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Thin Rainbow Line (WIP)

Dec 21st, 2017
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  1. >Winters are the worst
  2. >This was the prevailing thought as you stepped from your vehicle into the early morning air
  3. >Sure, Christmas and New Year's were fun, but...
  4. >The wind picks up and kicks your face with an icy blast
  5. >...you hate the cold
  6. >Groaning, you settle further into your dark-blue patrolman's jacket and begin your trek across the parking lot
  7. >A fresh blanket of snow had fallen over the night, covering lawns and sidewalks
  8. >The city had done a decent job of salting the roads, at least
  9. >You cross the street, unconcerned with traffic at such an early hour
  10. >Pass an illuminated flag pole
  11. >Walk through the front door of the Blaik County Police seventh district substation
  12. >And into your new job
  13. >Where you proptly realize how lost you are
  14. "Shit."
  15. >You don't actually remember where to go from here
  16. >Looking around, you spot a bored-looking middle-aged woman sitting behind a panel of ballistic glass, and you make your way over to her
  17. >You lean against the counter
  18. "Excuse me."
  19. >At a painfully slow pace, her eyes drift from her computer screen to you
  20. "Uh, I'm new, I'm not really sure where I'm supposed to go."
  21. >You were sure that at some point someone had told you, at it had just slipped your mind
  22. >Not the best first impression, to be sure
  23. >"Squad room."
  24. >She jerked her head towards the front door
  25. >"He'll show you."
  26. >You direct your attention towards the door
  27. >A tall, dark haired man who looked to be in his mid twenties had just walked in
  28. >A single thin, gold service bar was stiched into his jacket's lower left sleeve, marking three years of service
  29. >"You the new guy?"
  30. >He walks up to you, hand outstretched
  31. >"George."
  32. >You clasp his hand firmly, and shake
  33. "Anon."
  34. >"Good to have ya' with us, Anon. C'mon, squad room's this way."
  35. >He swipes his card through a reader and leads you through a nondescript door into a long, narrow hallway
  36. >"So, you lived here in Blaik County long?"
  37. "About three days. Moved here once I got the job."
  38. >He whistles
  39. >"Three days and you're already getting started, huh?"
  40. >You shrug
  41. "Yeah, well, figured I might as well. I was kinda' excited to start working, honestly."
  42. >"Well, keep up the enthusiasm, man. It'll take you far."
  43. >He reaches the door and pauses.
  44. >"Otherwise, you'll burn out on this and hate your life."
  45. >He pushes through the door and you follow
  46. >Trying to keep the conversation alive, you press
  47. "So, what do you do?"
  48. >"Patrol. But I'm one of two FTO's on shift, so you might be riding with me."
  49. >He grimaces ever so slightly
  50. >"Or that other guy."
  51. "What? What other guy?"
  52. >George waves his hand dismissivly
  53. >"Nah, don't worry about it. Whoever they stick you with, they'll be great."
  54. "Whoever being you or one other person."
  55. >"Yeah."
  56. >You reach another door, which George pushes open, revealing a rectangular desk with a dozen or so chairs spaced around it
  57. >Immediately, you knew who that 'other guy' had to be
  58. >He was sitting in the back corner of the room with his feet propped up against the desk, scowling at you as you entered
  59. >He was lean and, like George, appeares to be in his mid to late twenties
  60. >However, his most memorable feature is a close-crop of messy rainbow hair
  61. >George nudges you
  62. >"Dude, you're staring."
  63. >You avert your eyes, but aside from the scowl he gave no indication of caring
  64. >George takes a seat near the front of the room and you settle into the chair next to his, turning away from the black looming presence sitting at the far end of the table
  65. "So..."
  66. >You jerk your hear towards the rainbow-haired officer
  67. >"Corporal Dash. He's been on a little longer than me. I think he laterally-hired in from some agency a little bit south of here."
  68. "Is he like... gay?"
  69. >George shurgs
  70. >"We don't fuckin' know, man. Dash likes to keep to himself. I mean, he's not a bad cop, he's just distant. Ya' know?"
  71. >You nod
  72. >Other offices begin to shuffle into the room
  73. >"He's also the other FTO."
  74. "Yeah, I guessed that."
  75. >The door is pushed open once more and a man whose uniform bears sergeant's stripes enteres, coffee mug in one hand and clipboared in the other.
  76. >"Morning, everyone."
  77. >He takes his place in the front of the room
  78. >"Welcome to the zero-five-hundred to seventeen-hundred shift. As I'm sure you noticed, we had some heavy snowfall last night so expect lots of accident calls today, especially out on county roads that haven't been salted yet."
  79. >He flips through his papers
  80. >"EMA wants to be remind you that fire rescue is IC for any accidents invlolving injuries or fire, and you're going to be focusing on traffic enforcement today, because of aforementioned snow, so that's speeders, seatbelts, distracted driving. Clear?
  81. >He pauses a moment for questions
  82. >"So, putting that aside, we've got a new member of the team, Officer Mous -
  83. >You raise your hand
  84. >"- so everyone coach him, make yourselves available to answer any questions he has. Mous, welcome to your first day at the Blaik County Police Department. Corporal Dash, you'll take the lead as his FTO."
  85. >The sergeant browses through papers
  86. >"And, that concludes my brief to you. If you need me, you can contact me by radio or phone. Hit the streets."
  87. >George stands from his chair
  88. >"Sorry, man. Dash is good. You'll do okay."
  89. >"Let's go, rook."
  90. >It was a voice you don't recognize
  91. >Not exactly low, but certainly not high pitched
  92. >The best way you could describe it is coarse, and a little strained
  93. >A little like an adolescent boy
  94. >You turn towards the source
  95. >It's Dash
  96. >Certainly not how you though he'd sound, but then again, you weren't really sure what you'd expect
  97. >Now that you could see him up close and standing, it was apparent that Dash was kind of short
  98. >You're about average height, and the top of your his head was a little above your eye level
  99. >"What?"
  100. "Uh..."
  101. >You're not exactly sure what to say.
  102. >He points to a charging bank sitting on a table
  103. >"Grab a radio and let's go, we've got a lot of work to do."
  104. >You snatch a radio out of the charging bank and jam it into its holder on your duty belt
  105. >You follow Dash out of the room through the same door that the other officers left by
  106. >A brisk walk down a hallway leads you to another door, which Dash opens and leads you into a parking lot
  107. >He points to a black-and-white Ford Explorer-based Police Interceptor Utility
  108. >"There's our unit, Six-Delta-Twenty. That's our callsign for the radio."
  109. >He unlocks the vehicle
  110. >"I'll be handeling driving today, but I want you to functions check the lights and sirens before we get on the road."
  111. >You hop into the driver's seat, crank the ignition, and locate the control box
  112. >You hit the lights, and the lightbar blooms to life
  113. >Covering one ear, you mash the siren control and cycle through wail, yelp, and the air horn before switching them off and stepping out
  114. "Okay, everything's working."
  115. >Dash jerks his head towards the passenger side, before taking the driver's seat and shutting the door
  116. "Cunt"
  117. >You murmur, as you make your way to the passenger side and step in
  118. >"So. What'd you just do wrong?"
  119. >What? Again, you we're unsure of how to proceed
  120. "I, uh,"
  121. >"You crossed in front of the car. That's super basic shit."
  122. "But that's for like... traffic stops and stuff."
  123. >He shakes his head
  124. >"This needs to be second nature to you. If you can't remember to do it now, under no stress in a parking lot, then you'll for sure fuck it up when you're on the road, it's raining, you're cold, and it's your fifteenth traffic stop that day. You always cross behind your vehicle - it's a matter of repitition."
  125. >Dash jabs a thumb at the two rifles stored between you
  126. >"The combination's four-seven-nine-three. You need to have that memorized."
  127. >He puts the car in reverse, and grabs the microphone
  128. >"Six-Delta-Twenty, ten-eight from the station."
  129. >Dash takes a right turn out of the stations lot
  130. >You glance at the cruiser's clock
  131. >Five in the morning, exactly
  132. >Internally, you sigh
  133. >You've got twelve more hours with this dude
  134. >"We're going to be working plenty of accidents today, so pay attention because this'll be a huge part of your job. When you get on scene, there's a reflective vest for you in the trunk. You will wear that vest whenever you're working a traffic accident, for the entire time you're there. A lot of cops are killed working accidents because a motorist doesn't see them."
  135. >You nod - this is basic information
  136. >"Whenever you're on scene, you need to be looking *and* listening. If you hear tires squealing, someone's probably losing control of their car and you need to be ready to move."
  137. "How many accidents do you think we'll see?"
  138. >He shurgs
  139. >"Tough to say. Could be a few dozen on a bad day. Sun won't be up for a couple more hours, and that's when we'll start getting calls. During morning rush hour."
  140. >And like that, you were back to uncomfortable silence
  141. >It looks like George is right
  142. >Dash does prefer to keep to himself
  143. >Which really begged the question, why did he become an FTO?
  144. >Maybe it was a power thing
  145. >A Napoleon complex on account of how short he was
  146. >You really hope not, riding with someone like that would be absolutely aweful
  147. >More so than it already was
  148. >Minutes pass with no more words spoken
  149. >Other than to instruct, Dash doesn't seem interested in initiating conversation
  150. >You try to break the ice
  151. "So, what do you do outside of work?"
  152. >He cocks an eyebrow
  153. >It's a transparent attempt, and he knows it
  154. >But he seems willing to humor you
  155. >"I exercise a lot on my off days."
  156. "Cool. Like what? Running?"
  157. >"Yeah, some. And I do a lot of weight training."
  158. "...oh."
  159. >You really hadn't meant it to come out thar way
  160. >It was just, Dash doesn't look that built
  161. >Granted, 'a lot of' weight training could mean anything
  162. >And it's hard to tell exactly what he looks like under his winter uniform
  163. >But as you noted back at the station, he seems to be a pretty skinny guy
  164. >Either way, regardless of your intentions, his irritated scowl was back
  165. "Sorry, I didn't mean -"
  166. >His glare cuts you off
  167. >Good job, Anon
  168. >You're really nailing it on your first day
  169. >The next two hours pass with little incident and few words spoken, other than bare essentials
  170. >It's a relief when your dispatcher comes over the radio
  171. >"Six-Delta-Twenty, respond to Highway Fifteen eastbound past mile-marker four, highway one-five eastbound past mile marker four, in reference to a ten-fifty with possible injuries."
  172. >Dash grabs the microphone
  173. >"Six-delta-twenty, we're en-route."
  174. >He hits the lights and sirens, and stomps on the accelerator
  175. >"When we get on scene, you stay with me and listen to exactly what I say. People like to go upwards of fifty, sixty miles per hour on this road. Don't expect them to move over just because you're running lights. For the love of God, pay attention to oncoming traffic and if you see something fucked up let me know."
  176. "Right, yeah, got it."
  177. >You can feel your hands shaking
  178. >It's an odd combination of fear and excitement
  179. >Here you are, after months of training, running your first call
  180. >The engine is roaring, and you can feel the weight of your two and a half ton vehicle as Dash accelerates into a turn
  181. >Somewhere in the back of your mind, you remember that at around sixty miles per hour a police car will begin to outrun its siren
  182. >You're now pushing eighty
  183. >It's thrilling
  184. >And at the same time, there's someone who needs your help
  185. >It's a sense of urgency you had never felt before
  186. >A life hanging in balance, and a race to get there in time
  187. >Dash turns down a new road and begins to break
  188. >There's cars slowing to a halt a short distance in front of you
  189. >He brings the cruiser onto the shoulder of the road and passes by the stopped traffic at a speed of thirty or forty miles per hour
  190. >A quarter mile or so in front of you is the crash
  191. >You can start making out details
  192. >At least one vehicle, a green sedan, has flipped
  193. >"Shit, this is going to be bad."
  194. >As you draw closer, you can make out more details
  195. >The frame of the sedan is crumpled, and the windows shattered
  196. >One of its doors was torn off and flung off the side of the road
  197. >A second car, a red coupe, has a deep gouge on the front passenger side, and has spun around to face oncoming traffic
  198. >Black smoke is wafting out from under the hood
  199. >Dash mashes the break, and the vehicle slides to a stop
  200. >"Six-delta-twenty, we're on scene. We need you to start a ten-fifty-two our way, and keep fire rescue rolling."
  201. >He leaps from the car, pulling his reflective vest over his torso
  202. >"Grab the extinguisher from he back."
  203. >Without waiting for a reply, he rushes over to the coupe
  204. >As soon as your boots hit the ground, you scamble to the rear of the intercetor and pop open the tailgate
  205. >You grab your vest, throw it on, and pull the fire extinguisher from the trunk before running over to Dash
  206. >Dash reaches inside the car to pop the hood
  207. >"Take care of that smoke, I'll check on the driver."
  208. >You stuff the nozzle under the hood and sqeeze the lever, empying the contents of the fire extinguisher into the engine compartment
  209. >"Hey man, can you hear me?"
  210. >You hear a soft groan
  211. >Dash has his nitile gloves on and is checking the driver
  212. >"Just stay still, don't move your neck. We've got an ambulance coming."
  213. >He keys his radio
  214. >"Six-delta-twenty to Blaik County, we have one male, approximately thirty years of age, with unknown injuies."
  215. "Is there anything I can do?"
  216. >Dash looks over his shoulder at you
  217. >"Yeah, go check on the other car. If you find someone, call it up to dispatch so they can update fire rescue. Don't move them unless you absolutely have to."
  218. >You pull a pair of gloves from the holder on your belt and rush over to the flipped sedan
  219. >Shattered auto glass crunches under your boots, and the sharp odor of gasoline stings your nose
  220. >You kneel by the driver side window and peer inside
  221. >Strangely, you find not a single passenger inside
  222. "The fuck?"
  223. >You look back towards Dash, a question forming on your lips, but he looks pretty preoccupied dealing with the driver of the coupe
  224. >He'll probably bitch at you if you try to drag him away for something that wasn't urgent
  225. >You scan left and right, searching for answers
  226. >Surely there was no way whoever was in here got out and walked away
  227. >You stand up and walk to the front of the car
  228. >Still nothing
  229. >"Hey, what's going on over there?"
  230. >Great, now Dash is yelling at you
  231. "I can't find..."
  232. >You notice something laying in the snow
  233. >Something very, very still
  234. >You move towards it, stepping over the guardrails and into the snow
  235. >"What? What do you see?!"
  236. >You know what you're seeing
  237. >You don't want it to be true
  238. >And you really hope you're wrong
  239. >But somehow, you know
  240. >It's the dead body of sedan's driver
  241. >Someone was yelling something, but you couldn't process their words
  242. >All you could do was stare
  243. >The body is a woman of about forty, lying face up
  244. >It isn't hard to piece together what had happened
  245. >She hadn't been wearing a seatbelt, and when her car flipped she had been ejected from the vehicle and flung into the air
  246. >This is how she landed
  247. >Her long, black hair is splayed out behind her head, with not a strand touching her face
  248. >A pair of blue eyes stare dully up at the sky
  249. >Her mouth is open just ajar
  250. >And her head sits atop her shoulders at a horrible angle
  251. >Looking back, this was probably the breaking point
  252. >Your legs give out and you tumble forward, breaking your fall with your hands
  253. >A sickening pressure grows in the back of your throat
  254. >And you throw up
  255. >You're not sure how long you stayed like that
  256. >But eventually, you feel someone grip your left shoulder and pull you onto your knees
  257. >"Anon."
  258. >It's Dash
  259. >"Aw, shit."
  260. >You try to look back towards the body, but Dash gives you a shake
  261. >"No, don't look at her, look at me. Can you walk?"
  262. >You swallow and try to find your voice to answer
  263. "Ugh... yeah."
  264. >"Alright, c'mon. Let's get up."
  265. >He helps pull you onto your feet
  266. >Dash's grip hasn't left your shoulder
  267. >"I gotcha' man. Let's get you back to the car."
  268. >Gingerly, he leads you over to your cruiser, opens the passenger door and sets you inside
  269. >"Fire departments on scene, you just sit this one out."
  270. >He hands you a bottle of water
  271. >"Sip on that, I want half of it gone by the time I get back."
  272. >You nod, and Dash away
  273. >And strangely, you find yourself missing his presence
  274. >It wasn't so much *him*, it was just comforting to have someone around
  275. >Though Dash had displayed a surprising amount of care
  276. >You might've misjudged him
  277. >You know, a little
  278. >He was definitely a little abrasive
  279. >And kind of a dick
  280. >"Hey man, how ya' hanging?"
  281. >It's George
  282. >At some point, he must've arrived
  283. "Alright, I guess. You heard what happened?"
  284. >He sighs
  285. >"Yeah, Dash filled me in. That's rough. But had to happen sometime, ya' know?"
  286. "Yeah..."
  287. >"Well, I thought I'd check on you. Can't really talk, they need me to help direct traffic around this clusterfuck."
  288. >Honestly, that makes you feel worse
  289. >Like everyone else on scene was doing something
  290. >Except you, because you couldn't handle the sight of a body
  291. >It wasn't like some shocking revelation that you would see death
  292. >And then, when it really counted, you fucked it up
  293.  
  294. ***
  295.  
  296. >The ambulance leaves the scene first
  297. >Then the coroner
  298. >Two wreckers
  299. >And the fire department
  300. >All that's left is you and Dash, and the two other Blaik County units who responded
  301. >It didn't take you too long to recover
  302. >But by that point, you figured if you tried jumping in you'd be more a hinderance than an asset
  303. >Better to just ride it out
  304. >There's always next time
  305. >You hear the driver side door open, and Dash steps in
  306. >His nose and cheeks are stung red by the cold
  307. >"Oh, man."
  308. >He strips his bright yellow traffic vest off and stuffs it inside his doors storage compartment, and lets out a sigh as he relaxes in his seat
  309. >"Well, that wasn't too bad."
  310. "Could've gone a lot better."
  311. >He glances over at you
  312. >"Look, here's the thing about bodies, man. Everyone reacts differently, and when you see your first one... well, it fucks with people."
  313. "I guess. I just feel like I pussed out."
  314. >The ghost of a smile tugs at the corner of his mouth
  315. >"Yeah, a little. But you'll see more, and you'll toughen up. It's just a matter of getting used to it."
  316. >He pauses
  317. >"Don't let it get to you. As far as first calls go, that was a lot. As the way you reacted... you're human. You've got empathy. Try not to lose that."
  318. >He reaches over to the computer, and begins scrolling through the dispatch log
  319. >"Anyway, the calls have been stacking up, and we're not even close being done for today. So I definitely can't have you up your own ass with moping, because we have a noise complaint to check on."
  320. "I'm good, let's go."
  321. >You meant it
  322. >Any chance to redeem yourself would be welcome
  323. >Even if it was something as trivial as a noise complaint
  324. >Dash puts the cruiser into drive, and pulls out onto the highway
  325. >"Six-delta-twenty to Blaik County, show us ten-eight and responding to the noise complaint on five-sixteen Clearwater Road.'
  326. >...
  327. "So."
  328. >"What's up?"
  329. "How'd you react?"
  330. >"To what? My first body?"
  331. "Yeah. You said everyone reacts different."
  332. >"Well, *I* didn't throw up. But like I said, it fucks with you. It wasn't easy."
