The Story Of Film: An Odyssey

May Irwin Kiss (Thomas A. Edison, 1886) (1 min)

Traffic Crossing Leeds Bridge (Louis Aimé Augustin Le Prince, 1888) (0 min)

Annabelle Serpentine Dance (Thomas A. Edison, 1895) (1 min)
La sortie des usiness Lumière <Employees Leaving The Lumière Factory> (Louis Lumière, 1895) (1 min)

L'arrivée d'un train à La Ciotat <Arrival Of A Train At La Ciotat> (Auguste & Louis Lumière, 1896) (1 min)
Sandow (William K.L. Dickson, 1896) (1 min)

The Corbett-Fitzimmons Fight (Enoch J. Rector, 1897) (90 min)

La lune à un mètre <The Moon At One Metre> (Georges Méliès, 1898) (3 min)

Cendrillion (Georges Méliès, 1899) (6 min)
A Kiss In The Tunnel (George Albert Smith, 1899) (1 min)

The Little Doctor And The Sick Kitten (George Albert Smith, 1901) (0 min)
What Happened On Twenty-Third Street, New York City (George S. Fleming & Edwin S. Porter, 1901) (1 min)

The Great Train Robbery (Edwin S. Porter, 1903) (11 min)
The Life Of An American Fireman (Edwin S. Porter, 1903) (6 min)

The Story Of The Kelly Gang (Charles Taff, 1906) (70 min)

The Horse That Bolted (Charles Pathe, 1907)

The Assassination Of The Duc De Guise (Andre Calmettes & Charles Le Bargy, 1908)
Rescued From The Eagle's Nest (J. Searle Dawley, 1908)

The Mended Lute (D.W. Griffith, 1909)
Those Awful Hats (D.W. Griffith, 1909)

Afgrunden <The Abyss> (Urban Gad, 1910)
The House With Closed Shutters (D.W. Griffith, 1910)

Falling Leaves (Alice Guy Blaché, 1912)

Ingeborg Holm (Viktor Sjöström, 1913)
Raja Harishchandra (Dhundiraj Govind Phalke, 1913)
The Squaw Man (Cecil B. DeMille, 1913)
Suspense (Phillips Smalley & Lois Weber, 1913)

Cabiria (Giovanni Pastrone, 1914)
Det hemmelighedsfulde <The Mysterious X> (Benjamin Christensen, 1914)
Gertie The Dinosaur (Winsor McCay, 1914)

The Birth Of A Nation (D.W. Griffith, 1915)
Posle smerti <Mad Love> (Yevgeni Bauer, 1915)
Robert And Bertram (Max Mack, 1915)

Intolerance: Love's Struggle Throughout The Ages (D.W. Griffith, 1916)
Luke's Movie Muddle (Hal Roach, 1916)

Blind Husbands (Erich von Stroheim, 1919)
The Oyster Princess (Ernst Lubitsch, 1919)
Præsidenten <The President> (Carl Theodor Dreyer, 1919)

Das Cabinet des Dr. Caligari <The Cabinet Of Dr. Caligari> (Robert Wiene, 1920)
Der Golem, wie er in die Welt kam <The Golem, How He Came Into The World> (Carl Boese & Paul Wegener, 1920)
Haunted Spooks (Alfred J. Goulding & Hal Roach, 1920)
One Week (Buster Keaton & Edward F. Cline, 1920)
Way Down East (D.W. Griffith, 1920)

The Kid (Charlie Chaplin, 1921)
Körkarlen <The Phantom Carriage> (Viktor Sjöström, 1921)
The Mountain Cat (Ernst Lubitsch, 1921)
Never Weaken (Fred C. Newmeyer, 1921)
Opus 1 (Walter Ruttmann, 1921)
Orphans Of The Storm (D.W. Griffith, 1921)
Rojo no Reikon <Souls On The Road> (Minoru Murata, 1921)

Der Sieger (Walter Ruttman, 1922)
Häxan (Benjamin Christensen, 1922)
Nanook Of The North (Robert J. Flaherty, 1922)

Dnevnik Glumova <Glumov's Diary> (Sergei M. Eisenstein, 1923)
La Roue <The Wheel> (Abel Gance, 1923)
Safety Last! (Fred C. Newmeyer & Sam Taylor, 1923)
Three Ages (Edward F. Cline & Buster Keaton, 1923)

Aelita: Queen Of Mars (Yakov Protazanov, 1924)
Entr'acte (René Clair, 1924)
Greed (Erich von Stroheim, 1924)
Sherlock Jr. (Buster Keaton, 1924)
The Iron Horse (John Ford, 1924)
The Marriage Circle (Ernst Lubitsch, 1924)
The Thief Of Bagdad (Raoul Walsh, 1924)

Bronenosets Potyomkin <Battleship Potemkin> (Sergei M. Eisenstein, 1925)
Kino-pravda no. 19 - Chernoe more - Ledovityi okean - Moskva <Kino no-truth. 19 - Chernoe sea - Ledovityi Okean - Moscow> (Dziga Vertov, 1925)
Stage Struck (Allan Dwan, 1925)

