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1 | QUIZ 4 | |
2 | ||
3 | • Question 1 | |
4 | ||
5 | In House (p.57), how does Jaune Quick-to-See Smith evoke the simplicity of traditional Native American lifestyles that have disappeared? | |
6 | Answer | |
7 | Selected Answer: c. | |
8 | simple black outlines and ironic messages | |
9 | Correct Answer: c. | |
10 | simple black outlines and ironic messages | |
11 | ||
12 | • Question 2 | |
13 | ||
14 | What cultural conventions (p. 74) did Robert Mapplethorpe challenge in his photographic portrait of female bodybuilder, Lisa Lyon? | |
15 | Answer | |
16 | Selected Answer: a. | |
17 | the traditional representation of the female nude | |
18 | Correct Answer: a. | |
19 | the traditional representation of the female nude | |
20 | ||
21 | • Question 3 | |
22 | ||
23 | Which of these pieces illustrates the use of "expressive" line? | |
24 | Answer | |
25 | Selected Answer: b. | |
26 | Van Gogh's The Starry Night | |
27 | Correct Answer: b. | |
28 | Van Gogh's The Starry Night | |
29 | ||
30 | • Question 4 | |
31 | ||
32 | Lines that create a sense of movement and direction are called: | |
33 | Answer | |
34 | Selected Answer: c. | |
35 | implied lines. | |
36 | Correct Answer: c. | |
37 | implied lines. | |
38 | ||
39 | • Question 5 | |
40 | ||
41 | Jacques-Louis David's The Death of Socrates is set up in a system of right angles on a grid structure. How does this affect the content of the piece? | |
42 | Answer | |
43 | Selected Answer: a. | |
44 | it reiterates the rationality of Socrates' actions | |
45 | Correct Answer: a. | |
46 | it reiterates the rationality of Socrates' actions | |
47 | ||
48 | • Question 6 | |
49 | ||
50 | In Giacometti's Man Pointing, our eye is directed down his right arm and past his pointed finger to some imagined point of interest beyond. This is an example of which formal element? | |
51 | Answer | |
52 | Selected Answer: b. | |
53 | implied line | |
54 | Correct Answer: b. | |
55 | implied line | |
56 | ||
57 | • Question 7 | |
58 | ||
59 | The organization of visual elements in an artwork is called: | |
60 | Answer | |
61 | Selected Answer: c. | |
62 | a composition. | |
63 | Correct Answer: c. | |
64 | a composition. | |
65 | ||
66 | • Question 8 | |
67 | ||
68 | Hung Liu's paintings, such as Three Fujins (p. 69), rely on contrasts between two very important elements: | |
69 | Answer | |
70 | Selected Answer: c. | |
71 | carefully drawn structural lines and uncontrolled drip lines | |
72 | Correct Answer: c. | |
73 | carefully drawn structural lines and uncontrolled drip lines | |
74 | ||
75 | • Question 9 | |
76 | ||
77 | The Starry Night, by Vincent van Gogh, indicates the power of the artist's _______ line. | |
78 | Answer | |
79 | Selected Answer: d. | |
80 | expressive | |
81 | Correct Answer: d. | |
82 | expressive | |
83 | ||
84 | • Question 10 | |
85 | ||
86 | Titian's Assumption and Consecration of the Virgin demonstrates the power of: | |
87 | Answer | |
88 | Selected Answer: c. | |
89 | lines of sight. | |
90 | Correct Answer: c. | |
91 | lines of sight. | |
92 | ||
93 | • Question 11 | |
94 | ||
95 | Line can define space by _____________. | |
96 | Answer | |
97 | Selected Answer: d. | |
98 | all of the above | |
99 | Correct Answer: d. | |
100 | all of the above | |
101 | ||
102 | • Question 12 | |
103 | ||
104 | Hung Liu studied and taught to paint with a strict classical line that is associated with the style of: | |
105 | Answer | |
106 | Selected Answer: a. | |
107 | Russian Social Realism. | |
108 | Correct Answer: a. | |
109 | Russian Social Realism. | |
110 | ||
111 | • Question 13 | |
112 | ||
113 | Hatching and cross-hatching are ways of turning line into______________, or three-dimensional, modeled space. | |
114 | Answer | |
115 | Selected Answer: b. | |
116 | value | |
117 | Correct Answer: b. | |
118 | value | |
119 | ||
120 | • Question 14 | |
121 | ||