  333. "What was it?"
  334. >You're not entirely sure it's an appropriate question, but your curiosity is getting the better of you
  335. >"It was a drowning. A couple kids broke into a public pool at night, and turns out neither could swim."
  336. >He shakes his head
  337. >"The stupidity of some people, right?"
  338. "This was back at your old agency?"
  339. >His eyes snap onto you
  340. >"How'd you know about that?"
  341. >You raise your hands defensively
  342. "George told me this morning."
  343. >Dash squints, his eyes searching you for any signs of dishonesty
  344. >Finding none, his expression softens
  345. >"Yeah. Back when I worked for the Canterlot Police. Things were usually pretty quiet."
  346. >His gaze drops for just a fraction of a second
  347. >"Not like Blaik County though. You'll see and do plenty around here."
  348. "Like... check on noise complaints."
  349. >"Oh, absolutely."
  350.  
  351. ***
  352.  
  353. "Ma'am, listen -"
  354. >"No, you listen! You listen, because *that*..."
  355. >The woman jabs the air with a finger
  356. >"That, is what I hear every damn morning!"
  357. >She was referring to generic sounding dubstep pumping from the inside of the house next door
  358. >Honestly, you didn't think it was that loud
  359. >You could barely hear it from the porch
  360. "Ma'am, the current noise ordnance expires after eight in the morning."
  361. >"They're changing that law! I looked it up, they're changing that law any day now!"
  362. "Yes, ma'am, but until the new law takes effect, he's not in violation."
  363. >She huffs and throws her hands in the air, in an exaggerated fashion
  364. >"You don't live here, you don't know what it's like to wake up every day and hear that... that garbage!"
  365. "Have you tried talking to him, and explaining yourself?"
  366. >She glowers at you
  367. "Would you like *me* to talk to him, and ask him to turn the music down?"
  368. >"I'd like you to arrest him."
  369. >You groan inwardly
  370. "Well that isn't going to happen. So I can either leave, and you can call us back when he's actually in violation of the noise ordnance, or I can go talk to him."
  371. >She sighs
  372. >"Well, I guess you can *try*."
  373. >You walk off her porch
  374. >Accross her lawn
  375. >Past your cruiser and Dash, who has an amused smirk on his face
  376. >Across the street
  377. >And up a short flight of poorly maintained wooden stairs, terminating at a small landing
  378. >The music was a lot louder over here
  379. >You reach out and rapidly strike the door with the back of your hand a full dozen times
  380. >Several seconds later, an unshaven, unkempt man dressed in a dark red bathrobe answered the door
  381. >You hope he's wearing underwear under there
  382. >"Sup?"
  383. >"Sir, I'm having trouble hearing you, can you turn down the music?"
  384. >He produces a small remote and mashes a button, silencing his speakers
  385. >Thank God
  386. "Thank you. I'm Officer Mous with the Blaik Couny Police Department. We've recieved a call from one of your neighbors complaining about the volume of your music."
  387. >"Oh yeah? Is that a crime?"
  388. "Well no, sir, but your neighbor is very upset -"
  389. >"Oh yeah... heh. Fuck that bitch, right?"
  390. "Sir, I think she'd really appreciate it if you'd enjoy your music at a lower volume."
  391. >He looks at you
  392. >"Look dude... you just said it's not a crime. So why're you over here harassing me about this?"
  393. "Sir, they are changing the noise ordance to expand the hours it's in effect."
  394. >"Okay, well come back when I'm breaking the law. How about you go and write some speeding tickets until then."
  395. >He shuts the door
  396. >The music comes back on
  397. >Defeated, you make your way back to your car
  398. "Fuck both those guys."
  399. >A raspy laugh escapes Dash's throat
  400. >"Better get used to it. You'll deal with a lot of this. Anyway, that wasn't awful."
  401. >He swivels the computer to face you
  402. >"Start writing up the report."
  403. >You glance at the clock
  404. >It's not even lunchtime yet
  405. >"Blaik County to all district seven unit, respond one-twenty-eight Bluehill Street, one-two-eight Bluehill Street, in reference to a ten-ten."
  406. >"Hey, we got a fight!"
  407. >Dash keys up the radio
  408. >"Six-delta-twenty, en route."
  409. >He hits the lights, siren, and accelerates
  410. >"We're close, we'll probably be the first ones on scene."
  411. >A fight
  412. >*Real* police work
  413. >"Hey, Anon."
  414. "Yeah?"
  415. >"This fights in a residential area. It could be related to a domestic incident, even though they didn't page it out as one."
  416. "Okay."
  417. >"So if we get on scene, and we've got a victim that looks beat all to hell, you keep a close eye on him anyway, because he won't be on our side once we arrest his dad, brother, friend, whoever."
  418. "Got it."
  419. >You had to admit, Dash's ability to multitask was pretty impressive
  420. >Here he was, passing cars and clearing intersections running code three to a fight, all the while talking to you about what you might see when you got on scene
  421. >It doesn't even look taxing for him
  422. >You turn right, down a road lined on both sides with barren trees and modern, suburban homes
  423. >It doesn't take you long to spot the fight
  424. >Thought to call it a fight may be a bit of an exaggeration
  425. >There were two men
  426. >Words had definitely been exchanged, along with some shoves
  427. >But as far as fights go...
  428. >Yeah, this was pretty mild
  429. >A third person was also present
  430. >A woman, who was jumping and swatting at herself
  431. "What the hell?"
  432. >Your cruiser slides to a stop, and Dash kills the siren as he hops out
  433. >You're right behind him
  434. >Dash's autolock baton cracks as he flicks it out to it's full length
  435. >"Police! Break it up!"
  436. >You and Dash, batons in hand, wedge yourselves in between the men and force them apart
  437. >They continue to stare hatefully, though make no movements towards eachother
  438. >The woman, on the other hand, can't stop moving
  439. >"Oh God, get it off me, I can feel it on me!"
  440. Dash yells over his shoulder
  441. >"Ma'am, take it easy!"
  442. >He turns his attention back to the two men who had been fighting
  443. >"Does someone want to explain to me what's going on here?"
  444. >The first man, wearing a heavy work jacket and jeans, volunteers his story.
  445. >"Easy! So I'm here doing some electrical work -"
  446. >He points at a 'Lightning Wiring' van in the driveway of a nearby house
  447. >"- all of a sudden, I see this mother fucker tryin' to attack that woman!"
  448. >The second man, dressed in a suit and overcoat, protests
  449. >"That is a lie!"
  450. >Dash looks at the woman, who is still squirming unconfortably, albiet less violently
  451. >"Ma'am, was this man attacking you?"
  452. >"I don't know what he was doing, he kept trying to stick his fingers in my mouth!"
  453. >You're... not really sure what to make of that
  454. "Fingers in your mouth?"
  455. >The accused man quickly interjects
  456. >"To keep her from choking on her tongue! I was walking to my car when I saw her freaking out, and then she fell over. I assumed she was having a seizure."
  457. >Dash raises his eyebrows
  458. >"Were you having a siezure, ma'am?"
  459. >"Of course not, I want to get that *thing* off me! It's still there, I can still feel it!"
  460. "What thing?"
  461. >"My son's pet! Look, I had it in here -"
  462. >She reaches down and picks a box off the ground, and opens the lid
  463. >"- and it... oh."
  464. >Her face flushes red
  465. >You and Dash peer inside
  466. >It's a short, brown Salamder
  467. >... God dammit.
  468. >Dash lets out a short bark of laughter, and reaches for his radio
  469. >"Six-delta-twenty to Blaik County, we're code four, no further assistance needed."
  470. ...
  471. "That was really not what I was expecting."
  472. >"Yeah, no shit, dude."
  473. >You and Dash were back in the interceptor
  474. >Dash, in his infinite kindness, was letting you handle the paperwork
  475. >"But there's actually a good take away from this."
  476. "Yeah? What's that?"
  477. >"You can't always trust what comes over the radio. It's not the dispatchers fault, usually, they're working with that they got. But you'll be surprised how often you respond to a call, and find something you totally aren't expecting."
  478. "Like a salamander."
  479. >"Not just that. Like, this one time we got a call for a domestic. And obviously, you're expecting to find at least two people. But when we get on scene, it's just this one dude standing on a car, ripping his shirt off. Nobody else around that we could find."
  480. "Shit. How'd that end?"
  481. >"Eh, we managed to get him under control. He was on something, obviously."
  482. "Was this in Blaik County?"
  483. >"Nah, Canterlot."
  484. "You know, you made it out to be quiet town, but it sure sounds like some shit went down there."
  485. >Dash is quiet for a moment
  486. >"Yeah."
  487. >Something about his answer seems off
  488. >Something you can't place
  489. >It was the same tone of voice, just missing something
  490. >Missing some energy
  491. >You stop writing your report
  492. "Uh... you okay?"
  493. >"Huh? What?"
  494. "You just seemed kind of... I dunno."
  495. >"Never been better, dude."
  496. >He pauses, and then taps the side of the computer
  497. >"Hey, you done with that shit yet? I'm hungry, I want something to eat."
  498. >"So I'm thinking we hit up that sandwich shop over on Daisy Street."
  499. >You shrug
  500. "Yeah, alright."
  501. >"You ever been there?"
  502. "I've been here like, three days. I've had canned soup, and those cheap subs from Walmart."
  503. >"Oh my God, dude, it's so good. They've got like... everything."
  504. >Sandwhiches
  505. >Sure, why not
  506. >You hadn't had anything to eat since early this morning
  507. >Like, four in the morning early
  508. >And then you'd lost most of your meager breakfast on the side of the highway
  509. "Honestly, I'd eat just about anything right now."
  510. ...
  511. >"So what'd I tell ya'? Pretty good, right?"
  512. >You take another bite of your reuben
  513. >It was good, but the way Dash had built things up...
  514. >You're beginning to suspect your FTO may have a tendency to exaggerate things a bit
  515. "It's alright."
  516. >"Alright? Pff. Man, you wouldn't know quality food if it jumped up and bit you in the ass."
  517. >Dash crumples up the paper used to wrap his sandwhich and stuffs it into the bag it came with, and checks his watch
  518. >"Hurry up, dude."
  519. >You swallow
  520. "Hurry up? We've been here fifteen minutes."
  521. >"You are eating like... super slow. I'm don't want to sit here all day waiting."
  522. >You know, Dash isn't aweful
  523. >He's really not
  524. >But he is started to grate on your nerves just a bit
  525. >He's like that one friend you like just fine, but you can only take so much of
  526. >Only you two aren't friends
  527. >And you're pushing eight hours with him
  528. >'Only four more to go', you tell yourself
  529. >Begrudgingly, you finish off your sandwhich in three large bites
  530. >"Well, it's about time."
  531. >The two of you stand up from the booth you were sharing and toss away your trash before making your way to your cruiser outside
  532. >After barely twenty minutes of break, you're back on the road again
  533. >Dash takes you on a quick route out of the city, and onto one of the state's four-highways running through the county
  534. >Traffic was fairly heavy,
  535. >"This highway connects to the interstate about twenty-five miles that way. The posted limits fifty-five, but people come off the interstate doing seventy-five, eighty miles an hour, and never slow down. There's a bunch of back roads that connect, and most of them don't have stoplights, so we'll see some pretty bad t-bone crashes out here."
  536. "So, are we doing traffic enforcement?"
  537. >Dash nods
  538. >"We're not too busy right now, and the sergeant is expecting everyone to run at least some traffic enforcement today. I'd rather not have him on my ass about it."
  539. >You look out your right window as you slowly pass a car
  540. >The driver is an old, steely haired woman, who appears to be giving considerable concentration to the act of driving
  541. >You doubt she even realizes you're there, the way she's rigidly staring down the road
  542. >A flash of silver above her shoulder catches your eye
  543. >It's the metal tongue of her seat belt
  544. "Hey, Dash?"
  545. >"Sup?"
  546. >You point
  547. "That lady isn't wearing her seatbelt."
  548. >You almost feel like a child, telling on the kid in class who's chewing gum
  549. >But Dash just nods
  550. >"Good eye."
  551. >He gently applies pressure to the break
  552. >Her car steadily creeps ahead of you
  553. >Once it's clear, Dash brings the cruiser into the right lane
  554. >"You think she'll survive if we pit her?"
  555. >A look of horror flashes across your face, eliciting a short laugh from Dash
  556. >"Kidding, dude. Lighten up."
  557. >...
  558. >Dammit, Dash
  559. >He hits the lights
  560. >You see the break lights of the car in front of you illuminate in response
  561. >She's probably just now noticing you
  562. >Your cars slow together and pull onto the right shoulder
  563. >"Six-delta-twenty to Blaik County, show us stopped with a light-gray Lincoln Town Car, license plate number charlie-echo-whiskey-seven-six-two."
  564. >"Ten-four."
  565. >"Alright..."
  566. >Dash gestures to the car
  567. >"This is your show."
  568. "Right."
  569. >You step out, intending to execute the classic driver-side approach
  570. >You walk around the rear of your vehicle
  571. >Dash is out now, resting casually against his door, observing you
  572. >"Hey, looks like I taught you something."
  573. >You ignore him and continue your approach
  574. >Stopping just behind the woman's shoulder, you assume an interview stance, with your left side bladed towards her, hands crossed in front of your abdomen, right elbow resting on the handle of your gun
  575. >Her window rolls down, and she stares at you through a pair of very thick glasses
  576. >"What seems to be the problem, Officer?"
  577. "Good afternoon ma'am, I'm Officer Mous with the Blaik County Police. The reason I've stopped you is because I noticed you don't have your seatbelt on."
  578. >Her eyes go wide
  579. >It's almost comical, watching how big they become behind her powerful glasses
  580. >She pulls the belt across her chest and connects it
  581. >"Oh... I'm sorry, Officer, I hope I haven't caused anyone any trouble."
  582. >You smile politely
  583. "No trouble, ma'am, we just want to make sure you're safe, especially with all the snow. Can I see your drivers license and registration, please?"
  584. >"Oh yes... yes, I have them somewhere in here."
  585. >Slowly, she fishes around looking for the requested documents
  586. >So far, so good, Anon
  587. >"I have them right here."
  588. >She holds them up, and you reach in to grab them
  589. >And you clamp down with a death grip as a roar erupts behind you, and a blast of wind tears at your hair and jacket
  590. >Your head snaps around
  591. >Some douchebag in a diseled up truck had passed within feet of you, probably travelling well above the limit
  592. "Piece of shit..."
  593. >Your eyes go wide and your lips press tight
  594. >You look at the old woman who you just swore in front of
  595. >She smiles back at you, giving no indication she'd even heard
  596. >You let out a heavy breath and quickly recompose yourself
  597. "Thank you ma'am. I'll run these and get them right back to you."
  598. >Fuck getting hit by traffic, you turn around and keep an eye on the oncoming vehicles as you make your way back to your car
  599. >Dash, meanwhile, is giving you a disapproving look
  600. >Yeah, whatever man
  601. >Totally my fault I almost got whacked by that truck
  602. >Once back in your cruiser, you run her information
  603. >It's all valid, no wants, no warrants
  604. >You get back out, make your way around your vehicle, and back to the one you have stopped
  605. "Okay, ma'am, your information came back good, and I'm just writing you a warning for the seatbelt."
  606. >You hand her license and registration back
  607. >"Oh, thank you, Officer."
  608. "Have a safe day."
  609. >She pulls away and you return to your vehicle
  610. >Time to see what crawled up Dash's butt
  611. >"Okay, so..."
  612. >He pulls the door shut behind him
  613. >"Where'd you fuck up?"
  614. >What, is he pissed you didn't write her a ticket?
  615. "I dunno."
  616. >"You turned your back on the suspect vehicle."
  617. >...
  618. >Oh
  619. "Well, yeah. But I was trying to watch the oncoming traffic, because it seemed like a bigger threat than some old woman."
  620. >He nods
  621. >"Yeah, I saw you had a close call. Thought about pulling out and chasing that guy down, actually. But you remember what I said this morning about repitition?"
  622. "Yeah."
  623. >"It's these small, basic officer safety things that get people killed. You knew traffic was bad, you should have done a passenger side approach. And just because someone's old doesn't mean they're not a threat. Shitty people grow up too. Don't trust anyone, Anon, not even me."
  624. >He puts the cruiser in drive and pulls out onto the highway
  625. >"So, let's find someone else and run that again."
  626. >He smirks
  627. >"You might even manage to pull it off right, this time."
  628. >"I think you're actually getting the hang of this."
  629. >You shut the car door behind you, completing yet another traffic stop
  630. >Dash pulls off the shoulder and smirks confidently
  631. >"Who's the best FTO ever?"
  632. >You don't dignify that with a response
  633. >Just a couple hours left on your shift
  634. >You're really ready for this day to be over
  635. >After wiping your runny nose on a napkin left over from lunch, you start writing your report
  636. >"Don't start slacking on those just because you've written a thousand of the damn things. Any one of these could end up in court, and if you've written a shitty narrative you'll look like a jackass and it'll destroy your credibility with the jury."
  637. >He probably speaks from experience
  638. >You sigh, trying to bring yourself under control
  639. >The last thing you need is to build up animosity with the guy who's supervising your field training
  640. >It's just...
  641. >Dash doesn't make himself easy to like
  642. >Which wasn't to say you felt like he was working against you, or not on your side
  643. >You had no doubt that if you needed help, he'd be there to back you up
  644. >But he'd also lord it over you and point out how badly you fucked up
  645. >Which, granted, was kind of his job
  646. >But he seemed to get a lot of amsusement out of it
  647. >You finish writing your report, and save it
  648. >It was a short one
  649. >Just a pretty straightforward speeding ticket
  650. "Done."
  651. >"Man, what that makes what? Seven, eight?"
  652. "Yeah, sounds about right."
  653. >"You know, I usually don't care this much about speeders. But you need the experience, so..."
  654. >He shrugs
  655. >"Sucks for them, right?"
  656. "Are we gonna' try for some more?"
  657. >"Nah, I'm about sick of chasing down speeders on this one stretch of highway. Besides, we'll get plenty of time to practice traffic enforcement later."
  658. >He turns off the highway onto a narrow, two lane road
  659. "Where're we going?"
  660. >"We're gonna' change things up a bit and check the backroads."
  661. >Backroads was right
  662. >A dense wall of evergreens grew on either side of the road, in some places their branches stretching out above you
  663. >The yellow paint of the center line was faded and barely visible
  664. >The pavement wasn't especially well done either, and you could feel wheels of your cruiser rolling over imperfections in the blacktop
  665. >It was the very epitome of the road less traveled by
  666. >And yet, it was strangely soothing
  667. >Captivating, in a way
  668. >The snow in the trees
  669. >The dark-gray clouds above you
  670. >"Sometimes I'll come out and just drive these roads."
  671. >You look over at Dash
  672. >His eyes widen just a bit
  673. >You get the feeling that was *a lot* more detail than he'd planned on sharing
  674. >Quickly, he continues
  675. >"Because you never know what you're going to run into out here. Motorists who need help, people moving drugs around, all sorts of stuff."
  676. "Does anyone live out this way?"
  677. >"Yeah, there's a few bubba-redneck types in trailer homes. A couple small neighborhoods. It's pretty undeveloped for the most part, though."