Die Abenteuer des Prinzen Achmed <The Adventures Of Prince Achmed> (Lotte Reiniger & Carl Koch, 1926)
Flesh And The Devil (Clarence Brown, 1926)
Kurutta ippêji <A Page Of Madness> (Teinosuke Kinugasa, 1926)
The General (Buster Keaton & Clyde Bruckman, 1926)

The Lodger (Alfred Hitchcock, 1927)
Metropolis (Fritz Lang, 1927)
Napoléon (Abel Gance, 1927)
Sunrise: A Song Of Two Humans (F.W. Murnau, 1927)
Xixiang ji <Romance Of The Western Chamber> (Minwei Li & Hou Yao, 1927)

The Cameraman (Edward Sedgwick & Buster Keaton, 1928)
The Crowd (King Vidor, 1928)
La passion de Jeanne d'Arc <The Passion Of Joan Of Arc> (Carl Theodore Dreyer, 1928)
Oktyabr <October 1917 (Ten Days That Shook The World)> (Grigori Aleksandrov & Sergei M. Eisenstein, 1928)
Plane Crazy (Walt Disney & Ub Iwerks, 1928)
The Tell Tale Heart (Charles Klein & Leon Shamroy, 1928)
The Wind (Viktor Sjöström, 1928)

Arsenal (Alexander Dovzhenko, 1929)
Un Chien Andalou <An Andalusian Dog> (Luis Buñuel & Salvador Dalí, 1929)

The Big House (Paul Fejos & G.W. Hill, 1930)
L'âge d'or <The Golden Age> (Luis Buñuel, 1930)
Le sang d'un poète <Blood Of A Poet> (Jean Cocteau, 1930)
Rakudai wa shitakeredo <I Flunked, But...> (Yasujirô Ozu, 1930)
Rien que les heures <Nothing But Time> (Alberto Cavalcanti, 1930)
Zemlya <Earth> (Alexander Dovzhenko, 1930)

Behind The Scenes Of The Filming Of The Olympic Games (Rudolf Schaad, 1931)
City Lights (Charlie Chaplin, 1931)
Frankenstein (James Whale, 1931)
Her Dilemma (David Burton, 1931)
La chienne <Isn't Life A Bitch?> (Jean Renoir, 1931)
Limite (Mario Peixoto, 1931)
Little Caesar (Mervyn LeRoy, 1931)
The Public Enemy (William A. Wellman, 1931)

Blonde Venus (Josef von Sternberg, 1932)
Das blaue Licht <The Blue Light> (Leni Riefenstahl, 1932)
The Lost Squadron (George Archainbaud, 1932)
Love Me Tonight (Rouben Mamoulian, 1932)
Otona no miru ehon - Umarete wa mita keredo <I Was Born, But...> (Yasujirô Ozu, 1932)
Queen Kelly (Erich von Stroheim, Richard Boleslawski, Edmund Goulding, Irving Thalberg & Sam Wood, 1932)
Scarface (Howard Hawks & Richard Rosson, 1932)
Shanghai Express (Josef von Sternberg, 1932)
Vampyr (Carl Theodor Dreyer, 1932)

Das Testament des Dr. Mabuse <The Testament Of Dr. Mabuse> (Fritz Lang, 1933)
Duck Soup (Leo McCarey, 1933)
Flying Down To Rio (Thornton Freeland, 1933)
Gold Diggers Of 1933 (Mervyn LeRoy, 1933)
Post Haste (Frank Cadman, 1933)
Zéro de conduite: Jeunes diables au collège <Zero For Conduct> (Jean Vigo, 1933)

L'atalante <The Atlantic> (Jean Vigo, 1934)
The Scarlet Empress (Josef von Sternberg, 1934)
Twentieth Century (Howard Hawks, 1934)

The 39 Steps (Alfred Hitchcock, 1935)
Dushi fengguang <Scenes Of City Life> (Mu-jih Yuan, 1935)
Shen nu <The Goddess> (Yonggang Wu, 1935)
Triumph des Willens <Triumph Of The Will> (Leni Riefenstahl, 1935)
Xin nü xing <New Women> (Chusheng Cai, 1935)

Desire (Frank Borzage, 1936)
Naniwa erejî <Osaka Elegy> (Kenji Mizoguchi, 1936)
Sabotage (Alfred Hitchcock, 1936)
Sant Tukaram (Vishnupant Govind Damle & Sheikh Fattelal, 1936)

La Grande illusion <The Grand Illusion> (Jean Renoir, 1937)
Przygoda czlowieka poczciwego <The Adventures Of A Good Citizen> (Stefan & Francizka Themerson, 1937)
Snow White And The Seven Dwarfs (David Hand, 1937)
Way Out West (James W. Horne, 1937)

Bringing Up Baby (Howard Hawks, 1938)
Le quai des brumes <Port Of Shadows> (Marcel Carné, 1938)
Olympia 1 . Teil - Fest der Völke <Olympia Part One: Festival Of The Nations> (Leni Riefenstahl, 1938)
Olympia 2 . Fest der Schönheit <Olympia Part Two: Festival Of Beauty> (Leni Riefenstahl, 1938)
Swiss Miss (John G. Blystone & Hal Roach, 1938)

