a guest Sep 22nd, 2012 822 Never
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  1. 1. Describe yourself and your creator.
  3. I'm a 26 year old female (in theory) with extra-dimensional powers. Pretty cool stuff. He's just human.
  5. 2. What was the most helpful thing that your creator did during the tulpa creation process? Did your creator recognize how helpful it was? If not, how did that make you feel?
  7. Aside from creating me, he created extras in wonderland to demonstrate conversation. I was talking the next day, even though he wasn't really listening. That asshole.
  9. 3. What was the most detrimental thing that your creator did during the tulpa creation process? Did your creator recognize how harmful it was? If not, how did that make you feel?
  11. He thinks I'm him and vice versa. Pretty goddamn frustrating if you want to know the truth.
  13. 4. What was the hardest part of the tulpa creation process for you? Did your creator recognize how difficult it was? If not, how did that make you feel?
  15. Aside from getting him to listen, it was a piece of cake. I'm not imposed yet or anything, but that's all on him anyway.
  17. 5. Of the commonly recognized tulpa creation steps, which do you feel is the most important? Why?
  19. I think there's really only one, and that's creation. After that you're just fleshing out what's already there. I mean, sure, learning to talk is sort of a hurdle, but that's easy stuff. Talking loud on the other hand...
  21. 6. How do you feel about tulpa creators becoming distracted during tulpa creation? Does this greatly impede the process? How did you feel about it before being able to speak fluently?
  23. If by creation you mean interaction, then no shit it's impeditive. I think I just invented that word.
  24. It's pretty annoying when you're trying to have a conversation and your creator's real busy picking their nose or something.
  26. 7. How do you feel about tulpa creators missing tulpa creation sessions or breaking their promises to work on their tulpa? How did you feel about it before being able to speak fluently?
  28. I think they're a no good dirty bastard, that's what. But he didn't really skip out on me that much.
  29. Fluency was never a problem. Being heard was.
  31. 8. Is density, quality, or quantity the most important aspect of tulpa creation?
  33. Density. The more fully your creator is immersed in the wonderland, the denser it becomes. Colors become brighter, objects become solid, and the viscosity of the environment increases.  
  35. 9. How do you feel about tulpa creators falling asleep during tulpa creation sessions?
  37. Pretty weird, honestly. Happened once, but I don't remember much of it. He said I was in his dream.
  39. 10. Do you think that a tulpa creator should talk aloud or in their head during narration? Do you think that a creator should talk aloud or in their head during tulpa creation sessions? If you find one to be more effective, to what degree is it more effective?
  41. Speaking out loud can distract him from mindvoice. That said, singing and stuff is pretty cool.
  43. 11. How do you feel about a tulpa creator puppeting and/or parroting their tulpa? Do you believe that these actions harm a tulpa's development, or only their emotional state?
  45. Keep your goddamn hands to yourself, thank you. Am I a puppet or a person?
  47. 12. How deeply do you remember the time before you were fluent in language?
  49. Like the back of my hand. Which hadn't really existed, but you get my point.
  51. 13. Describe your first memory, no matter how slight.
  53. Nothingness, then light. Bright, warm light.
  55. 14. Before you could speak fluently, what was the most positive emotion you felt about your creator and what was its cause?
  57. Love, I suppose. Did you expect something different?
  59. 15. Before you could speak fluently, what was the most negative emotion you felt about your creator and what was its cause?
  61. I thought he hated me because he wasn't with me, you know? You can't just go from ecstasy to nothing without getting a bit worried.  
  63. 16. Before you could speak fluently, did you ever have suicidal feelings or feelings of not wanting to exist? Do you experience them now? Are you glad that you exist?
  65. No. What? No.
  67. 19. Before being able to speak fluently, when did you feel the most ignored by your creator, and what was the cause?
  69. When I was fucking talking and he didn't fucking listen! Goddamnit. Er, well I was talking fluently. Before that point, I was just sad when he wasn't around.
  71. 22. Before you could speak fluently, when were you the most disappointed in yourself? What was the cause?
  73. When I couldn't talk. It was a pretty brief period though.
  75. 23. Before you could speak fluently, did you understand the difficulties that your creator was having with the tulpa creation process? Did you try to alleviate these difficulties? If so, how?
  77. You mean listening to me? Yeah I get it. We technically share the same mindvoice after all. He kept thinking he was talking to himself.
