhibitions / Presentations:
  56. 2014 – BYOB PowerBall: Old / New World, Power Plant, Toronto.
  57. 2013 – Shaq Attack (presentation), DHC/ART / BOCA Gallery, Montréal.
  58. 2913 – Free|Trade, FOFA Gallery, curated by Eli Kerr, Montréal.
  59. 2013 – Exhibition Cancelled Due to Owner’s Decision to Sell, Espace Project. Montréal.
  60. 2013 – Shift, curated by Mike Ruiz, Future Gallery, Berlin.
  61. 2013 – Brand Innovations for Ubiquitous Authors, curated by Eva and Franco Mattes, Carroll / Fletcher, London.
  62. 2013 – Micro-residency, Gallery 44, Toronto.
  63. 2012 – Trolling the Deep Web for Fun and Profit (presentation), Eastern Bloc, Montréal.
  64. 2012 – Brand Innovations for Ubiquitous Authors, curated by Artie Vierkant, Higher Pictures, New York.
  65. 2012 – Departement de Nuisance Publique (DNP) Residency, Eastern Bloc, Montréal.
  66. 2012 – pr0n, BOCA Gallery / Galerie Pangée, Montréal. *
  67. 2011 – BYOB Montréal, Canadian Centre for Architecture, Montréal. *
  68. 2011 – BYOB Toronto, Gallery TPW, Toronto.
  69. 2011 – Drawing on Anonymous, BOCA Gallery, Online.
  70. 2011 – Digital Painting, Redbird Gallery, Montréal.
  71. 2011 – MINIMIZE, BOCA Gallery, Online. *
  72. 2011 – Arch-Texture, Canadian Centre for Architecture, Montréal.
  73. 2010 – Daily Art POP Newsletter Residency, DHC/ART, Montréal. *
  74. 2010 – (not) The End, Eastern Bloc, Montréal.
  75. 2010 – 10/2/10 IV, Appartment, curated by Alex Freedman, Berlin.
  76. 2009 – Graduating Students Exhibition, VAV Gallery & FOFA Gallery, Montréal.
  77. 2009 – three men beating someone else to near death with sticks and bats and such with Mark Stroemich, VAV Gallery, Montréal.
  78. 2008 – Blue Whale, Lab Synthése, Montréal.
  79. 2008 – On Line, Visual Voice Gallery, Montréal.
  80. 2007 – Friendly Fire, Art Mûr, Montréal.
  81.  
  82. * = also curated
  83.  
  84. Writing:
  85. (Forthcoming) - “The Case For a Politically-Engaged Non-Participation,” (undergoing peer review), co-authored by Stephane Couture, Mauricio Delfin, Nathalie Casemajor and Alessandro Delfanti.
  86. 2014 - “Samsung and Simon Denny: [T]he Refreshing Current in Society” in Simon Denny: New Management. Sophie von Olfers, editor, (Milan: Mousse Publishing, 2014) pp 34-58.
  87.  
  88.  
  89. Selected Work Experience:
  90. 2013 - Present – Research Assistant, Gabriella Coleman, Montréal.
  91. 2013 – Assistant, artist Simon Denny for Nationalgalerie Preis, Berlin.
  92. 2011 - 2013 – Production Assistant, artist Jon Rafman.
  93. 2012 - 2013 – Book designer, Anteism Publishing, Montréal, Hole Gallery, NYC, and Peres Projects, Berlin.
  94. 2011 - 2012 – Independent curator for various institutions including Canadian Centre for Architecture, Montréal.
  95. 2010 – Director / Chief Curator, Art Pop 2010, part of festival Pop Montreal, Montréal.
  96. 2008 - 2009 – Co-Producer, Art Matters Festival, Montréal.
  97. 2006 – Media Facilitator, Pearson Peacekeeping Centre, Germany.
  98. 2005 - 2006 – Documentary Filmmaker, National Film Board, Montréal.
  99. 2004 - 2005 – Newspaper reporter, Saskatoon Star-Phoenix, Ottawa Citizen.
  100.  
  101. Press:
  102. 2013
  103. Shaq Attack:
  104. Sky Goodden, “INTERVIEW: BOCA Gallery on Shaq and ‘Prediction as Production.’ ArtInfo Canada (December 31, 2013). ca.blouinartinfo.com/news/story/998661/interview-boca-gallery-on-shaq-and-prediction-as-production
  105. Lev Bratishenko, “Bizarre New Art Project Stalks Shaquille O'Neal for Custom .Dunk Rig.’” GizModo (Decenver 17, 2013).gizmodo.com/bizarre-new-art-project-stalks-shaquille-oneal-for-cust-1484868161
  106. ...among others
  107.  
  108. Shift:
  109. Luke Munn, “Post-Internet Art.” EyeContact (July 26, 2013). eyecontactsite.com/2013/07/post-internet-art
  110.  
  111. Brand Innovations for Ubiquitous Authors:
  112. Kathryn Lloyd, “Review: Brand Innovations for Ubiquitous Authorship (A group exhibition stolen by Eva and Franco Mattes).” Thisistomorrow (May 5, 2013).thisistomorrow.info/articles/brand-innovations-for-ubiquitous-authorship
  113.  
  114. 2012
  115. Brand Innovations for Ubiquitous Authors:
  116. Rozalia Jovanovic, “Higher Pictures Offers Works Delivered Sight Unseen.” Gallerist NY (July 20, 2012). galleristny.com/2012/07/higher-pictures-offers-show-of-work-it-hasnt-seen/
  117.  
  118. BOCA Gallery: Minimize
  119. Nicholas O’Brien, "Hyperjunk: Observations on the proliferations of online galleries.” Bad at Sports (February 12, 2012). badatsports.com/2012/hyperjunk-observations-on-the-proliferation-of-online-galleries/
  120.  
  121.   __    __    __    __    __    __          
  122.  /\ \  /\ \  /\ \  /\ \  /\ \  /\ \          
  123. '  \ \'  \ \'  \ \'  \ \'  \ \'  \ \        
  124.  \  \ \\  \ \\  \ \\  \ \\  \ \\  \ \        
  125.   \  \ \\  \ \\  \ \\  \ \\  \ \\  \ \      
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  130.        \  \ \\  \ \\  \ \\  \ \\  \ \\  \ \  
  131.         \  \_\\  \_\\  \_\\  \_\\  \_\\  \_\
  132.          \ / / \ / / \ / / \ / / \ / / \ / /
  133.           '-'   '-'   '-'   '-'   '-'   '-'
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