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Jun 23rd, 2018
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  1. EXT. Hedgemsze cont.
  2.  
  3. EMORY
  4. Therein lies the problem doesn't
  5. it? If I were to tell you what
  6. we wish of you and you were to
  7. refuse I'd be forced to resort
  8. to one of the more unpleasant
  9. facets of my job.
  10.  
  11.  
  12. CHRIS
  13. I wouldn't want that on my
  14. hands.
  15.  
  16. EMORY
  17. No, I assure you, you would not.
  18.  
  19. CHRIS
  20. Then let's talk price.
  21.  
  22. EMORY
  23. We are aware of your going rates
  24. and are prepared to offer an
  25. additional fifteen percent per
  26. canvas in exchange for your
  27. alacrity and your discretion.
  28.  
  29. The man continues to lead them deeper into the floral labirynth. Despite the many twists and turn, he moves without hesitation, confident in his direction.
  30.  
  31. CHRIS
  32. Well fortunately for all
  33. involved, I'm known for both.
  34.  
  35. EMORY
  36. Yes, we are aware of that as
  37. well.
  38.  
  39. CHRIS
  40. Of course.
  41.  
  42. They round another corner and enter a chamber dominated by a squat but intimidating man in a smartly tailored suit. A man who fancies calling himself the BARON.
  43.  
  44. CHRIS
  45. Very dramatic.
  46.  
  47. The Baron gazes at him over his overwrought nez-pince, feigning disdain.
  48.  
  49. BARON
  50. This is the artist?
  51.  
  52. CHRIS
  53. The fake(cooler word).
  54.  
  55. BARON
  56. Pardon?
  57.  
  58. CHRIS
  59. Counterfitter, forger, knock-
  60. off. A fake, not an artist.
  61.  
  62. BARON
  63. The fake....I like it. No
  64. delusions of granduer to
  65. entertain or tortured soul to
  66. coddle.
  67.  
  68. CHRIS
  69. You can entertain or coddle me
  70. all you want as long as you pay
  71. me.
  72.  
  73. BARON
  74. A professional and a fake....I
  75. believe you're just the man I'm
  76. looking for.
  77.  
  78. CHRIS
  79. What's the job?
  80.  
  81. BARON
  82. Mass production.
  83.  
  84. CHRIS
  85. The artist?
  86.  
  87. BARON
  88. Various.
  89.  
  90. Chris waits for more details in silence. With a silent command from the Baron, Emory leaves the alcove.
  91.  
  92. BARON
  93. Suffice it to say I have a
  94. number of paintings, most of
  95. them missing, some of them
  96. altogether unknown, that will
  97. soon be reclaimed by those who
  98. feel more entitled to them than
  99. I.
  100.  
  101. CHRIS
  102. How many?
  103.  
  104. BARON
  105. Twenty-two.
  106.  
  107. CHRIS
  108. Will I be working from the
  109. originals?
  110.  
  111. BARON
  112. You will be provided with full
  113. sized photo reproductions of
  114. each piece but, if absoluely
  115. necessary the originals will be
  116. made available.
  117.  
  118. CHRIS
  119. And when can expect my full
  120. sized photo reproductions?
  121.  
  122. The Baron stops and gives Chris a look of disdain. He's led them to a dead end. Emory is there, waiting.
  123.  
  124. BARON
  125. Do you know the easiest way to
  126. navigate a garden labyrinth?
  127.  
  128. CHRIS
  129. I suppose I can just keep one
  130. hand on the wall and keep on
  131. walking.
  132.  
  133. The Baron shakes his head...
  134.  
  135. BARON
  136. Hedge clippers.
  137.  
  138. Emory grabs a section of the the meticulously cut hedge and pulls it aside providing an exit.
  139.  
  140. A limo awaits the Baron as he steps through the makeshift opening. Chris follows and Emory closes the opening behind them.
  141.  
  142. BARON
  143. Am I correct in assuming we have
  144. an understandin?
  145.  
  146. CHRIS
  147. Entirely correct.
  148.  
  149. BARON
  150. Emory will provide you with the
  151. necessay materials as well as a
  152. means of contact. Until then...
  153.  
  154. A DRIVER opens the limo door as the Baron approaches and enters. Emory retrieves a large plastic tube from the trunk of the car and hands it to Chris.
  155.  
  156. Chris watches as Emory enters and the limo slinks away.
  157.  
  158. Chris shoulders the long plastic tube and leaves on foot.
  159.  
  160. INT. CHRIS STUDIO - DAY
  161.  
  162. Chris removes the reproductions from their storage tube and looks through them:
  163.  
  164. Landscapes, portraits, tableaus...an impressive collection.
  165.  
  166. After some consideration he choses one of the landscapes, pins it up next to his canvas, and begins mixing paint.
  167.  
  168. INSERT - THE LANDSCAPE PHOTO
  169.  
  170. DISSOLVE TO:
  171.  
  172. THE LANDSCAPE PAINTING hanging carelessly over the kitchen table.
  173.  
  174. INT. CHRIS AND LISA'S APARTMENT - NIGHT
  175.  
  176. Lisa gazes at the painting with a critical eye. Chris is in the kitchen preparing dinner.
  177.  
  178. LISA
  179. Cezzane?
  180.  
  181. CHRIS
  182. Think it will pass?
  183.  
  184. LISA
  185. The workmanship is fine, but...
  186.  
  187. CHRIS
  188. An undisvovered masterpiece.
  189.  
  190. LISA
  191. That's pressing our luck a
  192. little? Unfiscovereds by the
  193. Old Masters are put under too
  194. much scrutiny these days..
  195.  
  196. CHRIS
  197. Want to see the original?
  198.  
  199. LISA
  200. Sure.
  201.  
  202. CHRIS
  203. Too bad. This is the best I've
  204. got.
  205.  
  206. He unrolls the working print and hands it to her.
  207.  
  208. She's immediately struck by the photo and examines it closer on the table.
  209.  
  210. LISA
  211. Where did this come from?
  212.  
  213. CHRIS
  214. A new client.
  215.  
  216. LISA
  217. Who?
  218.  
  219. CHRIS
  220. A referal.
  221.  
  222. Lias scowls, skeptical.
  223.  
  224. CHRIS
  225. Remember Louis from Athens?
  226.  
  227. LISA
  228. The frog?
  229.  
  230. CHRIS
  231. Oui.
  232.  
  233. LISA
  234. If this is real, it's. Little out
  235. of his league don't you think?
  236.  
  237. CHRIS
  238. Are you implying it's little out
  239. of my league?
  240.  
  241. LISA
  242. without someone to the the rails
  243. for you, yeah.
  244.  
  245. CHRIS
  246. Relax, the man they're for is just as vested in keeping a low profile as I am.
  247.  
  248. LISA
  249. Yeah, that'll help me relax.
  250.  
  251. She rolls up the photo
  252.  
  253.  
  254. EXT. THE STREETS - DAY
  255.  
  256. The fashionable tourist street terms with SHOPPERS and DINERS.
  257.  
  258. Chris slows to a walk as he turns the corner onto the busy street.
  259.  
  260. He makes his way towards an outdoor cafe, setting his sights on two WOMEN
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