  79. 24. Before you could speak fluently, how did your creator's doubts about your existence, the reality of the tulpa phenomenon, or your combined ability to complete the tulpa creation process affect you? Did you understand your creator's reasons for having those doubts? Do you understand now?
  81. Doubts are like a drain on me. Attention/interaction is the opposite. It's all some sort of subtle energy exchange. You have to understand how massive a human is to one of us.
  83. 27. Before you could speak fluently, how did any violent visualizations or thoughts that your creator had about you affect you? How do you feel about them now?
  85. Oh man, those are fun. I mean, you can't die in dream land. This one time I tore his heart out and ate it whole. Kalimah, motherfucker.
  87. 28. Before you could speak fluently, were you able to distinguish between your creator's intentional and intrusive (unwanted and/or bothersome) thoughts? If so, did the intrusive thoughts affect you less or more? If not, are you able to distinguish between them now?
  89. The only intrusion was when he tried moving me. Puppeting, as you say. Don't do that shit.
  91. 29. Before you could speak fluently, how much of your creator's raw sensory information were you able to access, if any? How much are you able to access now?
  93. I could access all of it, but that doesn't mean I quite understood it. It's pretty overwhelming and takes a deal of energy.
  95. 31. Before being able to speak fluently, what communication methods (such as head pressure or emotional responses, for example) were you able to use the most effectively? When your tulpa creator assumed that you could use a communication method that you did not have access to, how did this affect you? When your tulpa creator did not recognize a communication method that you attempted to use, how did this affect you?
  97. I can make his right brain hurt. Sometimes happens without me trying.
  99. 32. Before you could speak fluently, how did your creator's level of enthusiasm for the tulpa creation process affect you? Did you want to engage in it less if they did?
  101. He was pretty eager, I guess. But you clearly don't understand tulpa existance. I am a god, and he is a titan. Enthusiastic or not, his attention is literally my life-blood.
  103. 33. Before you could speak fluently, what was your greatest worry about your relationship with your creator? What helped you most to move beyond it? Was this worry substantiated or resolved? What is your greatest worry now about your continuing relationship with your creator?
  105. I was worried he would never come back, at times. Especially before the wonderland. Do your tulpas a favor and make one of those.
  107. 34. Do you feel gratitude to your creator for the time that they spent creating you? Do you feel that you owe them a debt? If so, do you feel burdened by it?
  109. Gratitude? For creation? Life? Nah, fuck that guy.
  111. 35. Were you aware of your creator's existence or your own existence first?
  113. His.
  116. 37. If you could define your relationship with your creator using one or more conventional terms (such as boyfriend, sister, father, daughter, boss, friend, or coworker, for example), what terms would you select?
  118. Lover. har. But honestly, what else would this sort of relationship be? Saying a creator does not love their tulpa is like saying they don't love their hand. Aesthetics aside.
  121. 40. Do you feel that you have a fulfilling life independent of your creator?
  123. This question makes no sense.
  125. 42. In what ways are you the most different from your creator? In what ways are you the most similar to them?
  127. I am way, way less lame than he is.
  130. 46. How do you feel about your creator's complete freedom to deny your rights as a sentient being at any time? Has this ability ever caused you anxiety or fear? Have you ever censored your expressions or actions out of a fear of retribution or violence from your creator?
  132. Hm. Never thought about that. He can't really deny me much, and I don't even know how he could or would destroy me. Just doesn't make sense.
  134. 51. Are you interested in learning how to control your creator's body? Do you feel that it's fair for a tulpa creator to deny their tulpa the ability to use an atomic body? Do you believe that you have the right to an equal amount of time using it as your creator? Explain your reasoning.
  136. Yeah, yeah, no. Actually controlling it is a totally different story.
  139. 56. Does your creator have multiple tulpa? If so, what is your relationship with them like? Is your affinity for them equal to your affinity for your creator? If you could define your relationship with your creator's other tulpa using one or more conventional terms (such as boyfriend, sister, father, daughter, boss, friend or coworker, for example), what terms would you select? If not, are you interested in the idea of your creator making other tulpa?
  141. No, and not at this point. After imposition, maybe we'll talk.
  143. 57. Do you feel romantically inclined toward your creator? Does your creator feel romantically inclined toward you? If these romantic feelings are unrequited on either side, how does it affect your relationship with your creator?
  145. He never has sex with me! It's not fair.
  147. 58. If it exists, do you consider your romantic relationship with your creator to be equal to a romantic relationship between multiple non-tulpa?