  678. >You cruise along a few miles without ecountering a single other vehicle
  679. >Shit, this place was the middle of fucking nowhere
  680. >You begin to approach a y in the road, where a second small street running at a forty-five degree angle merges with yours
  681. >All of a sudden, an old, white Explorer comes tearing down that road and pulls out in front of you, where he promptly slows way down, presumably after seeing your police car
  682. >You guess he had been going about ten over the limit
  683. >Nothing especially serious
  684. >You're ready to dismiss it, but Dash gently elbows you
  685. >"Hey, what's wrong with this picture?"
  686. >You look the car over
  687. >Like you noted before, it's an older model Explorer, probably from the mid or late nineties
  688. >The rear bumper is crumpled in a few places
  689. >There's a crack in the rear windshield
  690. >The left tail light has a split in the plastic, though both are in working order
  691. >Rust is evident in quite a few places
  692. >And the car is in desperate need of a new paint job
  693. >Nothing you can see that's illegal, though
  694. "Uh... he's got a shitty car?"
  695. >Dash shakes his head
  696. >"Look at that brand-new, overbuilt suspension."
  697. >You look again
  698. >It's suble, but sure enough, Dash is right
  699. >"That doesn't match the rest of that car."
  700. "Okay.'
  701. >You're waiting to see where he goes with this
  702. >"So, what do you think? Guns, drugs, or money?"
  703. "Sorry?"
  704. >"You think he's transporting guns, drugs, or money?"
  705. >You shake your head
  706. "I dunno."
  707. >Dash reaches up and hits the lights
  708. >The car in front of you takes off
  709. >"Six-delta-twenty to Blaik County, ten-eighty in progress, Northbound on Pinegrove Road."
  710. >The radio beeps three times
  711. >"Ten-four. All unit, clear the air, six-delta-twenty is in pursuit."
  712. >"Suspect vehicle is a white Ford Explorer, license romeo-delta-papa-six-one-six."
  713. >Dash tosses you the radio's microphone
  714. >"Here, you keep 'em updated. Look for street signs, turns, all that."
  715. >You nod
  716. >This had taken an unexpected turn
  717. >Not for the first time today, your mind was left playing catch-up
  718. >The road ahead was coming to a T
  719. >The car you're chasing makes a sharp left
  720. >Dash brings your vehicle to a stop, clears both directions, and chases after it
  721. "Left on Green Settlement Road."
  722. >The engine roars as you race to cover lost ground
  723. >This is really not the place you'd pick for a pursuit
  724. >The road is narrow and winding, and you're approaching sixty miles an hour
  725. >Still though, you have to give Dash credit where it's due
  726. >He really knows his way around a car
  727. >Or he seems to, at least
  728. >You hope
  729. >Your quarry attempts another turn, this time to the right
  730. >His rear wheels loose traction, the car spins, hits the shoulder, flips once completly and comes to rest right-side-up, with the passenger door pinned against a thick pine tree
  731. >Dash brings your vehicle to a complete stop and snatches the radio back
  732. >"Suspect vehicle is ten-fifty at the intersection of Green Settlement and Thompson, possible injures."
  733. >He bails out of the cruiser, drawing his gun and charging towards the crashed Explorer
  734. >You're right behind him
  735. >Dash brings his pistol to bear on the driver
  736. >"Hands on the dash! Get your hands on the dash!"
  737. >Man, that's a great quote to take without context
  738. >The driver complies, spreading his hands on the dashboard
  739. >"Don't you fuckin' reach down!"
  740. >For your part, you're content to let Dash give the orders
  741. >"Anon, I'm gonna' have him step out. When he does, I want you to cuff him. I've got you covered. Ready?"
  742. >You nod
  743. "Good to go."
  744. >He reaches for the handle and pulls the door open
  745. >"Get out! Get on the ground!"
  746. >Slowly, the dazed man steps out and collapses into the snow
  747. >"Hands on top of your head."
  748. >You holster your Glock 31 and grab your first set of cuffs off your belt
  749. >Kneeling, you fasten one cuff to one wrist, and then bring both behind his back to secure the other
  750. >"Six-delta-twenty, one in custody, roll us a 10-52 and a wrecker."
  751. >Dash sticks his gun back in his own holster, and lets out a sigh'
  752. >He slaps you on the shoulder
  753. >"Not bad."
  754.  
  755. ***
  756.  
  757. >"Yo, Anon, check it out!"
  758. >Dash was waving you over to the rear of the vehicle
  759. >Two backup units and a fire engine had arrived on scene, the driver was sitting in the ambulance, and the wrecker you had called for was still en route
  760. >Hopefully, whatever Dash has to show you is worth all the trouble
  761. >You walk over to him
  762. >...
  763. >Oh, shit
  764. >Yeah, that's probably what you'd call 'worth it'
  765. >The trunk of the car is laden down is packaged white powder, and an assortment of weapons of varying type and configuration
  766. >Dash reaches in with a gloved hand and pulls out a Hi-Point C9
  767. >"Look at this fine, American firearm."
  768. >He sets it back down
  769. "Damn. It looks like you were right."
  770. >"Pff. Of course I'm right."
  771. "So, who do you think this guy's with?"
  772. >Dash shrugs
  773. >"Ehh, that's question for the narcotics guys. I'm just happy we got 'em."
  774. >You hear boots crunching snow as George walks up
  775. >"So, the EMTs are sayin' this guy needs a stay in the hospital."
  776. >Dash groans
  777. >"Oh, that's good. I'll arrange for the guys coming on shift to provide security."
  778. >He begins walking badk towards your cruiser
  779. >You move to follow, but George reaches out and touches your shoulder
  780. >"Hey, Anon."
  781. "Yeah, what's up?"
  782. >"Me and some of the guys are heading out to the bar once we clear off shift. You're welcome to join us."
  783. "Oh, really? Cool, man, thanks."
  784. >"So, I can expect to see you there?"
  785. >You think it over
  786. >You're kind of tired, and you've got work in the morning
  787. >But it seems like a pretty good way to meet some of your colleagues
  788. >And you can't imagine turning down the offer would make a great impression
  789. "Yeah, I'll be there."
  790. >"Cool. We'll meet up in the station break room."
  791. >A thought occurs to you
  792. "Is Dash going to be there?"
  793. >"You can invite him if you want, but I wouldn't expect him to show. Like I said, he's kind of a loner outside of work."
  794. >The wrecker pulls up on scene, and George starts back towards his car
  795. >"I'll see you around five-thirty, five-forty-five
  796. -
  797. >After twelve long hours, your first shift was winding down
  798. >You and Dash were smoothly cruising along
  799. >The clouds had thinned and the setting sun was poking through, casting a gentle orange glow
  800. >With a sigh, you relax in your seat
  801. >You'd written some tickets, ran a few calls, and caught a drug trafficker
  802. >Overall, not too bad as far as first days go
  803. >You'd certainly had worse
  804. >As you draw nearer to the station, something Dash said earlier tugs at your mind
  805. "Hey, Dash?"
  806. >"Yeah?"
  807. "What did you mean when you said I shouldn't trust you?"
  808. >"Oh, that?"
  809. >He chuckles
  810. >"That's something my old FTO said to me. Listen, in this job you're going to have *a lot* of people lying to you. Shit, I've had some guy try and tell me his coke belonged to his mother. But it's not just stuff like that, ya' know? Like, if I tell you I think a gun is clear when I hand it to you, and it turns out it's not..."
  811. >He shrugs
  812. >"I guess the lesson is, you don't just take someone's word for it. You look at the facts, what you know, you check it out, and you make your own decision."
  813. >A few minutes pass by in silence
  814. "So, George invited me out for some drinks after work."
  815. >Dash leans in closer to you, grinning
  816. >"Ooh, you two lovebirds hit it off?"
  817. >You huff and ignore that comment
  818. "He said you're welcome to come, if I wanted to invite you."
  819. >Dash's sarcastic smirk fades
  820. >"Oh."
  821. >You see something behind his eyes, though you're not sure what
  822. >You wait for a reply, but Dash isn't talking
  823. "So, what? Are you coming?"
  824. >Dash's mouth opens and he breathes in to answer, but then stops and his jaw snaps together again
  825. >For the first time since you've met him, he really looks unsure of himself
  826. >He smiles awkwardly and scratches behind his ear
  827. >"No, man, I've got stuff to do tonight. I'll be busy."
  828. "Okay."
  829. >You doubt his story, but you're not going to press the issue
  830. >If this is how Dash acts every time someone invites him somewhere, you understand his reputation for keeping to himself
  831.  
  832. ***
  833.  
  834. >At five-thirty you step into the station's break room, after grabbing a change of cloths from your car
  835. >George is there, along with three other men you don't know
  836. >Not that that meant much - you only know him and Dash
  837. >But they do look vaguely familiar
  838. >You probably saw them all in the squad room this morning
  839. >George greets you
  840. >"Hey, Anon, good to see you show up."
  841. >You flash a mock smug-grin
  842. "Hey, it's *always* good to see me show up."
  843. >This prompts a rough cackle from one of the officers
  844. >"Aw, shit. Dash is already rubbin' off on him."
  845. >George glances around
  846. >"Oh, speaking of, I don't see him. Did you invite him?"
  847. "Yeah, but he said he was busy. And he was kind of weird about it, too."
  848. >He nods
  849. >"Yep, sounds like Dash. You ask him somewhere, and he clams up like a mother fucker."
  850. >Another officer holds up his index finger
  851. >"One time. We got him to show up exactly once, when we played baseball against the fire department. He's weird, but lemme tell ya' - that dude can *run*."
  852. >He sniggers
  853. >"Damn hose-draggers couldn't catch him once."
  854. "Oh, yeah, I think he said something about exercising on his down time."
  855. >George glances at his watch
  856. >"Well, hey, we should get going. Anon, We'll get you acquainted on the way."
  857. >The five of you shuffle out of the break room and make your way towards the front entrance
  858. >"Oh, by the way, I don't know if I mentioned it..."
  859. "Yeah?"
  860. >He clasps your shoulder
  861. >"New guy DDs."
  862. >...
  863. >"You bastard."
  864. >The group breaks into frenzied guffaw
  865.  
  866. ***
  867.  
  868. >The bar is about a five minute drive from the station
  869. >It's dimly illuminated
  870. >Noisy
  871. >The wooden floor is scuffed and gouged from years of wear
  872. >And the whole place smells like fried food
  873. >George walks up to you, holding a glass containing a dark amber liquid and grinning like a madman
  874. >"Hey, Anon. You, uh, you havin' fun?"
  875. >Your deadpan expression sends him into a fit of giggles, and he taps a finger against your bottle
  876. >"You celebrating today's victory with a nice root beer?"
  877. >You lift your bottle to your lips and take a sip of the sweet, bubbly liquid
  878. >He has a seat at your table, with the three others following close behind
  879. >"So, man..."
  880. >You try to remember the name of the one speaking
  881. >Duke, you think
  882. >Duke, something
  883. >Mustang?
  884. >It was something horsey
  885. >"Tell us about riding with Dash."
  886. >You set down your soda
  887. "Well, he's not terrible..."
  888. >"Yeah, but he's not great either, right?"
  889. >You think back to this morning
  890. >Back to when you found that dead body
  891. >And how Dash pulled you off the side of that highway
  892. >You start to feel some discomfort worm its way into your chest
  893. >I mean, you're not in love with the guy
  894. >But it still doesn't feel quite right to shit talk him behind his back like this
  895. "Nah, Dash is... Dash is good."
  896. >One of the other officers, you don't really remember his name, lets out a huff
  897. >"Yeah, well don't let him hear that. That shit'll go right to his head."
  898. >Duke groans
  899. >"Oh my God, you're right."
  900. >He turns to you
  901. >"The man's in love with himself."
  902. >"What, no way -"
  903. >It's a different officer
  904. >Kevin, you think
  905. >You didn't catch his last name
  906. >"- you see how he sits around all mopey and shit, right? The guy's whacked."
  907. >He looks left and right, as if checking to make sure Dash isn't around, and leans in
  908. >"Look, I got a friend who says he saw 'em with a tampon one day."
  909. >"What? You're bullshitting, how would he even see that?"
  910. >Kevin waves his hands as he trys to explain
  911. >"It fell out of his pocket!"
  912. >You try and come up with an explanation
  913. "Well, you can use tampons to plug bullet wounds. Maybe that's it?"
  914. >"No, no, listen, because when my buddy asked about it he got all weird."
  915. >"Weird?"
  916. >George takes a sip of his drink
  917. >"What's weird?"
  918. >"I dunno, man... *weird*! Like, he tried to play it off cool, but something was up. My buddy swears it's true."
  919. >"Ahh, your buddies full of shit."
  920. >"No, man!"
  921. >Kevin looks directly at you
  922. >"You need to keep an eye out, if you're gonna' be spending all that time with him."
  923. >George steps in
  924. >"Okay, enough talk about work. Duke, I heard you rebuilt the engine on that old seventy-one Camero."
  925. >"Oh, yeah man..."
  926. >The rest of the night passes as a loud blur
  927. >That was certainly some unexpected information you'd recieved about Dash
  928. >Though to be fair, a 'my buddy swears' story told by a police officer who'd had a few shots...
  929. >Not exactly the most reliable source of information
  930. >One by one, you drop off your coworkers at their homes until only George remains, occupying the front passenger seat
  931. >You pull up to his apartment complex
  932. "Alright, this is your stop."
  933. >He pats your shoulder
  934. >"Thanks, man."
  935. >He reaches for the door, and hesitates
  936. >"Hey, listen. Don't let anything the guys said give you a bad impression of Dash. I know him a little better than most of the guys on shift, and yeah he's weird, but he's still a good guy."
  937. "Yeah, I'll be sure not to do that. Have a good night."
  938. >"See ya' around."
  939. >He exits your car and makes his way inside the building
  940. >You begin the drive back to your own apartment, when you notice something's off
  941. >It takes you a second to realize
  942. >It's quiet
  943. >You're alone
  944. >All day, you'd been riding with or talking to someone
  945. >And now, it's just you
  946. >You relax in the silence as you pull up to your building and park your car
  947. >Finally, you'll get a little bit of time for yourself
  948. -
  949. >Your alarm tears you out of your sleep
  950. >Groaning, you sit up in your bed and mash your clocks button
  951. "Ugh..."
  952. >Four o'clock came a lot faster than you'd hoped for
  953. >Taking a moment to mentally prepare yourself, you slide out of bed and head for your bathroom
  954. >Shit
  955. >Shower
  956. >Shave
  957. >There's your three morning essentials taken care of
  958. >You pull on one of your uniforms and strap on your duty belt
  959. >After fiddling with the belt keepers a bit, you've got everything attached nice and comfortable
  960. >A quick inspection of your cupboard reveals your rather limited options
  961. "Soup it is..."
  962. >Sighing, you select a plastic tub of chicken-noodle and set it in the microwave
  963. >You really need to go shopping
  964. >At least you've got plenty of coffee
  965. >Grabbing the pot that had been on auto-brew, you fill up your thermos
  966. >The microwave beeps, and you grab the travel-cup of soup
  967. >A meal fit for a king
  968. >Thermos in one hand, your meager breakfast in the other, you make out to the elevator
  969. >The man working the lobby of your building barely looks up as you pass him
  970. >The cold bites at your face as you step outside and head for your car
  971. >Day two
  972. >Here we go
  973.  
  974. ***
  975.  
  976. >You find the squad room with no trouble this time
  977. >Dash is sitting in the back of the room
  978. >He looks irritated again, though it doesn't seem to be directed towards anything or anyone
  979. >Maybe he just looks like that in the morning
  980. >You yawn, still feeling the weight of sleep tugging at your eyes
  981. >Frankly, you can't say you blame him
  982. >"Hey, look who came back for round two."
  983. >You take the seat next to George
  984. "Yeah, I've got like twenty more years of this before I can retire."
  985. >"You could be like that one dude who quit after his first day."
  986. "What?"
  987. >"Oh yeah. Got through his first shift just fine, and he never shows up again. We're all standin' around like 'where's the new guy' - found out a few weeks later he just quit."
  988. "Oh, damn."
  989. >"Yep. Had to pay back the cost of his training to the department."
  990. "That can't be cheap."
  991. >The sergeant enters the room, clutching a stack of manilla folders, and checks everyones name off his roster
  992. >"Okay, good morning everyone. Welcome back, once again, to the zero-five-hundred to seventeen-hundred shift. Today, police presence in the downtown areas is going to be a big thing, in addition to running our normal patrols. So at any given time we'll have a few units semi-stationary, focusing on one area. So -"
  993. >He slaps the folders down on the table
  994. >"- every unit needs to grab one of these and read over what's inside, because there's info about locations, timelines, basically everything you need to make this go smooth and painless. So, as always, if you need to contact me, you can do so by radio or phone."
  995. >You stand up along with everyone else and grab a radio from the charging bank
  996. >Dash picks up a file folder, and you meet by the door leading to the car park
  997. >He pushes through the door and you follow
  998. >"Alright..."
  999. >He gestures towards your Interceptor Utility
  1000. >"You know the drill. Same as yesterday."
  1001. >Yeah, nice to see you too, Dash
  1002. >You slide into the driver's seat, check the lights and sirens, and walk around the back to the car to the passenger side
  1003. >You and Dash take your seats, and he opens the folder to check the instructions
  1004. >"Oh fuck yeah, we've got that 'downtown presence' thing from nine to one, and it's right in the middle of all these shops and restaurants. Dude, we can do whatever we want for lunch."
  1005. >Well, at least there was something that could cheer him up
  1006. >You make note of that
  1007. >If Dash is every pissy, maybe you can feed him something to get him off your ass
  1008. >"Six-delta-twenty to Blaik County, we're ten-eight from the station."
  1009. ...
  1010. "So, Dash, how was your stuff?"
  1011. >He cocks an eyebrow
  1012. >"What?"
  1013. >You repeat yourself
  1014. "Your stuff, how was it?"
  1015. >Dash squints at you
  1016. >"Dude, I've got no clue what the hell you're talking about."
  1017. "You know, the stuff you had to do last night? The stuff that you were gonna' be busy with?"
  1018. >His eyes widen
  1019. >"Oh, that stuff. Uh... yeah, it was good."
  1020. >You smirk, just a bit
  1021. >His lie is really transparent
  1022. "Yeah? It was good stuff?"
  1023. >"Look, man, is there something you're trying to say?"
  1024. "You know, if you don't want to go somewhere with someone you can just say you're not interested, right? If you come up with a story about how you're busy, it's kinda' off-putting."
  1025. >You meant that with the best of intentions
  1026. >The rest of the squad didn't seem to have an especially high opinion of Dash, but you figured maybe that could be overcome if he'd just act a little more... normal
  1027. >Dash, however, does not appreciate your efforts
  1028. >"Oh wow, maybe."
  1029. >His voice drips with venom
  1030. >"Or maybe you shut the fuck up and mind your own business!"
  1031. >Yeah, that went well
  1032. >Not really sure what to say, you shut the fuck up and mind your own business, staring out the windsheild
  1033. >An incredibly tense minute passes
  1034. >Then you hear Dash sigh heavily
  1035. >"Okay, look dude... I'm sorry. I shouldn't've snapped at you like that."