122 | When an artist's mark-making style, particularly his/her use of line, is recognizable, like Van Gogh's in The Starry Night, we say it is _____________. | |
123 | Answer | |
124 | Selected Answer: c. | |
125 | autographic | |
126 | Correct Answer: c. | |
127 | autographic | |
128 | ||
129 | • Question 15 | |
130 | ||
131 | Which of these visual elements is most obvious in Andy Goldsworthy's Hazel Leaves? | |
132 | Answer | |
133 | Selected Answer: d. | |
134 | line | |
135 | Correct Answer: d. | |
136 | line | |
137 | ||
138 | • Question 16 | |
139 | ||
140 | Pat Steir's series The Drawing Lesson Part 1, Line # 1 is about what type of line? | |
141 | Answer | |
142 | Selected Answer: c. | |
143 | various artists' unique expressive lines | |
144 | Correct Answer: c. | |
145 | various artists' unique expressive lines | |
146 | ||
147 | • Question 17 | |
148 | ||
149 | What is generally the preferred medium of Andy Goldsworthy? | |
150 | Answer | |
151 | Selected Answer: a. | |
152 | natural materials found on-site | |
153 | Correct Answer: a. | |
154 | natural materials found on-site | |
155 | ||
156 | • Question 18 | |
157 | ||
158 | Line can be used to delineate edges of form in space, imply movement, and ____________. | |
159 | Answer | |
160 | Selected Answer: d. | |
161 | a & b | |
162 | Correct Answer: d. | |
163 | a & b | |
164 | ||
165 | • Question 19 | |
166 | ||
167 | Cezanne's The Basket of Apples is full of what appear to be "mistakes" but are actually________. | |
168 | Answer | |
169 | Selected Answer: d. | |
170 | all of the above | |
171 | Correct Answer: d. | |
172 | all of the above | |
173 | ||
174 | • Question 20 | |
175 | 4.55 out of 4.55 points | |
176 | ||
177 | How would you describe Sol LeWitt's use of line in Wall Drawing No. 681 C? | |
178 | Answer | |
179 | Selected Answer: d. | |
180 | all of the above | |
181 | Correct Answer: d. | |
182 | all of the above | |
183 | ||
184 | • Question 21 | |
185 | 4.55 out of 4.55 points | |
186 | ||
187 | How is Sol LeWitt's line (p. 64) best described in his work, Wall Drawing No. 681 C? | |
188 | Answer | |
189 | Selected Answer: a. | |
190 | analytic | |
191 | Correct Answer: a. | |
192 | analytic | |
193 | ||
194 | • Question 22 | |
195 | ||
196 | When a style of line becomes associated as an artist's work, we say it is: | |
197 | Answer | |
198 | Selected Answer: d. | |
199 | autographic. | |
200 | Correct Answer: d. | |
201 | autographic. | |
202 | ||
203 | ||
204 | QUIZ 5 | |
205 | ||
206 | • Question 1 | |
207 | 5 out of 5 points | |
208 | ||
209 | Where is the negative space in the Rubin vase? | |
210 | Answer | |
211 | Selected Answer: c. | |
212 | in both, depending on how you look at it | |
213 | Correct Answer: c. | |
214 | in both, depending on how you look at it | |
215 | ||
216 | • Question 2 | |
217 | 5 out of 5 points | |
218 | ||
219 | Leonardo da Vinci's The Last Supper is based on what specific type of perspective? | |
220 | Answer | |
221 | Selected Answer: c. | |
222 | one-point linear perspective | |
223 | Correct Answer: c. | |
224 | one-point linear perspective | |
225 | ||
226 | • Question 3 | |
227 | 0 out of 5 points | |
228 | ||
229 | Paul Strand's Abstraction, Porch Shadows reflects a 20th century effort to challenge the viewers perspective with ____________. | |
230 | Answer | |
231 | Selected Answer: d. | |
232 | patterns of light and dark | |
233 | Correct Answer: a. | |
234 | odd or distorted perspective | |
235 | ||
236 | • Question 4 | |
237 | 5 out of 5 points | |
238 | ||
239 | Gustave Caillebotte's Place de l'Europe on a Rainy Day (fig. 104; p. 83) is based on what specific type of perspective? | |
240 | Answer | |
241 | Selected Answer: d. | |
242 | multiple-point perspective (both one- and two-point perspective are used) | |
243 | Correct Answer: d. | |
244 | multiple-point perspective (both one- and two-point perspective are used) | |
245 | ||
246 | • Question 5 | |
247 | 0 out of 5 points | |
248 | ||
249 | What is the most obvious visual element in Matisse's Harmony in Red (The Red Room)? | |