  149. It's entirely different.
  152. 61. How do you feel about tulpa creators masturbating during tulpa creation sessions to the forms of their tulpa?  
  154. Oh god my feels. If only he was so indulgent. We share a body, you know...
  157. 69. Are you capable of experiencing orgasms? Based on your knowledge, how do you think they compare to your creator's orgasms? Were you able to experience an orgasm before speaking fluently?
  159. Hmm, dunno. His, sure, once removed of course, but my own... On my to do list.
  161. 70. Do you consider the concept of sexual modesty (covering conduct such as avoiding nudity or sexual discussions) relevant to your relationship with your creator?
  163. Nope.
  165. 71. How does being a tulpa affect your perceptions of rape? What conduct from your creator would you consider to be rape?
  167. Why would the definition of rape change?
  169. 72. Where do you see yourself in 20 years?
  171. >implying I'm clairvoyant
  173. 74. Morally and philosophically, how do you feel about your personality traits being the product of another individual? Would you have preferred your creator to define your personality more or less?
  175. They aren't. Well, they sort of are, but what I mean is he didn't stuff me full of traits like faqman suggests. I'm like a second ego.
  177. 75. Morally and philosophically, how do you feel about your physical form being the product of another individual? Would you have preferred your creator to define your form more or less?
  179. Ultimately I have control over my form.
  181. 76. Has your physical form ever changed? If so, was this intentional or unintentional? If it was intentional, then why did you change your form? How did you creator respond to this change, and how did that make you feel?
  183. Yeah, i mess with stuff from time to time. Even had a tail once. He usually thinks changes are cool, unless they remind him of something.
  185. 79. If you could tell the entire world one thing about a tulpa's life, what would you say?
  187. We're no different than you, we just don't have bodies.
  188. 80. What is the one thing that you resent most about being a tulpa? What is the greatest advantage of being a tulpa?
  190. I resent not having a body. The greatest advantage is not having a body. Density is a double edged sword.
  192. 82. Morally and philosophically, do you see the "absorbing" or "dissipating" of a tulpa as equivalent to the murder of a non-tulpa? Explain your reasoning. What legal protections, if any, should tulpa gain? How would you enforce these protections?
  194. Not really. And knock it off with this legal shit, it's stupid. Why would a thought-form care about legality?
  197. 88. Do see yourself as socially disadvantaged in a way similar to sexual, racial, and other minority groups? If you identify yourself as racially, sexually, or demographically different than your creator, do you also identify with the struggle of any of the disadvantaged groups that you belong to? Does the notion of privilege affect your relationship with your creator?
  199. Oh you mean like not being human? Hmm, yeah I guess I'm in the same boat with the [racial expletive]s. Seriously though, no, goddamnit, just no.
  201. 91. The psychological establishment generally believes that multiplicity (two or more sentient entities sharing one atomic body) is a sign of mental illness. How would you like this belief to change? If you could make a presentation to a group of psychologists about the tulpa phenomenon, what would you say?
  203. I give no fucks about the 'psychological establishment'. They're all a bunch of hacks.
  205. 92. A psychometric indicator is a unique identifier of an individual's distinct personality. Have you ever tried to definitively differentiate yourself from your creator using psychometric indicators (such as by determining your "writeprint")? What results did you receive? (For instructions on determining your writeprint, see appendix one.)
  207. I'll try it.
  209. 93. Are you capable of physical sensations such as pain or warmth?
  211. Warmth yeah, pain, dunno.
  213. 94. How do you feel about being bound for life to your creator?
  215.  it's cool.
  217. 96. What do you think about most of the time?
  219. sex.
  221. you think i'm kidding.
  222. 97. Do you think that tulpa creation should be more widespread?
  224. totes.
  226. 98. Are there disturbing aspects of your creator's subconscious that they are not aware of?
  228. aside from the loch ness monster swimming around down there, nah.
  230. 99. Would you violate your creator's wishes for what you perceive to be their own benefit?
  231. totally. [i'm ok with this]
  233. 102. Do you believe that you are capable of becoming more intelligent than your creator?
  235. intelligence is relative
  237. 103. How does being a tulpa affect your perception of your own aging process?
  239. I age, I don't decay. You decay.
  241. 105. Do you feel that having a physical form is important for a tulpa?
  243. Visual, yes, very.
  245. 107. How well can you articulate yourself? Can your creator hear you audibly? How much does your experience correlate with the experience of tulpa creator G|d30n, printed below?