Gone With The Wind (Victor Fleming, George Cukor & Sam Wood, 1939)
La Règle du jeu <The Rules Of The Game> (Jean Renoir, 1939)
Ninotchka (Ernst Lubitsch, 1939)
Stagecoach (John Ford, 1939)
The Wizard Of Oz (Victor Fleming, 1939)

The Great Dictator (Charlie Chaplin, 1940)
The Shop Around The Corner (Ernst Lubitsch, 1940)

Citizen Kane (Orson Welles, 1941)
The Maltese Falcon (John Huston, 1941)
Tarzan's Secret Treasure (Richard Thorpe, 1941)

Casablanca (Michael Curtiz, 1942)
Listen To Britain (Humphrey Jennings & Stewart McAllister, 1942)
Saboteur (Alfred Hithcock, 1942)

A Guy Named Joe (Victor Fleming, 1943)
Doña Bárbara (Fernando de Fuentes & Miguel M. Delgado, 1943)

Double Indemnity (Billy Wilder, 1944)
Follow The Boys (A. Edward Sutherland & John Rawlins, 1944)
Pin Up Girl (H. Bruce Humberstone, 1944)

Anchors Aweigh (George Sidney, 1945) (143 min)
Les enfants du paradis <Children Of Paradise> (Marcel Carné, 1945)
Mildred Pierce (Michael Curtiz, 1945)
Roma, città aperta <Rome, Open City> (Roberto Rossellini, 1945)
Scarlett Street (Fritz Lang, 1945)
Spellbound (Alfred Hitchcock, 1945)
The True Glory (Garson Kanin & Carol Reed, 1945)

A Matter Of Life And Death (Michael Powell & Emeric Pressburger, 1946)
Great Expectations (David Lean, 1946)
My Darling Clementine (John Ford, 1946)
The Best Years Of Our Lives (William Wyler, 1946)
The Big Sleep (Howard Hawks, 1946)
The Killers (Robert Siodmak, 1946)

Fireworks (Kenneth Anger, 1947)
La perla <The Pearl> (Emilio Fernández, 1947)
Nagaya shinshiroku <Record Of A Tenement Gentleman> (Yasujirô Ozu, 1947)
Odd Man Out (Carol Reed, 1947)
Out Of The Past (Jacques Tourneur, 1947)

Hamlet (Laurence Olivier, 1948)
Labri di biciclette <Bicycle Thieves> (Vittorio De Sica, 1948)
Red River (Howard Hawks & Arthur Rosson, 1948)
The Red Shoes (Michael Powell & Emeric Pressburger, 1948)

Banshun <Late Spring> (Yasujirô Ozu, 1949)
Nora inu <Stray Dog> (Akira Kurosawa, 1949)
The Third Man (Carol Reed, 1949)

All About Eve (Joseph L. Mankiewicz, 1950)
Gun Crazy (Joseph H. Lewis, 1950)
Los Olvidados <The Forgotten Ones> (Luis Buñuel, 1950)
Sunset Blvd. (Billy Wilder, 1950)

An American In Paris (Vincente Minnelli, 1951)
Awaara (Raj Kapoor, 1951)

Ikiru <To Live> (Akira Kurosawa, 1952)
Limelight (Charlie Chaplin, 1952)
Neighbours (Norman McLaren, 1952) (8 min)
Singin' In The Rain (Stanley Donen & Gene Kelly, 1952)

Chikamatsu monogatari <The Crucified Lovers> (Kenji Mizoguchi, 1953)
The Hitch-Hiker (Ida Lupino, 1953)
How To Marry A Millionaire (Jean Negulesco, 1953)
Les vacances de Monsieur Hulot <Mr. Hulot's Holiday> (Jacques Tati, 1953)
O Dreamland (Lindsay Anderson, 1953)
Senso (Luchino Visconti, 1954)
Sommaren med Monika <Summer With Monika> (Ingmar Bergman, 1953)
Tôkyô monogatari <Tokyo Story> (Yasujirô Ozu, 1953)
Totò a colori <Toto In Color> (Steno, 1953)
Ugetsu monogatari <Tales Of Ugetsu> (Kenji Mizoguchi, 1953)
Young At Heart (Gordon Douglas, 1954)

Johnny Guitar (Nicholas Ray, 1954)
On The Waterfront (Elia Kazan, 1954)
Shichinin no samurai <Seven Samurai> (Akira Kurosawa, 1954)
Tiefland (Leni Riefenstahl, 1954)

All That Heaven Allows (Douglas Sirk, 1955)
Artists And Models (Frank Tashlin, 1955)
Marty (Delbert Mann, 1955)
Ordet <The Word> (Kaj Munk & Carl Theodor Dreyer, 1955)
Pather Panchali (Satyajit Ray, 1955)
Rebel Without A Cause (Nicholas Ray, 1955)
Rio 40 Graus <Rio 40 Degrees> (Nelson Pereira dos Santos, 1955)

Aparajito (Satyajit Ray, 1956)
Et Dieu... créa la femme <And Woman... Was Created> (Roger Vadim, 1957)
The Searchers (John Ford, 1956)