250 | Answer | |
251 | Selected Answer: a. | |
252 | the deep, atmospheric space | |
253 | Correct Answer: d. | |
254 | its lack of special depth | |
255 | ||
256 | • Question 6 | |
257 | 5 out of 5 points | |
258 | ||
259 | In the Rubin vase illustration (p. 76), the black shape can be seen alternately as a foreground object resembling a vase, or as a background space between two white profiled faces. What is this relationship called? | |
260 | Answer | |
261 | Selected Answer: d. | |
262 | figure-ground reversal | |
263 | Correct Answer: d. | |
264 | figure-ground reversal | |
265 | ||
266 | • Question 7 | |
267 | 5 out of 5 points | |
268 | ||
269 | Paul Cézanne's Madame Cézanne in a Red Armchair (fig. 114; p. 89) illustrates that the artist was more interested in: | |
270 | Answer | |
271 | Selected Answer: d. | |
272 | All of the Above. | |
273 | Correct Answer: d. | |
274 | All of the Above. | |
275 | ||
276 | • Question 8 | |
277 | 5 out of 5 points | |
278 | ||
279 | DaVinci's The Last Supper is a perfect example of ____________. | |
280 | Answer | |
281 | Selected Answer: b. | |
282 | one-point perspective | |
283 | Correct Answer: b. | |
284 | one-point perspective | |
285 | ||
286 | • Question 9 | |
287 | 5 out of 5 points | |
288 | ||
289 | There is a contradiction in the appearance of Martin Puryear's Self. What is it? | |
290 | Answer | |
291 | Selected Answer: d. | |
292 | it is much lighter than it appears, because it is hollow | |
293 | Correct Answer: d. | |
294 | it is much lighter than it appears, because it is hollow | |
295 | ||
296 | • Question 10 | |
297 | 5 out of 5 points | |
298 | ||
299 | When and where was linear perspective first codified (studied, organized, and written down)? | |
300 | Answer | |
301 | Selected Answer: d. | |
302 | during the Renaissance in Italy | |
303 | Correct Answer: d. | |
304 | during the Renaissance in Italy | |
305 | ||
306 | • Question 11 | |
307 | 5 out of 5 points | |
308 | ||
309 | In Harmony in Red (The Red Room), Henri Matisse deliberately intended to violate the laws of perspective. Why? | |
310 | Answer | |
311 | Selected Answer: a. | |
312 | His interests were in things other than pure verisimilitude. | |
313 | Correct Answer: a. | |
314 | His interests were in things other than pure verisimilitude. | |
315 | ||
316 | • Question 12 | |
317 | 5 out of 5 points | |
318 | ||
319 | Although created for different purposes, Barbara Hepworth's Two Figures and the African feast-making spoon (pp. 77) share a similar trait. What is it? | |
320 | Answer | |
321 | Selected Answer: d. | |
322 | They are both positive forms that contain negative space. | |
323 | Correct Answer: d. | |
324 | They are both positive forms that contain negative space. | |
325 | ||
326 | • Question 13 | |
327 | 5 out of 5 points | |
328 | ||
329 | What media does Terry Winters use in his work, like Color and Information? | |
330 | Answer | |
331 | Selected Answer: d. | |
332 | all of the above | |
333 | Correct Answer: d. | |
334 | all of the above | |
335 | ||
336 | • Question 14 | |
337 | 5 out of 5 points | |
338 | ||
339 | The surface of a painting or drawing is called: | |
340 | Answer | |
341 | Selected Answer: d. | |
342 | the picture plane. | |
343 | Correct Answer: d. | |
344 | the picture plane. | |
345 | ||
346 | • Question 15 | |
347 | 5 out of 5 points | |
348 | ||
349 | As is common in Japanese art, the Kumano mandala creates the illusion of space by utilizing: | |
350 | Answer | |
351 | Selected Answer: d. | |
352 | oblique projection. | |
353 | Correct Answer: d. | |
354 | oblique projection. | |
355 | ||
356 | • Question 16 | |
357 | 5 out of 5 points | |
358 | ||
359 | In the 15th century in Italy there was a profound redefinition of space with the codification and usage of linear perspective. Some see the same thing happening today with______________. | |
360 | Answer | |
361 | Selected Answer: b. | |
362 | the increased usage and manipulation of cyberspace and virtual realities | |