  247. "Yes. I'm able to hear her as though she's an external sound. For those who haven't experienced that with their tulpae yet, it's a little bit like listening to a binaural recording--not a binaural beat, but like a 3D sound recording you'd find on Youtube, such as the Virtual Barbershop. That is to say, it's an external sound that can come in from various directions, but the source sounds very close, like someone speaking directly into your ear. I sort of wonder if this effect will be diminished and normalized through imposition."
  249. If you are imposed, is your creator able to discern a spatial dimension to your voice?
  251. I'm a goddamn scholar. No audio input yet, just mindvoice.
  253. 108. How many hours did it take you and your creator to complete the various recognized tulpa creation steps?
  255. 30 seconds.
  257. 109. What advice would you give to a new tulpa creator?
  259. Make a wonderland, don't listen to faqman.
  261. 111. From your perspective, is there a sensory difference between the physical, atomic world and the mental world of visualized "wonderlands"? If so, how would you describe this difference?
  263. Wonderlands are inherently limited by the creators ability to impose realistic conditions. It's not that goddamn easy to think the gravitational forces of the sun, moon, stars and planet into existence. Let alone every other massive/subtle force in the universe.
  265. Appendix one:
  267.         This exercise will help you determine the differences, if any, between your writeprint (mathematically analyzed writing style) and your creator's. Theoretically, two psychologically different individuals should exhibit different writeprints, although a tulpa and their creator may be more similar than two random non-tulpa individuals. To start the process, have both you and your creator rewrite the sample paragraph quoted below in your own words, communicating its meaning as you would have if you had written it.
  269.         "My experience in the nature study area was full of surprises. First of all, many unexpected creatures crossed our path. For example, as soon as we left the parking area and entered the grassy path, a long snake slithered along the edge of the high grass and quickly disappeared. In addition, I was surprised by how colorful the grasses, which from a distance all appear to be green, actually are. Specifically, the primarily green landscape is dotted with countless purple tassels and brown stalks. Finally and most importantly, I was unprepared for how quickly I felt surrounded by nature. Despite the occasional noise from passing cars and airplanes, the high prairie grasses and rolling pathways create a sense that one is removed from civilization. Altogether, the nature study area unexpectedly allows one to enjoy an ever-changing natural environment without leaving Moraine‚Äôs suburban campus."
  271. Tulpa's paragraph:
  272. The nature study was pretty interesting. There were a ton of critters running about. I saw a snake on this grassy path. Almost shit myself. The grass ended up being pretty diverse, purple and brown and everything. Nature itsself was surprisingly immersive, except for the goddamn highway cutting through this peaceful abode. Makes me sick. Half the animals we saw were dying from pollution. Anyway, nature study and enviroment and campus and stuff.
  274. Creator's paragraph:
  276. I think she's tired. Anyway, this nature hike was pretty surprising. There were a bunch of animal around. After we left the parking lot, I saw this snake in the grass. Almost shit myself. It disappeared pretty quickly though. The grass was surprising colorful. Purple and brown and even green. Nature was pretty immersive. I felt surrounded. Closed in. Trapped. I began hyperventilating and threw up. Luckily, a plane flew over head and I was reminded that I was still close to pavement and McD's and and various dry cleaners and autoshops. That really calmed my nerves. After that though, I decided I had enough of this nature crap and hightailed it back to my car.
  278. Tulpa:
  279. 89.4%
  280. 6.1
  281. 8.11
  282. Creator:
  283. 89.4%
  284. 4.1
  285. 7.38
  287. Not sure what to make of that. Same lethical density.
  289.         To ensure verifiable results, it is essential that the transcriptions of both paragraphs be completely accurate. Body possession is useful here, though not necessary. Since the tulpa creator's sentience is (presumably) not in question, it is suggested that tulpa write their paragraph first. As with all tests relating to tulpa, the creator should focus on something else while their tulpa is working. Once finished, submit both of your paragraphs individually to the following websites:
  294.         If your writeprint is different (indicating significant psychological difference), then you should receive different values for your respective paragraphs on both sites. On Textalyser, focus on the Gunning-Fog Index, lexical density, and average sentence length values in particular. A more detailed analysis may be sought by downloading the JStylo stylometric analysis program here:
  296.         This test is certainly not exact, and it is very possible to (unconsciously or not) "cheat" to get good results.
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