An Affair To Remember (Leo McCarey, 1957)
Det Sjunde inseglet <The Seventh Seal> (Ingmar Bergman, 1957)
Kumonosu-jô <Throne Of Blood> (Akira Kurosawa, 1957)
Le notti di Cabiria <Nights Of Cabiria> (Federico Fellini, 1957)
Mother India (Mehboob Khan, 1957)

Ajantrik <Pathetic Fallacy> (Ritwik Ghatak, 1958)
Bab El Hadid <Cairo Station> (Youssef Chahine, 1958)
Dwaj ludzie z szafa <Two Men And A Wardrobe> (Roman Polanski, 1958)
Indiscreet (Stanley Donen, 1958)
Kakushi-toride no san-akunin <The Hidden Fortress> (Akira Kurosawa, 1958)
Mon Oncle <My Uncle> (Jacques Tati, 1958)
Popiól i diament <Ashes And Diamonds> (Andrzej Wajda, 1958)
Touch Of Evil (Orson Welles, 1958)
Vertigo (Alfred Hitchcock, 1958)

Apur Sansar <The World Of Apu> (Satyajit Ray, 1959)
Kaagaz Ke Phool <Paper Flowers> (Guru Dutt, 1959)
Les quatre cents coups <The 400 Blows> (François Truffaut, 1959)
North By Northwest (Alfred Hitchcock, 1959)
Pickpocket (Robert Bresson, 1959)
Rio Bravo (Howard Hawks, 1959)
Shadows (John Cassavetes, 1959)
Some Like It Hot (Billy Wilder, 1959)

À bout de souffle <Breathless> (Jean-Luc Godard, 1960)
The Apartment (Billy Wilder, 1960)
Devi <The Goddess> (Satyajit Ray, 1960)
El cochecito <The Wheelchair> (Marco Ferreri, 1960)
Les veux sans visage <Eyes Without A Face> (Georges Franju, 1960)
The Magnificent Seven (John Sturges, 1960)
Meghe Dhaka Tara <The Cloud-Capped Star> (Ritwik Ghatak, 1960)
Mughal E-Azam <The Emperor Of The Mughals> (K. Asif, 1960)
Primary (Robert Drew, 1960)
Psycho (Alfred Hitchcock, 1960)
Rocco e i suoi fratelli <Rocco And His Brothers> (Luchino Visconti, 1960)
Saturday Night And Sunday Morning (Karel Reisz, 1960)

Accattone! (Pier Paolo Pasolini, 1961)
L'année dernière à Marienbad <Last Year In Marienbad> (Alain Resnais, 1961)
One Hundred And One Dalmations (Clyde Geronimi, Hamilton Luske & Wolfgang Reitherman, 1961)
Viridiana (Luis Buñuel, 1961)

Cléo de 5 à 7 <Cleo From 5 To 7> (Agnès Varda, 1962)
Jiang shan mei ren <Kingdom And The Beauty> (Han Hsiang Li, 1962)
Jules et Jim <Jules And Jim> (François Truffaut, 1962)
L'eclisse <The Eclipse> (Michaelangelo Antonioni, 1962)
Lawrence Of Arabia (David Lean, 1962)
Nóz w wodzie <Knife In The Water> (Roman Polanski, 1962)
The Trial (Orson Welles, 1962)
Vivre sa vie: Film en douze tableaux <My Life To Live: A Film In Twelve Scenes> (Jean-Luc Godard, 1962)

8½ (Federico Fellini, 1963)
America, America (Elia Kazan, 1963)
Khaneh siah ast <The House Is Black> (Forugh Farrokhzad, 1963)
Nattvardsgästerna <Winter Light> (Ingmar Bergman, 1963)
Nippon konchûki <The Insect Woman> (Shôhei Imamura, 1963)
Scorpio Rising (Kenneth Anger, 1963)
Une femme mariée: Suite de fragments d'un film tourné en 1964 <A Married Woman: Continued From Fragments Of A Film Shot In 1964> (Jean-Luc Godard, 1963)

A Hard Day's Night (Richard Lester, 1964)
Bande á part <Band Of Outsiders> (Jean-Luc Godard, 1964) (95 min)
Deus e o Diabo na Terra do Sol <Black God, White Devil> (Glauber Rocha, 1964)
Il vangelo secondo Matteo <The Gospel According To St. Matthew> (Pier Paolo Pasolini, 1964)
Marnie (Alfred Hitchcock, 1964)
Per un pugno di dollari <A Fistful Of Dollars> (Sergio Leone, 1964)
Soy Cuba <I Am Cuba> (Mikhail Kalatozov, 1964)
Wutai jiemei <Two Stage Sisters> (Jin Xie, 1964)

Blow Job (Andy Warhol, 1965)
Buster Keaton Rides Again (John Spotton, 1965)
Chimes At Midnight (Orson Welles, 1965)
Gertrud (Carl Theodor Dreyer, 1965)
The Sound Of Music (Robert Wise, 1965)
Tini zabutykh predkiv <Shadows Of Forgotten Ancestors> (Sergei Parajanov, 1965)

