The Matrix Full Movie Hindi Download
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- A computer hacker learns from mysterious rebels about the true nature of his reality and his role in the war against its controllers.
- A programmer is brought back to reason and reality when learning he was living in a program created by gigantic machines which make human birth artificial. In order to set humanity free, Neo will have to face many enemies by using technologies and self-trust.
- Whatever you say about other Sci-fi movies (e.g Star Wars,E.T)The Matrix shows the real side to Science fiction with the Story being set in a different world where everything real is the opposite to on the real world and the one question which was on my mind and many others is What is the matrix and how can you tell the difference?<br/><br/>Anyway the film is Outstanding and the Wachowski Brothers have done something that not hardly any director could do.With its fighting scenes in awesome style with plus amazing special effects this has to be classified has the first Movie to use cool effects and bring out positive results. Keaunu Reaves as Neo,Laurence Fishburne as Morpheus and Hugo Weaving as agent Smith were all ten out of ten because of their costumes they wore,their amazing fight scenes(especially at the end between Neo and Agent Smith),and of course the way they all acted.<br/><br/>What ever you say about The Matrix you must say that if its either the best film you've seen or at least one of the best films you've seen.
- The Matrix will undoubtedly be hailed as a truly classic movie for years to come, reaching levels close to that of Star Wars. The two films (or sets of films) are both packed with spiritual truth, accounting for their timeless quality. It's the same reason we still love Shakespeare.<br/><br/>When I first watched The Matrix something about the central ideas rang true inside me, they really hit home and intrigued me. (I'm aware that many people will read this and think I'm talking c**p but hear me out) in an attempt to find out more I studied various belief systems concerning 'reality' and the implications of fully controlling one's perception of it, eliminating doubt and fear, through pure belief in Self. The whole thing has led me into an intense inner journey and a total reassesment of life and its purpose. So Cheers to The Matrix for triggering the whole thing off. Whenever I watch it now I discover something new.<br/><br/>In addition to all of that, the film is utterly stunning as a piece of visual entertainment. The fluid Woo-style violence is a pleasure to watch and the close-shave action sequences staple you to your seat. I love the way the first half of the film feeds you the theory and the second half treats you to the practice. This movie went beyond thought-provoking - I left that theatre a changed man.<br/><br/>It may be dressed as a big, fat, money-hoarding, film studio product but the Wachowski's are simply using that as an effective vehicle through which to communicate this spiritual message to millions of people. Incredible.
- Bill Pope's swooping, noir-inflected cinematography is wonderfully complemented by Owen Paterson's inventive production design, a great soundtrack and the best fight choreography this side of Hong Kong. And even if this isn't "Blade Runner," it is very cool shit.
- The story is set at an indeterminate point in the future, estimated by one character to be the 22nd century, in which human bodies are used for heat and electrical energy while their minds are held in a computer-generated, virtual reality simulation called the Matrix. Humans are essentially slaves in this world. People in the Matrix are subject to the lifelong, full-sensory illusion that they inhabit modern times at the turn of the century. Computer programmer/hacker Thomas "Neo" Anderson (<a href="/name/nm0000206/">Keanu Reeves</a>), who may be "the One", joins a Resistance led by Morpheus (<a href="/name/nm0000401/">Laurence Fishburne</a>) and several other freed humans, including Trinity (<a href="/name/nm0005251/">Carrie-Anne Moss</a>), Apoc (<a href="/name/nm0032810/">Julian Arahanga</a>), Tank (<a href="/name/nm0159059/">Marcus Chong</a>) and his brother Dozer (<a href="/name/nm0662562/">Anthony Ray Parker</a>), Switch (<a href="/name/nm0565883/">Belinda McClory</a>), Cypher (<a href="/name/nm0001592/">Joe Pantoliano</a>), and Mouse (<a href="/name/nm0233391/">Matt Doran</a>). They endeavor to expose the truth, overthrow the Matrix, and defeat the vengeful and warlike Machines behind it. The Matrix is based on a screenplay by Lilly and Lana Wachowski, who also co-directed the movie. The Matrix led to two sequels, <a href="/title/tt0234215/">The Matrix Reloaded (2003)</a> and <a href="/title/tt0242653/">The