  1036. >He pauses
  1037. >"And I guess you're right, it'd be better to just be honest. It's just... I really don't want to talk about it."
  1038. "Oh, no, it's okay. You clearly didn't want to talk about it, I shouldn't have pressed you. So, uh... I'm sorry."
  1039. >Dash is looking a little better
  1040. >"Yeah, well... you should be. Buy me lunch though and we'll call it good."
  1041. >You frown
  1042. >Dash was pushing his luck a little
  1043. >But in the interest of maintaining peace, you decide you can afford to make a concession
  1044. "I'll buy you coffee. A *medium* coffee."
  1045. >The trace of a smile plays on his lips
  1046. >"Good enough."
  1047. >Other than that, the morning passes with relative ease and it isn't long before the two of you find yourselves sitting in a parking lot, observing a long strip of small shops that lined the streets
  1048. >Decorative lights hang from the light-posts, and candy-cane banners are strung along the tops of the stores
  1049. >Crowds of people move up and down the sidewalk, in and out of stores
  1050. >Even for a cold day, it doesn't look so bad
  1051. >You watch a small family of three walk hand-in-hand past your patrol car
  1052. "Hey Dash?"
  1053. >He looks at you
  1054. "Do you want to have kids?"
  1055. >He stares at you
  1056. >"What?"
  1057. >You jerk your thumb towards the family
  1058. "You think you'd ever want kids?"
  1059. >He seems to relax a bit
  1060. >"Oh. I dunno. I'm not really the lovey, nurturing kinda' person, ya' know?"
  1061. >You could certainly agree with that
  1062. >"And I gotta' think about the job, and how all that time off would set me back..."
  1063. "Oh, so you're the kinda' guy that would take off from work to help with the kid, huh?"
  1064. >That was actually a surprising bit of news
  1065. >Dash, however, seemed more confused than anything
  1066. >"What? Of course I'd... oh. I mean... yeah! Of course I'd take off to help raise the kid."
  1067. >You're not sure what about that could have been unclear to him, but hey...
  1068. "Good for you, man. I'm sure some lucky lady'll be really happy to hear that. Or... you know, some lucky guy."
  1069. >He glowers at you
  1070. >You shrug
  1071. "Hey, I'm not judgey."
  1072. >"Anon?"
  1073. "Yeah?"
  1074. >"Stop talking."
  1075.  
  1076. ***
  1077.  
  1078. >And that was how most days went with Dash
  1079. >For each day you were on shift
  1080. >For the next three weeks
  1081. >And that wasn't to say there wasn't any instruction going on
  1082. >Dash certainly did his job as an FTO
  1083. >But in the time you spend together, the two of you got to know eachother
  1084. >Or at the very least, understand eachother
  1085. >Dash's smug, brash attitude...
  1086. >That' just him
  1087. >It' part of the way he socializes
  1088. >While it certainly had the propensity to be annoying, he didn't *really* mean anything by it
  1089. >It wasn't a close friendship
  1090. >Not exactly
  1091. >It was more of awkward companionship
  1092. >One forged through your equally awkward conversations
  1093. >Never outside of work though, that doesn't change
  1094. >Eventually, you just accept it
  1095. >Things are going steady
  1096. >So steady, in fact, that it's getting boringly routine
  1097. >And as you sit in the squad room on Christmas day, day one of the night shift, your first thought is that you've done this a few times
  1098. >"Good evening, everyone."
  1099. >The sergeant enters the room, wearing a Santa hat
  1100. >Totally deadpan in the face of the sniggers he received
  1101. >"Happy holidays, merry Christmas, whatever you prefer. It's that time again - we've swapped times with the other shift. So, welcome to the seventeen-hundred to zero-five-hundred shift. Special concerns for tonight: obviously it's Christmas, so drinking, domestic issues, unlawfully discharging firearms within the city limits, noise complaints, parties. And we've got a lot of people out of town tonight, so break-ins, if you see someone that looks out of place don't be afraid to challenge that person and ask what they're doing."
  1102. >He sets down his clipboard
  1103. >"So, guys, since nobody on the street is going to say it to you, I really appreciate you comin' out and working tonight, even though you don't really have a choice. I understand a lot of you have family and friends you'd rather be seeing, but nights like tonight are when someone's gotta' be there to maintain order. So, with that, have a good night."
  1104.  
  1105. ***
  1106.  
  1107. >"Six-delta-twenty to Blaik County, we're ten-eight from the station."
  1108. "Oh my God, it's gotten cold."
  1109. >You direct the heat from the air vents onto yourself
  1110. >"Uh, yeah. It's winter, dude."
  1111. "I'm from the southern part of the state, it doesn't get this cold there. It's like ten, fifteen degrees colder up here than what I'm used to."
  1112. >You raise your thermos of coffee to your lips, eager for a drink of the hot beverage
  1113. >The vehicle lurches, slowing just enough throw the liquid in the thermos forward, away from your waiting lips
  1114. >You try it again, and are met with the same result
  1115. >Dammit, Dash, what're you breaking for, there's nothing out here
  1116. >Once more you go in for a sip, and you suck in nothing but air
  1117. >You look at Dash
  1118. "Stop."
  1119. >He returns your gaze with a blank expression
  1120. >"What?"
  1121. "You keep breaking."
  1122. >"Yeah I'm breaking, I'm driving a car."
  1123. >His expression remains unchanged
  1124. >You're not buying it
  1125. "Every time I try to take a sip, you slow the car so down my coffee..."
  1126. >Unsure of how to vocalize it, you repeatedly stab forward with your finger to indicate the movement of your drink
  1127. >Dash nods his head slowly
  1128. >"I'm uh... making your coffee do *that*, huh?"
  1129. "It's inertia, you dip!"
  1130. >"Right. Well, I'm sorry."
  1131. >He goes back to staring out the windshield
  1132. >You squint at Dash for a few moments
  1133. >He might be telling the truth
  1134. >Cautiously, you raise your thermos up to your mouth
  1135. >He breaks
  1136. "You bitch!"
  1137. >Dash's composure shatters, and he howles rough laughter
  1138. >"Oh my God, Anon!"
  1139. >Tears of laughter roll from his eyes
  1140. >He does a poor imitation of your voice
  1141. >"Oh no, I can't drink my coffee."
  1142. >He mimes you, jabbing his index finger forward
  1143. >"Oh no, what's happening?"
  1144. >Dash goes back to choking on laughter
  1145. "Are you done?"
  1146. >Wheezing, he brings himself under control
  1147. >He takes a deep breath, and looks at you
  1148. >And the laughter starts right up again
  1149. >"It was just so perfect!"
  1150. >You feel your mouth tighten into a grin
  1151. >Then you chuckle
  1152. >Then you join right in with Dash's cackle
  1153. >He's got a surprisingly girly laugh
  1154. >It's rough, and grainy
  1155. >But it still has a distinct, feminine squeal
  1156. >The laughter winds down
  1157. >"Oh my God, that was good."
  1158. "Okay, it was a litle funny."
  1159. >"A little? That's the best joke you'll see all night. Brought to you by yours truly."
  1160. >He glances at the cruisers clock
  1161. >"Oh, speaking of night, let's go grab some dinner."
  1162. "Now?"
  1163. >"Yeah, now."
  1164. >He points to the radio
  1165. >"Things are quiet now, they won't stay that way for long."
  1166. "We'll just get hungry later on and have to eat again."
  1167. >"I'm okay with that."
  1168. "How do you eat so much and not get fat?"
  1169. >He shrugs and turns down a road leading into the city
  1170.  
  1171. ***
  1172.  
  1173. >You sigh when you see Dash's choice
  1174. "Oh good, sandwhiches."
  1175. >"Don't be such a bitch. You can pick where we eat later."
  1176. "Which is the meal I *don't* want to have."
  1177. >Dash is already out of the cruiser, and not listening
  1178. >With a groan, you unbuckle and follow him inside
  1179. >The two of you are standing in line, when you hear a female voice sound off behind you
  1180. >"Well, well, well. Rainbow Dash."
  1181. >The two of you turn and come face-to-face with an orange-haired woman who looked to be about Dash's age
  1182. >Dash's eyes open wide, and she sucks in a sharp breath
  1183. >"Spitfire."
  1184. >The woman, Spitfire, shoots an arm around Dash's shoulder and squeezes him into a side-hug
  1185. >You had never seen Dash look so uncertain before
  1186. >So out of his element
  1187. >His eyes keet shifting between you and Spitfire
  1188. >"How long's it been, girl? Five, six years?"
  1189. >Wait, what?
  1190. >Had you heard that right?
  1191. >"Uhm... yeah."
  1192. >Dash is looking at you now, rising panic evident on his face
  1193. >"So, you're still doing the cop thing, huh? The new, *responsible* Dash?"
  1194. >Spitfire turns her attention to you
  1195. >"Don't let her fool ya', she and I used to raise all kinds of hell."
  1196. >She looks back at Dash
  1197. >"Anyway, great seeing ya'. Hit me up if you're ever in Canterlot."
  1198. >She releases Dash from her grasp and goes back to her table
  1199. >Dash locks eyes with you for a moment, and heads for the door
  1200. >"Let's go."
  1201. "But we haven't ordered yet!"
  1202. >"I'm not hungry."
  1203. >Without checking to see if you're following, Dash plows through the doors and heads back to the cruiser
  1204. >You glance around the room and spot Spitfire
  1205. "Hey, you!"
  1206. >She freezes
  1207. >That had come out with a little more force than you intended
  1208. "You called Dash a she."
  1209. >Spitfire cocks an eyebrow
  1210. >"Uh... yeah. You know, she? As in, a girl?"
  1211. >She pauses, and narrows her eyes at you
  1212. >"You do know what a girl is, right?"
  1213. "What? Yes, I know what a girl is."
  1214. >"Okay... so can I leave?"
  1215. >Without a word you wave her on
  1216. >This is a lot to take in
  1217. >Slowly, you make your way out to the patrol car
  1218. >The tinted glass makes it hard to see, but you think you can make out a silhouette of someone slumped forward
  1219. >You open the passenger door, and slide inside
  1220. >Dash is there, with... *her* head resting against the steering wheel
  1221. "Dash..."
  1222. >She rotates her head just enough to look at you
  1223. >There's tears welling up in her eyes
  1224. >She looks away again
  1225. "Dash, it's okay."
  1226. >She rounds on you suddenly
  1227. >"No it's not!"
  1228. >Tears are flowing freely now, and her voice is a couple octaves higher than normal
  1229. >"It's not okay! It's... I can't..."
  1230. >She burries her face in her hands and turns away from you
  1231. >You can hear her sobbing softly, but you don't know what to do
  1232. >So you just stay quiet
  1233. >Eventually her sobs fade, but she remains faced away
  1234. >"Anon?"
  1235. "Yes?"
  1236. >"Whatever you do, you can't tell anyone. You have to promise you won't tell anyone."
  1237. "I won't. Your secret's safe."
  1238. >"... thanks."
  1239. ...
  1240. >"Blaik County to six-delta-twenty."
  1241. >The chirp of your radio interrupts the silence
  1242. "Uh, Dash?"
  1243. >She doesn't move
  1244. >"Blaik County to six-delta-twenty."
  1245. >You grab the microphone
  1246. "Go for six-delta-twenty."
  1247. >"Respond non-emergency to sixteen-twenty-five Black Sand Road, one-six-two-five Black Sand Road, in reference to a suspicions vehicle, no availible description."
  1248. >On your computer, the call information drops into your dispatch log
  1249. "Okay, ten-four, thank you."
  1250. >"Okay, ten-four, *thank you*?"
  1251. >You hear a weak chuckle
  1252. >"You're so lame."
  1253. "Do I need to drive?"
  1254. >"No..."
  1255. >She rights herself in her seat, and wipes her eyes
  1256. >"I've got it."
  1257. "Would you tell me if you don't 'got it'?"
  1258. >"I've always got it."
  1259. >Well, that *sounds* like Dash at least
  1260. >She takes the mic from you
  1261. >"Six-delta-twenty to Blaik County."
  1262. >"Go for Blaik County."
  1263. >"Do you have any other information regarding that ten-thirty-eight?"
  1264. >There is a short pause before your dispatcher comes back over the air
  1265. >"Negative. Caller is advising he saw the vehicle pull into an empty lot."
  1266. >"Ten-four."
  1267. >Dash puts the cruiser in drive and pulls out of the restaurants parking lot
  1268. "So, what do you think's going on?"
  1269. >You're trying to make conversation, more for her benefit than your own
  1270. >Dash shrugs
  1271. >"It could be any one of a hundred different things. But my guess? A couple teenagers lookin' for a place to fuck."
  1272. "Really? What makes you say that?"
  1273. >"Well, you kinda' gotta' know your area, but you can make an educated guess. This address we're heading to is near a park with a bunch of walking trails. The parking lot is sorta' hard to see from the road, so people think they can hide. It's Christmas, so a couple kids tell their parents they're heaving to a friends party, and... well, you know how it goes."
  1274. >She smirks
  1275. >"You *do* know how it goes, right, Anon?"
  1276. >You huff
  1277. "Yes, I know how it goes! So if this parking lot is so well hidden, who called us about it?"
  1278. >"Oh, that's actually a good question. There's a side road that runs next to the park where you can see the lot plain as day. A buncha' old prudes live off that road, and we'll get calls like this every so often. But if this place was super out of the way, like bumfuck nowhere, you might just want to question who's really calling you out there. Pay attention to detail so you can catch sketchy shit like that."
  1279. >You nod
  1280. >Dash continues
  1281. >"And even on a call like this, don't let your guard down. I know it sounds like we're making assumptions, but there's no telling what's going to happen when we get there. So, here's a question for ya'."
  1282. "Okay."
  1283. >"We get this same call, but it's in an industrial area during a workers strike. What could it be?"
  1284. >You think about it
  1285. "Well, I guess it could be someone breaking in, or trying to damage the company's equipment."
  1286. >"Okay, sure. What else?"
  1287. >Uhh... maybe the car belongs to a guard?"
  1288. >"Yeah, what else?"
  1289. "I dunno."
  1290. >"It could be someone waiting to gun you down as you walk up."
  1291. >You squint and mull that over
  1292. "Wait... the fuck? How do you get that from a strike and an industrial area?"
  1293. >"I don't. Because, like I said, anything could happen on that call."
  1294. "Oh. Then what's the point of even guessing?"
  1295. >"It's just one tool you've got. Sometimes it's appropriate, and sometimes it isn't. Just like all your other tools, you've gotta' know when to use it."
  1296. >You rub your head
  1297. "Oh my God."
  1298. >Dash is throwing a lot of information your way
  1299. >"It isn't an easy job, man. You can't get complacent, because that's what gets you killed."
  1300. >She begins to break
  1301. >"Here's our turn."
  1302. >You look out the window on Dash's side
  1303. >She was right, the parking lot was definitely hard to see
  1304. >A think grove of evergreens grow between it and the road
  1305. >You can just barely catch a light shining through the trees
  1306. >Certainly nothing that would attract much attention
  1307. >And as Dash makes the turn onto the smaller side-road, you find she's right again
  1308. >The dense spread of trees turned into a thin, sporadic screen with the parking lot perfectly visible, flooded with the orange light of sodium bulbs
  1309. >You can make out a mid-sized truck parked in the rear corner of the lot, but the off color of the pole lamps makes it hard to get a good description
  1310. >"We'll deal with this first, then make contact with the caller."
  1311. >Dash turns onto the paved, single-lane road leading to the lot
  1312. >"Six-delta-twenty to Blaik County, show us on scene."
  1313. >"Ten-four."
  1314. >Dash turns to you
  1315. >"Keep an eye out for clues."
  1316. "Like what?"
  1317. >She hits the spotlight and shines it onto the vehicle
  1318. >"Well, those steamy windows are a pretty good one."
  1319. >Dash brings your cruiser to a stop behind the truck, blocking it in, and grabs the radio
  1320. >"Six-delta-twenty to Blaik County, show us out with a late two-thousands Toyota Tacoma, white in color, license plate foxtrot-india-bravo-zero-one-nine."
  1321. >She slaps you on the shoulder
  1322. >"Go get 'em, tiger."
  1323. >With your non-dominant hand, you pull your flashlight off your belt as you exit your vehicle
  1324. >Opting for a driver side approach, you make your way around the rear of your vehicle
  1325. >Dash is out, hand on her gun, observing you
  1326. "You're going to make me do this myself?"
  1327. >"Yep. Get the fuck up there."
  1328. >With a sigh, you flip on your light and shine it on the driver's side window
  1329. >The window rolls down as you draw near
  1330. >You step up behind the B-post, and peer inside
  1331. >There's two very uncomfortable looking occupants, one girl and one boy, both look to be in their late teens
  1332. >The male driver attempts to flash a confident smile, but it comes across more as a pained grimace
  1333. >"Uh, what's the problem, Officer?"
  1334. >God, this really isn't the kind of shit you want to be dealing with
  1335. "You can't be here, you need to leave."
  1336. >"Well, we're not doing anything..."
  1337. >Yeah, sure kid
  1338. >You reassert your command
  1339. "You can't be here, you need to leave. The park is closed."
  1340. >"Uh, okay. We'll do that. Thank you, Officer."
  1341. "Have a safe night. Wait for me to get back in my car before you try to leave."
  1342. >You walk back around your car, and get in
  1343. >"Oooh, my name is Anon."
  1344. >Dash mocks you with the same bad impression she used earlier as she backs the cruiser up, giving them space to pull out
  1345. >"I am very uncomfortable with sex. Please leave."
  1346. "Fuck yourself."
  1347. >It's not until after you utter those words that you realize you just told your FTO to fuck herself
  1348. >Another brilliant career move
  1349. >Dash doesn't seem to notice, though
  1350. >Or if she did, she's not saying anything
  1351. >The trucks headlights come on, it backs up and crosses the parking lot
  1352. >"Six-delta-twenty to Blaik County."
  1353. >"Go for Blaik County."
  1354. >"Show us clear of that stop with the suspicious vehicle. We'll still be ten-six contacting the complainants at the origional address."
  1355. >"Ten-four."
  1356. >Dash zips across the empty lot, up the winding access road, and exits onto Black Sand Road
  1357. >"What were those numericals?"
  1358. >You check the computer
  1359. "Sixteen-twenty-five."
  1360. >"Okay..."
  1361. >Dash squints at the number-signs planted next to the driveways
  1362. >"That should be over to the left."
  1363. >She pulls out and takes a left
  1364. >The complainant's address is a few houses down
  1365. >Dash slows and pulls into a gravel driveway
  1366. >It's a wide, two-story house with the front steps leading up to an enclosed front-porch
  1367. >A single Christmas tree sits behind the glass panels, softly illuminated by green-and-red lights
  1368. >The only other illumination is from your headlights
  1369. >You and Dash step out
  1370. >A neatly shoveled, brick path cuts through the snow in the front yard, and leads to the steps
  1371. >The two of you step out
  1372. "Looks fancy."
  1373. >"Yeah, the people who live on this road are loaded."
  1374. "So loaded they can't afford to pave their driveway?"
  1375. >"Who knows, man?"