363 | Correct Answer: b. | |
364 | the increased usage and manipulation of cyberspace and virtual realities | |
365 | ||
366 | • Question 17 | |
367 | 5 out of 5 points | |
368 | ||
369 | In Steve DiBenedetto's Deliverance, the artist is able to use ___________to create a sense of space. | |
370 | Answer | |
371 | Selected Answer: d. | |
372 | overlapping images | |
373 | Correct Answer: d. | |
374 | overlapping images | |
375 | ||
376 | • Question 18 | |
377 | 5 out of 5 points | |
378 | ||
379 | According to Sayre, our notion of space has changed abruptly and even become "fluid" since the beginning of the twentieth century due to: | |
380 | Answer | |
381 | Selected Answer: b. | |
382 | Einstein's theories. | |
383 | Correct Answer: b. | |
384 | Einstein's theories. | |
385 | ||
386 | • Question 19 | |
387 | 5 out of 5 points | |
388 | ||
389 | What is the metaphorical significance of the carved sculpture, Feast Making Spoon, from the Ivory Coast (fig. 94)? | |
390 | Answer | |
391 | Selected Answer: d. | |
392 | it represents the power of the imagination to transform an everyday object into a symbolically charged container of social good. | |
393 | Correct Answer: d. | |
394 | it represents the power of the imagination to transform an everyday object into a symbolically charged container of social good. | |
395 | ||
396 | • Question 20 | |
397 | 5 out of 5 points | |
398 | ||
399 | Why is the stereoscope (p. 85) such an effective means of describing "real" space? | |
400 | Answer | |
401 | Selected Answer: b. | |
402 | It mimics binocular vision. | |
403 | Correct Answer: b. | |
404 | It mimics binocular vision. | |
405 | ||
406 | ||
407 | QUIZ 6 | |
408 | ||
409 | • Question 1 | |
410 | 5 out of 5 points | |
411 | ||
412 | The background mountains in DaVinci's Madonna of the Rocks provide a perfect example of ___________. | |
413 | Answer | |
414 | Selected Answer: a. | |
415 | atmospheric perspective | |
416 | Correct Answer: a. | |
417 | atmospheric perspective | |
418 | ||
419 | • Question 2 | |
420 | 5 out of 5 points | |
421 | ||
422 | Nikolai Buglaj's "Race"ing Sideways is a commentary on the Western convention of_________. | |
423 | Answer | |
424 | Selected Answer: d. | |
425 | a & b | |
426 | Correct Answer: d. | |
427 | a & b | |
428 | ||
429 | • Question 3 | |
430 | 0 out of 5 points | |
431 | ||
432 | A color's brightness or dullness (p. 107) is called: | |
433 | Answer | |
434 | Selected Answer: c. | |
435 | tint or shade. | |
436 | Correct Answer: a. | |
437 | intensity or saturation. | |
438 | ||
439 | • Question 4 | |
440 | 5 out of 5 points | |
441 | ||
442 | What is yellow's complementary color? | |
443 | Answer | |
444 | Selected Answer: d. | |
445 | violet | |
446 | Correct Answer: d. | |
447 | violet | |
448 | ||
449 | • Question 5 | |
450 | 5 out of 5 points | |
451 | ||
452 | Jane Hammond's Fallen is made of many pieces, sewn together as a whole. What is it made of? | |
453 | Answer | |
454 | Selected Answer: b. | |
455 | a digitally scanned and printed image of a leaf with the name of soldiers killed in the Iraq War inscribed on each | |
456 | Correct Answer: b. | |
457 | a digitally scanned and printed image of a leaf with the name of soldiers killed in the Iraq War inscribed on each | |
458 | ||
459 | • Question 6 | |
460 | 5 out of 5 points | |
461 | ||
462 | Which of these elements helps to create space in art? | |
463 | Answer | |
464 | Selected Answer: d. | |
465 | all of the above | |
466 | Correct Answer: d. | |
467 | all of the above | |
468 | ||
469 | • Question 7 | |
470 | 5 out of 5 points | |
471 | ||
472 | Figure of a Woman by Paul Colin probably derives from his____________. | |
473 | Answer | |
474 | Selected Answer: c. | |
475 | association with Josephine Baker and La Revue Negre | |
476 | Correct Answer: c. | |
477 | association with Josephine Baker and La Revue Negre | |
478 | ||
479 | • Question 8 | |
480 | 5 out of 5 points | |
481 | ||
482 | With atmospheric perspective, objects further from the viewer appear ____________. | |