Matrix Revolutions (2003)</a>. So far, there have been no official novelizations. The One is the man prophesied to release the humans from their bondage to the Matrix through his unique ability to manipulate the Matrix. The One is supposedly the only individual in all of humanity capable of doing such a thing. It was prophesied by the Oracle that his coming would hail the destruction of the Matrix and bring freedom to the human race. Morpheus is convinced that Neo is that man, although others, Neo included, are not so sure. As explained by the Architect (of the Matrix) in the second movie, the One is a program anomaly that the Matrix could not account for; an anomaly that occurs because humans have to be given a choice (if the only an illusion of such) in order to accept the virtual world the machines have created for them. No matter what, the anomaly that is the One occurs, so a way for the Matrix to control the situation (i.e. to control choice) was devised. According to the Architect, the current One had five predecessors who served the function of the One. Once Neo encounters the Architect, he is told of the choice of the One: to choose a certain number of humans to repopulate a destroyed Zion and start all over again, or to choose to go leave the Architect's lair permanently, thereby letting Zion fall and causing the mutual destruction of both the machines and the humans. The One is basically a real world reset switch. There are those in the Matrix that will never fully accept the machines' reality, and they will find ways to leave the Matrix for the human city of Zion. Once the free human population of Zion grows too large, it poses a threat to the machines; therefore the One is reintroduced to the Matrix to restart the cycle. The first of the two options presented to the One, should he choose to accept it, satisfies this plan: saving humanity and bringing balance as prophesied. Each of the five predecessors to Neo chose to save humanity. Morpheus is watching the green raining code screens on the Nebuchadnezzar. The code is the visual representation of the Matrix. He's able to decode what he sees on the screen, giving him a full view of Neo's office building, locations of Agents, the existence of the window washer platform, etc. Think of it like unlimited security camera footage.Agents, such as Agent Smith (<a href="/name/nm0915989/">Hugo Weaving</a>), are sentient computer programs that can move in and out of any software hardwired to the Matrix, meaning that each Agent can hijack any imprisoned human's avatar (or virtual body) and transform it into the his own such but cannot do the same to the ex captives who connect to the Matrix through radio signals. Agents are the gatekeepers of the Matrix, while Sentinels (search and destroy vessels) are the gatekeepers of the machine-occupied regions of the world outside of the Matrix. At this point in the film, Neo is still connected to the Matrix, so the Agents still have control over his body and can make modifications. Agents are computer programs and Neo is still linked into the program. It's possible that some other program which is confederate with the Agents is what seals Neo's mouth. The next thing that happens is that Neo wakes up in his own bed, making it all seem like a dream, so the Agents also have the ability to temporarily shut down his program and reactivate it at will. A metaphor. This was not referring to any specific physical place, but rather to the act of Neo getting out of the car and not getting the answers he sought. In the past, he probably used to run away from the truth; this is the "road" that he has been down before, and Morpheus' team knows that he does not want to go that way again. Morpheus offers Neo the choice of either a blue pill, which will render him unconscious and give him the impression that all of the recent events were simply a dream, or a red pill. The red pill, as Morpheus states, is a gesture in the real world of Neo's mind's desire to be freed and is part of a tracing program that will help Morpheus and crew locate Neo quickly after he awakes in the world beyond the Matrix. "Copper-top" is the nickname used in US commercials for Duracell Batteries. In the film, it's a slur to describe people who unconsciously inhabit the Matrix, since (according to the freed humans' beliefs) the Machines use them like batteries—sources of power. The Nebuchadnezzar is a hovercraft flying through the abandoned subway and sewer lines beneath the destroyed surface of the Earth. Somewhere in the sewers are tunnels leading to Zion, very far below the surface.The Art of the Matrix's script notes on an extended version of this scene confirm the fan theory that Cypher rigged the system to connect him to the Matrix automatically while