  1376. >As you move along the brick pathway, you sense a presence in the dark
  1377. >A light in the porch comes on, and an aging man dressed in a long, thick coat opens the door to the porch
  1378. >"Ah, good evening, officers. What a lovely night."
  1379. >Mother fucker, it's a cold night
  1380. "Yes, sir."
  1381. >He goes on
  1382. >"I saw you take care of those delinquents. Thank you, we try to keep our neighborhood free of that sort of unpleasantness."
  1383. >You aren't really sure if a few houses spread along a remote road really counted as a neighborhood, but it wasn't something you were interested in arguing
  1384. >Dash speaks up
  1385. >"Was there anything else, sir?"
  1386. >"Oh, no. But I'll certainly call you if I see anything."
  1387. >Please don't
  1388. >"Yes, sir."
  1389. >The door creaks as it closes and the porch light extinguished
  1390. >You and Dash make your way back to your car
  1391. "Well, I'm glad we spend time doing that."
  1392. >You shut the door behind you and relax in the heat
  1393. >"Yeah..."
  1394. >She sounds a little off
  1395. "Something up?"
  1396. >"Listen, just because you know I'm... well..."
  1397. "A girl?"
  1398. >"Yeah. Just becasue you know, it doesn't change anything. Okay?"
  1399. >You nod
  1400. "Yeah, okay."
  1401. >Dash seems to relax a bit
  1402. >"Cool... just, you know, pretend you never found out."
  1403. "Dash, I got it. It's good."
  1404. >She nods
  1405. >"Okay."
  1406. >She reaches for the radio
  1407. >"Six-delta-twenty to Blaik County, show us ten-eight."
  1408. >Your dispatcher came back
  1409. >"Ten-four. Respond non-emergency to five-sixteen Clearwater Road, five-one-six Clearwater Road, in reference to a noise complaint."
  1410. >"Ten-four."
  1411. "Five-sixteen Clearwater. That sounds familiar. I think we've been there for something before."
  1412.  
  1413. ***
  1414.  
  1415. >Oh yeah
  1416. >You'd been to five-sixteen Clearwater Road before
  1417. >In fact, you'd been there for the exact same call before
  1418. >You feel a sinking feeling in your gut as you pull up and recognize the houses
  1419. "Oh, no..."
  1420. >"Oh yeah. You remember this place, right?"
  1421. "No, no, no, I hate these people."
  1422. >Dash cackles
  1423. >"We'll, they're all yours."
  1424. >You step out, and immediately your ears are assaulted by the same music as last time
  1425. >Or maybe it was different
  1426. >It was honestly hard to tell
  1427. >You make your way onto the porchand the woman from last time is already there, waiting for you
  1428. >"He is doing it again!"
  1429. "Yes, ma'am. I can hear him."
  1430. >"Well, I know he's breaking the law this time, so I want you to go deal with it!"
  1431. "Yes, ma'am. I'll talk to him."
  1432. >She stares at you expectantly
  1433. >Same routine as last time, you figure
  1434. >You cross the street, taking note of the additional cars parked in his driveway, and knock on the man's door
  1435. >After a few moments, the door opens and there stands the same man as last time
  1436. >His wardrobe does not appear to have changed much, though you note the addition of some stains on his bathrobe
  1437. >"Heeeeeey -"
  1438. >He takes note of you
  1439. >"- oh."
  1440. >He reeks of alcohol
  1441. "Yeah. I think you know why I'm here, sir, your music is too loud, so I'm going to have to ask you to turn it down to a level where it can't be heard by your neighbors."
  1442. >"Dude, we're having a Christmas party."
  1443. "Be that as it may, sir, you are in violation of the county noise ordnance. So, like I said, you need to bring your music down to a reasonable level, or I'm going to cite you."
  1444. >He throws his hands up in exasperation and, using the same remote as last time, silences the music
  1445. >Moans of protest ring out after the abrupt silence
  1446. >"Yeah, sorry everyone. The Blaik County gestapo say no more music."
  1447. >He faces you again
  1448. >"Merry fucking Christmas, asshole."
  1449. >The door slams shut
  1450. >You return to your car
  1451. "Nice to see you in here taking it easy, Dash. Wouldn't want you to work too hard."
  1452. >She grins
  1453. >"Hey, Anon. Watch this. Six-delta-twenty to Blaik County, show us ten-eight."
  1454. >The radio chirps
  1455. >"Ten-four. Respond three-twenty-one Silver Lace Street, three-two-one Silver Lace Street, in reference to a noise complaint."
  1456. >You bash the back of your head against the headrest
  1457. "Fuck."
  1458.  
  1459. ***
  1460.  
  1461. >"So, what'cha got?"
  1462. >Your millionth noise complaint of the night, that's what you 'got'
  1463. >You'd ran so many that Dash actually took pity on you and started helping
  1464. >You direct her attention to a house that had a decorative candy cane sticking out an open window, and ropes of lights spread across the yard
  1465. "So we've got these assholes who're all drunk off their ass, they say they told their neighbors to turn down the music, so in response, and I quote, 'those faggots' came over, tore down their lights, broke their window, and shoved a quote, 'huge fucking', candy-cane through it."
  1466. >Dash glances at the house
  1467. >"But that window -"
  1468. "Isn't broken, I know. I explained that, but they're adamant."
  1469. >"Why is it open in the winter?"
  1470. "I think they opened it to yell at the neighbors."
  1471. >"Right. Well, over here -"
  1472. >Dash points at a house where a four-foot Santa and three Christmas tree lawn decorations are sloppily pushed to one side of the front door
  1473. >"- we have these cunts, and they're saying their neighbors are the ones that're too loud, and they stacked that Santa and those three trees in front of their door to trap them inside."
  1474. >You cock an eyebrow
  1475. "Why didn't they just pick the stuff up and move it?"
  1476. >"Dude, they're drunk. Everyone's fucking drunk tonight."
  1477. >You press your palms to your head
  1478. "Oh my God, this is so fucked. So I guess we tell the assholes *and* the cunts..."
  1479. >You pause and glance at the camera in your cruiser
  1480. "I'm so fucking glad that thing isn't recording us right now. Anyway, we tell both of them the party is over, and call it good. We're busy enough as is without trying to figure out who moved what around."
  1481. >"Works for me."
  1482. >Before either of you can move, the radio crackels to life
  1483. >"Blaik County to all district seven units, respond fourteen-hundred Black Sand Road, one-four-zero-zero Black Sand Road, in reference to an active nine-one-one call, unknown situation."
  1484. >You cock your head the side
  1485. "Black Sand Road? Weren't we up there earlier?"
  1486. >Dash nods
  1487. >"That's the parks address."
  1488. >She snatches the microphone off her jacket
  1489. >"Six-delta-twenty, we're ten-seventy-six."
  1490. >The two of you mount up in the cruiser
  1491. "Aren't we dealing with this?"
  1492. >"We're preempting this bullshit for an emergency call."
  1493. >Dash hits the lights and sirens and takes off down the road
  1494. "So, what? You think that old fucking dude called again?"
  1495. >Dash shakes her head
  1496. >She has an air of grave severity about her
  1497. >"Anon, that guy was like sixty years old. He's asleep by now. This is an active call from inside the park, but whoever made it isn't communicating with the nine-one-one center. You remember earlier when I said pay attention to sketchy shit?"
  1498. >You nod
  1499. >"This is it, dude."
  1500. "Oh... shit."
  1501. >"Yeah. Oh shit. So we've been jokin' n' taking care of B.S. all night, but I totally need you to be de-fucked on this call."
  1502. "So, are we gonna' stage and wait for cover?"
  1503. >Dash shakes her head
  1504. >"I don't think we're gonna have time. We've been running calls in this area, so we're probably the closest unit. We'll get an updated ten-twenty before we go on scene, but if they're more than a couple minutes out then it's you, me, and whatever's going down in that park."
  1505. >As you draw closer to the park, you feel the tension in the car rising
  1506. >Like watching thunderclouds roll in
  1507. >And knowing a storm was soon to follow
  1508. >"Do you remember the combination to the gun case?"
  1509. "Yeah, four-seven-nine-three."
  1510. >Dash nods
  1511. >"Good. If I tell you to do something, don't ask, don't think about it, just fucking do it."
  1512. "Yeah, I got it, Dash."
  1513. >You'd run emergency calls with her before
  1514. >But something about this one has her spooked
  1515. >Dash kills the siren, and pulls off the main road into a small church parking lot
  1516. >She pulls up a map of Blaik County on the computer, along with an overlay of the GPS location of each unit
  1517. >One glance told her everything she needs
  1518. >"They're too far out. We'll be on our own for a few minutes."
  1519. "How long is a few minutes?"
  1520. >"Three or four."
  1521. >May as well be an eternity
  1522. >The church lot you're in is almost directly across from the turn onto Black Sand Road
  1523. >Peering into the trees, you can just make out the same distant, twinkling lights as before
  1524. >"Six-delta-twenty to Blaik County."
  1525. >"Go for Blaik County."
  1526. >"Clear the air, emergency traffic."
  1527. >The radio beeps three times
  1528. >"All units, clear the air, emergency traffic only."
  1529. >*BEEP*
  1530. >Your radio sounds off
  1531. >*BEEP*
  1532. >Again, every ten seconds
  1533. >Signaling the airwaves are reserved for emergency traffic
  1534. >That's when it hits you
  1535. >You might die
  1536. >You feel a strong hand clasp your shoulder
  1537. >"Anon, get it together. We're rolling."
  1538. >She puts the cruiser in drive, crosses the main road, and turns down Black Sand
  1539. >The street seemes darker than before
  1540. >As if the night were more pervasive
  1541. >Hungrier
  1542. >Your blue lights cast flickering shadows against rows of trees
  1543. >The engine screams as you race down the road
  1544. >Slowly, the trees begin to thin until the parking lot comes into view
  1545. >You see a truck spun around at an odd angle so that the driver side faces the woods
  1546. >Its headlights are off
  1547. >You aren't sure, but you're willing to bet it's the same one from earlier
  1548. >But you don't see anyone around
  1549. >The patrol car slows, and you turn onto the narrow access road
  1550. >"Six-delta-twenty, on scene."
  1551. >You peer into the eerie, amber glow
  1552. "Do you see anything?"
  1553. >"No."
  1554. >Dash's mouth forms a tight, thin line
  1555. >She accelerates across the parking lot, stops in front of the truck, and brings the spotlight to bear on the cabin
  1556. >The driver side door is wide open, and the interior is totally abandoned
  1557. >"Six-delta-twenty, we have a single white Toyota Tacoma on scene, no occupants."
  1558. >She looks at you
  1559. >"Eyes and ears open, Anon."
  1560. >Dash opens the car door and steps out, drawing her gun
  1561. >You follow
  1562. >The trucks engine softly hums, and the door alarm rings out rhythmically
  1563. >"Blaik County Police!"
  1564. >The lot is dead quiet
  1565. >Not even an echo
  1566. >You flip on your weapon light and move around the rear of the truck, checking the bed
  1567. >Nothing
  1568. >Glancing left, then right, you move forward and join Dash at the open driver side door
  1569. "Anything?"
  1570. >She points at a cell phone sitting on the floor
  1571. >"That's it."
  1572. >She reaches in and picks it up
  1573. >"Blaik County Police."
  1574. >She briefly exchanges words with the dispatcher and sets the phone back down
  1575. "So, what? No other cars, nobodys around, some fucked up nine-one-one call..."
  1576. >The chill that runs through you has nothing to do with the cold
  1577. "I don't like this."
  1578. >"Yeah. Hey, Anon, is this the same truck we saw earlier?"
  1579. >You wrestle down your rising fear to think over the details
  1580. "I mean, it looks like it. I don't remember the plate number, but it's the same color, make, model, and in the same place."
  1581. >She shines her light
  1582. >"Was that there before?"
  1583. >You turn and look
  1584. >The rear fender is buckled and dented
  1585. "I don't think so. Fuck, man, what did that?"
  1586. >"Could be from an impact a low speed. That's not our problem right now, though."
  1587. >You nod and push the question to the back of your head
  1588. "Right, the nine-one-one call."
  1589. >You hesitate a second
  1590. "Where are we on that?"
  1591. >Dash shines her light across the blacktop, vainly searching for footprints, tire marks, anything
  1592. >"Shit. This's been plowed, I can't see jack."
  1593. >She shines her light into the trees
  1594. >"We're going to need to search the woods."
  1595. "Alone?"
  1596. >"Yeah, alone. We don't have time to wait."
  1597. >She starts off in the direction of the woodline
  1598. "I thought you couldn't find any tracks."
  1599. >"I couldn't. But if they ran into the woods, we'll find some tracks there."
  1600. >She stops before a small trailhead, and you draw next to her
  1601. >"Look, what'd I tell ya'?"
  1602. >In the beam of her flashlight, you can see snow that's been violently tossed up
  1603. >You shine your own light down the trail, following the tracks until they disappear around a bend
  1604. >"Six-delta-twenty, update, we're going to be checking the woods. Advise us when cover gets on scene."
  1605. >"Ten-four.'
  1606. >Dash looks over at you
  1607. >"Stay close, Anon."
  1608. >She steps into the trailhead, with you right behind her
  1609. >Stay close
  1610. >It wasn't like you had much of a choice
  1611. >The trail is barely wide enough for two people to walk side by side
  1612. >And it twists and curves like a mother fucker
  1613. >Even if there was somewhere for you to go, you wouldn't want to
  1614. >You feel way safer with Dash around
  1615. >And you find yourself drifting nearer to her
  1616. >Almost as if the forest is compressing the two of you together
  1617. >Closer and closer
  1618. >Until...
  1619. >"Oof!"
  1620. >She stops abruptly and you run into her
  1621. >"Dude, watch where you're going!"
  1622. "Uh... yeah, sorry."
  1623. >You apalogize meekly and take a few steps back
  1624. >Dash squints at you before turnining back around and kneeling down to examine something
  1625. "What is it?"
  1626. >"The tracks go off into the woods here. Like, actually *into* the woods."
  1627. >You peer around her
  1628. >Sure enough, the wide, long thrashes through the snow you'd been following leave the trail and and head up a small hill
  1629. >"Blaik County Police!"
  1630. >Dash bellows
  1631. >"Does anyone need help?"
  1632. >Nothing but Dash's voice reverberating through the trees
  1633. >She stands back up
  1634. >"Okay, man, head on a swivel. Pay attention."
  1635. >The two of you move off the trail, following the prints
  1636. >Oh man...
  1637. >You thought the trail was creepy
  1638. >But this is something else
  1639. >You have no idea where you are
  1640. >With the trail, you at least had a vauge sense of direction
  1641. >Now you're just following disturbed snow
  1642. >And while the path was well maintained, every step you take out here lands you on a small branch or twig, which cracks under your weight
  1643. >And if that wasn't enough, the beeping from your radio announces your presence even if you stand still
  1644. >By now, you're convinced you've lost any element of surprise you may have had otherwise
  1645. >"Hey, be careful on this downhill."
  1646. "Yeah, will do-"
  1647. >Your foot catches something and you fall forward, tumbling through the snow
  1648. >"Shit, Anon!"
  1649. >You feel your back collide with a tree and you let out a groan
  1650. >You hear someone stomp through the snow, and a light blinds you
  1651. >"Fuck. You alright?"
  1652. >It's Dash's voice
  1653. "Yeah..."
  1654. >You move your arms and legs
  1655. >Everything still works
  1656. "I think my vest helped a little."
  1657. >No reply
  1658. >With a grunt, you sit up, and squint against Dash's light
  1659. "Hey, that's pretty bright."
  1660. >Still, she says nothing
  1661. >That's a little unlike her
  1662. "What, did I get fucked up?"
  1663. >You sweep your hand over your forehead, and check your palm for blood
  1664. >It's clean
  1665. "Dash, what're you -"
  1666. >You turn
  1667. "... oh."
  1668. That familiar, sick pressure is pressing against the back of your throat
  1669. >You set your jaw, clamp down, and force it back
  1670. >They are two bodies
  1671. >Side by side
  1672. >Surrounded by dark-red snow
  1673. >You look away
  1674. >"Six-delta-twenty, ten-seventy-nine on two bodies, roll fire rescue our way."
  1675. >"Ten-four."
  1676. >Dash grabs your jacket at the shoulder
  1677. >"Anon, c'mon."
  1678. >You don't respond
  1679. >It doesn't quite seem real
  1680. >Dash gives your jacket a violent tug and shakes you
  1681. >"Whoever did this could still be out here, I need you to fuckin' pull it together!"
  1682. >She doesn't give you much time to mull that over
  1683. >With a quick, powerful jerk, she pulls you onto your feet
  1684. >You can stand, or fall
  1685. >Choosing the former, you lock out your legs
  1686. >Dash gives you another shake
  1687. >"Do helicopters eat their young?"
  1688. >Wait, what?
  1689. >What the hell is she talking about?
  1690. >The sheer absurdity of the question breaks you from your daze
  1691. "I... huh?"
  1692. >She releases her grip
  1693. >"There we go."
  1694. >You hear the wail of a siren pierce the trees
  1695. >"Six-delta-nine, on scene."
  1696. >Your backup had arrived
  1697.  
  1698. ***
  1699.  
  1700. >The parking lot was full of activity
  1701. >There was an ambulance, two fire engines, and cruisers from all across the county
  1702. >Nearby, a group of officers outfitted with helmets, plate-carriers, and rifles were receiving a breifing from a lieutenant
  1703. >K-9 units were running their dogs around the truck
  1704. >And a black coroner's office van was pulling in
  1705. >You and Dash are isolated from the action, sitting out the back of your cruiser's cargo compartment
  1706. >Your sergeant had come by and said the homicide detectives would want to talk to you
  1707. >So here you are, waiting
  1708. >You attempt conversation
  1709. "So... why do we need the fire trucks?"
  1710. >"We still have to search the woods for any other victims. FD's gonna' help with that."
  1711. "Oh."
  1712. >Dash lets out an irritated huff
  1713. >"God, I hate this shit."
  1714. "What?"
  1715. >"Sitting around! Like, look around, there's stuff we should be doing, but we've got to wait on these damn detectives!"
  1716. >She sighs again
  1717. >"I just... I hate feeling like I'm useless."
  1718. >A few minutes pass by in silence before a dark-colored Charger turns off the road
  1719. >"It's about time."
  1720. >Dash mumbles as she pushes herself forward, out the cargo compartment
  1721. >The charger pulls up next to you, and two men in casual business attire step out
  1722. >The driver, who's the taller of the two, is the first to speak
  1723. >"Alright, you're the two patrolmen who found the bodies?"
  1724. >Dash steps forward
  1725. >"Yeah, that's us."
  1726. >The driver turns to his partner
  1727. >"Alright, Colton. You're the people person, so how about you talk to them and I'll check out the crime scene."
  1728. >The passenger, Colton, nods
  1729. >"Will do."
  1730. >The driver starts off towards the woods
  1731. >Alright, so..."
  1732. >Colton points at you
  1733. >"Corporal, I'm going going to talk to your friend here first, and then we'll get to you."
  1734. >Dash nods and makes her way to the front of the car, leaving the two of you alone.
  1735. >"Okay. Tell me everything."
  1736. ...
  1737. "And that's pretty much what happened."