Andrey Rublyov <Andrei Rublev> (Andrei Tarkovsky, 1966)
Au hasard Balthazar (Robert Bresson, 1966)
La noire de... <The Black Girl> (Ousmane Sembene, 1966)
Persona (Ingmar Bergman, 1966)
Ruka <The Hand> (Jirí Trnka, 1966)
Sedmikrasky <Daisies> (Vera Chytilová, 1966)
Un homme et une femme <A Man And A Woman> (Claude Lelouch, 1966)
Who's Afraid Of Virginia Woolf? (Mike Nichols, 1966)

2 ou 3 choses que je sais d'elle <2 Or 3 Things I Know About Her> (Jean-Luc Godard, 1967)
Bonnie & Clyde (Arthur Penn, 1967)
The Fearless Vampire Killers (Roman Polanski, 1967)
The Graduate (Mike Nichols, 1967)
Horí, má panenko <The Fireman's Ball> (Milos Forman, 1967)
Jag är nyfiken - en film i gult <I Am Curious (Yellow)> (Vilgot Sjöman, 1967)
Two For The Road (Stanley Donen, 1967)

2001: A Space Odyssey (Stanley Kubrick, 1968)
C'era una volta il West <Once Upon A Time In The West> (Sergio Leone, 1968)
Csillagosok, katonák <The Red And The White> (Miklós Jancsó, 1968)
If... (Lindsay Anderson, 1968)

Easy Rider (Dennis Hopper, 1969)
Medium Cool (Haskell Wexler, 1969)
Meiji · Taishô · Shôwa: Ryôki onna hanzai-shi <Love and Crime> (Teruo Ishii, 1969)
Shônen <Boy> (Nagisa Ôshima, 1969)
The Wild Bunch (Sam Peckinpah, 1969)
Women In Love (Ken Russell, 1969)

Badou Boy (Djibril Diop Mambéty, 1970)
Catch-22 (Mike Nichols, 1970)
Götter der Pest <Gods Of The Plague> (Rainer Werner Fassbinder, 1970)
Il conformista <The Conformist> (Bernardo Bertolluci, 1970)
Kes (Ken Loach, 1970)
M*A*S*H* (Robert Altman, 1970)
Nippon Sengoshi - Madamu onboro no Seikatsu (Shôhei Imamura, 1970)
Performance (Donald Cammell & Nicolas Roeg, 1970)
Strategia del ragno <The Spider's Stratagem> (Bernardo Bertolucci, 1970)
Uski Roti <Our Daily Bread> (Mani Kaul, 1970)

A Clockwork Orange (Stanley Kubrick, 1971)
Directed By John Ford (Peter Bogdanovich, 1971)
Dolgie provody <Long Goodbyes> (Kira Muratova, 1971) (97 min)
The French Connection (William Friedkin, 1971)
The Last Movie (Dennis Hopper, 1971)
The Last Picture Show (Peter Bogdanovich, 1971)
McCabe And Mrs. Miller (Robert Altman, 1971)
Minamata: Kanja-san to sono sekai <Minamata: The Victims And Their World> (Noriaki Tsuchimoto, 1971)
Walkabout (Nicolas Roeg, 1971)
Xia nu <A Touch Of Zen> (King Hu, 1971)

Al-asfour <The Sparrow> (Youssef Chahine, 1972)
Cabaret (Bob Fosse, 1972)
Die bitteren Tränen der Petra von Kan <The Bitter Tears Of Petra Von Kant> (Rainer Werner Fassbinder, 1972)
My Childhood (Bill Douglas, 1972) (46 min)
The Godfather (Francis Ford Coppola, 1972)

Badlands (Terrence Malick, 1973)
Enter The Dragon (Robert Clouse, 1973)
Le maman et la putain <The Mother And The Whore> (Jean Eustache, 1973)
Mean Streets (Martin Scorsese, 1973)
Pat Garrett And Billy The Kid (Sam Peckinpah, 1973)
Scener ur ett äktenskap <Scenes From A Marriage> (Ingmar Bergman, 1973)
The Exorcist (William Friedkin, 1973)
The Men Who Made The Movies: Howard Hawks (Richard Schickel, 1973)
Touki Bouki <Journey Of The Hyena> (Djibril Diop Mambéty, 1973)
Zanjeer <The Chain> (Prakash Mehra, 1973)

Alice in den Städten <Alice In The Cities> (Wim Wenders, 1974)
Angst essen Seele auf <Ali: Fear Eats The Soul> (Rainer Werner Fassbinder, 1974)
Chinatown (Roman Polanski, 1974)
The Conversation (Francis Ford Coppola, 1974)
Il fiore delle mille e una notte <Arabian Nights> (Pier Paolo Pasolini, 1974)
Italianamerican (Martin Scorsese, 1974)
Jukti, Takko Aar Gappo <Argument And A Story> (Ritwik Ghatak, 1974)