the others were busy elsewhere. This is why he jumps so much when Neo surprises him. Cypher casually but quickly turns off several screens, including three that have real time imagery instead of the Matrix code. This would likely be so that the inquisitive Neo wouldn't ask him about it. The Oracle (<a href="/name/nm0287825/">Gloria Foster</a>) never explicitly tells Neo that he is not the One. She expresses sorrow that he seems to be "waiting for something." He can't be told he is "the One", he has to believe it; much like what Morpheus had been alluding to during the training sequence. The spoon exists only in the Matrix, which really means it doesn't exist. It's a lesson for Neo, to help him realize that manipulating the Matrix isn't about focusing on an object and trying to change it. The object doesn't exist, so he can't change it, he has to change himself. Metaphorically, it's all in his head. "Noodle", in this context, is a slang term for brain, so named because of the one's loose resemblance to the other. So, "bake your noodle" means "make your brain work hard". It can also mean to confuse someone. Zion is where free humans live. Far below the destroyed surface of the earth, the citizens of Zion are both former inhabitants of the Matrix who've been freed, and also 100% home-grown humans that have never been slaves to the Matrix.At first it looks just like a screen wall that you would expect in a police station's guard room, to monitor several areas at the same time, but that does not explain why Neo is displayed on every screen. The sequel The Matrix Reloaded later revealed this wall to be located in the Source, which is actually the origin of the signal that constitutes the entire Matrix. In the Source, the Architect (of the Matrix) resides. The Architect is the Machine program that created the Matrix. The Architect apparently keeps a close watch on Neo, and the reason for this is that Neo is a complex and intricate part in the Machines' ploy to keep the humans subdued. "The body cannot live without the mind." Somehow, the mind/consciousness leaves when they are plugged in, and one needs a proper "hard-line" (data path) to get back in properly. It's likely that the disconnect forms some sort of data corruption between the user's mind and the Matrix, and as a result the user's central nervous system suffers irreparable damage. Think of when you want to transfer a file from your computer to a portable hard drive; if you're half way through the transfer and you sever the connection between your computer and the hard drive, the file will be damaged and useless. He doesn't want the other Agents to know what he's saying to Morpheus. The Agents seem to operate collectively, finishing each others' sentences at times and certainly knowing what each is thinking. Smith's actions may largely be symbolic to show that he's able to turn this collective consciousness off and, in this case, has a reason to. His discussion with Morpheus implies that he is much more "human" than his colleagues: he shows frustration, exhaustion, impatience, and hatred for the Matrix itself and his place in it. Pursued in the Matrix by the three Agents, Neo races for the exit at the Heart O' the City Hotel, room 303. The moment he gets inside, however, Agent Smith empties his gun into his chest. Neo slumps to the floor as, back in the Nebuchadnezzar, Trinity, Tank, and Morpheus watch incredulously as Neo's body flatlines. As the Sentinels continue to break through the hull of the ship, Trinity whispers into Neo's ear that the Oracle told her that she would fall in love with the One, so Neo must be the One because "I love you," she says and kisses him. Neo suddenly begins to breathe. At the same time, he awakens in the Matrix now knowing that he is, indeed, the One. When the Agents empty their guns at him, he stops the bullets in mid-air. When Agent Smith tries to attack him, Neo easily bests him and takes over his body, destroying him. The other two agents run away, and Neo transports back to the ship just as Morpheus orders the electromagnetic pulser (EMP) to be engaged, destroying the attacking Sentinels. In the final scene, as the blank screen fills with system prompts and a grid of numbers, a voiceover by Neo says, I know you're out there. I can feel you now. I know that you're afraid... you're afraid of us. You're afraid of change. I don't know the future. I didn't come here to tell you how this is going to end. I came here to tell you how it's going to begin. I'm going to hang up this phone, and then I'm going to show these people what you don't want them to see. I'm going to show them a world without you. A world without rules and controls, without borders or boundaries. A world where anything is possible. Where we go from there