483 | Answer | |
484 | Selected Answer: a. | |
485 | cooler and less distinct | |
486 | Correct Answer: a. | |
487 | cooler and less distinct | |
488 | ||
489 | • Question 9 | |
490 | 5 out of 5 points | |
491 | ||
492 | DaVinci is largely responsible for formulating the rules of the effects of light and air in the landscape, called________________. | |
493 | Answer | |
494 | Selected Answer: c. | |
495 | atmospheric perspective | |
496 | Correct Answer: c. | |
497 | atmospheric perspective | |
498 | ||
499 | • Question 10 | |
500 | 5 out of 5 points | |
501 | ||
502 | What is the chosen medium of the sculptor Dan Flavin? | |
503 | Answer | |
504 | Selected Answer: b. | |
505 | fluorescent lighting | |
506 | Correct Answer: b. | |
507 | fluorescent lighting | |
508 | ||
509 | • Question 11 | |
510 | 5 out of 5 points | |
511 | ||
512 | Artists sometimes choose to paint objects using colors that are not "true" to their optical or local colors (p. 117). This is an example of the expressive use of: | |
513 | Answer | |
514 | Selected Answer: a. | |
515 | arbitrary color. | |
516 | Correct Answer: a. | |
517 | arbitrary color. | |
518 | ||
519 | • Question 12 | |
520 | 5 out of 5 points | |
521 | ||
522 | One of the chief tools employed by artists of the Renaissance to show the effects of light (p. 97) is: | |
523 | Answer | |
524 | Selected Answer: d. | |
525 | chiaroscuro. | |
526 | Correct Answer: d. | |
527 | chiaroscuro. | |
528 | ||
529 | • Question 13 | |
530 | 5 out of 5 points | |
531 | ||
532 | The range of colors that an artist has preferred to use in a work is referred to as the: | |
533 | Answer | |
534 | Selected Answer: a. | |
535 | palette. | |
536 | Correct Answer: a. | |
537 | palette. | |
538 | ||
539 | • Question 14 | |
540 | 5 out of 5 points | |
541 | ||
542 | On Newton's color wheel, colors that lie directly between a secondary and primary (p. 107) are called: | |
543 | Answer | |
544 | Selected Answer: d. | |
545 | intermediate colors. | |
546 | Correct Answer: d. | |
547 | intermediate colors. | |
548 | ||
549 | • Question 15 | |
550 | 5 out of 5 points | |
551 | ||
552 | In the history of art, the association of good with light and evil with dark was first fully-developed by ________. | |
553 | Answer | |
554 | Selected Answer: a. | |
555 | Johann Wolfgang von Goethe | |
556 | Correct Answer: a. | |
557 | Johann Wolfgang von Goethe | |
558 | ||
559 | • Question 16 | |
560 | 5 out of 5 points | |
561 | ||
562 | In Judith and Maidservant with the Head of Holofernes, Artemisia Gentilieschi makes use of a high-contrast technique of painting called___________, Italian for "murky." | |
563 | Answer | |
564 | Selected Answer: a. | |
565 | tenebrism | |
566 | Correct Answer: a. | |
567 | tenebrism | |
568 | ||
569 | • Question 17 | |
570 | 5 out of 5 points | |
571 | ||
572 | The author describes Chuck Close's painting Stanley (p. 119) as: | |
573 | Answer | |
574 | Selected Answer: a. | |
575 | "layered pointillism." | |
576 | Correct Answer: a. | |
577 | "layered pointillism." | |
578 | ||
579 | • Question 18 | |
580 | 5 out of 5 points | |
581 | ||
582 | On the color wheel, blues and greens (p. 109) are usually thought of as: | |
583 | Answer | |
584 | Selected Answer: d. | |
585 | cool colors. | |
586 | Correct Answer: d. | |
587 | cool colors. | |
588 | ||
589 | • Question 19 | |
590 | 5 out of 5 points | |
591 | ||
592 | Mary Cassatt has manipulated light and color in In the Loge to emphasize: | |
593 | Answer | |
594 | Selected Answer: a. | |
595 | the division between male and female spaces. | |
596 | Correct Answer: a. | |
597 | the division between male and female spaces. | |
598 | ||
599 | • Question 20 | |
600 | 5 out of 5 points | |
601 | ||
602 | JMW Turner uses 2 types of perspective in Rain, Steam, and Speed-The Great Western Railway. What are they? | |
603 | Answer | |
604 | Selected Answer: c. | |
605 | atmospheric and one-point | |
606 | Correct Answer: c. | |
607 | atmospheric and one-point | |