Faustrecht der Freiheit <Fox And His Friends> (Rainer Werner Fassbinder, 1975)
I'm A Stranger Here Myself (David Helpern, 1975)
Jaws (Steven Spielberg, 1975)
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975)
Mausam (Gulzar, 1975)
O thiasos <The Travelling Players> (Theodoros Angelopoulos, 1975)
One Flew Over The Cuckoo's Nest (Milos Forman, 1975)
Picnic At Hanging Rock (Peter Weir, 1975)
Professione: reporter <The Passenger> (Michaelangelo Antonioni, 1975)
Sholay (Ramesh Sippy, 1975)
Xala (Ousman Sembene, 1975)
Zerkalo <The Mirror> (Andrei Tarkovsky, 1975)

Ai no korîda <In The Realm Of The Senses> (Nagisa Ôshima, 1976)
Il Casanova di Federico Fellini <Fellini's Casanova> (Federico Fellini, 1976)
Kaddu Beykat (Safi Faye, 1976)
Mohammad Messenger of God (Moustapha Akkad, 1976)
Mirt Sost Shi Amit <Harvest: 3000 Years> (Safi Faye, 1976)
Taxi Driver (Martin Scorsese, 1976)
The Making of an Epic: Mohammad Messenger of God (n/a, 1976)

Annie Hall (Woody Allen, 1977)
Close Encounters Of The Third Kind (Steven Spielberg, 1977)
New York, New York (Martin Scorsese, 1977)
Star Wars: Episode IV - A New Hope (George Lucas, 1977)
The Message (Moustapha Akkad, 1977)

Das zweite Erwachen der Christa Klages <The Second Awakening Of Christa Klages> (Margarethe von Trotta, 1978)
Days Of Heaven (Terrence Malick, 1978)

Apocalypse Now! (Francis Ford Coppola, 1979)
Killer Of Sheep (Charles Burnett, 1979)
La Nouba <The Nouba Of The Women of Mount Chenoua> (Assia Djebbar, 1979)
Manhattan (Woody Allen, 1979)
My Brilliant Career (Gillian Armstrong, 1979)
Return Of The Secaucus Seven (John Sayles, 1979) (104 min)
Stalker (Andrei Tarkovsky, 1979)
The Champ (Franco Zeffirelli, 1979)

American Gigolo (Paul Schrader, 1980)
Bad Timing (Nicolas Roeg, 1980)
Raging Bull (Martin Scorsese, 1980)
Star Wars: Episode V - The Empire Strikes Back (Irvin Kershner, 1980)
Stardust Memories (Woody Allen, 1980)
The Elephant Man (David Lynch, 1980) (124 min)
The Shining (Stanley Kubrick, 1980) (113 min)

Gregory's Girl (Bill Forsyth, 1981) (91 min)

66 scener fra Amerika <66 Scenes From America> (Jørgen Leth, 1982)
Blade Runner (Ridley Scott, 1982)
Burden Of Dreams (Les Blank, 1982)
Fitzcarraldo (Werner Herzog, 1982)
Laberinto de pasiones <Labyrinth Of Passions> (Pedro Almodóvar, 1982)
Portrait d'un homme 'à 60% parfait': Billy Wilder <Portrait Of A 60% Perfect Man: Billy Wilder> (Annie Tresgot & Michael Ciment, 1982)

Flashdance (Adrian Lyne, 1983) (95 min)
Nostalghia <Nostalgia> (Andrei Tarkovsky, 1983)
Sans Soleil (Chris Marker, 1983)
Scarface (Brian DePalma, 1983)
Star Wars: Episode VI - Return Of The Jedi (Richard Marquand, 1983)
Videodrome (David Cronenberg, 1983)
Wend Kuuni <Gift From God> (Gaston Kaboré, 1983) (75 min)

¿Qué he hecho yo para merecer esto!! <What Have I Done To Deserve This?> (Pedro Almodóvar, 1984)
Monanieba <Repentence> (Tengiz Abuladze, 1984) (153 min)
Once Upon A Time In America (Sergio Leone, 1984)

A Zed & Two Noughts (Peter Greenaway, 1985) (115 min)
Huang tu di <Yellow Earth> (Kaige Chen, 1985)
Idi i smotri <Come And See> (Elem Klimov, 1985) (136 min)
My Beautiful Launderette (Stephen Frears, 1985) (97 min)
Shoah (Claude Lanzmann, 1985)
Subway (Luc Besson, 1985)

Blue Velvet (David Lynch, 1986)
Top Gun (Tony Scott, 1986)
Ying hung boon sik <A Better Tomorrow> (John Woo, 1986)

Khane-ye doust kodjast? <Where Is The Friend's House?> (Abbas Kiarostami, 1987)
RoboCop (Paul Verhoeven, 1987)
The Untouchables (Brian DePalma, 1987)
Yeelen <Brightness> (Souleymane Cissé, 1987)
Yuki Yukite shingun <The Emperor's Naked Army Marches On> (Kazuo Hara, 1987)

Andrei Tarkovsky & Sergei Parajanov - Islands (Levon Grigoryan, 1988)
Dao ma zei <The Horse Thief> (Zhuangzhuang Tian & Peicheng Pan, 1988)
Distant Voices, Still Lives (Terence Davies, 1988)
Krótki film o zabijaniu <A Short Film About Killing> (Krzyzstof Kieslowski, 1988) (84 min)
The Last Of England (Derek Jarman, 1988) (87 min)