  1738. >You finish recounting yout story
  1739. >Detective Colton nods
  1740. >"Okay. Now, you say that's *pretty much* everything. What're you leaving out?"
  1741. >Dash is a girl
  1742. "Nothing. That's all that happened."
  1743. >Colton briefly narrows his eyes at you, searching for deceit
  1744. >Fnding nothing, his gaze softens and again he nods
  1745. >"Sounds good then."
  1746. "What do you think happened?"
  1747. >Colton purses his lips
  1748. >"Well, it's honestly too early to say. I mean, hell, I haven't even seen the body."
  1749. "Oh. Yeah, I guess so."
  1750. >He continues
  1751. >"But, if, and I do mean if, what your FTO said about that 'low speed impact' is true, that could suggest a second vehicle was involved somehow. I don't want to speculate though."
  1752. >You guess that makes sense
  1753. >"Just clarify one thing, this *is* the same vehicle you made contact with earlier, right?"
  1754. "Yeah, Dash checked the plate. She said it's the same one we ran into before."
  1755. >Colton frowns
  1756. >"I'm sorry, who?"
  1757. "Dash."
  1758. >"You said 'she'."
  1759. >Shit
  1760. >You mentally kick yourself
  1761. >Repeatedly
  1762. "Yeah, I meant 'he', obviously."
  1763. >You do your best to play it off
  1764. >Colton cocks an eyebrow
  1765. >"Uh-huh... well, long night I guess."
  1766. >That was close
  1767. >You need to be more careful with Dash's secret
  1768. >For God's sake, you'd explicitly promised to keep quiet about it
  1769. >"Okay, send your partner over and let me talk to him."
  1770. >You walk to the front of the cruiser
  1771. "You're up."
  1772. >Dash leaves without a word
  1773. >You stick your hands into your coat's pocket and lean against the car's brush-guard
  1774. >Colton's answer to your question left a lot to be desired
  1775. >Sure, he gave an idea of what happened
  1776. >But not why
  1777. >The victims can't be more than twenty
  1778. >What could possibly have been the motivation
  1779. >It just seems to pointless
  1780. >You hear footsteps next to you
  1781. >You turn
  1782. >Dash is back, resting with her elbows on the top of the brush-guard
  1783. >For a minute, neither of you speak
  1784. >"Not bad, Anon."
  1785. >Not bad?
  1786. >Two people are dead, and that counts as 'not bad'?
  1787. "Doesn't feel that way."
  1788. >You mumble
  1789. >You don't really have the energy for anything more
  1790. >Dash nods
  1791. >"Yeah, I know. But you held it together alright. We had a job and we did it."
  1792. "Did we though? I mean, fuck, Dash, those two kids..."
  1793. >You can't quite bring yourself to say it
  1794. >"There's going to be some times where you'll give it your all - where you give more than anyone could expect, and things still won't turn out how you want them to."
  1795. "What do you do on days like that?"
  1796. >"You cry. Hug your kids, call your mom, do whatever you have to. 'Cause the next day, you're at it again. The calls, victims, criminals... none of it stops just because you're having a hard time."
  1797. >You look at her
  1798. "But is there anything you just can't get over?"
  1799. >Dash doesn't answer
  1800. >She's staring straight ahead
  1801. >Through the snow, trees, and crime scene tape
  1802. >At something thousands of miles away
  1803. >She blinks, and focuses on the ground
  1804. >"Yeah. Sometimes."
  1805. >She pushes herself off the car
  1806. >"Well, there's our breather for the night."
  1807. >She turns around and opens the driver side door
  1808. >"C'mon, we've still got a lot of work to do."
  1809.  
  1810. ***
  1811.  
  1812. >When Dash said a lot of work, you assumed they needed help searching the woods, or working a roadblock or something
  1813. >Nope
  1814. >She meant paperwork
  1815. >So instead of working the scene or the streets, you're back at the district substation
  1816. >Sitting in the squad room
  1817. >With two laptops open in front of you
  1818. >Dash is probably *loving* this
  1819. >The detectives want you to write down everything you had told them
  1820. >In addition to your incident report
  1821. >By the time you finish, your story has been told three times
  1822. >You check your watch
  1823. >It's fast approaching four in the morning
  1824. >You save the completed report on the computer, lean back in your chair, and run your fingers through your hair
  1825. >"Make sure all your shits consistent."
  1826. >You flash Dash a thumbs up
  1827. "It's all good."
  1828. >"I'm serious, if this goes to trial you'll get your ass reamed if details don't line up."
  1829. "I know. I coped and pasted most of this stuff."
  1830. >Your stomach rumbles loudly
  1831. "We never ate anything."
  1832. >"Yeah."
  1833. >Dash stands up
  1834. >"I'll be back in a minute."
  1835. >She leaves the room
  1836. >True to her word, she returns a short time later, carrying a wide, cardboard box
  1837. >You recognize the logo as belonging to a local donut shop
  1838. >"Breakfast of champions."
  1839. >She drops the box on the table and sits back down
  1840. "Where'd you get this?"
  1841. >"Break room."
  1842. >You open the box
  1843. >It's almost completly full
  1844. "Are you allowed to just go in and take all these?"
  1845. >She shrugs
  1846. >"They can bite me."
  1847. >Can't argue with that logic, you guess
  1848. >You reach in, grab one, and devour it in three bites
  1849. >Without thinking, you grab another
  1850. >Two more follow
  1851. >You find yourself reaching for your fifth, and stop
  1852. "You know, it's not that I don't appreciate all the empty calories, but I'm not sure this makes up a meal."
  1853. >"Yeah, I hear ya'."
  1854. >She gestures towards the computer
  1855. >"You're done, right?"
  1856. "With my report? Yeah."
  1857. >Dash jumps from her seat and pulls on her jacket
  1858. >"We've got an hour to kill. We'll go patrol a McDonald's parking lot, or something."
  1859. >Probably not the most professional thing to say, but you're not about to complain
  1860. >You follow Dash out the station, and hop into your parked interceptor
  1861.  
  1862. ***
  1863.  
  1864. "Worst Christmas ever."
  1865. >You and Dash are parked in a lot
  1866. >A bag containing your respective meals is siting between your legs
  1867. >"Ha. It's not even Christmas anymore, dude. That was last night."
  1868. >She pauses to take a bite of her hamburger
  1869. >"But yeah. Those were pretty much my exact thoughts on the first Christmas I worked."
  1870. "What was that like?"
  1871. >"It was a buncha' dumb stuff. Pretty much what we delt with tonight. Uh... you know... minus the murder."
  1872. "How do you think that's gonna' turn out?"
  1873. >She sighs lightly
  1874. >"I dunno, man. I mean, we've got good detectives, you know? I'm sure they'll work it all out."
  1875. "Yeah, I guess."
  1876. >Sensing the conversation wasn't heading in a great direction, Dash does her best to change the topic
  1877. >"So, hey. You like any sports?"
  1878. >You shrug
  1879. "I guess. I heard you did pretty good when the department played against the fire rescue guys."
  1880. >"Pff. *Pretty good*. Man, I kicked ass!"
  1881. "Oh, yeah?"
  1882. >"Yeah! I mean, we still lost... but that wasn't my fault! I was carrying that team."
  1883. >You grin
  1884. "Good thing you guys lost. If you hadn't, I'd probably never hear the end of it."
  1885. >"Aww, you're just jealous."
  1886. >She finishes her burger and stuffs the wrapper into the bag
  1887. >"Mmm... okay. Pretty close to quittin' time, let's start heading back towards the station."
  1888. "Oh, thank God. I'm going to go home and sleep."
  1889. >"Yeah, don't sleep too long. Round two of the night shift starts in twelve hours."
  1890.  
  1891. ***
  1892.  
  1893. "So, Dash. How're things coming on that murder investigation?"
  1894. >You keep your tone as neutral as possible
  1895. >Just a simple, passing question
  1896. >However, Dash sighs and looks sideways at you
  1897. >"Man, are you still busted up over that call?"
  1898. >You throw your hands in the air
  1899. "Are you not? What, two kids get murdered and that's just business as usual?"
  1900. >Dash doesn't answer
  1901. >For several seconds
  1902. >The silence drags on
  1903. >Before she finally speaks up
  1904. >"Anon, if you stick with this you're going to see a lot of shitty calls. And I mean, like, just some *shitty* calls. You've got to be able to distance yourself. You can't focus on just this one thing."
  1905. "Yeah, I know, I just want whoever did it to get what's coming to 'em."
  1906. >"Yeah, well, don't hold your breath, I guess."
  1907. "Why's that?"
  1908. >"Trail's gone cold, dude. No witnesses, no real investigative leads. They figured that truck got hit by another vehicle, they pulled a couple nine-millimeter slugs from each body, but other than that..."
  1909. "So they're just giving up?"
  1910. >"Hey, nobody wants to call it quits. But it's been a week and there's no suspects, we don't know the motive, it's just not a lot to go on."
  1911. >Dash pauses
  1912. >"You know, you remind me a lot of myself back when I first came on."
  1913. "Yeah?"
  1914. >She nods
  1915. >"Oh yeah. Never wanted to call it quits, wanted to be in the action, high-speed, teflon coated, Delta Force shit."
  1916. >You raise your eyebrows
  1917. "Wow. Old Dash actually sounds like fun."
  1918. >"Ah, fuck you. Speaking of fun, you stoked for the weekend?"
  1919. >It's not the weekend, exactly
  1920. >It's actually a Tuesday, Wednesday, and a Thursday
  1921. >The way your schedule worked you were on for two days and off three, then on for three days and off two
  1922. >But three days off was still three days off, no matter how you looked at it
  1923. >Of course that meant...
  1924. "Aw, shit, we're working Friday, Saturday, and Sunday."
  1925. >"Yeah, we're gonna be busy when we come back on. So you'd better enjoy these next few days."
  1926. "What're you gonna' be doing?"
  1927. >"Probably going to hit up the gym."
  1928. >And that's when you get your bright idea
  1929. >After your first attempt, you'd given up on trying to socialize with her
  1930. >But you feel like you've come a little ways since then
  1931. >And maybe she'd be up for it if it was a little more in her comfort zone
  1932. "Can I come?"
  1933. >Dash's brow lowers
  1934. >"Uhh... what?"
  1935. >Well, shit
  1936. >That doesn't sound promising
  1937. >Still though, you're this far already
  1938. "I've been meaning to start working out, but I don't have anyone to go with. And it sounds like you're at the gym a lot."
  1939. >Dash grimaces
  1940. >"Yeah, I am, but can't you go with George, or... alone?"
  1941. "George never goes. You're like the only person I know who goes to the gym on the regular."
  1942. >"Do you even have a gym membership?"
  1943. "I... I'm sure I can pick one up. I'm just thinking, maybe I could tag along wherever you go and you show me the ropes."
  1944. >C'mon, Anon
  1945. >You've been selling this, find some way to drive it home
  1946. "Well, you know. Unless you can't handle it."
  1947. >Dash's grimace steels into a fiery look of defiance
  1948. >Attacking her ego
  1949. >That did it
  1950. >"*I* can't handle it? Okay, Anon. Meet me tommorow morning at five in Spring Street Park. Get ready to run."
  1951. >Running
  1952. >Not exactly what you had in mind
  1953. >Still though, it's a start
  1954. >"We'll see who 'can't handle it'."
  1955. >Oh
  1956. >That doesn't sound good
  1957. "Cool, sounds good."
  1958. >What are you getting yourself into
  1959.  
  1960. ***
  1961.  
  1962. >On your off days, you usually preferred to sleep in
  1963. >After all, the shifts you worked were fairly demanding
  1964. >So sleeping for ten hours didn't seem unreasonable
  1965. >Unfortunately, you don't have that luxery today
  1966. >After an unfulfilling five hours, you roll out of your bed
  1967. >You groan, and rub the sleep from your eyes
  1968. "Ugh... damn you, Dash."
  1969. >Seriously, who willingly wakes up before the very ass-crack of dawn just to get a run in
  1970. >You pull on a pair of running shorts, layer some sweatpants over top, grab a cheap t-shirt, a hoodie, and step into your running shoes
  1971. >Casting a longing glance at your coffee pot, you fill a bottle with water from the tap, stuff an energy bar in your pocket, and step out the door
  1972. >Spring Street Park is about a fifteen minute drive from your apartment
  1973. >It's a large, open field located in the outer city limits, with a small grove of oaks clustered together in the center
  1974. >You slow, and turn left into the parking lot, your headlights briefly illuminating a figure resting against the only other car in the lot
  1975. >You pull up next to it, kill the engine, and step out
  1976. >It's a cold morning, maybe thirty degrees by your estimate, but the winds are calm
  1977. >The weather has been consistently sunny, and patches of snow have been melting through, revealing the surface underneath
  1978. >Not that there's much to look at
  1979. >It's all just brown, dead grass
  1980. >Sticking your keys in the pocket of your sweat pants, you make your way over to the person you saw when you pulled in
  1981. >"Well, look who made it."
  1982. >It's Dash, as you suspected
  1983. >She's wearing a sky-blue hoodie, light-gray sweatpants, and dark-blue running shoes
  1984. >Her hair is slighly more mussed and untidy than what you normally see on duty
  1985. >You yawn, heavily
  1986. "You couldn't have picked a better time?"
  1987. >She shrugs
  1988. >"Hey, *you* wanted to work out with me, remember? To find out who could handle it?"
  1989. >God, is she really still pissy over that?
  1990. "That's not at all what I said."
  1991. >"Same difference."
  1992. >Now that you think about it, maybe attacking her ego wasn't the best plan
  1993. >Sure, it worked, but you get the feeling it's going to cost you
  1994. >"So here's the deal. One lap around the park works out to be about a mile, give or take. We'll take a few laps, then move into some speed work. Then we'll see if you're still feeling it."
  1995. >The two of you take a couple minutes to warm up on your own
  1996. >"I'd definitely take some of those layers off so you don't die of heat stroke."
  1997. >You knew it would have to happen
  1998. >But you still weren't looking forward to it
  1999. >Mentally bracing yourself for the cold, you slide your sweat pants off, fold them, and drop them into the passenger seat of you car
  2000. >Turning around, you see that Dash has done the same
  2001. >She's still wearing the hoodie, but now the only thing covering her lower half is a pair of soccer shorts
  2002. >And, for the first time, you see that Dash has incredible thighs
  2003. >You would reason that it makes sense
  2004. >If she exercises as much as she implies, she'd have to work out her legs at some point
  2005. >But franlky, any such reasoning is lost on you, because all you can do is stare
  2006. >"Hey!"
  2007. >She barks, breaking you from your trance
  2008. >"What're you staring at?"
  2009. >You swallow
  2010. "N-nothing, I just zoned out."
  2011. >Dash's squint turns into a harsh scowl
  2012. >You stand your ground, putting up your best innocent face
  2013. >Which there's no way she's buying
  2014. >After letting you sit in the hot seat for a minute, her expression slowly turns neutral
  2015. >"Right. Well, if you can't keep up, you know where you're parked."
  2016. >With nothing more than that as a warning, Dash takes off at a respectable pace
  2017. >Sprinting a short distance to catch up, you fall in line behind her
  2018. >Which grants you an unobstructed view of her butt
  2019. >Yeah
  2020. >You're not going to have trouble keeping up
  2021. ...
  2022. >You're having trouble keeping up
  2023. >Forget checking out Dash's ass
  2024. >Now you're just trying to keep from falling too far behind
  2025. >You wouldn't consider yourself out of shape
  2026. >In fact, you're probably in better condition than the average person
  2027. >And physical training was a regular occurance when you went through the academy, so you're used to running long distances
  2028. >But as you pass your starting point once more, you can't help but feel like this is getting a little excessive
  2029. >It isn't the distance that's killing you, it's the speed
  2030. >You've never seen anyone maintain this kind of pace for so long
  2031. >Does she always train like this?
  2032. >Or is it just 'cause you're here?
  2033. >Either way, Dash is showing no signs of stopping, or even slowing down
  2034. >You, on the other hand, are winded, your legs are burning, and you're battling a painful side sitch
  2035. >Of course, you could always quit
  2036. >Would it really be so bad?
  2037. >Just stop running, go back to your car, and enjoy your time off
  2038. >It's not like Dash actually wants you here anyway, right?
  2039. >She's probably just doing this to get rid of you
  2040. >And that's how you find yourself getting a little pissed off
  2041. >Because she'd rather put you through this idiotic gauntlet than be up front with you
  2042. >Fuck that
  2043. >You bite down, and push forward
  2044. >Through the pain, and the cold air
  2045. >Through lap after lap
  2046. >Until Dash finally slows, and comes to a stop back where you started
  2047. "Oh, shit..."
  2048. >You lean against your car as you try to catch your breath
  2049. >It feels like your legs are on fire, and you're sucking in as much as you physically can
  2050. >If nothing else, you've found out how powerful a motivator spite can be
  2051. >"Damn, Anon. You actually kept up."
  2052. >You look up
  2053. >Dash is standing in front of you, water bottle in hand
  2054. >She's sweating and breathing a little heavier, but compared to you it's like she hardly exerted herself at all
  2055. >"Hell, I'm actually kinda' impressed."
  2056. >You bring you breathing under control well enough to answer
  2057. "Really?"
  2058. >"Oh, yeah."
  2059. >She holds her water bottle out to you, and you snatch it up eagerly
  2060. >Your own bottle is sitting on the ground, fifteen feet away
  2061. >An eternity too far to walk
  2062. >Dash goes on
  2063. >"I mean, it's not easy keeping up with me. I wasn't sure you had it in you. Guess looks can be deceiving, though, am I right?"
  2064. >You're not sure if you should feel flattered or insulted, so you just don't say anything
  2065. >You hand her now-empty water bottle back
  2066. >She cocks an eyebrow, but doesn't say anything about it
  2067. >"Anyway, I think that just about wraps this up. I don't want you killing yourself, after all."
  2068. >Thank God
  2069. >"So, same time tomorrow morning, only this time we'll meet in the gym."
  2070. >She begins moving away
  2071. "Wait, what gym?"
  2072. >"I'll text you the address."
  2073. >She opens her door, and steps into her car
  2074. >"Catch ya' later!"
  2075.  
  2076. ***
  2077.  
  2078. "Ughhh..."
  2079. >You Groan
  2080. >It's Friday evening, and the beginning of your shift
  2081. >Your weekend, if it could be called that, is over
  2082. >You're sitting in the passenger seat of your Police Interceptor Utility
  2083. >And everything hurts
  2084. >You've got to admit, Dash's workout routine is effective
  2085. >Effective, at least in the sense that it hits all your muscles
  2086. >Though as far as motivating you to return...
  2087. >Wincing, you shift in your seat
  2088. >Damn, you haven't been this sore since you spend a week getting your ass beat in defensive tactics
  2089. >As for Dash...
  2090. >You glance at your partner
  2091. >She's totally unphased
  2092. >With a sigh, you lay your head against the headrest and relax your body as much as you can
  2093. >"You sore there, Anon?"
  2094. >Dash has you fixed with an amused smirk
  2095. "I hate you. I can barely move my arms."
  2096. >She raises her eyebrows
  2097. >"Damn. I didn't think you'd get *that* fucked up. Just, you know, a little fucked up."