608 | ||
609 | QUIZ 7 | |
610 | ||
611 | • Question 1 | |
612 | 6.25 out of 6.25 points | |
613 | ||
614 | Which of the artists below created a work titled Pietà? | |
615 | Answer | |
616 | Selected Answer: b. | |
617 | Michelangelo | |
618 | Correct Answer: b. | |
619 | Michelangelo | |
620 | ||
621 | • Question 2 | |
622 | 0 out of 6.25 points | |
623 | ||
624 | Because of its application to crafts, folk art, and women's work, _______ is associated with the beautifying of utilitarian objects. | |
625 | Answer | |
626 | Selected Answer: c. | |
627 | decorative pattern | |
628 | Correct Answer: b. | |
629 | femmage | |
630 | ||
631 | • Question 3 | |
632 | 6.25 out of 6.25 points | |
633 | ||
634 | Some works of art are created precisely to give us the illusion or sensation of movement. This style of art is called: | |
635 | Answer | |
636 | Selected Answer: b. | |
637 | Op Art. | |
638 | Correct Answer: b. | |
639 | Op Art. | |
640 | ||
641 | • Question 4 | |
642 | 6.25 out of 6.25 points | |
643 | ||
644 | The Kente cloths of the Asante and Ewe societies of Ghana provide a perfect example of which art element? | |
645 | Answer | |
646 | Selected Answer: b. | |
647 | pattern | |
648 | Correct Answer: b. | |
649 | pattern | |
650 | ||
651 | • Question 5 | |
652 | 6.25 out of 6.25 points | |
653 | ||
654 | Max Ernst's Forest and Dove uses a process called _______ to create a variety of textural effects. | |
655 | Answer | |
656 | Selected Answer: d. | |
657 | frottage | |
658 | Correct Answer: d. | |
659 | frottage | |
660 | ||
661 | • Question 6 | |
662 | 6.25 out of 6.25 points | |
663 | ||
664 | Because Gianlorenzo Bernini's David tells a story-of David slaying Goliath-it is said to have a _______ sequence. | |
665 | Answer | |
666 | Selected Answer: c. | |
667 | narrative | |
668 | Correct Answer: c. | |
669 | narrative | |
670 | ||
671 | • Question 7 | |
672 | 6.25 out of 6.25 points | |
673 | ||
674 | A friend of Claude Monet described his great paintings of Water Lilies, Morning: Willows in the Musée de l'Orangerie (pp. 132-133) as demonstrating _______ motion. | |
675 | Answer | |
676 | Selected Answer: a. | |
677 | Brownian | |
678 | Correct Answer: a. | |
679 | Brownian | |
680 | ||
681 | • Question 8 | |
682 | 6.25 out of 6.25 points | |
683 | ||
684 | The systematic and repetitive use of the same motif or design creates a pattern on the pages of the Lindisfarne Gospels, illustrates that pattern is an especially important _______ tool. | |
685 | Answer | |
686 | Selected Answer: a. | |
687 | decorative | |
688 | Correct Answer: a. | |
689 | decorative | |
690 | ||
691 | • Question 9 | |
692 | 6.25 out of 6.25 points | |
693 | ||
694 | Which is the most obvious difference between Bernini and Michelangelo's David? | |
695 | Answer | |
696 | Selected Answer: d. | |
697 | Bernini's David is caught in the midst of action, coiled and ready to launch his stone | |
698 | Correct Answer: d. | |
699 | Bernini's David is caught in the midst of action, coiled and ready to launch his stone | |
700 | ||
701 | • Question 10 | |
702 | 6.25 out of 6.25 points | |
703 | ||
704 | Hans Namuth's photos (p. 134-135) teach us that Jackson Pollock longed to be involved in: | |
705 | Answer | |
706 | Selected Answer: b. | |
707 | the process of painting. | |
708 | Correct Answer: b. | |
709 | the process of painting. | |
710 | ||
711 | • Question 11 | |
712 | 6.25 out of 6.25 points | |
713 | ||
714 | Alexander Calder's "mobiles," like Untitled (p. 123), move when air currents move through them, making them _____________. | |
715 | Answer | |
716 | Selected Answer: d. | |
717 | kinetic | |
718 | Correct Answer: d. | |
719 | kinetic | |
720 | ||
721 | • Question 12 | |
722 | 6.25 out of 6.25 points | |
723 | ||
724 | What is the subject matter of Isidro Escamilla's Virgin of Guadalupe? | |
725 | Answer | |
726 | Selected Answer: a. | |
727 | it narrates a story of a miraculous vision of the Virgin Mary at Tepayac, once a site of an Aztec temple | |
