On the way from his supposed home he meets King Laius and slay together with him in a sudden quarrel ensued. Then he comes to Thebes, where he lost the puzzle of the Sphinx and away locking chosen thanks to Darfur by the Thebans and the king rewarded with Jaokastes hand. He ruled a long time in peace and with the evidence and was unknown to him two sons andmother-daughter show until a plague breaks out, which prompted a renewed questioning of the oracle on the part of the Thebans. This is the tragedy of Sophocles. The messengers bring the reply that the plague will cease when the murderer of Laius is driven from the country. But where does he dwell? Where in this dark lane is the old debt? The action of the piece now consists of nothing other than the increased gradually and intricately twisted AGAINST unveiling-the murder of Laius is, but also the son of the murdered and Jocasta. Unwittingly perpetrated by his abominable self, Oedipus himself appears and leaves the home. The oracle’s prophecy is fulfilled. King Oedipus is called a tragedy of destiny, their tragic effect is dust on the contrast between the over mighty sake of God and the vain of the evil threatened human based, submission to the will of the deity, insight into their own powerlessness to the deeply moved spectator from the bereaved learn to play. Consequently, there have dense modern attempts to achieve a similar tragic effect bycontrast, namely the self-invented with a woven fable. alone, viewers have watchedungeruhrt how, despite all the grapes took an innocent man curse or oracle on them, thelater tragedies have remained without effect. The  modern man knows not to shake less than the contemporaryGreeks