  2098. "Yeah, well, you know me. Always defying expectations."
  2099. >"So, you coming back for round two?"
  2100. >You roll your stiff shoulders, and grimace
  2101. >Fuck, man, your body is shot
  2102. "Yeah, much as it pains me, I think I'm gonna' have to... you know... *not*."
  2103. >"Pff."
  2104. >She rolls her eyes
  2105. >"Pussy. You know, I told you ya' wouldn't be able to keep me."
  2106. >You feel a little bit of heat rising in your chest
  2107. >Normally Dash's banter doesn't bother you
  2108. >Hell, you'll even play along
  2109. >But today, for whatever reason...
  2110. "Oh yeah, Dash. You sure showed me."
  2111. >You just weren't having it
  2112. >"Hey, it's cool, dude. Nobody can hang with me."
  2113. "Yep, you sure do make sure of that."
  2114. >"Wait, huh?"
  2115. >She casts you a sideways glance
  2116. >"Are you trying to get at something?"
  2117. "Well... shit, Dash. We've been riding together for what? It's gotta' be at least a month, now. Why are you so locked up?"
  2118. >"Oh..."
  2119. >She cringes
  2120. >"Anon, please tell me you weren't trying to hang out when you said you wanted someone to go to the gym with."
  2121. >You throw your hands up
  2122. "It was the only thing I could think of! Think about it - I know everyone in the squad, at least a little. I've been to the bar with them, or whatever. But you? We're together for hours at a time, we're supposed to have each others back, but how well do I actually know you?"
  2123. >You wait for an answer
  2124. >None comes
  2125. >Dash has, all of a sudden, taken a very keen interest in watching the road
  2126. >So, you press further
  2127. >Perhaps a little further than what good sense might dictate
  2128. "Like, I know you used to work in Canterlot, and I know you go around letting everyone think you're a guy. And I didn't even ask what *that's* about. But c'mon, man, give me something! Work with me!"
  2129. >Dash's eyes narrow
  2130. >"If it's that big a deal for you, Anon, maybe we should find other people to ride with."
  2131. "You know what, maybe we should."
  2132. >Her eyes widen, her mouth hands open and, for a moment, she seems to be at a loss for words
  2133. >And then her jaw snaps shut, and she glowers angrily at you
  2134. >"Fine!"
  2135. >You echo back
  2136. "Fine!"
  2137. >"Fuck you!"
  2138. >Before either of you could continue, you were interrupted by a chilling, somber tone over the radio
  2139. >An alternating high-low beep lasting for several seconds
  2140. >A man-down signal
  2141. >"Blaik County to all units, respond six-eighty-six Northlake Road, six-eight-six Northlake Road, distress button activation on six-delta-nine. All units, clear the air, emergency traffic only."
  2142. >"Shit."
  2143. >You feel the cruiser lurch forward as Dash steps on the accelerator
  2144. >Without really thinking, you slap the controls for your light bar
  2145. >You glance at Dash
  2146. >Her face is totally devoid of color
  2147. >Wide eyed
  2148. >Totally focused on what's ahead of her
  2149. >Honestly, you don't imagine you'd be looking much better
  2150. >You can feel your heart sinking through your stomach as you race towards the scene
  2151. >Who was down?
  2152. >You couldn't slow your mind enough to remember every one's unit numbers
  2153. >What had happened to them?
  2154. >Were they attacked?
  2155. >Was the attacker still on scene?
  2156. >Could it be a trap?
  2157. >All questions that couldn't be answered until you arrived on scene
  2158. ...
  2159. >Even from a half mile away, you could see the scene was huge
  2160. >Emergency lights cast blue light wide across yards, and high into trees
  2161. >As you rolled up, you saw units from all accross the county, and even a couple state police cars
  2162. >A bright red ambulance was at the center of it all
  2163. >Dash brought your cruiser to a stop next to a man bearing sergeants stripes, and rolled down the window
  2164. >"What happened?
  2165. >"We've got an officer shot. He's alive, but we don't know if he's gonna' pull through. I want you guys to take your unit down to the intersection of Cherry and East Ruby Road and set up a roadblock. We'll roll you some additional units once we get some bodies freed up."
  2166. >Dash nods
  2167. >"Anything we should be looking for?"
  2168. >"We haven't processed the dash cam yet, but it looks like our guy got off a few rounds. Look for bullet holes."
  2169. "Who was it?"
  2170. >Your question draws looks from Dash and the sergeant
  2171. >He answers after a moment
  2172. >"Mustang. Duke Mustang."
  2173. >You're allowed a second or so to process this
  2174. >"Now, get moving. We've got too many people here as is."
  2175. >Dash cranks the wheel hard left and gently applies pressure to the accelerator, executing a U-turn, facing you away from the scene
  2176. >She straightens the steering wheel, and the engine hums as Dash presses the gas pedal further
  2177. >Trees, mailboxes, driveways, all fly by as the two of you race to your destination
  2178. >You steal a quick glance at Dash
  2179. >Of all the times to get into it with her, it just had to be *now*
  2180. >When you've got a gunman on the loose
  2181. >A gunman who's already shot one cop
  2182. >Internally, you feel a slight pang of guilt
  2183. >Duke had been shot, and your big concern was your argument with Dash
  2184. >But you two are partners, so if you're having trouble working together, surely that's important
  2185. >...right?
  2186. >Are you even having trouble working together?
  2187. >Once again, you glance at Dash
  2188. >On any normal day, you two get along fine together
  2189. >Hell, you'd go so far as to say you've come to enjoy riding with Dash
  2190. >More than that
  2191. >You enjoy her company
  2192. >And that's friendship, right?
  2193. >It's at least close enough to a working definition
  2194. >But friends usually spend time together outside of work
  2195. >Friends usually express some measure of trust in eachother
  2196. >And Dash... well...
  2197. >She's clearly not being up front with you about something
  2198. >More than just her gender
  2199. >And while it's a compelling argument that Dash has her right to priacy
  2200. >You're just not sure you can accept being left in the dark
  2201. >The intersection is now in sight
  2202. >Dash brakes, and brings the car to a smooth stop right in the middle of the four-way
  2203. >"Grab a rifle. I'm contact, you're cover."
  2204. >You draw in a breath to awknowledge, but Dash cuts you off
  2205. >"So unless you've got something damn important to say, keep your mouth shut."
  2206.  
  2207. ***
  2208.  
  2209. >What an absolute clusterfuck
  2210. >Two officers
  2211. >With a single patrol car
  2212. >Trying to conduct a roadblock on a four way intersection
  2213. >One at a time, Dash waves a up a car and contacts the driver
  2214. >It's a little like directing traffic
  2215. >Only a lot slower
  2216. >With one car at a time
  2217. >And with the potential to run into a dangerous suspect
  2218. >Who nobody has any clue where to look for
  2219. >Not for a lack of trying, of course
  2220. >A huge manhunt was underway
  2221. >Helicopters are airborne
  2222. >SWAT had been called out
  2223. >State police, and officers from the surrounding municipalities are all participating in the search
  2224. >But for all that manpower, it's just you and Dash manning this checkpoint
  2225. >Dash motions another car forward before signalling for it to stop
  2226. >Silently, you observe the driver
  2227. >It's a middle-aged woman, maybe in her late forties, with streaks of gray running showing through her dulling brown hair
  2228. >"Good evening ma'am, I'm Officer Dash with Blaik County, can I ask where you're coming from tonight?"
  2229. >"I'm just coming back from work."
  2230. >"And where do you work, ma'am?"
  2231. >"The bank off of Moore Street."
  2232. >Dash nods
  2233. >"Okay, ma'am. Stay put, I'm going to take a look at the outside of your vehicle now."
  2234. >Dash conducts a quick scan of the car's exterior
  2235. >You stay put, watching the driver
  2236. >Dash comes back around and approaches the driver side window
  2237. >"Okay ma'am, you're free to go. Have a safe night."
  2238. >The vehicle moves on
  2239. >Rinse and repeat
  2240. >After two hours of this, the sun is beginning to set, and you're left with the distinct impression that whoever's running this operation completly forgot about you
  2241. >The suspect is sure to have moved on by now
  2242. >Keeping you at this checkpoint is just a waste
  2243. >"Six-delta-one to six-delta-twenty."
  2244. >Dash answers
  2245. >"Go for six-delta-twenty."
  2246. >"Continue to maintain your position until instructed otherwise, over."
  2247. >You hear a faint sigh of exasperation escape her lips
  2248. >Apparently you aren't the only one sick of running a roadblock
  2249. >"Six-delta-twenty, ten-four."
  2250. >Dash waves in the next vehicle
  2251. >This one's a gray, late-model Ford Ranger
  2252. >The driver is male, somewhere in his thirties, wearing an aged baseball cap embroidered with some logo you don't recognize
  2253. >Dash approaches, and he rolls down the window
  2254. >"Good evening, sir."
  2255. >She points at the cap
  2256. >"Is that a Canterlot Wondercolts hat?"
  2257. >The man nods
  2258. >"Sure is. I'm an old graduate."
  2259. >Dash crosses her arms
  2260. >"No shit? Didn't think I'd run into one this much north."
  2261. >He shrugs
  2262. >"I'm just up here for work."
  2263. >"Oh, yeah? What do you do?"
  2264. >"Contractor."
  2265. >Dash purses her lips
  2266. >"Alright. Well, just stay put for me, I'm going to check around your vehicle and then we'll get ya' out of here."
  2267. >"Yes, sir."
  2268. >The corners of your lips pull into the ghost of a smile
  2269. >*Sir*
  2270. >Even now, that still gets you
  2271. >That guy has no idea
  2272. >His eyes snap onto yours
  2273. >Faster than it came, your smile is gone
  2274. >That's pretty creepy
  2275. >It's not like there's any way he could know, right?
  2276. >You blink
  2277. >And as your eyelids open, you're greeted with the sight of a three-thousand pound truck accelerating towards you
  2278. "Holy shit!"
  2279. >You throw yourself out of the way
  2280. >As you land face-down on the ground, you hear a solid crunch as the truck strikes your cruiser
  2281. >Fuck
  2282. >Fuck
  2283. >Fuck
  2284. >Fuck
  2285. >You push off with your toes and elebows, scambling forward, trying to clear the danger
  2286. >Your rifle, secured by a sling, drags across the pavement below you
  2287. >You roll onto your side, push off with your left hand and grab the rifle's grip with your right
  2288. >Now standing, you mount the rifle to your body and bring it to bear on the driver should be
  2289. >Which is also where he isn't
  2290. >You swing your rifle left and right, searching for your assailant as you gulp down air
  2291. >He's nowhere to be found
  2292. >Slowly, you creep up to the door facing you - the passenger side - and peer inside
  2293. >Nothing
  2294. >The sound of something smacking asphalt draws your attention
  2295. >It's coming from the other side of your police car
  2296. >Abandoning any form of cautious movement, you race around the rear of the vehicle and bring your rifle up
  2297. >The first thing you see is Dash lying on her back
  2298. >The second thing is your attacker, standing a good few feet away
  2299. >The third is the pistol he's clenching in his right hand, pointed down towards the ground
  2300. >You lay the red bead of your rifle's holographic sight over your target
  2301. "Drop the fucking gun!"
  2302. >He looks at you, and does not drop the fucking gun
  2303. >You suck air in, and force it through your throat with all the power you can muster
  2304. "Drop the gun!"
  2305. >His weapon remains firmly in his hand, and his eyes are glued to you
  2306. >If you didn't have the drop on him, there's no doubt in your mind he'd shoot you both
  2307. "Drop the gun or I'll fucking kill you, mother fucker!"
  2308. >He looks at Dash, and back at you
  2309. >He isn't going to do it
  2310. >This piece of shit is going to make you shoot him
  2311. >You chance a quick look at Dash
  2312. >She isn't moving
  2313. >And there's a dark-red liquid wetting down her hair
  2314. >Your eyes dart back to the man
  2315. >You touch your index finger to the trigger
  2316. >The muscles in your finger tighten
  2317. >You begin to press
  2318. >And that's when the man releases his grip on the pistol
  2319. >You let out the breath you were holding and take your finger off the trigger
  2320. >"Uhh... oh, God..."
  2321. >You hear Dash groan
  2322. "Dash!"
  2323. >She pushes herself up
  2324. >"Hands up! Get your damn hands up!"
  2325. >The man complies, staring death at you all the while
  2326. >Dash kicks away the pistol
  2327. >"Hands behind your back."
  2328. >She pulls her first pair of cuffs off her belt and secures the mans hands
  2329. >Dash turns out the contents of his pockets: a wallet, cellphone, pocketknife and extra magazine
  2330. >Each item is dropped on he ground as she completes her search for additional weapons
  2331. >She opens the rear-passenger door on your battered police cruiser and gives the man a shove
  2332. >"Get in there."
  2333. >He climbs in, and Dash slams the door shut
  2334. >Finally, you relax
  2335. "Oh my God..."
  2336. >You lean your back against your car
  2337. >"Six-delta-twenty to Blaik County, we've got a shooting suspect in custody. Our car is ten-fifty, request additional units."
  2338. >A few seconds of delay precedes the dispatchers reply
  2339. >"Six-delta-twenty, verify that you've got the officer involved shooting suspect in custody?"
  2340. >"That's correct."
  2341. >"Ten-four."
  2342. >You look Dash over
  2343. >There's a nasty gash on the top of her forehead
  2344. >She notices you staring, touches two fingers to the spot, and winces
  2345. >"Ow."
  2346. >Gingerly, she runs a finger across the wound
  2347. >You gulp
  2348. "Are you okay?"
  2349. >Something about those words feels inadequate
  2350. >But you're not really sure what else to say
  2351. >"Me? I'm fine, dude. Head wounds bleed, ya know? It's not as bad as it looks."
  2352. >You nod
  2353. "What happened?"
  2354. >"I think he hit me with an elbow or something. No big deal, like I said."
  2355. "Oh."
  2356. >"Yeah. Uh, what about you? You good?"
  2357. >You release your hold on the rifle, and it drops freely before being caught by the sling
  2358. "Holy shit..."
  2359. >You bring your hands up to your forehead
  2360. >"Anon?"
  2361. "Holy shit, Dash. I almost fucking shot him."
  2362. >She lays a hand on your arm
  2363. >"It's okay, man. He tried to run you over - it's good."
  2364. >You clench your jaw and nod, but you feel heat bubbling behind your eyes
  2365. "I... I thought you were fucking dead, Dash."
  2366. >"What?"
  2367. >You wipe your eyes, trying desperately to keep any tears from showing on your face
  2368. "You were lying there, and you weren't moving, and there was so much blood..."
  2369. >She gives your shoulder a shake
  2370. >"Hey, c'mon, this isn't *so much* blood."
  2371. >Dash looks up at you
  2372. >"Anon, are you crying?"
  2373. >You clench your eyelids down
  2374. "No."
  2375. >You feel the arm on your shoulder reach around your back, and she pulls you into an awkward half-hug
  2376. >"You're uh... okay, Anon."
  2377. >You crack a smile
  2378. "You're so bad at this, Dash."
  2379. >"Yeah, so you should totally stop crying before someone sees us."
  2380.  
  2381. ***
  2382.  
  2383. "Oh my God."
  2384. >What a fucking day
  2385. >You push through the doors at the front of your station and walk outside
  2386. >It's well after your shift should have ended
  2387. >So much time spend with investigators and supervisors
  2388. >The latter of whom were especially interested in the damage sustained to your vehicle
  2389. >They seemed to understand, for the most part, but that didn't keep them from grilling you over it
  2390. >Dash had been transported to the hospital to get checked out, so she'd been exactly zero help
  2391. >You rub your temples
  2392. >Right now, nothing would be better than going home and getting to sleep
  2393. >"Hey."
  2394. >You stop
  2395. >Dash is leaning against the station's outside wall
  2396. >She's wearing tennis shoes, loose jeans, and a dark jacket
  2397. "Aren't you supposed to be at the hospital?"
  2398. >"They checked me out, I'm fine."
  2399. "They didn't want you to like, stay for observation or something?"
  2400. >She shrugs
  2401. >"Eh, fuck 'em."
  2402. "Well, I'm glad to see you're okay."
  2403. >"Yeah... so, listen. I know earlier we got at eachothers throats a bit. I guess I was just feeling a little betrayed, but you're right. This whole *thing* isn't normal, and you've been more understanding about it than I could've expected."
  2404. "Wait, are you thanking me or apologizing?"
  2405. >She shrugs
  2406. >"A little of both, I guess. I'm not great at either."
  2407. >You feign shock
  2408. "What?! No!"
  2409. >She smiles
  2410. >Just a bit
  2411. >And just as it comes, it disappears
  2412. >"So, look. If you feel like you need a different partner... well, I get it."
  2413. >You shake your head
  2414. "Dash, I don't want a different partner. I like riding with you. But are you ever gonna' tell me what's going on?"
  2415. >Her eyes meet yours
  2416. >And you hold that gaze for what feels like eternity
  2417. >Until Dash finally breaks away
  2418. >"Yeah. C'mon, Anon. I need a drink."
  2419.  
  2420. ***
  2421.  
  2422. >"So, Dash. You catch last night's game?"
  2423. >You are Dash
  2424. >In Canterlot
  2425. >Seven years ago
  2426. "Huh? The what?"
  2427. >You cast a confused glance at your partner, Gordon
  2428. >A thirteen-year veteran of the Canterlot Police Department, Gordon's pretty much seen it all
  2429. >He's spent his entier career in patrol
  2430. >And, though you'd never say it to his face, the years are beginning to take their toll
  2431. >What was once blonde hair is fading and turning to gray
  2432. >He's wearing a knee brace under his uniform
  2433. >And... well, there's no nice way to say it
  2434. >Gordon's overweight
  2435. >Granted, he's still powerfully built, and could probably lift you with one arm
  2436. >But he could definitely afford to lose a few pounds
  2437. >"The game. The football game."
  2438. >He throws you a quick look before returing his attention to the road
  2439. >"Did you catch it?"
  2440. "Oh."
  2441. >You rub the back of your head
  2442. "I, uh... I didn't even think about it. I got back last night 'n just wanted to sleep."
  2443. >A few silent seconds pass
  2444. "Was it any good?"
  2445. >He waves a meaty hand dismissively
  2446. >"Eh. Something to watch, ya' know?"
  2447. >You nod, but truthfully, you didn't 'know'
  2448. >When you got off shift, you were exhausted
  2449. >The furthest thing from your mind was television
  2450. >In fact, you can't think of a single time in the past few months where you've sat down and just watched television
  2451. >You should really reconsider paying a monthly subscription for a service you barely use
  2452. >Crap, when's your electric bill due?
  2453. >A nudge into your elbow breaks your train of thought
  2454. >"Hey, Dash. Heads up."
  2455. >Gordon nods at the car in front of you
  2456. >It's a black Mercedes-Benz E-class sedan
  2457. >"I'm lightin' these guys up, they pulled right out in front of us."
  2458. "Pff. Man, what a dick."
  2459. >You squint at the Mercedes
  2460. "It's like they couldn't even have chosen a more generic douchebag car."
  2461. >Gordon takes the microphone in his hand
  2462. >"One-twenty-seven to Canterlot, traffic stop."