Bei ing cheng shi <A City Of Sadness> (Hsiao-hsien Hou, 1989)
Dekalog <The Decalogue> (Krzysztof Kieslowski, 1989) (550 min)
Do The Right Thing (Spike Lee, 1989) (120 min)
Elephant (Alan Clarke, 1989) (39 min)
Jésus de Montréal <Jesus Of Montreal> (Denys Arcand, 1989)
Tetsuo: The Iron Man (Shinya Tsukamoto, 1989) (67 min)

A Fei jingjyuhn <Days Of Being Wild> (Wong Kar Wai, 1990) (94 min)
An Angel At My Table (Jane Campion, 1990)
Goodfellas (Martin Scorsese, 1990) (146 min)
Miller's Crossing (Joel & Ethan Coen, 1990) (115 min)

Da hong deng long gao gao gua <Raise The Red Lantern> (Yimou Zhang, 1991) (125 min)
Les amants du Pont-Neuf <The Lovers On The Bridge> (Leos Carax, 1991) (125 min)
My Own Private Idaho (Gus Van Sant, 1991) (104 min)
Terminator 2: Judgment Day (James Cameron, 1991) (137 min)
The Silence Of The Lambs (Jonathan Demme, 1991)
Wong Fei Hung <Once Upon A Time In China> (Hark Tsui, 1991) (134 min)

El sol del membrillo <The Quince Tree Sun> (Víctor Erice, 1992) (133 min)
Hyènes <Hyenas> (Djibril Diop Mambéty, 1992) (110 min)
Light Sleeper (Paul Schrader, 1992) (103 min)
Reservoir Dogs (Quentin Tarantino, 1992)
Siu nin Wong Fei Hung ji: Tit Ma Lau <Iron Monkey> (Woo-ping Yuen, 1992) (90 min)
Strictly Ballroom (Baz Lurhmann, 1992)
Sun lung moon hak chan <Dragon Inn> (Raymond Lee, Siu-Tung Ching & Hark Tsui, 1992) (88 min)
Tetsuo II: Body Hammer (Shinya Tsukamoto, 1992) (83 min)
Zendegi va digar hich <And Life Goes On> (Abbas Kiarostami, 1992) (95 min)

Die Macht der Bilder: Leni Riefenstahl <The Wonderful, Horrible Life of Leni Riefenstahl> (Ray Muller, 1993) (180min)
Jurassic Park (Steven Spielberg, 1993) (127 min)
Lan feng zheng <The Blue Kite> (Zhuangzhuang Tian, 1993) (138 min)
Schindler's List (Steven Spielberg, 1993) (195 min)
The Piano (Jane Campion, 1993)
Trois couleurs: Bleu <Three Colours: Blue> (Krzysztof Kieslowski, 1993) (98 min)

Ai qing wan sui <Vive L'Amour> (Ming-liang Tsai, 1994) (118 min)
Natural Born Killers (Oliver Stone, 1994)
Pulp Fiction (Quentin Tarantino, 1994)
Sátántangó <Satan's Tango> (Béla Tarr, 1994) (450 min)
The Hudsucker Proxy (Joel & Ethan Coen, 1994)
Wrony <Crows> (Dorota Kedzierzawska, 1994) (66 min)
Zire darakhatan zeyton <Through The Olive Trees> (Abbas Kiarostami, 1994) (103 min)

American Cinema: Film Noir (Jeffrey Schon, 1995)
Cremaster 4 (Matthew Barney, 1995)
Heat (Michael Mann, 1995) (170 min)
La Haine <Hate> (Mathieu Kassovitz, 1995) (98 min)
Shôhei Imamura - Le libre penseur <Shôhei Imamura: The Freethinker> (Paolo Rocha, 1995) (78 min)
The Making of Steven Spielberg's Jaws (Laurent Bouzereau, 1995)

Breaking The Waves (Lars Von Trier, 1996) (159 min)
Crash (David Cronenberg, 1996) (100 min)
Cremaster 1 (Matthew Barney, 1996)
Irma Vep (Olivier Assayas, 1996) (99 min)
Nun va Goldoon <A Moment Of Innocence> (Mohsen Makhmalbaf, 1995) (78 min)
Romeo + Juliet (Baz Luhrmann, 1996) (120 min)
Toy Story (John Lasseter, 1996)

Cremaster 5 (Matthew Barney, 1997)
Funny Games (Michael Haneke, 1997) (108 min)
L.A. Confidential (Curtis Hanson, 1997) (138 min)
Mat i syn <Mother And Son> (Aleksandr Sokurov, 1997)
Sinemaabi a Dialogue with Djibril Diop Mambety <xx> (Beti Ellerson Poulenc, 1997)
Sreda <Wednesday> (Victor Kossakovsky, 1997) (93 min)
Starship Troopers (Paul Verhoeven, 1997)
Titanic (James Cameron, 1997) (194 min)

