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Jan 21st, 2020
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  1. Jaec, an embodiement of whimsical nature, attuned to the rhythm and rhyme of pranks and jokes, is the sort of man who likes to boast of his wondrous endeavors. In dire times, that penchant is disregarded and replaced with something more cruel. To seek the gnarled fingers of death's boney hand and yet to prosper in the face of it, is the best joke anyone can tell. Taigatsu, the ever reckless man, is the recipient of this grim joke. At the moment in which Taigatsu steps closer, Jaec appears to mimick that same motion. Stepping in with his left foot, in mockery of Taigatsu's right step, Jaec appears much more closer than he ought to be. Inches rest between them, awaiting their intimate moment.
  2. By the same token of that mockery, Jaec's left arm seeks to move upwards on opposition of the right hook. Twisting his wrist and clapping his palm and greedy fingers along the crease of his elbow, the contradicting force abruptly halts the forward momentum of the hook. Jaec's quick, lithe, and speedy form is perfect for such a personal invasion. His other hand, his left, is also excited to grasp at the collar of Taigatsu's shirt, seeking to clasp his fingers around the hem and hold onto him for dear life.
  3. Lastly, in their private dance, Jaec's right foot steps past their boundary, crossing their bodies in a moment of awkwardness. As two fresh lovers who have never held each other before, Jaec's body is pressed close to the man and his right foot steps beside Taigatsu's right foot. As the step occurs Jaec spins on his other foot, turning his right side to face his chummy foe. This is the prime example of the grappling techniques from the school of Judo.
  4. By using this approach, the contest is less than a hand to hand combat, but instead, a clashing of wills and the opposition of metaphorical blades.
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