is a choice I leave to you. In the Matrix world, Neo hangs up the phone. He looks at the masses around him, puts on his glasses, looks up, and takes flight. The brain does not die immediately when heart and respiration stops. Neo was almost the One, he'd not been affected by the first bullet, until he saw his blood. So, his mind was almost to the point of disbelieving the illusion of the Matrix—that he should be injured by bullets. He could feel Trinity's kiss or hear her words, somehow, which reminds him that the Matrix is not real—that his injury is not real. Now that he truly believes he is the One, Neo is beginning to use some of his power over the Matrix. He can now see the Matrix for what it is, and this will lead to additional abilities to manipulate it as he sees it. Neo is talking (possibly metaphorically) to the Machine mainframe. He's talking to the Source, to the power behind the Machines, to whatever sends the Agents after him. And he's telling it/them that he's done running, that he can defeat them and because of that the best for both sides is that the Machines simply stop attacking humanity. Morpheus explains to Neo that babies are not born—they are grown. This suggests that the usual human birth cycle (in utero fertilization and growth followed by birth at term) is not being followed. What is shown is that human fetuses form/grow in artificial wombs located away from the "power plant" (where Matrix inhabitants' out-simulation bodies are connected to the Matrix's hardware) until they reach their would-be birthing ages; after which time, if they are viable, they are relocated to the "power plant", inserted into adult pods and hardwired to the system. It can be inferred from this that new humans are conceived altogether outside of the Matrix. The most likely method is by cloning or by harvesting oocytes (unfertilized egg cells) and fertilizing them with harvested sperm, then placing the zygotes (fertilized egg cells) in artificial gestation as embryos, some of which may be allowed to develop and others of which (as Morpheus also explains) are liquefied as food. As for how do people procreate while connected to the Matrix, it's possible they don't, since we never see any pregnant women inside the Matrix; meaning that upon joining the virtual reality, babies in the Matrix possibly materialize out of thin air (or are assigned to baby avatars that were grown from zygote avatars therein) and are delivered by stork or (more likely) postmen. Yet all sorts of tubes are attached the out-simulation bodies of Matrix inhabitants. So it's impossible to say for sure. Just as there are tubes for feeding the bodies intravenously, there may be tubes for extracting reproductive fluids (containing gametes) for, as aforementioned, harvesting the gametes (oocytes and sperms). Along the latter lines or alternately, there is the possibility is that when the Machines grow a new human infant, they pre-program a couple inside the Matrix to conceive a child. Overall, although never born in reality, presumably Matrix inhabitants are born in the virtual reality after having been conceived outside of it, grown for nine months and then connected to its hardware. They need the access to the human mind: it fuels the story line. If this was an animal-induced world, it would be pretty far behind technologically. Based on all available information about the setting of the Matrix movies, the easiest explanation to accept would be that too few animals are left alive after the war between humans and the Machines. However, in "Matriculated", an segment of <a href="/title/tt0328832/">The Animatrix (2003)</a> (2003), a monkey named Baby is depicted with functional implants for jacking into simulations, evidence that the Machines could indeed insert some animals into the Matrix. Scientifically, the whole premise that Machines need to harvest human body heat to survive is dubious at best. For one thing, there's no adequate explanation of how the humans are kept alive. (Feeding them the liquid corpses wouldn't be enough.) Furthermore, other forms of fusion would probably prove more efficient. At the Machines' level of technology, solar power could still be an option, despite the sun being blocked off. Fans have proposed some alternate explanations for why people are kept alive in the Matrix. One intriguing idea is that the Machines cannot artificially replicate certain qualities of biological sentience/sapience and are secretly using human brains as CPUs. Otherwise, it is conceivable that the human race is being preserved for conservationist, ethical, sadistic or sentimental reasons. The actors that were hired had some kind of physical background; Carrie Anne-Moss was a dancer and Keanu Reeves used to play ice hockey. The actors underwent