728 | Correct Answer: a. | |
729 | it narrates a story of a miraculous vision of the Virgin Mary at Tepayac, once a site of an Aztec temple | |
730 | ||
731 | • Question 13 | |
732 | 6.25 out of 6.25 points | |
733 | ||
734 | Early manuscripts such as the Lindisfarne Gospels (p. 128) were said to be ______ because they were elaborately illustrated and decorated. | |
735 | Answer | |
736 | Selected Answer: b. | |
737 | illuminated | |
738 | Correct Answer: b. | |
739 | illuminated | |
740 | ||
741 | • Question 14 | |
742 | 6.25 out of 6.25 points | |
743 | ||
744 | What was the inspiration for Grace Ndiritu's Still Life: White Textiles? | |
745 | Answer | |
746 | Selected Answer: c. | |
747 | an exhibition of work by Henri Matisse in 2005 in London | |
748 | Correct Answer: c. | |
749 | an exhibition of work by Henri Matisse in 2005 in London | |
750 | ||
751 | • Question 15 | |
752 | 0 out of 6.25 points | |
753 | ||
754 | In what way can a large-scale work be considered a "temporal" art form? | |
755 | Answer | |
756 | Selected Answer: d. | |
757 | it endures time | |
758 | Correct Answer: a. | |
759 | the spectator moves through time and space to view it | |
760 | ||
761 | • Question 16 | |
762 | 0 out of 6.25 points | |
763 | ||
764 | Which of the following is not an aspect of texture (pp. 124-127)? | |
765 | Answer | |
766 | Selected Answer: d. | |
767 | tactility | |
768 | Correct Answer: b. | |
769 | content | |
770 | ||
771 | ||
772 | QUIZ 8 | |
773 | ||
774 | • Question 1 | |
775 | 0 out of 5 points | |
776 | ||
777 | Which of these pieces best illustrates the use of "variety" over "unity"? | |
778 | Answer | |
779 | Selected Answer: b. | |
780 | James Lavadour's The Seven Valleys and the Five Valleys | |
781 | Correct Answer: a. | |
782 | Louise Lawler's Pollock and Tureen | |
783 | ||
784 | • Question 2 | |
785 | 5 out of 5 points | |
786 | ||
787 | Hokusai's The Great Wave makes a statement about scale, in part because: | |
788 | Answer | |
789 | Selected Answer: c. | |
790 | everyone in Japan knows the scale of Mount Fuji. | |
791 | Correct Answer: c. | |
792 | everyone in Japan knows the scale of Mount Fuji. | |
793 | ||
794 | • Question 3 | |
795 | 5 out of 5 points | |
796 | ||
797 | Frank Gehry has been called a postmodern architect, primarily because ____________. | |
798 | Answer | |
799 | Selected Answer: c. | |
800 | he purposely creates a sense of discontinuity by employing variety over unity | |
801 | Correct Answer: c. | |
802 | he purposely creates a sense of discontinuity by employing variety over unity | |
803 | ||
804 | • Question 4 | |
805 | 5 out of 5 points | |
806 | ||
807 | In her painting, Still Life with Lobster, (p. 150), Anna Vallayer-Coster establishes emphasis through: | |
808 | Answer | |
809 | Selected Answer: d. | |
810 | the manipulation of light and color. | |
811 | Correct Answer: d. | |
812 | the manipulation of light and color. | |
813 | ||
814 | • Question 5 | |
815 | 5 out of 5 points | |
816 | ||
817 | When each side of a composition is exactly the same (p. 143), it shows: | |
818 | Answer | |
819 | Selected Answer: c. | |
820 | absolute symmetry. | |
821 | Correct Answer: c. | |
822 | absolute symmetry. | |
823 | ||
824 | • Question 6 | |
825 | 5 out of 5 points | |
826 | ||
827 | Repetition often implies monotony (162-164), yet it also creates a sense of: | |
828 | Answer | |
829 | Selected Answer: d. | |
830 | rhythm. | |
831 | Correct Answer: d. | |
832 | rhythm. | |
833 | ||
834 | • Question 7 | |
835 | 5 out of 5 points | |
836 | ||
837 | The Rose window from the Chartres Cathedral is an example of: | |
838 | Answer | |
839 | Selected Answer: c. | |
840 | radial balance. | |
841 | Correct Answer: c. | |
842 | radial balance. | |
843 | ||
844 | • Question 8 | |
845 | 5 out of 5 points | |
846 | ||
847 | Where is the focal point in the Baroque painting, Joseph the Carpenter by Georges de La Tour? | |
848 | Answer | |
849 | Selected Answer: b. | |
850 | In the child's (Jesus) face | |
