Advertisement
Not a member of Pastebin yet?
Sign Up,
it unlocks many cool features!
- OTHELLO
- The drama
- The performance as literature
- People were REALLY invested in this, so far as yelling and running on stage to protect Desdemona
- Globe theatre: open air, two layers, circular stage U shape
- Daytime theatre experience
- Not Realistic theatre
- The magic of the words is what made his stuff interesting
- You could buy the book and read it yourself, but the play is the official thing
- All actors were male
- Race: Othello is black
- No mention of blackface? None or no one cared to write it down?
- Identified as moor (african), old, foreign, threat to christians
- Mismatch between othello and desdemona
- Not played by a black person for a loooong time
- Theme of jealousy
- Othello is straightforward and honest and expects others will be too
- At the same time he experiences being the other
- How does he internalize the racism and question himself?
- Race is the framework, but jealousy is the driver of the plot
- What are iago’s motivations?
- Othello’s intro: Iago mentions “his moorship”not lordship or whatever
- Not refer to him by name but by race
- Says he wants to get othello back but is that his true purpose? He says this in front of rodrigo who he is trying to manipulate
- Iago uses the word “seem” a lot. He manipulates appearances
- “I am not who i am” = divine statement.
- Moses met god “i am who am”
- Rodrigo picks up the racism
- Othello: i am what i am
- Learn from scene 1 that the world can be manipulated
- So een thgouh othello is so clear of concious, the world isnt so kind
- “She loves me for my stories” this is interesting, a bit of doubt that he isnt what he is. This is room for iago
- Desdemona explains she loves othello for othello, she has a bit where she explains she sees him in his mind
- Othello says iago is a man of honesty and trust, othello makes this reference frequently.
- DRAMATIC IRONY
- Othello speaks to the court in Verse! To show his prestige
- The end of the comedy- party, yet iago starts setting up the tragedy
- Iago is misogynistic
- Tries out his plan on Rodruigo
- TWISTS THE STORY, USING A VERSINO OF IT
- Othering othello as he describes the relationship between O and DEs
- GONE WRONG GONE SEXUAL
- Using questions to inquire curiosity and insight doubt
- “Didn’t u see her touching his hand?”
- “GIve me to know” - othello
- He needs certainty and a need to know whats going on
- Iago re-narrates whats going on and re-justifying it, changing the perspective
- Othello assumes Iago is Cassio’s friend and Iago is doing the best for Cassio’s interest to present Cassio in the best light. Othello has become his own opponent
- He makes a judgement of the double represenetation
- Suitor and Cause=double meaning
- Legal terms
- Or Love terms
- Shakespeare uses this pun between Desdemonda and Cassio
- Iago: “I like not that”
- Othello: :eyes:
- Othello LISTENS, this means Iago reconstructs what Othello sees
- She says her love came after chaos
- chaos= before god
- If their love is undone everything is undone
- Handkerchief: psychosexual sybmol of othello’s parent’s relationship, in turn his relationship with her
- The two of them kneeling (othello and iago)-> symbol of marriage, oof
- Othello is str8
- Iago is GAY
- Iago is a terrible boy mdude
- Theyre swearing vows to each other like a marriage but like, this is a symbol of all things gone wrong
- Swearing to obey othello/loyalty
- Othello is like thanks, ur the best
- Summary:
- 3.4 Othello wants handkerchief, desdemona has lost it. Cassio shows it to Bianca who is jealous of it
- 4.1 Iago asks othello to assume the worst about desdemona and cassio. Othello hides and witnesses iago talk with cassio. Bianca appears w handkerchief. Othello is convinced, he wants ot kill desdemona, iago tells him to strangle her. Lodovico comes from venice. Othellow strikes desdemona (public.private)
- 4.2 Othello questions emilia who defends desdemona, in private, othello accuses dedemona. Desdemona emilia and iago converse. Iago persuades roderigo to kill cassio.
- 4.3 DEsdemona and Emilia discuss othelo and nature of fidelity
- 5.1 iago and rodruigo assult cassio. Iago wounds cassio and kills roderigo pretending to serve justive
- 5.2 bedroom, othello strangles dedemona. Emilia sees her die. She tells othello he is wrong. Othello cites iago/s info. Emilia revea the theft, iago kills her. Othello wounds iago who refuses to explain and then othello commits suicide
- Act 3 scene 4 (Women of the play)
- Handkercheif is imbued with emotion by iago. The value exceeds its worth
- Iago says “Lie?” pun of lying or laying in bed.
- Othello goes into a trance like state being hung up about this
- Othello goes “I wouldnt feel this way if nature didn’t allow it???”
- Iago sets him up, othellow does the work
- Man. Being a man is a cuckhold. Thats bc women suck - iago. WOW
- Navigate his public and private identities. Lugivigo and DEsdomona talking to him at the same time
- Repetition vs eloquence. He can use epic simile and when he gets angry hes boiled down. In this scene he is extremely divided
- Interior vs exterior - cassio’s coat protects his life
- Roderigo and iago’s convo where iago convinces him is not shown. We are outside this story
- Profoundly homo-social story, the women become devices of the plot
- Desdemona has a similar status to othello. Is there as witness for him in the trial, they use fair warrior to greet each other, people refer to her with military metaphors
- Emilia and DEsdemona convo
- Emilia is like WTF Desdemona your husband isnt jealous? I thought all dudes were trash??
- You cant tell that othello is jealous?
- Desdemona is like, nahh, the african sun burned away his bile humours (jealously)
- Desdemona is separating of emilia and iago as an identity
- Emilia is pragmatic, worldly thinking. She takes things literally
- Desdemona believes in absolutes. Emilia thinks, if she trades her husband as a cuckold for the world, then she can modify that reality
- Emilia is a relativist. We Declare Something Right, there is nothing absolute. Its how its percieved
- She’s aware of appearances and interpretation
- She goes from Prose to Verse- higher status achieved
- She is aware that the man has the pwoer in the relationship, if the woman falls it is the man’s fault. She is aware of gender relationships
- She accuses of men of being toxic and abusive, cheating
- This play has zero evidence of women cheating, but the men do all kinds of toxic shit
- They go over all the reasons why men might be so bad?
- Emilia says she doesnt want to be bad, but to learn and be good. She embraces the polarity. She cant acknolwedhe that she could be bad bc she is so innocent
- Othello intends to kill desdemona without scarring her. He is continuing to be perplexed that she is so beautiful outside but unfaithful inside. He is very commited to outward and inward appearance matching
- Iago refuses resolution. The tragedy kind of leaves us wanting for the audience tension to be resolved. However, the story ends in ambiguitiy. He calls on the bluff of language and law. There is no occular proof, there is no absolute. He refuses to partake in a system built on words by choosing silence.
- OTehllow becomes language. He refers to bible stuff, arabian trees, he’s always telling stories, even as hes killing himself.
Advertisement
Add Comment
Please, Sign In to add comment
Advertisement