  2463. >The dispatcher awknowledges you
  2464. >"One-twenty-seven."
  2465. >"It's gonna be on a black Mercedes sedan, plate number golf-charlie-india-four-zero-nine. We're heading East on Peachtree Road."
  2466. >"Ten-four."
  2467. >Gordon flips a switch on the control box, activating the light bar
  2468. >Brakelights on the Mercedes flash for a split second as the vehicle slows ever so slightly
  2469. >But that's it
  2470. >They're not pulling over
  2471. >They're not reducing speed any further
  2472. >There's really nothing to indicate any intention of stopping
  2473. >You hear Gordon sigh heavily
  2474. >He seems irritated, rather than concerned
  2475. >Your partner reaches back to the control box and mashes the air horn
  2476. >A piercing, electric buzz sounds from the siren speaker
  2477. >That seemed to do the trick
  2478. >The car in front of you slows, and pulls to the side of the road
  2479. >Gordon gets back on the radio
  2480. >"One-twenty-seven to Canterlot, we've got 'em stopped just short of the turn onto Grady Street."
  2481. >"Ten-four. Uh..."
  2482. >You detech some unease in the dispatcher's voice
  2483. >"Are you clear for confidential?"
  2484. >Gordon looks over at you, with an eyebrow raised, and shrugs
  2485. >"Yeah, send it."
  2486. >"Okay, license plate G-C-I-four-zero-nine - I'm showing that as a black Mercedes E300, valid insurance, registered to a Jason Blair, and we've got him flagged as an associate of Kyle Mason."
  2487. >You hear Gordon groan
  2488. >"Great. You think you can send us some cover?"
  2489. >There's a short pause before the dispatcher answers
  2490. >"Everyone's ten-six at the moment, I'll roll you some additionals once as soon as someone's availible."
  2491. >"Ten-four."
  2492. "What's the big deal? I'm sure we can handle some rich pricks."
  2493. >Gordon raises both eyebrows
  2494. >"Really? Kyle Mason... you don't know?"
  2495. "Never heard of him."
  2496. >He raises both hands in a display of exasperation
  2497. >"He's Canterlot's local crime lord... well, allegedly."
  2498. "What're you talking about? Crime lord... let's haul 'em in!"
  2499. >You start to open your door, but Gordon grabs your arm
  2500. >"No, Dash, we don't have anything on him. We don't have anything on *any* of them."
  2501. "Well... what the hell do we do, then?"
  2502. >"I'm gonna take the lead. Speak up if you see anything, but otherwise just watch my back."
  2503. >Gordon opens his door, and steps out
  2504. >You follow his lead and exit the passenger door
  2505. >Gordon is approaching the driver side
  2506. >You cross between the vehicles and position yourself next to Gordon
  2507. >Two men are sitting in the front section of the car - one driver, one passenger
  2508. >"Hello, sir, I'm Officer Covey with the Canterlot Police, the reason I stopped you is merged into our lane really aggressively."
  2509. >The driver shrugs
  2510. >"So, maybe I did. Is that a crime?"
  2511. >"Yes, sir. Reckless driving."
  2512. >The driver slaps the steering wheel
  2513. >"Oh, for fucks sake..."
  2514. >"Can I see your license, please?"
  2515. >The driver shrugs
  2516. >"Yeah, I guess."
  2517. >He produces it from his wallet, and sticks his hand out the window
  2518. >Gordon reaches for it
  2519. >"Oops."
  2520. >The driver drops his license, and the traces of a smirk touch his face
  2521. >"Sorry about that."
  2522. >Gordon nods
  2523. >"It's okay, sir. I'll just need your full name and date of birth."
  2524. >"What? Fuck... why?! I just gave you my fucking license!"
  2525. >"Sir, I'm not picking that up."
  2526. >The driver throws his hands up
  2527. >"Are you fucking kidding me?"
  2528. >Gordon repeats his request
  2529. >"Name and date of birth, sir."
  2530. >"Hol-y shit. Jason Blair, September six, nineteen-seventy-eight."
  2531. >Gordon nods and starts back towards the car
  2532. >You stay to keep an eye on the occupants
  2533. >To call the situation uncomfortable would be an understatement
  2534. >The driver - Jason, and his passenger, whatever his name is, keep shooting you nasty, sideways glances
  2535. >And you're doing your best to match them
  2536. >But you can feel the tension rising, and stitching itself across your chest
  2537. >And you feel your confidence falter just a bit
  2538. >You set your jaw
  2539. >No
  2540. >You won't allow that
  2541. >Jason is still staring at you, and you meet his gaze
  2542. "What do you want?"
  2543. >He smirks, runs his gaze over your body, and settles further into his chair
  2544. >"Just admiring the view."
  2545. >Your cheeks flush with fire
  2546. "What?!"
  2547. >His grin grows
  2548. >"That's your car, right?"
  2549. >He thumbs towards your Crown Victoria
  2550. >"Climb in and I'll show you a real ride."
  2551. >He's grinning like a madman now
  2552. >"And I'm not just talking about the car."
  2553. >Your hands ball into fists, and you grind your teeth
  2554. >Some logical part of you knows exactly what he's doing
  2555. >He's trying to goad you into reacting
  2556. >If he ever went to court, police misconduct would only strengthen his defense
  2557. >So, summoning every ounce of willpower at your disposel, you swallow your retort
  2558. >"C'mon, girl. There's room for three in here."
  2559. >Your eye twitches
  2560. >"Hey, Jason, c'mon. Look at that rainbow hair."
  2561. >His passenger is chiming in now
  2562. >"I don't think you're her type, if you get my meaning."
  2563. >"Hey, you know what they say about lesbians, right?"
  2564. >He looks you in the eye
  2565. >"They're just women who haven't been fucked right by a man."
  2566. >Heat and rage bubbles inside you
  2567. >All your willpower was no longer enough
  2568. "I wouldn't let you fuck me if you were the last man on Earth!"
  2569. >He shrugs
  2570. >"If I'm the last man on Earth, who's gonna stop me?"
  2571. "I'll fuck you up!"
  2572. >"Dash, reel it in!"
  2573. >It's Gordon
  2574. >You look back at him
  2575. >He shakes his head, cautioning you against further outbursts
  2576. >"Better listen to him, Dash."
  2577. >The passenger unbuckles
  2578. >"You know, Jason, I think I've had quite enough of her rudeness."
  2579. >He opens the door and steps out
  2580. "Hey, where're you going?"
  2581. >You start moving towards him
  2582. >"I'm leaving."
  2583. >He starts forward, walking down the side of the street
  2584. "Get back here!"
  2585. >You're behind him now, speed walking to catch up
  2586. >"Dash!"
  2587. >Gordon is calling for you, but you're not listening
  2588. >"Not my car."
  2589. >He looks over his shoulder
  2590. >"I'm not the one being stopped."
  2591. >You're within arms length of him now
  2592. "We aren't done here."
  2593. >With your left hand, you reach out and grab his shirt
  2594. >And you never saw his first blow coming
  2595. >But you certainly felt it
  2596. >His fist connected with the left side of your mouth, sending you tumbling to the ground
  2597. >You land hard, knocking the wind out of you
  2598. >And before you have a chance to gasp in air, a forearm shoots across the front of your throat and your dragged onto your feet
  2599. >Thrashing, you reach for your gun
  2600. >As you start to pull, you feel a strong hand grab yours and push it - and your gun - down towards the holster
  2601. >You try to draw in a breath, and choke
  2602. >With your free hand, you blindly strike out
  2603. >Your fist connects with something fleshy a few times, but the arm around your throat only tightens
  2604. >"Hey, let her go!"
  2605. >You hear the crack of a gunshot
  2606. >"Holy shit!"
  2607. >Several more follow
  2608. >Someone screams
  2609. >The arm releases you, and you fall forward, gasping for air
  2610. >"He fucking shot me! Mother fucker!
  2611. >Get up
  2612. >Get into the action
  2613. >You pull your pistol from its holster and push yourself up
  2614. >Only to recieve another sharp pain in the back of your head
  2615. >Followed by a kick to your ribs that drives all the air from your lungs
  2616. >"Stupid bitch..."
  2617. >"We gotta go!"
  2618. >You roll onto your side and look up
  2619. >And you're just able to make out the blow that sends you into unconsciousness
  2620.  
  2621. ***
  2622.  
  2623. "God damn, Dash."
  2624. >You are Anon
  2625. >It's present day
  2626. "That's... that's fucked up."
  2627. >Dash nods, and stares into her drink
  2628. >"Yeah."
  2629. "Your partner... did he -"
  2630. >"He lived. Took a few hits, but he pulled through alright."
  2631. >She smiles
  2632. >It's a sad smile, but a smile nonetheless
  2633. >"Gordon was a tough son of a bitch."
  2634. "What about those fuckers you stopped?"
  2635. >"CPD caught 'em later that day. They pled guilty... no trial, really not much publicity."
  2636. >She turns in her bar stool to face you, and pulls back her bangs
  2637. >"Healed up pretty good though, right?"
  2638. >On one side of her forehead is the injury from last night
  2639. >On the other are a few barely detectable marks
  2640. >She lets her hair drop back down
  2641. "Dash, look. That's horrible, but what's that have to do with..."
  2642. >She sighs
  2643. >"With me pretending to be a guy?"
  2644. "Well... yeah."
  2645. >"Anon, I let myself get overpowered. I wasn't... I wasn't strong enough to fight back. My partner got shot bacause he was pulling all the weight."
  2646. "You can't possibly think that's your fault."
  2647. >She snaps
  2648. >"It *is* my fault! *I* couldn't deal with some playground insults. *I* was a target because *I* was a girl. And when it came to it..."
  2649. >She turns away from you
  2650. >"I couldn't protect myself. And if I can't even do that, how am I going to protect anyone else?"
  2651. >You breath in to reply, but you don't have an answer
  2652. >"Yeah. That's what I thought."
  2653. >A minute or so of silence passes
  2654. "So, what happened then?"
  2655. >"I finished out the year at Canterlot. I thought maybe things would go back to normal, but they never really did. I heard Blaik County was hiring, and I wanted to get away from all *that*, so I sent in my application and just laterally hired in."
  2656. "Just like that, huh?"
  2657. >Dash shrugs
  2658. >"I don't think they wanted me at Canterlot. And we're about as far north as you can get. I just want to leave it all behind me."
  2659. "Really? Friends, everything?"
  2660. >Her eyes drop
  2661. >"Nobody needs me as a friend."
  2662. "Aw, don't say that."
  2663. >You give her an affectionate nudge with your elbow
  2664. "I'm your friend."
  2665. >Her head lifts, and she turns back towards you, wide-eyed
  2666. >She starts to say something, when your cellphone rings loudly
  2667. "Oh, hold on."
  2668. >You glance at the number, and frown
  2669. >It's a local area code, but you don't recognize the number
  2670. >After a second of thought, you accept the call and place the phone against your ear
  2671. "Hello?"
  2672. >"Officer Mous? This is Detective Colton."
  2673. "Oh. You're working that murder we found, right?"
  2674. >"Yeah. Hey, listen. Just a heads up, we're probably going to need to get with you and your partner again about that."
  2675. >You lean forward in your seat
  2676. "You've gotten a lead?"
  2677. >"A lead? Yeah, I'll say. That guy you two arrested? The one who shot one of our officers? We ran ballistics on his pistol, and just for shits 'n giggles compared them against all our recent homicides involving gunshot wounds. It's an exact match with the slugs recovered from our victims."
  2678. "Whoa, wait. You're saying..."
  2679. >"Oh, yeah. You caught the killer."
  2680. >"So, congratulations. That's kind of a big deal, even as felony arrests go."
  2681. "Yeah..."
  2682. >You absentmindedly reply, thinking back to your encounter with the man
  2683. >Your rifle was trained on him
  2684. >His pistol was by his side
  2685. >He really would have killed you if he'd gotten the chance
  2686. "So, uh, what now?"
  2687. >"Well, like I said, we're gonna have you come in and talk us through everything that happened. Just so we're thorough, ya' know? Then if we go to trial you'll probably be called in as witnesses."
  2688. >Dash nudges you with her foot
  2689. >"Hey, what's up?"
  2690. >You cover your phones mouthpiece
  2691. "That dude we arrested is the same guy who killed those kids in the park."
  2692. >Her eyebrows raise
  2693. >"Oh, shit."
  2694. >She punches your shoulder
  2695. >"Hell yeah, dude. We got that fucker off the street."
  2696. >The detective cuts back
  2697. >"Anyway, I know you're working the night shift, and I hate to ask, but I'm going to need you two to come by and talk to me pretty soon. Maybe after your shift, maybe on an off day, but I can't wait too long."
  2698. >You hesitate
  2699. >It's Saturday morning
  2700. >Your next off day is Tuesday
  2701. "We can come in tomorrow morning."
  2702. >Dash shoots you a look
  2703. >"Perfect. Come by my office around seven. See you then."
  2704. >He terminates the call
  2705. >"Did you just volunteer me for something?"
  2706. "Hm?"
  2707. >You look at Dash
  2708. >"You said 'we' can come in tomorrow morning."
  2709. "Oh. Yeah, Detective Colton said he wanted to talk to us."
  2710. >She groans
  2711. "What?"
  2712. >"It's gonna take forever."
  2713. "You know, you're bitching a lot more than I remember."
  2714. >Dash squints at you
  2715. >"You talk a lot more than I remember. You know you're still under probation, right? I can still fail you out."
  2716.  
  2717. ***
  2718.  
  2719. >"Anon, Corporal Dash, thanks for coming by."
  2720. >It was just after seven in the morning
  2721. >You and Dash had been waiting in a small room outside the station's detectives office for nearly two hours
  2722. >In the academy, you'd heard the phrease "hurry up and wait", mostly as a disparaging comment from other police cadets
  2723. >You suppose this qualifies
  2724. >Dash hisses under her breath
  2725. >"Like we had a choice."
  2726. >If Detective Colton heard, he gave no indication of it
  2727. >With a wave of his hand, he beckons you to follow and leads you down a hallway lined with small offices on either side
  2728. >He turns into the last room on the left side, and you follow him in
  2729. >The room contains two desks on opposite sides, each with an office chair
  2730. >Colton takes the desk on the right
  2731. >Papers and file-folders are stacked around the perimiter of the desk, leaving a small clearing of a workspace in the center where a laptop computer sits
  2732. >"Pull up a seat."
  2733. >He motions to a couple fold-out chairs stacked against the wall
  2734. >You and Dash both grab a chair as Colton wheels his own from behind his desk, to the side
  2735. >You recognize what he's doing
  2736. >It's an interview technique where an interviewer removes physical barriers between himself and the person he's interviewing
  2737. >"Okay, Dash, Anon."
  2738. >Detective Colton sets a small black box on the top of his desk
  2739. >"I'm going to be recording this just for my own use. So, start at the park, and then tell me what happened at the roadblock. I'll have both of you talk all the way through, and then I might have some more questions. Dash, lets start with you.
  2740. >Once again, you and Dash recount the incident
  2741. >Starting with your very first call to the park
  2742. >Your breif contact with the future victims
  2743. >The return to the park
  2744. >Discovering the body
  2745. >And finally, your encouter with the murderer
  2746. >The *alleged* murderer
  2747. >Next comes Detective Colton's questions
  2748. >They're all simple
  2749. >Easy to answer
  2750. >A lot of clarification
  2751. >But through it all, you get the impression that he doesn't know *quite* what he's looking for
  2752. >Eventually, he sighs and turns the voice recorder off
  2753. >"Well, I think that about does it. Again, thanks for coming in."
  2754. "Does any of that help?"
  2755. >Colton holds up his hands
  2756. >"A little. See, the problem we're having is establishing motive for the murder. That guy you arrested, David Wright, he's got absolutely no connection to either victim - at least not one we've been able to find. He wasn't *anywhere* on our radar because he's got no motive."
  2757. >Dash leans forward in her seat
  2758. >"So? You don't need motive for a conviction."
  2759. >He nods
  2760. >"True, but right now our only evidence is that the ballistics on his gun match the bullets from the scene. It's good evidence, but it's still circumstantial. And if we can't establish a convincing motive... well, who's to say he didn't find that gun, or buy it from someone else? Is that reasonable doubt?"
  2761. >Before either of you can answer, the door swings open and in walks Detective Killian
  2762. >"I've got somthing!"
  2763. >He notices you and Dash, looks at Detective Colton, and jerks his head in your direction
  2764. >Colton shrugs dismissively in reply
  2765. >"Whatcha' got?"
  2766. >"The owner of that truck Wright was driving."
  2767. >He glances at you and Dash once more, clearly hesitant to share details of the case openly
  2768. >Colton, however, does not seem to share his misgivings, and presses for him to continue
  2769. >"Yeah? Who is it?"
  2770. >"It's the property of an LLC out of Canterlot - Central State Services."
  2771. >That's certainly a generic name, if you've ever heard one
  2772. >Colton furrows his brow and leans back in his chair
  2773. >"Okay. Well, what the hell do they do?"
  2774. >Killian shrugs
  2775. >"I dunno. I can barely find any information about them. But get this."
  2776. >"Yeah?"
  2777. >"One of the owning members is Kyle Mason."
  2778. >You feel the air shift next to you
  2779. >Dash has left her chair, and is now standing
  2780. >"Kyle Mason? *The* Kyle Mason from Canterlot?!"
  2781. >Killian's mouth tightens as he glowers at Dash
  2782. >"You know, Corporal, this really has nothing to do with you."
  2783. >"Answer me, asshole!"
  2784. >The detective's face flashes with rage
  2785. >"No. And you and your little friend here -"
  2786. >Killian points at you
  2787. >"- can get the fuck on out of my office."
  2788. >You need no further prompting
  2789. >Any more time spend here and you're sure there'll be a fight
  2790. "C'mon, Dash, let's go."
  2791. >You reach out and touch her shoulder
  2792. >She rips away and wheels around on you, fists balled, staring pure molten fury
  2793. >You grimace, half-expecting to take a blow
  2794. >However, after a few agonizing moments, her face softens
  2795. >She draws in a breath, pauses, and instead of speaking she storms out into the hall
  2796. >You follow behind her
  2797. "Dash."
  2798. >She keeps walking
  2799. "Dash, stop!"
  2800. >She stops and, still facing away from you, you hear her let out a massive sigh
  2801. >You catch up to her, and she turns and leans her back against the wall
  2802. >Her expression is totally blank
  2803. >Unreadable
  2804. >And you, well...
  2805. >You're not really sure what to say
  2806. >So you just say the first thing that comes to mind
  2807. "Are you alright?"
  2808. >"Fine, Anon."
  2809. >Her reply carries no energy
  2810. "You don't look it."
  2811. >"Yeah?"
  2812. >She shrugs and looks away
  2813. >"It's uh... it's been a long day. I'm just not in the mood to deal with all this shit, ya' know?"
  2814. >You nod
  2815. "Uh-huh."
  2816. >You doubt she's being truthful
  2817. >And at the same time, you doubt confronting her when she's like this would be much help to either of you
  2818. "You're sure you're good?"
  2819. >"Oh yeah."
  2820. >She pushes off the wall and faces the door
  2821. >"I'll see you at five, dude."
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