a hard training regimen for several months prior to filming. It isn't made clear what the rules are for the Agents to take over a person's body, but as shown in the movie, they wanted to use Neo in order to locate Morpheus and kill him and the rest of his group. Originally the agents tried to get Neo to simply agree to help them in order to have his criminal record expunged. When this fails they grab hold of Neo and put a tracking device into his stomach (also possible, given that it had some sort of bio-mechanical function that it could have taken over Neo's body causing him to fall under the control of the Agents). To explain why the agents wouldn't take over Neo while Neo was with Morpheus is likely because they likely need to be within a certain radius from Neo. As the tracking device was removed from Neo, the agents didn't know where Neo was and could not take over his body. Also, after the Agents release Neo, Morpheus calls him and says, "They have seriously underestimated how important you are. If they knew what I know; you'd probably be dead." So simple naivety or arrogance on part of the Agents is likely why they didn't kill him. Japanese katakana letters and mirror image digits.<br/><br/> ー ア ウ エ オ カ キ ク ケ コ サ シ ス セ ソ タ チ ツ テ ト ナ ニ ヌ ネ ノ ハ ヒ フ ヘ ホ マ ミ ム メ モ ヤ ユ ヨ ラ リ ル レ ロ ワ ン ０ ２ ３ ４ ５ ６ ７ ８ ９<br/><br/> Usually, science fiction films rarely even get nominated for the "majors" (Best Actor, Best Actress, Best Screenplay, Best Director, Best Picture), and none have ever won. However, The Matrix did win four Academy Awards in the "technical categories" - Sound Effects, Visual Effects, Sound and Editing. Keep in mind as well that 1999 was an unusually strong year for film. Those twelve months saw the release of <a href="/title/tt0120663/">Eyes Wide Shut (1999)</a>, <a href="/title/tt0120784/">Payback (1999)</a>, <a href="/title/tt0185125/">Todo sobre mi madre (1999)</a>, <a href="/title/tt0163988/">Bringing Out the Dead (1999)</a>, <a href="/title/tt0134119/">The Talented Mr. Ripley (1999)</a>, <a href="/title/tt0169547/">American Beauty (1999)</a> (the Best Picture winner that year), <a href="/title/tt0125664/">Man on the Moon (1999)</a>, <a href="/title/tt0120601/">Being John Malkovich (1999)</a>, <a href="/title/tt0151568/">Topsy-Turvy (1999)</a>, <a href="/title/tt0171804/">Boys Don't Cry (1999)</a>, <a href="/title/tt0175880/">Magnolia (1999)</a>, <a href="/title/tt0166896/">The Straight Story (1999)</a>, <a href="/title/tt0126886/">Election (1999)</a>, <a href="/title/tt0120363/">Toy Story 2 (1999)</a>, <a href="/title/tt0140352/">The Insider (1999)</a>, <a href="/title/tt0130827/">Lola rennt (1998)</a>, <a href="/title/tt0120188/">Three Kings (1999)</a>, <a href="/title/tt0167404/">The Sixth Sense (1999)</a>, and <a href="/title/tt0137523/">Fight Club (1999)</a>. All of those titles either upon release or over the years were celebrated as outstanding films by audiences and critics alike. An argument could be made for any of them to have deserved "major" Academy Awards. One movie often compared to The Matrix is <a href="/title/tt1375666/">Inception (2010)</a> (2010). Movies about memories or altered reality (whether distorted or artificial) include <a href="/title/tt0100802/">Total Recall (1990)</a> (1990) (or its remake <a href="/title/tt1386703/">Total Recall (2012)</a> (2012)), <a href="/title/tt0114746/">Twelve Monkeys (1995)</a> (1995), <a href="/title/tt0120382/">The Truman Show (1998)</a> (1998), <a href="/title/tt0485947/">Mr. Nobody (2009)</a> (2009), <a href="/title/tt0268978/">A Beautiful Mind (2001)</a> (2001), <a href="/title/tt0118929/">Dark City (1998)</a> (1998), <a href="/title/tt0338013/">Eternal Sunshine of the Spotless Mind (2004)</a> (2004) and <a href="/title/tt0125659/">Abre los ojos (1997)</a> (1997) (or <a href="/title/tt0259711/">Vanilla Sky (2001)</a> (2001), which is a remake of the previous one). For movies that deal with population control, check out <a href="/title/tt0118929/">Dark City (1998)</a> (1998), <a href="/title/tt0119177/">Gattaca (1997)</a> (1997), <a href="/title/tt0238380/">Equilibrium (2002)</a> (2002) and <a href="/title/tt0399201/">The Island (2005)</a> (2005). Movies about double lives in cyberspace include <a href="/title/tt0120907/">eXistenZ (1999)</a> (1999) and <a href="/title/tt0139809/">The Thirteenth Floor (1999)</a> (1999). Like The Matrix, the actors in <a href="/title/tt0160127/">Charlie's Angels (2000)</a> (2000) also studied martial arts solely for the film and did their own fight scenes. If cyberpunk is of interest, check out <a href="/title/tt0113481/">Johnny Mnemonic (1995)</a> (1995). Three scenes were censored in the UK version rated 15, due to the usage of headbutts. a5c7b9f00b
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