851 | Correct Answer: b. | |
852 | In the child's (Jesus) face | |
853 | ||
854 | • Question 9 | |
855 | 0 out of 5 points | |
856 | ||
857 | The dimensions of an object, in relation to some constant (p. 156) such as the human figure, are known as its _______. | |
858 | Answer | |
859 | Selected Answer: d. | |
860 | proportions | |
861 | Correct Answer: b. | |
862 | scale | |
863 | ||
864 | • Question 10 | |
865 | 5 out of 5 points | |
866 | ||
867 | Leonardo DaVinci's Vitruvian Man and Frank Gehry's residence illustrate the differences between______. | |
868 | Answer | |
869 | Selected Answer: d. | |
870 | unity and variety | |
871 | Correct Answer: d. | |
872 | unity and variety | |
873 | ||
874 | • Question 11 | |
875 | 5 out of 5 points | |
876 | ||
877 | When an artist deliberately avoids emphasis (p. 173), we say that the work is: | |
878 | Answer | |
879 | Selected Answer: a. | |
880 | afocal. | |
881 | Correct Answer: a. | |
882 | afocal. | |
883 | ||
884 | • Question 12 | |
885 | 5 out of 5 points | |
886 | ||
887 | Leonardo da Vinci's, Study of Human Proportion: The Vitruvian Man (p. 141), embodies both: | |
888 | Answer | |
889 | Selected Answer: d. | |
890 | All of the above. | |
891 | Correct Answer: d. | |
892 | All of the above. | |
893 | ||
894 | • Question 13 | |
895 | 5 out of 5 points | |
896 | ||
897 | _______ is a term that describes an artist's attempt to draw our eyes to one area of a composition (150). | |
898 | Answer | |
899 | Selected Answer: d. | |
900 | Emphasis | |
901 | Correct Answer: d. | |
902 | Emphasis | |
903 | ||
904 | • Question 14 | |
905 | 5 out of 5 points | |
906 | ||
907 | When dealing with balance in a composition, an artist or designer is actually dealing with: | |
908 | Answer | |
909 | Selected Answer: b. | |
910 | visual weight. | |
911 | Correct Answer: b. | |
912 | visual weight. | |
913 | ||
914 | • Question 15 | |
915 | 5 out of 5 points | |
916 | ||
917 | Sayre stats that the focal point in Larry Poons' Orange Crush is: | |
918 | Answer | |
919 | Selected Answer: c. | |
920 | there is no focal point. | |
921 | Correct Answer: c. | |
922 | there is no focal point. | |
923 | ||
924 | • Question 16 | |
925 | 5 out of 5 points | |
926 | ||
927 | Jan Vermeer's Woman Holding a Balance is a perfect example of ____________. | |
928 | Answer | |
929 | Selected Answer: b. | |
930 | an asymmetrically-balanced composition | |
931 | Correct Answer: b. | |
932 | an asymmetrically-balanced composition | |
933 | ||
934 | • Question 17 | |
935 | 5 out of 5 points | |
936 | ||
937 | Proportion is defined as: | |
938 | Answer | |
939 | Selected Answer: d. | |
940 | the relationship between the parts to each other and the whole in a composition. | |
941 | Correct Answer: d. | |
942 | the relationship between the parts to each other and the whole in a composition. | |
943 | ||
944 | • Question 18 | |
945 | 5 out of 5 points | |
946 | ||
947 | Chartres Cathedral's rose window best illustrates: | |
948 | Answer | |
949 | Selected Answer: c. | |
950 | radial balance. | |
951 | Correct Answer: c. | |
952 | radial balance. | |
953 | ||
954 | • Question 19 | |
955 | 5 out of 5 points | |
956 | ||
957 | The Taj Mahal was built by Shah Jahan beginning in 1632___________. | |
958 | Answer | |
959 | Selected Answer: b. | |
960 | as a mausoleum for his favorite wife, who died giving birth to their 14th child | |
961 | Correct Answer: b. | |
962 | as a mausoleum for his favorite wife, who died giving birth to their 14th child | |
963 | ||
964 | • Question 20 | |
965 | 5 out of 5 points | |
966 | ||
967 | The Taj Mahal is a perfect example of ____________in art/architecture. | |
968 | Answer | |
969 | Selected Answer: a. | |
970 | symmetry | |
971 | Correct Answer: a. | |
972 | symmetry | |
973 | ||
974 | In the 1660s, who discovered that color is a direct function of light by passing sunlight through a prism and observing the bands of spectrum of colors? | |
975 | ||
976 | b. Isaac Newton | |
977 | ||
978 |