Psycho (Gus Van Sant, 1998)
Ringu <Ring> (Hideo Nakata, 1998) (96 min)
Saving Private Ryan (Steven Spielberg, 1998) (169 min)
Sib <The Apple> (Samira Makhmalbaf, 1998) (86 min)
The Big Lebowski (Joel & Ethan Coen, 1998) (117 min)

Beau travail <Good Work> (Claire Denis, 1999)
Cremaster 2 (Matthew Barney, 1999)
L'humanité <Humanité> (Bruno Dumont, 1999)
Ôdishon <Audition> (Takashi Miike, 1999) (115 min)
Ratcatcher (Lynne Ramsay, 1999) (94 min)
Rosetta (Jean-Pierre & Luc Dardenne, 1999)
Star Wars: Episode I - The Phantom Menace (George Lucas, 1999) (136 min)
The Blair Witch Project (Daniel Myrick & Eduardo Sánchez, 1999)
The Matrix (Andy & Larry Wachowski, 1999)

Code inconnu: Récit incomplet de divers voyages <Code Unknown: Incomplete Tales Of Several Journeys> (Michael Haneke, 2000)
Fa yeung nin wa <In The Mood For Love> (Wong Kar Wai, 2000)
Gladiator (Ridley Scott, 2000) (155 min)
O Brother, Where Art Thou? (Joel & Ethan Coen, 2000)
Requiem For A Dream (Darren Aronofsky, 2000)
Sånger från andra våningen <Songs From The Second Floor> (Roy Andersson, 2000)
Une journée d'Andrei Arsenevitch <One Day In The Life Of Andrei Arsenevich> (Chris Marker, 2000)

Moulin Rouge! (Baz Luhrmann, 2001) (127 min)
Mulholland Drive (David Lynch, 2001)
The Lord Of The Rings: The Fellowship Of The Ring (Peter Jackson, 2001) (201 min)
The Matrix Revisited (Josh Oreck, 2001)

Cremaster 3 (Matthew Barney, 2002)
Étre et avoir <To Be And To Have> (Nicolas Philibert, 2002)
Gerry (Gus Van Sant, 2002) (103 min)
Oasis (Chang-dong Lee, 2002)
Russkiy kovhceg <Russian Ark> (Aleksandr Sokurov, 2002)
Star Wars: Episode II - Attack Of The Clones (George Lucas, 2002)
The Lord Of The Rings: The Two Towers (Peter Jackson, 2002) (179 min)
The Rules Of Attraction (Roger Avary, 2002)
Yadon ilaheyya <Divine Intervention> (Elia Suleiman, 2002)
Yuen Ling-yuk <Centre Stage> (Stanley Kwan, 2002)

Dogville (Lars Von Trier, 2003) (178 min)
Elephant (Gus Van Sant, 2003) (81 min)
In One Breath: Alexander Sokurov's Russian Ark (Knut Elstermann, 2003)
Kill Bill: Vol 1 (Quentin Tarantino, 2003) (111 min)
Oldboy (Chan-wook Park, 2003)
Salinui cheok <Memories Of Murder> (Joon-ho Bong, 2003)
The Five Obstructions (Jørgen Leth & Lars Von Trier, 2003)
The Lord Of The Rings: The Return Of The King (Peter Jackson, 2003) (178 min)
The Matrix Reloaded (Andy & Larry Wachowski, 2003)
The Matrix Revolutions (Andy & Larry Wachowski, 2003)

Eternal Sunshine Of The Spotless Mind (Michel Gondry, 2004)
Kill Bill: Vol 2 (Quentin Tarantino, 2004) (136 min)
Shi mian mai fu <House Of Flying Daggers> (Zhang Yimou, 2004)
Sud pralad <Tropical Malady> (Apichatpong Weerasethakul, 2004)
The Bourne Supremacy (Paul Greengrass, 2004)

24 Wirklichkeiten in der Sekunde <24 Realities Per Second> (Nina Kusturica & Eva Testor, 2005)
Batalla en el cielo <Battle In Heaven> (Carlos Reygadas, 2005)
Fahrenheit 9/11 (Michael Moore, 2005)
Last Days (Gus Van Sant, 2005) (97 min)
Moartea domnului Lazarescu <The Death Of Mr. Lazarescu> (Cristi Puiu, 2005)
Star Wars: Episode III - Revenge Of The Sith (George Lucas, 2005)

Iklimler <Climates> (Nuri Bilge Ceylan, 2006)
Shiva (Ram Gopal Varma, 2006)
Zidane, un portrait du 21 siècle <Zidane: A 21st Century Portrait> (Douglas Gordan & Philippe Parreno, 2006)

Rebirth Of A Nation (DJ Spooky, 2007)
The Assassination Of Jesse James By The Coward Robert Ford (Andrew Dominik, 2007)
The Not Dead (Brian Hill, 2007)
The Walker (Paul Schrader, 2007)

La mujer sin cabeza <The Headless Woman> (Lucrecia Martel, 2008)
The Dark Knight (Christopher Nolan, 2008)

Avatar (James Cameron, 2009)
Me And Orson Welles (Richard Linklater, 2009)
Motion Capture Mirrors Emotion (Jorge Ribas, 2009)

Inception (Christopher Nolan, 2010)