Transformers Tamil Pdf Download



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Transformers Tamil Pdf Download
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When teenager Sam Witwicky buys his first car, what he doesn&#39;t know, is that it&#39;s actually an alien robot. This isn&#39;t the only alien to arrive on Earth. Optimus Prime and a fellow group of transforming robots have arrived in search of the Allspark. But Optimus Prime and the Autobots aren&#39;t the only aliens to appear. Megatron and the Decepticons are also searching for the Allspark, and they would do anything to get it, even if it means destroying the world.
A long time ago, far away on the planet of Cybertron, a war is being waged between the noble Autobots (led by the wise Optimus Prime) and the devious Decepticons (commanded by the dreaded Megatron) for control over the Allspark, a mystical talisman that would grant unlimited power to whoever possesses it. The Autobots managed to smuggle the Allspark off the planet, but Megatron blasts off in search of it. He eventually tracks it to the planet of Earth (circa 1850), but his reckless desire for power sends him right into the Arctic Ocean, and the sheer cold forces him into a paralyzed state. His body is later found by Captain Archibald Witwicky, but before going into a comatose state Megatron uses the last of his energy to engrave into the Captain&#39;s glasses a map showing the location of the Allspark, and to send a transmission to Cybertron. Megatron is then carried away aboard the Captain&#39;s ship. A century later, Captain Witwicky&#39;s grandson Sam Witwicky (nicknamed Spike by his friends) buys his first car. To his shock, he discovers it to be Bumblebee, an Autobot in disguise who is to protect Spike, who possesses the Captain&#39;s glasses and the map engraved on them. But Bumblebee is not the only Transformer to have arrived on Earth - in the desert of Qatar, the Decepticons Blackout and Scorponok attack a U.S. military base, causing the Pentagon to send their special Sector Seven agents to capture all &quot;specimens of this alien race.&quot; Spike and his girlfriend Mikaela find themselves in the midst of a grand battle between the Autobots and the Decepticons, stretching from Hoover Dam all the way to Los Angeles. Meanwhile, deep inside Hoover Dam, the cryogenically stored body of Megatron awakens.
Ten years ago, Steven Spielberg and Michael Bay kick started what would eventually become one of the most financially successful and bombastically dumb summer franchises in film history. So putting aside any thoughts or premonitions about the function of this fiasco, it&#39;s worth looking back and asking how the original Transformers bodes as movie.<br/><br/>In the first hour, Bay succeeds in summoning some laughs out of Shia LaBoeff and his new car (the autobot Bumble-Bee in disguise). Keeping this a secret from his parents makes the hiding of ET look like a piece of cake. Enter Megan Fox, the potential love interest. When we meet her, she is inspecting a car engine, bent over it as if posing for a playboy cover. She goes through the movie with almost as little to do as she has to say; a reminder that the women in Michael Bay movies are objects. <br/><br/>Bay&#39;s floating swirling camera work signifies everything that is simultaneously right and wrong about him; he is a exceptional pornographer. The focal point of his direction has always been making the shot look good. In terms of performance there is nothing wrong with the camera work, but ironically its perfection is distracting; as is the application of slow motion. LaBeoff has enough energy and tongue-in-cheek to make the first hour of the movie tolerable. Halfway in we meet Optimus Prime in all his chrome bodied glory, with the sombre godly voice of Peter Cullen. He gives a cue card explanation of his job and his enemy the Cybertrons. These moments may conger feeling of nostalgia for anyone who grew up on the 80&#39;s series. For the rest of us, Optimus&#39; lecture makes you realize how cheesy an idea Transformers really is.<br/><br/>Bay stages a loud numbing climax that is the film&#39;s greatest undoing. It starts with a punch that catapults an eighteen wheeler so beautifully that it would have been more thrilling to have seen the actually rigged effect on set. he may have a good eye for camera, but when it comes to editing he is virtually blind. The action takes place in the kind of dense metropolis where all the buildings are the same colour, and there is no sense of orientation. It feels as if every shot is only two frames in length, and at the speed of the unfolding chaos makes it impossible to distinguish the Autobots from the cybertrons. <br/><br/>Perhaps more than anything else, Transformers&#39; biggest problem is that is that the Transfomers themselves are nothing resembling characters. They have no feelings, and their dialog seems manufactured. Certain lines are exactly what you expect to hear when you press the button on the toy.
Okay, so it&#39;s a film about a bunch of shape-changing robot toys by the director of Armageddon and Pearl Harbour, but then Pirates of the Caribbean was a film based on a theme park ride produced by Jerry Bruckheimer, and that turned out alright. So I did my best to approach Transformers with an open mind. And for the first half hour or so it&#39;s fine, the barely-seen giant robots providing a nice sense of menace as - this being a Michael Bay film - soldiers run around shouting at each other and firing their machine guns while everything explodes in the background and Jon Voight wears a suit and looks very earnest and jet planes take off against a vividly colour-filtered red sunset and the world&#39;s hottest female computer hacker tries to work out what&#39;s going on.<br/><br/>And then the good robots (Autobots, for the uninitiated) make their entrance and open their big metal gobs and start spouting dialogue that sounds like it&#39;s been swiped wholesale from the 80s TV series, and the film stops being a 12 rated action movie and turns into a cartoon for the under 10s. And the meagre plot runs out, leaving the film to stutter and splutter and limp feebly towards the huge climactic fight scene as the Autobots (who are sworn to protect human life!) stage their big stand against the evil robots in a heavily populated city centre, and everything goes BANG! In the end, Transformers left me with one burning question: Who is the film aimed at? If children, why are there references to an activity normally but not exclusively enjoyed by teenage boys in their bedrooms? If adults, why are the story and dialogue so childish? If the grown-up &quot;geek&quot; market, why are the good robots treated as little more than the comic relief and why does Optimus Prime&#39;s &quot;real face&quot; look so goofy? (Surely the most disappointing reveal since Darth Vader&#39;s helmet came off.) They should put this in a boxed set with the 80s Dolph Lundgren He-Man film and call it &quot;Why action figures don&#39;t make good live-action movies&quot;.
The whole thing is too giddy to be taken seriously and too much of a confection to leave much of a lasting impression. But for 140 minutes, at least, it should give non-fanboys at least an idea of what all the fuss is about.
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